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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E44B68 it is the complementary color #1BB497. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E44B68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E44B68 shade: #E94B63, #FA5D76, #FF6F89, #FF819C and #FF93AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E44B68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E44B68 shade: #E44B68, #D33955, #C22742, #B1152F and #A0031C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E44B68 shade: #E34966 and #E34949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E44B68 shade: #E34966, #E34990, #E349B9, #E349E3 and #BA49E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E44B68 shade matches the following richer shades: #E34966 and #F4385B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E44B68 shade: #E34966, #D25970, #C16A7B, #B17B85 and #A08C90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E44B68 shade: #E349BA, #E34991, #E34968, #E35349 and #E37C49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E44B68 shade: #BD1C3B, #DE2548, #E34966, #E96C84 and #EE90A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E44B68 shade: #E44B68, #E3E349 and #49A5E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E44B68 shade: #E44B68, #68E349 and #4968E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E44B68 shade: #E44B68, #E3E349, #49E3C4 and #4949E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E44B68 shade: #E44B68, #B5E349, #49E3C4 and #7749E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 54 / 11

HEX #E44B68

RGB 228 75 104

HSL 348.63, 0.74%, 0.59%

LAB 54.58, 60.89, 17.27

 

Complementary color

CMYK 85 / 0 / 16 / 29

HEX #1BB497

RGB 27 180 151

HSL 168.63, 0.74%, 0.41%

LAB 65.83, -44.08, 4.25

 

CMYK 0 / 68 / 58 / 9

HEX #E94B63

RGB 233 75 99

HSL 350.89, 0.78%, 0.6%

LAB 55.34, 62.06, 21.4

 

CMYK 0 / 63 / 53 / 2

HEX #FA5D76

RGB 250 93 118

HSL 350.45, 0.94%, 0.67%

LAB 61.19, 61.59, 18.69

 

CMYK 0 / 56 / 46 / 0

HEX #FF6F89

RGB 255 111 137

HSL 349.17, 1%, 0.72%

LAB 65.31, 57.01, 13.61

 

CMYK 0 / 49 / 39 / 0

HEX #FF819C

RGB 255 129 156

HSL 347.14, 1%, 0.75%

LAB 69.01, 50.46, 8.09

 

CMYK 0 / 42 / 31 / 0

HEX #FF93AF

RGB 255 147 175

HSL 344.44, 1%, 0.79%

LAB 73.04, 43.73, 3.28

 

CMYK 0 / 67 / 54 / 11

HEX #E44B68

RGB 228 75 104

HSL 348.63, 0.74%, 0.59%

LAB 54.58, 60.89, 17.27

 

CMYK 0 / 73 / 60 / 17

HEX #D33955

RGB 211 57 85

HSL 349.09, 0.64%, 0.53%

LAB 48.8, 61, 20.36

 

CMYK 0 / 80 / 66 / 24

HEX #C22742

RGB 194 39 66

HSL 349.55, 0.67%, 0.46%

LAB 43.23, 60.53, 24.11

 

CMYK 0 / 88 / 73 / 31

HEX #B1152F

RGB 177 21 47

HSL 350, 0.79%, 0.39%

LAB 38, 59.14, 28.68

 

CMYK 0 / 98 / 83 / 37

HEX #A0031C

RGB 160 3 28

HSL 350.45, 0.96%, 0.32%

LAB 33.18, 56.63, 33.92

 

CMYK 0 / 68 / 55 / 11

HEX #E34966

RGB 227 73 102

HSL 348.7, 0.73%, 0.59%

LAB 54.09, 61.2, 17.76

 

CMYK 0 / 68 / 68 / 11

HEX #E34949

RGB 227 73 73

HSL 0, 0.73%, 0.59%

LAB 53.58, 59.39, 34.11

 

CMYK 0 / 68 / 55 / 11

HEX #E34966

RGB 227 73 102

HSL 348.7, 0.73%, 0.59%

LAB 54.09, 61.2, 17.76

 

CMYK 0 / 68 / 37 / 11

HEX #E34990

RGB 227 73 144

HSL 332.34, 0.73%, 0.59%

LAB 55.19, 65.02, -5.63

 

CMYK 0 / 68 / 19 / 11

HEX #E349B9

RGB 227 73 185

HSL 316.36, 0.73%, 0.59%

LAB 56.68, 70.01, -27.31

 

CMYK 0 / 68 / 0 / 11

HEX #E349E3

RGB 227 73 227

HSL 300, 0.73%, 0.59%

LAB 58.64, 76.24, -48.16

 

CMYK 18 / 68 / 0 / 11

HEX #BA49E3

RGB 186 73 227

HSL 284.03, 0.73%, 0.59%

LAB 52.68, 67.41, -58.03

 

CMYK 0 / 68 / 55 / 11

HEX #E34966

RGB 227 73 102

HSL 348.7, 0.73%, 0.59%

LAB 54.09, 61.2, 17.76

 

CMYK 0 / 77 / 63 / 4

HEX #F4385B

RGB 244 56 91

HSL 348.83, 0.9%, 0.59%

LAB 54.88, 71.06, 25.9

 

CMYK 0 / 68 / 55 / 11

HEX #E34966

RGB 227 73 102

HSL 348.7, 0.73%, 0.59%

LAB 54.09, 61.2, 17.76

 

CMYK 0 / 58 / 47 / 18

HEX #D25970

RGB 210 89 112

HSL 348.6, 0.57%, 0.59%

LAB 54.04, 49.77, 11.34

 

CMYK 0 / 45 / 36 / 24

HEX #C16A7B

RGB 193 106 123

HSL 348.28, 0.41%, 0.59%

LAB 55.15, 36.46, 6.08

 

CMYK 0 / 31 / 25 / 31

HEX #B17B85

RGB 177 123 133

HSL 348.89, 0.26%, 0.59%

LAB 57.28, 22.49, 3.05

 

CMYK 0 / 13 / 10 / 37

HEX #A08C90

RGB 160 140 144

HSL 348, 0.1%, 0.59%

LAB 60.11, 8.2, 0.63

 

CMYK 0 / 68 / 18 / 11

HEX #E349BA

RGB 227 73 186

HSL 315.97, 0.73%, 0.59%

LAB 56.72, 70.14, -27.82

 

CMYK 0 / 68 / 36 / 11

HEX #E34991

RGB 227 73 145

HSL 331.95, 0.73%, 0.59%

LAB 55.22, 65.12, -6.17

 

CMYK 0 / 68 / 54 / 11

HEX #E34968

RGB 227 73 104

HSL 347.92, 0.73%, 0.59%

LAB 54.13, 61.35, 16.63

 

CMYK 0 / 63 / 68 / 11

HEX #E35349

RGB 227 83 73

HSL 3.9, 0.73%, 0.59%

LAB 55.07, 55.34, 35.91

 

CMYK 0 / 45 / 68 / 11

HEX #E37C49

RGB 227 124 73

HSL 19.87, 0.73%, 0.59%

LAB 62.7, 35.75, 44.8

 

CMYK 0 / 85 / 69 / 26

HEX #BD1C3B

RGB 189 28 59

HSL 348.45, 0.74%, 0.43%

LAB 41.16, 61.5, 25.63

 

CMYK 0 / 83 / 68 / 13

HEX #DE2548

RGB 222 37 72

HSL 348.65, 0.74%, 0.51%

LAB 48.66, 68.96, 28.46

 

CMYK 0 / 68 / 55 / 11

HEX #E34966

RGB 227 73 102

HSL 348.7, 0.73%, 0.59%

LAB 54.09, 61.2, 17.76

 

CMYK 0 / 54 / 43 / 9

HEX #E96C84

RGB 233 108 132

HSL 348.48, 0.74%, 0.67%

LAB 61.41, 50.58, 10.52

 

CMYK 0 / 39 / 32 / 7

HEX #EE90A2

RGB 238 144 162

HSL 348.51, 0.73%, 0.75%

LAB 69.99, 37.66, 5.84

 

CMYK 0 / 67 / 54 / 11

HEX #E44B68

RGB 228 75 104

HSL 348.63, 0.74%, 0.59%

LAB 54.58, 60.89, 17.27

 

CMYK 0 / 0 / 68 / 11

HEX #E3E349

RGB 227 227 73

HSL 60, 0.73%, 0.59%

LAB 87.85, -17.87, 71.41

 

CMYK 68 / 27 / 0 / 11

HEX #49A5E3

RGB 73 165 227

HSL 204.16, 0.73%, 0.59%

LAB 64.86, -7.85, -39.25

 

CMYK 0 / 67 / 54 / 11

HEX #E44B68

RGB 228 75 104

HSL 348.63, 0.74%, 0.59%

LAB 54.58, 60.89, 17.27

 

CMYK 54 / 0 / 68 / 11

HEX #68E349

RGB 104 227 73

HSL 107.92, 0.73%, 0.59%

LAB 80.94, -61.59, 62.14

 

CMYK 68 / 54 / 0 / 11

HEX #4968E3

RGB 73 104 227

HSL 227.92, 0.73%, 0.59%

LAB 48.09, 28.71, -65.97

 

CMYK 0 / 67 / 54 / 11

HEX #E44B68

RGB 228 75 104

HSL 348.63, 0.74%, 0.59%

LAB 54.58, 60.89, 17.27

 

CMYK 0 / 0 / 68 / 11

HEX #E3E349

RGB 227 227 73

HSL 60, 0.73%, 0.59%

LAB 87.85, -17.87, 71.41

 

CMYK 68 / 0 / 14 / 11

HEX #49E3C4

RGB 73 227 196

HSL 167.92, 0.73%, 0.59%

LAB 82.02, -47.25, 3.45

 

CMYK 68 / 68 / 0 / 11

HEX #4949E3

RGB 73 73 227

HSL 240, 0.73%, 0.59%

LAB 40.78, 47.59, -77.89

 

CMYK 0 / 67 / 54 / 11

HEX #E44B68

RGB 228 75 104

HSL 348.63, 0.74%, 0.59%

LAB 54.58, 60.89, 17.27

 

CMYK 20 / 0 / 68 / 11

HEX #B5E349

RGB 181 227 73

HSL 77.92, 0.73%, 0.59%

LAB 84.61, -36.24, 67.09

 

CMYK 68 / 0 / 14 / 11

HEX #49E3C4

RGB 73 227 196

HSL 167.92, 0.73%, 0.59%

LAB 82.02, -47.25, 3.45

 

CMYK 48 / 68 / 0 / 11

HEX #7749E3

RGB 119 73 227

HSL 257.92, 0.73%, 0.59%

LAB 44.57, 54.34, -71.55

 

Description

Color code: HEX #E44B68 | qconv.com Color code: HEX #E44B68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 75 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 75 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 54 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 54% 11% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - AcFun弹幕视频网 - 认真你就输啦 ...
Link: http://www.acfun.cn

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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