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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC079C it is the complementary color #53F863. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC079C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC079C shade: #B10797, #C219AA, #D32BBD, #E43DD0 and #F54FE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC079C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC079C shade: #AC079C, #9B0089, #8A0076, #790063 and #680050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC079C shade: #AB079B, #AB076F, #AB0742, #AB0716 and #AB0707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC079C shade: #AB079B, #8F07AB, #6207AB, #3607AB and #0A07AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC079C shade matches the following richer shades: #AB079B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC079C shade: #AB079B, #9C158F, #8E2484, #803278 and #71406C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC079C shade: #6107AB, #8D07AB, #AB079D, #AB0771 and #AB0746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC079C shade: #5C0353, #830577, #AB079B, #D208BF and #F50FDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC079C shade: #AC079C, #AB3507 and #07AB77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC079C shade: #AC079C, #9DAB07 and #079DAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC079C shade: #AC079C, #AB3507, #07AB14 and #077CAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC079C shade: #AC079C, #AB6607, #07AB14 and #074BAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 9 / 33

HEX #AC079C

RGB 172 7 156

HSL 305.82, 0.92%, 0.35%

LAB 40.12, 70.09, -36.8

 

Complementary color

CMYK 67 / 0 / 60 / 3

HEX #53F863

RGB 83 248 99

HSL 125.82, 0.92%, 0.65%

LAB 86.94, -70.92, 57.99

 

CMYK 0 / 96 / 15 / 31

HEX #B10797

RGB 177 7 151

HSL 309.18, 0.92%, 0.36%

LAB 40.79, 70.34, -32.65

 

CMYK 0 / 87 / 12 / 24

HEX #C219AA

RGB 194 25 170

HSL 308.52, 0.77%, 0.43%

LAB 45.73, 73.81, -36.05

 

CMYK 0 / 80 / 10 / 17

HEX #D32BBD

RGB 211 43 189

HSL 307.86, 0.66%, 0.5%

LAB 50.98, 76.09, -38.73

 

CMYK 0 / 73 / 9 / 11

HEX #E43DD0

RGB 228 61 208

HSL 307.19, 0.76%, 0.57%

LAB 56.47, 77.46, -40.83

 

CMYK 0 / 68 / 7 / 4

HEX #F54FE3

RGB 245 79 227

HSL 306.51, 0.89%, 0.64%

LAB 62.13, 78.17, -42.48

 

CMYK 0 / 96 / 9 / 33

HEX #AC079C

RGB 172 7 156

HSL 305.82, 0.92%, 0.35%

LAB 40.12, 70.09, -36.8

 

CMYK 0 / 100 / 12 / 39

HEX #9B0089

RGB 155 0 137

HSL 306.97, 1%, 0.3%

LAB 35.55, 65.12, -32.62

 

CMYK 0 / 100 / 14 / 46

HEX #8A0076

RGB 138 0 118

HSL 308.7, 1%, 0.27%

LAB 31.14, 59.29, -27.9

 

CMYK 0 / 100 / 18 / 53

HEX #790063

RGB 121 0 99

HSL 310.91, 1%, 0.24%

LAB 26.64, 53.34, -22.98

 

CMYK 0 / 100 / 23 / 59

HEX #680050

RGB 104 0 80

HSL 313.85, 1%, 0.2%

LAB 22.02, 47.24, -17.83

 

CMYK 0 / 96 / 9 / 33

HEX #AB079B

RGB 171 7 155

HSL 305.85, 0.92%, 0.35%

LAB 39.88, 69.77, -36.59

 

CMYK 0 / 96 / 35 / 33

HEX #AB076F

RGB 171 7 111

HSL 321.95, 0.92%, 0.35%

LAB 37.77, 64.35, -12.66

 

CMYK 0 / 96 / 61 / 33

HEX #AB0742

RGB 171 7 66

HSL 338.41, 0.92%, 0.35%

LAB 36.37, 60.61, 14.23

 

CMYK 0 / 96 / 87 / 33

HEX #AB0716

RGB 171 7 22

HSL 354.51, 0.92%, 0.35%

LAB 35.73, 58.83, 40.47

 

CMYK 0 / 96 / 96 / 33

HEX #AB0707

RGB 171 7 7

HSL 0, 0.92%, 0.35%

LAB 35.65, 58.6, 46.98

 

CMYK 0 / 96 / 9 / 33

HEX #AB079B

RGB 171 7 155

HSL 305.85, 0.92%, 0.35%

LAB 39.88, 69.77, -36.59

 

CMYK 16 / 96 / 0 / 33

HEX #8F07AB

RGB 143 7 171

HSL 289.76, 0.92%, 0.35%

LAB 35.85, 67.58, -52.95

 

CMYK 43 / 96 / 0 / 33

HEX #6207AB

RGB 98 7 171

HSL 273.29, 0.92%, 0.35%

LAB 28.61, 61.72, -65.08

 

CMYK 68 / 96 / 0 / 33

HEX #3607AB

RGB 54 7 171

HSL 257.2, 0.92%, 0.35%

LAB 23.26, 58.24, -74.11

 

CMYK 94 / 96 / 0 / 33

HEX #0A07AB

RGB 10 7 171

HSL 241.1, 0.92%, 0.35%

LAB 20.66, 56.93, -78.51

 

CMYK 0 / 96 / 9 / 33

HEX #AB079B

RGB 171 7 155

HSL 305.85, 0.92%, 0.35%

LAB 39.88, 69.77, -36.59

 

CMYK 0 / 96 / 9 / 33

HEX #AB079B

RGB 171 7 155

HSL 305.85, 0.92%, 0.35%

LAB 39.88, 69.77, -36.59

 

CMYK 0 / 87 / 8 / 39

HEX #9C158F

RGB 156 21 143

HSL 305.78, 0.76%, 0.35%

LAB 37.09, 63.18, -33.86

 

CMYK 0 / 75 / 7 / 44

HEX #8E2484

RGB 142 36 132

HSL 305.66, 0.6%, 0.35%

LAB 35.36, 54.43, -29.98

 

CMYK 0 / 61 / 6 / 50

HEX #803278

RGB 128 50 120

HSL 306.15, 0.44%, 0.35%

LAB 34.45, 42.99, -24.09

 

CMYK 0 / 43 / 4 / 56

HEX #71406C

RGB 113 64 108

HSL 306.12, 0.28%, 0.35%

LAB 34.52, 28.47, -16.61

 

CMYK 43 / 96 / 0 / 33

HEX #6107AB

RGB 97 7 171

HSL 272.93, 0.92%, 0.35%

LAB 28.47, 61.62, -65.32

 

CMYK 18 / 96 / 0 / 33

HEX #8D07AB

RGB 141 7 171

HSL 289.02, 0.92%, 0.35%

LAB 35.51, 67.28, -53.53

 

CMYK 0 / 96 / 8 / 33

HEX #AB079D

RGB 171 7 157

HSL 305.12, 0.92%, 0.35%

LAB 39.99, 70.05, -37.62

 

CMYK 0 / 96 / 34 / 33

HEX #AB0771

RGB 171 7 113

HSL 321.22, 0.92%, 0.35%

LAB 37.85, 64.56, -13.8

 

CMYK 0 / 96 / 59 / 33

HEX #AB0746

RGB 171 7 70

HSL 336.95, 0.92%, 0.35%

LAB 36.47, 60.86, 11.76

 

CMYK 0 / 97 / 10 / 64

HEX #5C0353

RGB 92 3 83

HSL 306.07, 0.94%, 0.19%

LAB 19.9, 44.41, -23.37

 

CMYK 0 / 96 / 9 / 49

HEX #830577

RGB 131 5 119

HSL 305.71, 0.93%, 0.27%

LAB 30.07, 57.32, -30.31

 

CMYK 0 / 96 / 9 / 33

HEX #AB079B

RGB 171 7 155

HSL 305.85, 0.92%, 0.35%

LAB 39.88, 69.77, -36.59

 

CMYK 0 / 96 / 9 / 18

HEX #D208BF

RGB 210 8 191

HSL 305.64, 0.93%, 0.43%

LAB 49.05, 81.6, -42.95

 

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

CMYK 0 / 96 / 9 / 33

HEX #AC079C

RGB 172 7 156

HSL 305.82, 0.92%, 0.35%

LAB 40.12, 70.09, -36.8

 

CMYK 0 / 69 / 96 / 33

HEX #AB3507

RGB 171 53 7

HSL 16.83, 0.92%, 0.35%

LAB 39.95, 46.54, 49.47

 

CMYK 96 / 0 / 30 / 33

HEX #07AB77

RGB 7 171 119

HSL 160.98, 0.92%, 0.35%

LAB 62.09, -49.55, 16.58

 

CMYK 0 / 96 / 9 / 33

HEX #AC079C

RGB 172 7 156

HSL 305.82, 0.92%, 0.35%

LAB 40.12, 70.09, -36.8

 

CMYK 8 / 0 / 96 / 33

HEX #9DAB07

RGB 157 171 7

HSL 65.12, 0.92%, 0.35%

LAB 66.76, -22.02, 67.83

 

CMYK 96 / 8 / 0 / 33

HEX #079DAB

RGB 7 157 171

HSL 185.12, 0.92%, 0.35%

LAB 59.07, -28.69, -17

 

CMYK 0 / 96 / 9 / 33

HEX #AC079C

RGB 172 7 156

HSL 305.82, 0.92%, 0.35%

LAB 40.12, 70.09, -36.8

 

CMYK 0 / 69 / 96 / 33

HEX #AB3507

RGB 171 53 7

HSL 16.83, 0.92%, 0.35%

LAB 39.95, 46.54, 49.47

 

CMYK 96 / 0 / 88 / 33

HEX #07AB14

RGB 7 171 20

HSL 124.76, 0.92%, 0.35%

LAB 60.98, -62.94, 58.68

 

CMYK 96 / 27 / 0 / 33

HEX #077CAB

RGB 7 124 171

HSL 197.2, 0.92%, 0.35%

LAB 48.76, -11.08, -32.9

 

CMYK 0 / 96 / 9 / 33

HEX #AC079C

RGB 172 7 156

HSL 305.82, 0.92%, 0.35%

LAB 40.12, 70.09, -36.8

 

CMYK 0 / 40 / 96 / 33

HEX #AB6607

RGB 171 102 7

HSL 34.76, 0.92%, 0.35%

LAB 49.71, 21.82, 55.91

 

CMYK 96 / 0 / 88 / 33

HEX #07AB14

RGB 7 171 20

HSL 124.76, 0.92%, 0.35%

LAB 60.98, -62.94, 58.68

 

CMYK 96 / 56 / 0 / 33

HEX #074BAB

RGB 7 75 171

HSL 215.12, 0.92%, 0.35%

LAB 34.02, 20.08, -56.46

 

Description

Color code: HEX #AC079C | qconv.com Color code: HEX #AC079C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 7 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 7 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 9 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 9% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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