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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC09D3 it is the complementary color #53F62C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC09D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC09D3 shade: #B109CE, #C21BE1, #D32DF4, #E43FFF and #F551FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC09D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC09D3 shade: #AC09D3, #9B00C0, #8A00AD, #79009A and #680087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC09D3 shade: #AB08D2, #D208C3, #D2088C, #D20856 and #D2081F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC09D3 shade: #AB08D2, #7508D2, #3E08D2 and #0808D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC09D3 shade matches the following richer shades: #AB08D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC09D3 shade: #AB08D2, #A01AC0, #952CAF, #8A3D9D and #804F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC09D3 shade: #3E08D2, #7408D2, #AA08D2, #D208C5 and #D2088F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC09D3 shade: #6B0583, #8B07AA, #AB08D2, #C80FF5 and #D137F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC09D3 shade: #AC09D3, #D20808 and #08D259

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC09D3 shade: #AC09D3, #D2AA08 and #08D2AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC09D3 shade: #AC09D3, #D20808, #31D208 and #08D2D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC09D3 shade: #AC09D3, #D24508, #31D208 and #0896D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 96 / 0 / 17

HEX #AC09D3

RGB 172 9 211

HSL 288.42, 0.92%, 0.43%

LAB 43.75, 78.54, -63.41

 

Complementary color

CMYK 66 / 0 / 82 / 4

HEX #53F62C

RGB 83 246 44

HSL 108.42, 0.92%, 0.57%

LAB 85.97, -74.53, 75.97

 

CMYK 14 / 96 / 0 / 19

HEX #B109CE

RGB 177 9 206

HSL 291.17, 0.92%, 0.42%

LAB 44.23, 78.41, -59.71

 

CMYK 14 / 88 / 0 / 12

HEX #C21BE1

RGB 194 27 225

HSL 290.61, 0.79%, 0.49%

LAB 49.12, 81.86, -62.57

 

CMYK 14 / 82 / 0 / 4

HEX #D32DF4

RGB 211 45 244

HSL 290.05, 0.9%, 0.57%

LAB 54.3, 84.16, -64.78

 

CMYK 11 / 75 / 0 / 0

HEX #E43FFF

RGB 228 63 255

HSL 291.56, 1%, 0.62%

LAB 59.22, 84.24, -62.84

 

CMYK 4 / 68 / 0 / 0

HEX #F551FF

RGB 245 81 255

HSL 296.55, 1%, 0.66%

LAB 63.77, 81.85, -55.43

 

CMYK 18 / 96 / 0 / 17

HEX #AC09D3

RGB 172 9 211

HSL 288.42, 0.92%, 0.43%

LAB 43.75, 78.54, -63.41

 

CMYK 19 / 100 / 0 / 25

HEX #9B00C0

RGB 155 0 192

HSL 288.44, 1%, 0.38%

LAB 39.2, 73.8, -59.88

 

CMYK 20 / 100 / 0 / 32

HEX #8A00AD

RGB 138 0 173

HSL 287.86, 1%, 0.34%

LAB 34.84, 68.11, -55.83

 

CMYK 21 / 100 / 0 / 40

HEX #79009A

RGB 121 0 154

HSL 287.14, 1%, 0.3%

LAB 30.4, 62.29, -51.7

 

CMYK 23 / 100 / 0 / 47

HEX #680087

RGB 104 0 135

HSL 286.22, 1%, 0.26%

LAB 25.84, 56.34, -47.48

 

CMYK 19 / 96 / 0 / 18

HEX #AB08D2

RGB 171 8 210

HSL 288.42, 0.93%, 0.43%

LAB 43.48, 78.32, -63.28

 

CMYK 0 / 96 / 7 / 18

HEX #D208C3

RGB 210 8 195

HSL 304.46, 0.93%, 0.43%

LAB 49.27, 82.14, -44.93

 

CMYK 0 / 96 / 33 / 18

HEX #D2088C

RGB 210 8 140

HSL 320.79, 0.93%, 0.43%

LAB 46.67, 75.52, -16.35

 

CMYK 0 / 96 / 59 / 18

HEX #D20856

RGB 210 8 86

HSL 336.83, 0.93%, 0.43%

LAB 45.01, 71.09, 14.6

 

CMYK 0 / 96 / 85 / 18

HEX #D2081F

RGB 210 8 31

HSL 353.17, 0.93%, 0.43%

LAB 44.2, 68.86, 46.38

 

CMYK 19 / 96 / 0 / 18

HEX #AB08D2

RGB 171 8 210

HSL 288.42, 0.93%, 0.43%

LAB 43.48, 78.32, -63.28

 

CMYK 44 / 96 / 0 / 18

HEX #7508D2

RGB 117 8 210

HSL 272.38, 0.93%, 0.43%

LAB 35.22, 71.86, -77.13

 

CMYK 70 / 96 / 0 / 18

HEX #3E08D2

RGB 62 8 210

HSL 256.04, 0.93%, 0.43%

LAB 29.03, 68.09, -87.57

 

CMYK 96 / 96 / 0 / 18

HEX #0808D2

RGB 8 8 210

HSL 240, 0.93%, 0.43%

LAB 26.39, 66.87, -92.06

 

CMYK 19 / 96 / 0 / 18

HEX #AB08D2

RGB 171 8 210

HSL 288.42, 0.93%, 0.43%

LAB 43.48, 78.32, -63.28

 

CMYK 19 / 96 / 0 / 18

HEX #AB08D2

RGB 171 8 210

HSL 288.42, 0.93%, 0.43%

LAB 43.48, 78.32, -63.28

 

CMYK 17 / 86 / 0 / 25

HEX #A01AC0

RGB 160 26 192

HSL 288.43, 0.76%, 0.43%

LAB 41.24, 70.95, -56.53

 

CMYK 15 / 75 / 0 / 31

HEX #952CAF

RGB 149 44 175

HSL 288.09, 0.6%, 0.43%

LAB 40.06, 60.8, -48.5

 

CMYK 12 / 61 / 0 / 38

HEX #8A3D9D

RGB 138 61 157

HSL 288.13, 0.44%, 0.43%

LAB 39.87, 47.54, -38.14

 

CMYK 8 / 43 / 0 / 45

HEX #804F8B

RGB 128 79 139

HSL 289, 0.28%, 0.43%

LAB 41.29, 31.19, -25.13

 

CMYK 70 / 96 / 0 / 18

HEX #3E08D2

RGB 62 8 210

HSL 256.04, 0.93%, 0.43%

LAB 29.03, 68.09, -87.57

 

CMYK 45 / 96 / 0 / 18

HEX #7408D2

RGB 116 8 210

HSL 272.08, 0.93%, 0.43%

LAB 35.08, 71.77, -77.36

 

CMYK 19 / 96 / 0 / 18

HEX #AA08D2

RGB 170 8 210

HSL 288.12, 0.93%, 0.43%

LAB 43.32, 78.18, -63.55

 

CMYK 0 / 96 / 6 / 18

HEX #D208C5

RGB 210 8 197

HSL 303.86, 0.93%, 0.43%

LAB 49.38, 82.41, -45.92

 

CMYK 0 / 96 / 32 / 18

HEX #D2088F

RGB 210 8 143

HSL 319.9, 0.93%, 0.43%

LAB 46.79, 75.83, -17.98

 

CMYK 18 / 96 / 0 / 49

HEX #6B0583

RGB 107 5 131

HSL 288.57, 0.93%, 0.27%

LAB 26.37, 55.09, -44.08

 

CMYK 18 / 96 / 0 / 33

HEX #8B07AA

RGB 139 7 170

HSL 288.59, 0.92%, 0.35%

LAB 35.09, 66.81, -53.62

 

CMYK 19 / 96 / 0 / 18

HEX #AB08D2

RGB 171 8 210

HSL 288.42, 0.93%, 0.43%

LAB 43.48, 78.32, -63.28

 

CMYK 18 / 94 / 0 / 4

HEX #C80FF5

RGB 200 15 245

HSL 288.26, 0.92%, 0.51%

LAB 50.94, 87.64, -70.86

 

CMYK 15 / 78 / 0 / 4

HEX #D137F6

RGB 209 55 246

HSL 288.38, 0.91%, 0.59%

LAB 55.01, 81.57, -64.76

 

CMYK 18 / 96 / 0 / 17

HEX #AC09D3

RGB 172 9 211

HSL 288.42, 0.92%, 0.43%

LAB 43.75, 78.54, -63.41

 

CMYK 0 / 96 / 96 / 18

HEX #D20808

RGB 210 8 8

HSL 0, 0.93%, 0.43%

LAB 44.08, 68.54, 55.6

 

CMYK 96 / 0 / 58 / 18

HEX #08D259

RGB 8 210 89

HSL 144.06, 0.93%, 0.43%

LAB 74.1, -68.23, 47.27

 

CMYK 18 / 96 / 0 / 17

HEX #AC09D3

RGB 172 9 211

HSL 288.42, 0.92%, 0.43%

LAB 43.75, 78.54, -63.41

 

CMYK 0 / 19 / 96 / 18

HEX #D2AA08

RGB 210 170 8

HSL 48.12, 0.93%, 0.43%

LAB 71.19, 1.95, 73.12

 

CMYK 96 / 0 / 19 / 18

HEX #08D2AA

RGB 8 210 170

HSL 168.12, 0.93%, 0.43%

LAB 75.48, -52.37, 7.77

 

CMYK 18 / 96 / 0 / 17

HEX #AC09D3

RGB 172 9 211

HSL 288.42, 0.92%, 0.43%

LAB 43.75, 78.54, -63.41

 

CMYK 0 / 96 / 96 / 18

HEX #D20808

RGB 210 8 8

HSL 0, 0.93%, 0.43%

LAB 44.08, 68.54, 55.6

 

CMYK 77 / 0 / 96 / 18

HEX #31D208

RGB 49 210 8

HSL 107.82, 0.93%, 0.43%

LAB 74.04, -70.51, 71.57

 

CMYK 96 / 0 / 0 / 18

HEX #08D2D2

RGB 8 210 210

HSL 180, 0.93%, 0.43%

LAB 76.56, -41.32, -12.16

 

CMYK 18 / 96 / 0 / 17

HEX #AC09D3

RGB 172 9 211

HSL 288.42, 0.92%, 0.43%

LAB 43.75, 78.54, -63.41

 

CMYK 0 / 67 / 96 / 18

HEX #D24508

RGB 210 69 8

HSL 18.12, 0.93%, 0.43%

LAB 49.47, 53.46, 58.53

 

CMYK 77 / 0 / 96 / 18

HEX #31D208

RGB 49 210 8

HSL 107.82, 0.93%, 0.43%

LAB 74.04, -70.51, 71.57

 

CMYK 96 / 29 / 0 / 18

HEX #0896D2

RGB 8 150 210

HSL 197.82, 0.93%, 0.43%

LAB 58.52, -11.29, -39.82

 

Description

Color code: HEX #AC09D3 | qconv.com Color code: HEX #AC09D3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 9 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 9 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 96 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 96% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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