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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F50FDE it is the complementary color #0AF021. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F50FDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F50FDE shade: #FA0FD9, #FF21EC, #FF33FF, #FF45FF and #FF57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F50FDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F50FDE shade: #F50FDE, #E400CB, #D300B8, #C200A5 and #B10092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F50FDE shade: #F50FDE, #F50FA0, #F50F62, #F50F24 and #F50F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F50FDE shade: #F50FDE, #CD0FF5, #8F0FF5, #510FF5 and #140FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F50FDE shade matches the following richer shades: #F50FDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F50FDE shade: #F50FDE, #E023CD, #CC37BD, #B84BAD and #A45F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F50FDE shade: #910FF5, #CE0FF5, #F50FDE, #F50FA0 and #F50F63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F50FDE shade: #AA079A, #D208BD, #F50FDE, #F636E3 and #F85EE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F50FDE shade: #F50FDE, #F5540F and #0FF5B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F50FDE shade: #F50FDE, #DEF50F and #0FDEF5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F50FDE shade: #F50FDE, #F5540F, #0FF526 and #0FB0F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F50FDE shade: #F50FDE, #F5990F, #0FF526 and #0F6BF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

Complementary color

CMYK 96 / 0 / 86 / 6

HEX #0AF021

RGB 10 240 33

HSL 126, 0.92%, 0.49%

LAB 83.18, -81.25, 75.54

 

CMYK 0 / 94 / 13 / 2

HEX #FA0FD9

RGB 250 15 217

HSL 308.43, 0.96%, 0.52%

LAB 57.73, 91.46, -43.72

 

CMYK 0 / 87 / 7 / 0

HEX #FF21EC

RGB 255 33 236

HSL 305.14, 1%, 0.56%

LAB 60.25, 92.79, -50.37

 

CMYK 0 / 80 / 0 / 0

HEX #FF33FF

RGB 255 51 255

HSL 300, 1%, 0.6%

LAB 62.38, 92.2, -57.55

 

CMYK 0 / 73 / 0 / 0

HEX #FF45FF

RGB 255 69 255

HSL 300, 1%, 0.64%

LAB 63.95, 87.67, -55.06

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

CMYK 0 / 100 / 11 / 11

HEX #E400CB

RGB 228 0 203

HSL 306.58, 1%, 0.45%

LAB 52.74, 86.89, -43.86

 

CMYK 0 / 100 / 13 / 17

HEX #D300B8

RGB 211 0 184

HSL 307.68, 1%, 0.41%

LAB 48.65, 81.48, -39.49

 

CMYK 0 / 100 / 15 / 24

HEX #C200A5

RGB 194 0 165

HSL 308.97, 1%, 0.38%

LAB 44.5, 75.99, -35.01

 

CMYK 0 / 100 / 18 / 31

HEX #B10092

RGB 177 0 146

HSL 310.51, 1%, 0.35%

LAB 40.28, 70.42, -30.4

 

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

CMYK 0 / 94 / 35 / 4

HEX #F50FA0

RGB 245 15 160

HSL 322.17, 0.92%, 0.51%

LAB 54.34, 84.12, -16.04

 

CMYK 0 / 94 / 60 / 4

HEX #F50F62

RGB 245 15 98

HSL 338.35, 0.92%, 0.51%

LAB 52.55, 79.32, 18.63

 

CMYK 0 / 94 / 85 / 4

HEX #F50F24

RGB 245 15 36

HSL 354.52, 0.92%, 0.51%

LAB 51.7, 76.99, 53.16

 

CMYK 0 / 94 / 94 / 4

HEX #F50F0F

RGB 245 15 15

HSL 0, 0.92%, 0.51%

LAB 51.6, 76.69, 61.48

 

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

CMYK 16 / 94 / 0 / 4

HEX #CD0FF5

RGB 205 15 245

HSL 289.57, 0.92%, 0.51%

LAB 51.74, 88.34, -69.52

 

CMYK 42 / 94 / 0 / 4

HEX #8F0FF5

RGB 143 15 245

HSL 273.39, 0.92%, 0.51%

LAB 42.42, 80.8, -85.13

 

CMYK 67 / 94 / 0 / 4

HEX #510FF5

RGB 81 15 245

HSL 257.22, 0.92%, 0.51%

LAB 35.37, 76.21, -97.03

 

CMYK 92 / 94 / 0 / 4

HEX #140FF5

RGB 20 15 245

HSL 241.3, 0.92%, 0.51%

LAB 31.99, 74.51, -102.74

 

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

CMYK 0 / 84 / 8 / 12

HEX #E023CD

RGB 224 35 205

HSL 306.03, 0.75%, 0.51%

LAB 53.45, 82.59, -43.93

 

CMYK 0 / 73 / 7 / 20

HEX #CC37BD

RGB 204 55 189

HSL 306.04, 0.59%, 0.51%

LAB 50.97, 71.25, -38.82

 

CMYK 0 / 59 / 6 / 28

HEX #B84BAD

RGB 184 75 173

HSL 306.06, 0.43%, 0.51%

LAB 49.79, 56.22, -31.57

 

CMYK 0 / 42 / 4 / 36

HEX #A45F9D

RGB 164 95 157

HSL 306.09, 0.27%, 0.51%

LAB 50.11, 37.47, -21.87

 

CMYK 41 / 94 / 0 / 4

HEX #910FF5

RGB 145 15 245

HSL 273.91, 0.92%, 0.51%

LAB 42.69, 81, -84.67

 

CMYK 16 / 94 / 0 / 4

HEX #CE0FF5

RGB 206 15 245

HSL 289.83, 0.92%, 0.51%

LAB 51.9, 88.48, -69.25

 

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

CMYK 0 / 94 / 35 / 4

HEX #F50FA0

RGB 245 15 160

HSL 322.17, 0.92%, 0.51%

LAB 54.34, 84.12, -16.04

 

CMYK 0 / 94 / 60 / 4

HEX #F50F63

RGB 245 15 99

HSL 338.09, 0.92%, 0.51%

LAB 52.57, 79.38, 18.06

 

CMYK 0 / 96 / 9 / 33

HEX #AA079A

RGB 170 7 154

HSL 305.89, 0.92%, 0.35%

LAB 39.63, 69.44, -36.38

 

CMYK 0 / 96 / 10 / 18

HEX #D208BD

RGB 210 8 189

HSL 306.24, 0.93%, 0.43%

LAB 48.94, 81.33, -41.96

 

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

CMYK 0 / 78 / 8 / 4

HEX #F636E3

RGB 246 54 227

HSL 305.94, 0.91%, 0.59%

LAB 59.69, 85.8, -46.32

 

CMYK 0 / 62 / 6 / 3

HEX #F85EE8

RGB 248 94 232

HSL 306.23, 0.92%, 0.67%

LAB 64.79, 74.09, -41.06

 

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

CMYK 0 / 66 / 94 / 4

HEX #F5540F

RGB 245 84 15

HSL 18, 0.92%, 0.51%

LAB 57.83, 59.27, 65.11

 

CMYK 94 / 0 / 28 / 4

HEX #0FF5B0

RGB 15 245 176

HSL 162, 0.92%, 0.51%

LAB 86.28, -64.02, 19.85

 

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

CMYK 9 / 0 / 94 / 4

HEX #DEF50F

RGB 222 245 15

HSL 66, 0.92%, 0.51%

LAB 92.07, -30.2, 88.49

 

CMYK 94 / 9 / 0 / 4

HEX #0FDEF5

RGB 15 222 245

HSL 186, 0.92%, 0.51%

LAB 81.26, -35.97, -23.77

 

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

CMYK 0 / 66 / 94 / 4

HEX #F5540F

RGB 245 84 15

HSL 18, 0.92%, 0.51%

LAB 57.83, 59.27, 65.11

 

CMYK 94 / 0 / 84 / 4

HEX #0FF526

RGB 15 245 38

HSL 126, 0.92%, 0.51%

LAB 84.76, -82.2, 75.92

 

CMYK 94 / 28 / 0 / 4

HEX #0FB0F5

RGB 15 176 245

HSL 198, 0.92%, 0.51%

LAB 67.83, -12.77, -44.52

 

CMYK 0 / 94 / 9 / 4

HEX #F50FDE

RGB 245 15 222

HSL 306, 0.92%, 0.51%

LAB 57.1, 91.23, -47.6

 

CMYK 0 / 38 / 94 / 4

HEX #F5990F

RGB 245 153 15

HSL 36, 0.92%, 0.51%

LAB 71.03, 26.16, 73.89

 

CMYK 94 / 0 / 84 / 4

HEX #0FF526

RGB 15 245 38

HSL 126, 0.92%, 0.51%

LAB 84.76, -82.2, 75.92

 

CMYK 94 / 56 / 0 / 4

HEX #0F6BF5

RGB 15 107 245

HSL 216, 0.92%, 0.51%

LAB 48.52, 28.58, -75.44

 

Description

Color code: HEX #F50FDE | qconv.com Color code: HEX #F50FDE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 15 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 15 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 9 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 9% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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