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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC1534 it is the complementary color #53EACB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC1534. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC1534 shade: #B1152F, #C22742, #D33955, #E44B68 and #F55D7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC1534. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC1534 shade: #AC1534, #9B0321, #8A000E, #790000 and #680000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC1534 shade: #AC1534 and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC1534 shade: #AC1534, #AC155D, #AC1585, #AA15AC and #8115AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC1534 shade matches the following richer shades: #AC1534 and #BC052B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC1534 shade: #AC1534, #9C243D, #8D3446, #7D4450 and #6D5459

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC1534 shade: #AC1586, #AC155E, #AC1536, #AC1C15 and #AC4515

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC1534 shade: #630C1E, #871029, #AC1534, #D1193F and #E52F54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC1534 shade: #AC1534, #ACA915 and #1572AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC1534 shade: #AC1534, #36AC15 and #1536AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC1534 shade: #AC1534, #ACA915, #15AC8B and #1517AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC1534 shade: #AC1534, #81AC15, #15AC8B and #4015AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 70 / 33

HEX #AC1534

RGB 172 21 52

HSL 347.68, 0.78%, 0.38%

LAB 37.03, 58.02, 24.13

 

Complementary color

CMYK 65 / 0 / 13 / 8

HEX #53EACB

RGB 83 234 203

HSL 167.68, 0.78%, 0.62%

LAB 84.48, -47, 3.35

 

CMYK 0 / 88 / 73 / 31

HEX #B1152F

RGB 177 21 47

HSL 350, 0.79%, 0.39%

LAB 38, 59.14, 28.68

 

CMYK 0 / 80 / 66 / 24

HEX #C22742

RGB 194 39 66

HSL 349.55, 0.67%, 0.46%

LAB 43.23, 60.53, 24.11

 

CMYK 0 / 73 / 60 / 17

HEX #D33955

RGB 211 57 85

HSL 349.09, 0.64%, 0.53%

LAB 48.8, 61, 20.36

 

CMYK 0 / 67 / 54 / 11

HEX #E44B68

RGB 228 75 104

HSL 348.63, 0.74%, 0.59%

LAB 54.58, 60.89, 17.27

 

CMYK 0 / 62 / 50 / 4

HEX #F55D7B

RGB 245 93 123

HSL 348.16, 0.88%, 0.66%

LAB 60.49, 60.42, 14.71

 

CMYK 0 / 88 / 70 / 33

HEX #AC1534

RGB 172 21 52

HSL 347.68, 0.78%, 0.38%

LAB 37.03, 58.02, 24.13

 

CMYK 0 / 98 / 79 / 39

HEX #9B0321

RGB 155 3 33

HSL 348.16, 0.96%, 0.31%

LAB 32.13, 55.49, 29.44

 

CMYK 0 / 100 / 90 / 46

HEX #8A000E

RGB 138 0 14

HSL 353.91, 1%, 0.27%

LAB 27.94, 50.98, 35.19

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 88 / 70 / 33

HEX #AC1534

RGB 172 21 52

HSL 347.68, 0.78%, 0.38%

LAB 37.03, 58.02, 24.13

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 88 / 70 / 33

HEX #AC1534

RGB 172 21 52

HSL 347.68, 0.78%, 0.38%

LAB 37.03, 58.02, 24.13

 

CMYK 0 / 88 / 46 / 33

HEX #AC155D

RGB 172 21 93

HSL 331.39, 0.78%, 0.38%

LAB 38.02, 60.84, -0.83

 

CMYK 0 / 88 / 23 / 33

HEX #AC1585

RGB 172 21 133

HSL 315.5, 0.78%, 0.38%

LAB 39.58, 65.15, -23.59

 

CMYK 1 / 88 / 0 / 33

HEX #AA15AC

RGB 170 21 172

HSL 299.21, 0.78%, 0.38%

LAB 41.31, 70.27, -44.52

 

CMYK 25 / 88 / 0 / 33

HEX #8115AC

RGB 129 21 172

HSL 282.91, 0.78%, 0.38%

LAB 34.36, 63.36, -56.08

 

CMYK 0 / 88 / 70 / 33

HEX #AC1534

RGB 172 21 52

HSL 347.68, 0.78%, 0.38%

LAB 37.03, 58.02, 24.13

 

CMYK 0 / 97 / 77 / 26

HEX #BC052B

RGB 188 5 43

HSL 347.54, 0.95%, 0.38%

LAB 39.54, 63.98, 33.49

 

CMYK 0 / 88 / 70 / 33

HEX #AC1534

RGB 172 21 52

HSL 347.68, 0.78%, 0.38%

LAB 37.03, 58.02, 24.13

 

CMYK 0 / 77 / 61 / 39

HEX #9C243D

RGB 156 36 61

HSL 347.5, 0.63%, 0.38%

LAB 35.33, 50.03, 15.54

 

CMYK 0 / 63 / 50 / 45

HEX #8D3446

RGB 141 52 70

HSL 347.87, 0.46%, 0.38%

LAB 35.12, 39.33, 9.01

 

CMYK 0 / 46 / 36 / 51

HEX #7D4450

RGB 125 68 80

HSL 347.37, 0.3%, 0.38%

LAB 36.13, 25.96, 3.7

 

CMYK 0 / 23 / 18 / 57

HEX #6D5459

RGB 109 84 89

HSL 348, 0.13%, 0.38%

LAB 38.4, 11.24, 1.08

 

CMYK 0 / 88 / 22 / 33

HEX #AC1586

RGB 172 21 134

HSL 315.1, 0.78%, 0.38%

LAB 39.63, 65.27, -24.13

 

CMYK 0 / 88 / 45 / 33

HEX #AC155E

RGB 172 21 94

HSL 330.99, 0.78%, 0.38%

LAB 38.05, 60.93, -1.42

 

CMYK 0 / 88 / 69 / 33

HEX #AC1536

RGB 172 21 54

HSL 346.89, 0.78%, 0.38%

LAB 37.07, 58.12, 22.9

 

CMYK 0 / 84 / 88 / 33

HEX #AC1C15

RGB 172 28 21

HSL 2.78, 0.78%, 0.38%

LAB 37.22, 55.41, 42.29

 

CMYK 0 / 60 / 88 / 33

HEX #AC4515

RGB 172 69 21

HSL 19.07, 0.78%, 0.38%

LAB 42.89, 39.95, 46.9

 

CMYK 0 / 88 / 70 / 61

HEX #630C1E

RGB 99 12 30

HSL 347.59, 0.78%, 0.22%

LAB 20.08, 38.01, 14.07

 

CMYK 0 / 88 / 70 / 47

HEX #871029

RGB 135 16 41

HSL 347.39, 0.79%, 0.3%

LAB 28.59, 48.28, 19.02

 

CMYK 0 / 88 / 70 / 33

HEX #AC1534

RGB 172 21 52

HSL 347.68, 0.78%, 0.38%

LAB 37.03, 58.02, 24.13

 

CMYK 0 / 88 / 70 / 18

HEX #D1193F

RGB 209 25 63

HSL 347.61, 0.79%, 0.46%

LAB 45.09, 67.52, 28.93

 

CMYK 0 / 79 / 63 / 10

HEX #E52F54

RGB 229 47 84

HSL 347.8, 0.78%, 0.54%

LAB 51.07, 69.04, 24.58

 

CMYK 0 / 88 / 70 / 33

HEX #AC1534

RGB 172 21 52

HSL 347.68, 0.78%, 0.38%

LAB 37.03, 58.02, 24.13

 

CMYK 0 / 2 / 88 / 33

HEX #ACA915

RGB 172 169 21

HSL 58.81, 0.78%, 0.38%

LAB 67.43, -14.19, 66.74

 

CMYK 88 / 34 / 0 / 33

HEX #1572AC

RGB 21 114 172

HSL 203.05, 0.78%, 0.38%

LAB 45.87, -4.06, -38.02

 

CMYK 0 / 88 / 70 / 33

HEX #AC1534

RGB 172 21 52

HSL 347.68, 0.78%, 0.38%

LAB 37.03, 58.02, 24.13

 

CMYK 69 / 0 / 88 / 33

HEX #36AC15

RGB 54 172 21

HSL 106.89, 0.78%, 0.38%

LAB 61.95, -57.58, 59.57

 

CMYK 88 / 69 / 0 / 33

HEX #1536AC

RGB 21 54 172

HSL 226.89, 0.78%, 0.38%

LAB 28.84, 35.25, -65.53

 

CMYK 0 / 88 / 70 / 33

HEX #AC1534

RGB 172 21 52

HSL 347.68, 0.78%, 0.38%

LAB 37.03, 58.02, 24.13

 

CMYK 0 / 2 / 88 / 33

HEX #ACA915

RGB 172 169 21

HSL 58.81, 0.78%, 0.38%

LAB 67.43, -14.19, 66.74

 

CMYK 88 / 0 / 19 / 33

HEX #15AC8B

RGB 21 172 139

HSL 166.89, 0.78%, 0.38%

LAB 62.95, -44.3, 6.75

 

CMYK 88 / 87 / 0 / 33

HEX #1517AC

RGB 21 23 172

HSL 239.21, 0.78%, 0.38%

LAB 22.83, 52.32, -75.49

 

CMYK 0 / 88 / 70 / 33

HEX #AC1534

RGB 172 21 52

HSL 347.68, 0.78%, 0.38%

LAB 37.03, 58.02, 24.13

 

CMYK 25 / 0 / 88 / 33

HEX #81AC15

RGB 129 172 21

HSL 77.09, 0.78%, 0.38%

LAB 65.14, -33.98, 63.56

 

CMYK 88 / 0 / 19 / 33

HEX #15AC8B

RGB 21 172 139

HSL 166.89, 0.78%, 0.38%

LAB 62.95, -44.3, 6.75

 

CMYK 63 / 88 / 0 / 33

HEX #4015AC

RGB 64 21 172

HSL 257.09, 0.78%, 0.38%

LAB 25.58, 55.47, -70.83

 

Description

Color code: HEX #AC1534 | qconv.com Color code: HEX #AC1534 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 21 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 21 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 70 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 70% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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