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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABD2DF it is the complementary color #542D20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABD2DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABD2DF shade: #B0D2DA, #C1E4ED, #D2F6FF, #E3FFFF and #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABD2DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABD2DF shade: #ABD2DF, #9AC0CC, #89AEB9, #789CA6 and #678A93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABD2DF shade: #A9D1DE, #A9C3DE, #A9B5DE, #ADA9DE and #BBA9DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABD2DF shade: #A9D1DE, #A9C3DE, #A9B5DE and #A9A9DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABD2DF shade matches the following richer shades: #A9D1DE, #A0D6E8, #96DBF1 and #8DDFFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABD2DF shade: #A9D1DE, #B3CCD5, #BCC8CB, #C6C3C2 and #CFBEB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABD2DF shade: #A9DECF, #A9DEDD, #A9D1DE, #A9C3DE and #A9B5DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABD2DF shade: #6EB1C8, #8CC1D3, #A9D1DE, #C7E1EA and #E5F1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABD2DF shade: #ABD2DF, #C1A9DE and #DED6A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABD2DF shade: #ABD2DF, #DEA9D1 and #D1DEA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABD2DF shade: #ABD2DF, #C1A9DE, #DEB7A9 and #C6DEA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABD2DF shade: #ABD2DF, #D1A9DE, #DEB7A9 and #B7DEA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 6 / 0 / 13

HEX #ABD2DF

RGB 171 210 223

HSL 195, 0.45%, 0.77%

LAB 81.88, -9.94, -10.66

 

Complementary color

CMYK 0 / 46 / 62 / 67

HEX #542D20

RGB 84 45 32

HSL 15, 0.45%, 0.23%

LAB 23.22, 16.46, 16.15

 

CMYK 19 / 4 / 0 / 15

HEX #B0D2DA

RGB 176 210 218

HSL 191.43, 0.36%, 0.77%

LAB 82.05, -9.51, -7.71

 

CMYK 19 / 4 / 0 / 7

HEX #C1E4ED

RGB 193 228 237

HSL 192.27, 0.55%, 0.84%

LAB 88.42, -9.51, -8.2

 

CMYK 18 / 4 / 0 / 0

HEX #D2F6FF

RGB 210 246 255

HSL 192, 1%, 0.91%

LAB 94.67, -9.73, -8.21

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 23 / 6 / 0 / 13

HEX #ABD2DF

RGB 171 210 223

HSL 195, 0.45%, 0.77%

LAB 81.88, -9.94, -10.66

 

CMYK 25 / 6 / 0 / 20

HEX #9AC0CC

RGB 154 192 204

HSL 194.4, 0.33%, 0.7%

LAB 75.41, -9.94, -10.2

 

CMYK 26 / 6 / 0 / 27

HEX #89AEB9

RGB 137 174 185

HSL 193.75, 0.26%, 0.63%

LAB 68.82, -9.93, -9.73

 

CMYK 28 / 6 / 0 / 35

HEX #789CA6

RGB 120 156 166

HSL 193.04, 0.21%, 0.56%

LAB 62.1, -9.94, -9.26

 

CMYK 30 / 6 / 0 / 42

HEX #678A93

RGB 103 138 147

HSL 192.27, 0.18%, 0.49%

LAB 55.24, -9.95, -8.77

 

CMYK 24 / 6 / 0 / 13

HEX #A9D1DE

RGB 169 209 222

HSL 194.72, 0.45%, 0.77%

LAB 81.46, -10.25, -10.76

 

CMYK 24 / 12 / 0 / 13

HEX #A9C3DE

RGB 169 195 222

HSL 210.57, 0.45%, 0.77%

LAB 77.72, -2.88, -16.37

 

CMYK 24 / 18 / 0 / 13

HEX #A9B5DE

RGB 169 181 222

HSL 226.42, 0.45%, 0.77%

LAB 74.03, 4.69, -21.95

 

CMYK 22 / 24 / 0 / 13

HEX #ADA9DE

RGB 173 169 222

HSL 244.53, 0.45%, 0.77%

LAB 71.24, 12.53, -26.19

 

CMYK 16 / 24 / 0 / 13

HEX #BBA9DE

RGB 187 169 222

HSL 260.38, 0.45%, 0.77%

LAB 72.37, 16.89, -24.36

 

CMYK 24 / 6 / 0 / 13

HEX #A9D1DE

RGB 169 209 222

HSL 194.72, 0.45%, 0.77%

LAB 81.46, -10.25, -10.76

 

CMYK 24 / 12 / 0 / 13

HEX #A9C3DE

RGB 169 195 222

HSL 210.57, 0.45%, 0.77%

LAB 77.72, -2.88, -16.37

 

CMYK 24 / 18 / 0 / 13

HEX #A9B5DE

RGB 169 181 222

HSL 226.42, 0.45%, 0.77%

LAB 74.03, 4.69, -21.95

 

CMYK 24 / 24 / 0 / 13

HEX #A9A9DE

RGB 169 169 222

HSL 240, 0.45%, 0.77%

LAB 70.93, 11.32, -26.69

 

CMYK 24 / 6 / 0 / 13

HEX #A9D1DE

RGB 169 209 222

HSL 194.72, 0.45%, 0.77%

LAB 81.46, -10.25, -10.76

 

CMYK 31 / 8 / 0 / 9

HEX #A0D6E8

RGB 160 214 232

HSL 195, 0.61%, 0.77%

LAB 82.59, -13.13, -14.46

 

CMYK 38 / 9 / 0 / 5

HEX #96DBF1

RGB 150 219 241

HSL 194.51, 0.76%, 0.77%

LAB 83.7, -16.19, -17.61

 

CMYK 44 / 11 / 0 / 2

HEX #8DDFFB

RGB 141 223 251

HSL 195.27, 0.93%, 0.77%

LAB 84.69, -17.9, -21.45

 

CMYK 24 / 6 / 0 / 13

HEX #A9D1DE

RGB 169 209 222

HSL 194.72, 0.45%, 0.77%

LAB 81.46, -10.25, -10.76

 

CMYK 16 / 4 / 0 / 16

HEX #B3CCD5

RGB 179 204 213

HSL 195.88, 0.29%, 0.77%

LAB 80.5, -6.51, -7.31

 

CMYK 7 / 1 / 0 / 20

HEX #BCC8CB

RGB 188 200 203

HSL 192, 0.13%, 0.77%

LAB 79.79, -3.5, -2.92

 

CMYK 0 / 2 / 2 / 22

HEX #C6C3C2

RGB 198 195 194

HSL 15, 0.03%, 0.77%

LAB 79, 0.86, 0.86

 

CMYK 0 / 8 / 11 / 19

HEX #CFBEB8

RGB 207 190 184

HSL 15.65, 0.19%, 0.77%

LAB 78.2, 4.98, 5.19

 

CMYK 24 / 0 / 7 / 13

HEX #A9DECF

RGB 169 222 207

HSL 163.02, 0.45%, 0.77%

LAB 84.58, -20.06, 1.8

 

CMYK 24 / 0 / 0 / 13

HEX #A9DEDD

RGB 169 222 221

HSL 178.87, 0.45%, 0.77%

LAB 84.94, -17.1, -5.06

 

CMYK 24 / 6 / 0 / 13

HEX #A9D1DE

RGB 169 209 222

HSL 194.72, 0.45%, 0.77%

LAB 81.46, -10.25, -10.76

 

CMYK 24 / 12 / 0 / 13

HEX #A9C3DE

RGB 169 195 222

HSL 210.57, 0.45%, 0.77%

LAB 77.72, -2.88, -16.37

 

CMYK 24 / 18 / 0 / 13

HEX #A9B5DE

RGB 169 181 222

HSL 226.42, 0.45%, 0.77%

LAB 74.03, 4.69, -21.95

 

CMYK 45 / 12 / 0 / 22

HEX #6EB1C8

RGB 110 177 200

HSL 195.33, 0.45%, 0.61%

LAB 68.7, -15.17, -18.33

 

CMYK 34 / 9 / 0 / 17

HEX #8CC1D3

RGB 140 193 211

HSL 195.21, 0.45%, 0.69%

LAB 75.09, -12.87, -14.56

 

CMYK 24 / 6 / 0 / 13

HEX #A9D1DE

RGB 169 209 222

HSL 194.72, 0.45%, 0.77%

LAB 81.46, -10.25, -10.76

 

CMYK 15 / 4 / 0 / 8

HEX #C7E1EA

RGB 199 225 234

HSL 195.43, 0.45%, 0.85%

LAB 87.94, -6.74, -7.3

 

CMYK 7 / 2 / 0 / 4

HEX #E5F1F5

RGB 229 241 245

HSL 195, 0.44%, 0.93%

LAB 94.38, -3.2, -3.3

 

CMYK 23 / 6 / 0 / 13

HEX #ABD2DF

RGB 171 210 223

HSL 195, 0.45%, 0.77%

LAB 81.88, -9.94, -10.66

 

CMYK 13 / 24 / 0 / 13

HEX #C1A9DE

RGB 193 169 222

HSL 267.17, 0.45%, 0.77%

LAB 72.88, 18.79, -23.53

 

CMYK 0 / 4 / 24 / 13

HEX #DED6A9

RGB 222 214 169

HSL 50.94, 0.45%, 0.77%

LAB 85.24, -4.33, 23.26

HEX #DED6A9

CMYK 23 / 6 / 0 / 13

HEX #ABD2DF

RGB 171 210 223

HSL 195, 0.45%, 0.77%

LAB 81.88, -9.94, -10.66

 

CMYK 0 / 24 / 6 / 13

HEX #DEA9D1

RGB 222 169 209

HSL 314.72, 0.45%, 0.77%

LAB 75.14, 25.85, -12.75

 

CMYK 6 / 0 / 24 / 13

HEX #D1DEA9

RGB 209 222 169

HSL 74.72, 0.45%, 0.77%

LAB 86.34, -13.2, 24.6

 

CMYK 23 / 6 / 0 / 13

HEX #ABD2DF

RGB 171 210 223

HSL 195, 0.45%, 0.77%

LAB 81.88, -9.94, -10.66

 

CMYK 13 / 24 / 0 / 13

HEX #C1A9DE

RGB 193 169 222

HSL 267.17, 0.45%, 0.77%

LAB 72.88, 18.79, -23.53

 

CMYK 0 / 18 / 24 / 13

HEX #DEB7A9

RGB 222 183 169

HSL 15.85, 0.45%, 0.77%

LAB 77.44, 11.93, 12.38

 

CMYK 11 / 0 / 24 / 13

HEX #C6DEA9

RGB 198 222 169

HSL 87.17, 0.45%, 0.77%

LAB 85.56, -17.18, 23.41

 

CMYK 23 / 6 / 0 / 13

HEX #ABD2DF

RGB 171 210 223

HSL 195, 0.45%, 0.77%

LAB 81.88, -9.94, -10.66

 

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

CMYK 0 / 18 / 24 / 13

HEX #DEB7A9

RGB 222 183 169

HSL 15.85, 0.45%, 0.77%

LAB 77.44, 11.93, 12.38

 

CMYK 18 / 0 / 24 / 13

HEX #B7DEA9

RGB 183 222 169

HSL 104.15, 0.45%, 0.77%

LAB 84.57, -22.45, 21.9

 

Description

Color code: HEX #ABD2DF | qconv.com Color code: HEX #ABD2DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 210 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 210 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 6 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 6% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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