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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C21BE1 it is the complementary color #3DE41E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C21BE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C21BE1 shade: #C71BDC, #D82DEF, #E93FFF, #FA51FF and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C21BE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C21BE1 shade: #C21BE1, #B109CE, #A000BB, #8F00A8 and #7E0095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C21BE1 shade: #C01ADF, #DF1AC9, #DF1A94, #DF1A5E and #DF1A29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C21BE1 shade: #C01ADF, #8B1ADF, #561ADF, #211ADF and #1A1ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C21BE1 shade matches the following richer shades: #C01ADF and #CE06F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C21BE1 shade: #C01ADF, #B22ECB, #A442B7, #9756A3 and #896B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C21BE1 shade: #551ADF, #8A1ADF, #BE1ADF, #DF1ACB and #DF1A97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C21BE1 shade: #811195, #A015BA, #C01ADF, #CC3BE8 and #D660EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C21BE1 shade: #C21BE1, #DF201A and #1ADF6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C21BE1 shade: #C21BE1, #DFBE1A and #1ADFBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C21BE1 shade: #C21BE1, #DF201A, #3BDF1A and #1AD9DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C21BE1 shade: #C21BE1, #DF5C1A, #3BDF1A and #1A9DDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 88 / 0 / 12

HEX #C21BE1

RGB 194 27 225

HSL 290.61, 0.79%, 0.49%

LAB 49.12, 81.86, -62.57

 

Complementary color

CMYK 73 / 0 / 87 / 11

HEX #3DE41E

RGB 61 228 30

HSL 110.61, 0.79%, 0.51%

LAB 79.94, -73.47, 73.49

 

CMYK 10 / 88 / 0 / 14

HEX #C71BDC

RGB 199 27 220

HSL 293.47, 0.78%, 0.48%

LAB 49.61, 81.84, -58.88

 

CMYK 10 / 81 / 0 / 6

HEX #D82DEF

RGB 216 45 239

HSL 292.89, 0.86%, 0.56%

LAB 54.77, 84.18, -61.18

 

CMYK 9 / 75 / 0 / 0

HEX #E93FFF

RGB 233 63 255

HSL 293.13, 1%, 0.62%

LAB 59.98, 85.17, -61.59

 

CMYK 2 / 68 / 0 / 0

HEX #FA51FF

RGB 250 81 255

HSL 298.28, 1%, 0.66%

LAB 64.51, 82.9, -54.22

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 14 / 88 / 0 / 12

HEX #C21BE1

RGB 194 27 225

HSL 290.61, 0.79%, 0.49%

LAB 49.12, 81.86, -62.57

 

CMYK 14 / 96 / 0 / 19

HEX #B109CE

RGB 177 9 206

HSL 291.17, 0.92%, 0.42%

LAB 44.23, 78.41, -59.71

 

CMYK 14 / 100 / 0 / 27

HEX #A000BB

RGB 160 0 187

HSL 291.34, 1%, 0.37%

LAB 39.68, 73.66, -56.12

 

CMYK 15 / 100 / 0 / 34

HEX #8F00A8

RGB 143 0 168

HSL 291.07, 1%, 0.33%

LAB 35.33, 67.95, -51.99

 

CMYK 15 / 100 / 0 / 42

HEX #7E0095

RGB 126 0 149

HSL 290.74, 1%, 0.29%

LAB 30.89, 62.12, -47.79

 

CMYK 14 / 88 / 0 / 13

HEX #C01ADF

RGB 192 26 223

HSL 290.56, 0.79%, 0.49%

LAB 48.6, 81.38, -62.28

 

CMYK 0 / 88 / 10 / 13

HEX #DF1AC9

RGB 223 26 201

HSL 306.7, 0.79%, 0.49%

LAB 52.56, 83.34, -43.05

 

CMYK 0 / 88 / 34 / 13

HEX #DF1A94

RGB 223 26 148

HSL 322.84, 0.79%, 0.49%

LAB 50.17, 77.02, -15.61

 

CMYK 0 / 88 / 58 / 13

HEX #DF1A5E

RGB 223 26 94

HSL 339.29, 0.79%, 0.49%

LAB 48.55, 72.53, 14.92

 

CMYK 0 / 88 / 82 / 13

HEX #DF1A29

RGB 223 26 41

HSL 355.43, 0.79%, 0.49%

LAB 47.74, 70.2, 45.37

 

CMYK 14 / 88 / 0 / 13

HEX #C01ADF

RGB 192 26 223

HSL 290.56, 0.79%, 0.49%

LAB 48.6, 81.38, -62.28

 

CMYK 38 / 88 / 0 / 13

HEX #8B1ADF

RGB 139 26 223

HSL 274.42, 0.79%, 0.49%

LAB 40.5, 73.96, -75.82

 

CMYK 61 / 88 / 0 / 13

HEX #561ADF

RGB 86 26 223

HSL 258.27, 0.79%, 0.49%

LAB 34.08, 68.75, -86.64

 

CMYK 85 / 88 / 0 / 13

HEX #211ADF

RGB 33 26 223

HSL 242.13, 0.79%, 0.49%

LAB 30.38, 66.14, -92.9

 

CMYK 88 / 88 / 0 / 13

HEX #1A1ADF

RGB 26 26 223

HSL 240, 0.79%, 0.49%

LAB 30.12, 65.97, -93.32

 

CMYK 14 / 88 / 0 / 13

HEX #C01ADF

RGB 192 26 223

HSL 290.56, 0.79%, 0.49%

LAB 48.6, 81.38, -62.28

 

CMYK 15 / 98 / 0 / 5

HEX #CE06F3

RGB 206 6 243

HSL 290.63, 0.95%, 0.49%

LAB 51.52, 88.87, -68.74

 

CMYK 14 / 88 / 0 / 13

HEX #C01ADF

RGB 192 26 223

HSL 290.56, 0.79%, 0.49%

LAB 48.6, 81.38, -62.28

 

CMYK 12 / 77 / 0 / 20

HEX #B22ECB

RGB 178 46 203

HSL 290.45, 0.63%, 0.49%

LAB 46.62, 70.96, -54.11

 

CMYK 10 / 64 / 0 / 28

HEX #A442B7

RGB 164 66 183

HSL 290.26, 0.47%, 0.49%

LAB 45.92, 56.88, -43.72

 

CMYK 7 / 47 / 0 / 36

HEX #9756A3

RGB 151 86 163

HSL 290.65, 0.31%, 0.49%

LAB 46.82, 39.47, -30.65

 

CMYK 4 / 25 / 0 / 44

HEX #896B8E

RGB 137 107 142

HSL 291.43, 0.14%, 0.49%

LAB 49.24, 18.45, -14.62

 

CMYK 62 / 88 / 0 / 13

HEX #551ADF

RGB 85 26 223

HSL 257.97, 0.79%, 0.49%

LAB 33.98, 68.67, -86.8

 

CMYK 38 / 88 / 0 / 13

HEX #8A1ADF

RGB 138 26 223

HSL 274.11, 0.79%, 0.49%

LAB 40.36, 73.84, -76.06

 

CMYK 15 / 88 / 0 / 13

HEX #BE1ADF

RGB 190 26 223

HSL 289.95, 0.79%, 0.49%

LAB 48.28, 81.07, -62.82

 

CMYK 0 / 88 / 9 / 13

HEX #DF1ACB

RGB 223 26 203

HSL 306.09, 0.79%, 0.49%

LAB 52.66, 83.61, -44.03

 

CMYK 0 / 88 / 32 / 13

HEX #DF1A97

RGB 223 26 151

HSL 321.93, 0.79%, 0.49%

LAB 50.29, 77.33, -17.23

 

CMYK 13 / 89 / 0 / 42

HEX #811195

RGB 129 17 149

HSL 290.91, 0.8%, 0.33%

LAB 32.34, 59.88, -45.41

 

CMYK 14 / 89 / 0 / 27

HEX #A015BA

RGB 160 21 186

HSL 290.55, 0.8%, 0.41%

LAB 40.5, 70.85, -54.21

 

CMYK 14 / 88 / 0 / 13

HEX #C01ADF

RGB 192 26 223

HSL 290.56, 0.79%, 0.49%

LAB 48.6, 81.38, -62.28

 

CMYK 12 / 75 / 0 / 9

HEX #CC3BE8

RGB 204 59 232

HSL 290.29, 0.79%, 0.57%

LAB 53.81, 77, -58.9

 

CMYK 9 / 59 / 0 / 7

HEX #D660EC

RGB 214 96 236

HSL 290.57, 0.79%, 0.65%

LAB 60.53, 65.66, -50.32

 

CMYK 14 / 88 / 0 / 12

HEX #C21BE1

RGB 194 27 225

HSL 290.61, 0.79%, 0.49%

LAB 49.12, 81.86, -62.57

 

CMYK 0 / 86 / 88 / 13

HEX #DF201A

RGB 223 32 26

HSL 1.83, 0.79%, 0.49%

LAB 48, 68.8, 52.92

 

CMYK 88 / 0 / 50 / 13

HEX #1ADF6F

RGB 26 223 111

HSL 145.89, 0.79%, 0.49%

LAB 78.54, -68.29, 42.32

 

CMYK 14 / 88 / 0 / 12

HEX #C21BE1

RGB 194 27 225

HSL 290.61, 0.79%, 0.49%

LAB 49.12, 81.86, -62.57

 

CMYK 0 / 15 / 88 / 13

HEX #DFBE1A

RGB 223 190 26

HSL 49.95, 0.79%, 0.49%

LAB 77.63, -2.58, 75.81

 

CMYK 88 / 0 / 15 / 13

HEX #1ADFBE

RGB 26 223 190

HSL 169.95, 0.79%, 0.49%

LAB 80.02, -51.74, 3.65

 

CMYK 14 / 88 / 0 / 12

HEX #C21BE1

RGB 194 27 225

HSL 290.61, 0.79%, 0.49%

LAB 49.12, 81.86, -62.57

 

CMYK 0 / 86 / 88 / 13

HEX #DF201A

RGB 223 32 26

HSL 1.83, 0.79%, 0.49%

LAB 48, 68.8, 52.92

 

CMYK 74 / 0 / 88 / 13

HEX #3BDF1A

RGB 59 223 26

HSL 109.95, 0.79%, 0.49%

LAB 78.33, -72.43, 72.82

 

CMYK 88 / 3 / 0 / 13

HEX #1AD9DF

RGB 26 217 223

HSL 181.83, 0.79%, 0.49%

LAB 79.14, -39.95, -15.25

 

CMYK 14 / 88 / 0 / 12

HEX #C21BE1

RGB 194 27 225

HSL 290.61, 0.79%, 0.49%

LAB 49.12, 81.86, -62.57

 

CMYK 0 / 59 / 88 / 13

HEX #DF5C1A

RGB 223 92 26

HSL 20.1, 0.79%, 0.49%

LAB 55.5, 48.29, 58.6

 

CMYK 74 / 0 / 88 / 13

HEX #3BDF1A

RGB 59 223 26

HSL 109.95, 0.79%, 0.49%

LAB 78.33, -72.43, 72.82

 

CMYK 88 / 30 / 0 / 13

HEX #1A9DDF

RGB 26 157 223

HSL 200.1, 0.79%, 0.49%

LAB 61.36, -9.7, -42.6

 

Description

Color code: HEX #C21BE1 | qconv.com Color code: HEX #C21BE1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 27 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 27 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 88 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 88% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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