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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1A9DE it is the complementary color #2E5621. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1A9DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1A9DE shade: #D6A9D9, #E7BBEC, #F8CDFF, #FFDFFF and #FFF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1A9DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1A9DE shade: #D1A9DE, #C097CB, #AF85B8, #9E73A5 and #8D6192

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1A9DE shade: #D1A9DE, #DEA9DD, #DEA9CF, #DEA9C0 and #DEA9B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1A9DE shade: #D1A9DE, #C3A9DE, #B5A9DE and #A9A9DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1A9DE shade matches the following richer shades: #D1A9DE, #D6A0E8, #DB96F1 and #E08DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1A9DE shade: #D1A9DE, #CCB3D5, #C8BCCB, #C3C6C2 and #BECFB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1A9DE shade: #B5A9DE, #C3A9DE, #D1A9DE, #DEA9DD and #DEA9CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1A9DE shade: #B16EC8, #C18CD3, #D1A9DE, #E1C7EA and #F1E5F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1A9DE shade: #D1A9DE, #DEA9AC and #A9DEBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1A9DE shade: #D1A9DE, #DED1A9 and #A9DED1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1A9DE shade: #D1A9DE, #DEA9AC, #B7DEA9 and #A9DEDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1A9DE shade: #D1A9DE, #DEB7A9, #B7DEA9 and #A9D1DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

Complementary color

CMYK 47 / 0 / 62 / 66

HEX #2E5621

RGB 46 86 33

HSL 105.28, 0.45%, 0.23%

LAB 32.58, -25.51, 26.11

 

CMYK 1 / 22 / 0 / 15

HEX #D6A9D9

RGB 214 169 217

HSL 296.25, 0.39%, 0.76%

LAB 74.62, 24.63, -17.98

 

CMYK 2 / 21 / 0 / 7

HEX #E7BBEC

RGB 231 187 236

HSL 293.88, 0.56%, 0.83%

LAB 81.06, 24.09, -18.37

 

CMYK 3 / 20 / 0 / 0

HEX #F8CDFF

RGB 248 205 255

HSL 291.6, 1%, 0.9%

LAB 87.41, 23.58, -18.76

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

CMYK 5 / 26 / 0 / 20

HEX #C097CB

RGB 192 151 203

HSL 287.31, 0.33%, 0.69%

LAB 67.76, 24.52, -20.88

 

CMYK 5 / 28 / 0 / 28

HEX #AF85B8

RGB 175 133 184

HSL 289.41, 0.26%, 0.62%

LAB 61.09, 25.14, -20.54

 

CMYK 4 / 30 / 0 / 35

HEX #9E73A5

RGB 158 115 165

HSL 291.6, 0.22%, 0.55%

LAB 54.29, 25.81, -20.2

 

CMYK 3 / 34 / 0 / 43

HEX #8D6192

RGB 141 97 146

HSL 293.88, 0.2%, 0.48%

LAB 47.35, 26.54, -19.84

 

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

CMYK 0 / 24 / 0 / 13

HEX #DEA9DD

RGB 222 169 221

HSL 301.13, 0.45%, 0.77%

LAB 75.53, 28.02, -18.71

 

CMYK 0 / 24 / 7 / 13

HEX #DEA9CF

RGB 222 169 207

HSL 316.98, 0.45%, 0.77%

LAB 75.08, 25.5, -11.75

 

CMYK 0 / 24 / 14 / 13

HEX #DEA9C0

RGB 222 169 192

HSL 333.96, 0.45%, 0.77%

LAB 74.64, 22.97, -4.19

 

CMYK 0 / 24 / 20 / 13

HEX #DEA9B2

RGB 222 169 178

HSL 349.81, 0.45%, 0.77%

LAB 74.27, 20.77, 2.94

 

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

CMYK 12 / 24 / 0 / 13

HEX #C3A9DE

RGB 195 169 222

HSL 269.43, 0.45%, 0.77%

LAB 73.06, 19.43, -23.25

 

CMYK 18 / 24 / 0 / 13

HEX #B5A9DE

RGB 181 169 222

HSL 253.58, 0.45%, 0.77%

LAB 71.88, 15.01, -25.16

 

CMYK 24 / 24 / 0 / 13

HEX #A9A9DE

RGB 169 169 222

HSL 240, 0.45%, 0.77%

LAB 70.93, 11.32, -26.69

 

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

CMYK 8 / 31 / 0 / 9

HEX #D6A0E8

RGB 214 160 232

HSL 285, 0.61%, 0.77%

LAB 73.07, 32.42, -28.54

 

CMYK 9 / 38 / 0 / 5

HEX #DB96F1

RGB 219 150 241

HSL 285.49, 0.76%, 0.77%

LAB 71.71, 41.11, -35.51

 

CMYK 11 / 44 / 0 / 2

HEX #E08DFB

RGB 224 141 251

HSL 285.27, 0.93%, 0.77%

LAB 70.78, 49.28, -42.37

 

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

CMYK 4 / 16 / 0 / 16

HEX #CCB3D5

RGB 204 179 213

HSL 284.12, 0.29%, 0.77%

LAB 76, 15.09, -13.82

 

CMYK 1 / 7 / 0 / 20

HEX #C8BCCB

RGB 200 188 203

HSL 288, 0.13%, 0.77%

LAB 77.61, 6.95, -6.02

 

CMYK 2 / 0 / 2 / 22

HEX #C3C6C2

RGB 195 198 194

HSL 105, 0.03%, 0.77%

LAB 79.55, -1.76, 1.63

 

CMYK 8 / 0 / 11 / 19

HEX #BECFB8

RGB 190 207 184

HSL 104.35, 0.19%, 0.77%

LAB 81.31, -9.98, 9.48

 

CMYK 18 / 24 / 0 / 13

HEX #B5A9DE

RGB 181 169 222

HSL 253.58, 0.45%, 0.77%

LAB 71.88, 15.01, -25.16

 

CMYK 12 / 24 / 0 / 13

HEX #C3A9DE

RGB 195 169 222

HSL 269.43, 0.45%, 0.77%

LAB 73.06, 19.43, -23.25

 

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

CMYK 0 / 24 / 0 / 13

HEX #DEA9DD

RGB 222 169 221

HSL 301.13, 0.45%, 0.77%

LAB 75.53, 28.02, -18.71

 

CMYK 0 / 24 / 7 / 13

HEX #DEA9CF

RGB 222 169 207

HSL 316.98, 0.45%, 0.77%

LAB 75.08, 25.5, -11.75

 

CMYK 12 / 45 / 0 / 22

HEX #B16EC8

RGB 177 110 200

HSL 284.67, 0.45%, 0.61%

LAB 56.75, 41.81, -36.32

 

CMYK 9 / 34 / 0 / 17

HEX #C18CD3

RGB 193 140 211

HSL 284.79, 0.45%, 0.69%

LAB 65.59, 32.54, -28.65

 

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

CMYK 4 / 15 / 0 / 8

HEX #E1C7EA

RGB 225 199 234

HSL 284.57, 0.45%, 0.85%

LAB 83.33, 15.33, -13.94

 

CMYK 2 / 7 / 0 / 4

HEX #F1E5F5

RGB 241 229 245

HSL 285, 0.44%, 0.93%

LAB 92.28, 6.89, -6.3

 

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

CMYK 0 / 24 / 23 / 13

HEX #DEA9AC

RGB 222 169 172

HSL 356.6, 0.45%, 0.77%

LAB 74.12, 19.88, 6.01

 

CMYK 24 / 0 / 15 / 13

HEX #A9DEBC

RGB 169 222 188

HSL 141.51, 0.45%, 0.77%

LAB 84.13, -23.79, 11.19

 

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

CMYK 0 / 6 / 24 / 13

HEX #DED1A9

RGB 222 209 169

HSL 45.28, 0.45%, 0.77%

LAB 83.96, -1.75, 21.5

 

CMYK 24 / 0 / 6 / 13

HEX #A9DED1

RGB 169 222 209

HSL 165.28, 0.45%, 0.77%

LAB 84.63, -19.65, 0.82

 

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

CMYK 0 / 24 / 23 / 13

HEX #DEA9AC

RGB 222 169 172

HSL 356.6, 0.45%, 0.77%

LAB 74.12, 19.88, 6.01

 

CMYK 18 / 0 / 24 / 13

HEX #B7DEA9

RGB 183 222 169

HSL 104.15, 0.45%, 0.77%

LAB 84.57, -22.45, 21.9

 

CMYK 24 / 0 / 1 / 13

HEX #A9DEDC

RGB 169 222 220

HSL 177.74, 0.45%, 0.77%

LAB 84.92, -17.32, -4.58

 

CMYK 6 / 24 / 0 / 13

HEX #D1A9DE

RGB 209 169 222

HSL 285.28, 0.45%, 0.77%

LAB 74.32, 23.95, -21.21

 

CMYK 0 / 18 / 24 / 13

HEX #DEB7A9

RGB 222 183 169

HSL 15.85, 0.45%, 0.77%

LAB 77.44, 11.93, 12.38

 

CMYK 18 / 0 / 24 / 13

HEX #B7DEA9

RGB 183 222 169

HSL 104.15, 0.45%, 0.77%

LAB 84.57, -22.45, 21.9

 

CMYK 24 / 6 / 0 / 13

HEX #A9D1DE

RGB 169 209 222

HSL 194.72, 0.45%, 0.77%

LAB 81.46, -10.25, -10.76

 

Description

Color code: HEX #D1A9DE | qconv.com Color code: HEX #D1A9DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 169 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 169 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 24 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 24% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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