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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAED23 it is the complementary color #5512DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAED23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAED23 shade: #AFED1E, #C0FF31, #D1FF44, #E2FF57 and #F3FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAED23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAED23 shade: #AAED23, #99DB10, #88C900, #77B700 and #66A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAED23 shade: #A9ED21, #E0ED21, #EDC221, #ED8B21 and #ED5421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAED23 shade: #A9ED21, #72ED21, #3BED21, #21ED3D and #21ED74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAED23 shade matches the following richer shades: #A9ED21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAED23 shade: #A9ED21, #A2D934, #9CC648, #95B25B and #8F9F6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAED23 shade: #EDC021, #E2ED21, #ACED21, #76ED21 and #3FED21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAED23 shade: #78AD0E, #93D311, #A9ED21, #B8F047 and #C6F36D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAED23 shade: #AAED23, #21ED8A and #DC21ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAED23 shade: #AAED23, #21ACED and #ED21AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAED23 shade: #AAED23, #21ED8A, #6121ED and #ED2183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAED23 shade: #AAED23, #21EDC7, #6121ED and #ED2146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 85 / 7

HEX #AAED23

RGB 170 237 35

HSL 79.9, 0.85%, 0.53%

LAB 86.62, -46.48, 79.81

 

Complementary color

CMYK 61 / 92 / 0 / 14

HEX #5512DC

RGB 85 18 220

HSL 259.9, 0.85%, 0.47%

LAB 32.99, 69.9, -86.72

 

CMYK 26 / 0 / 87 / 7

HEX #AFED1E

RGB 175 237 30

HSL 77.97, 0.85%, 0.52%

LAB 86.89, -44.76, 81.09

 

CMYK 25 / 0 / 81 / 0

HEX #C0FF31

RGB 192 255 49

HSL 78.35, 1%, 0.6%

LAB 92.99, -45.57, 82.69

 

CMYK 18 / 0 / 73 / 0

HEX #D1FF44

RGB 209 255 68

HSL 74.76, 1%, 0.63%

LAB 94.1, -38.37, 78.76

 

CMYK 11 / 0 / 66 / 0

HEX #E2FF57

RGB 226 255 87

HSL 70.36, 1%, 0.67%

LAB 95.32, -30.79, 73.78

 

CMYK 5 / 0 / 58 / 0

HEX #F3FF6A

RGB 243 255 106

HSL 64.83, 1%, 0.71%

LAB 96.66, -22.91, 68.06

 

CMYK 28 / 0 / 85 / 7

HEX #AAED23

RGB 170 237 35

HSL 79.9, 0.85%, 0.53%

LAB 86.62, -46.48, 79.81

 

CMYK 30 / 0 / 93 / 14

HEX #99DB10

RGB 153 219 16

HSL 79.51, 0.86%, 0.46%

LAB 80.44, -45.56, 77.42

 

CMYK 32 / 0 / 100 / 21

HEX #88C900

RGB 136 201 0

HSL 79.4, 1%, 0.39%

LAB 74.19, -44.45, 73.75

 

CMYK 35 / 0 / 100 / 28

HEX #77B700

RGB 119 183 0

HSL 80.98, 1%, 0.36%

LAB 67.86, -43.1, 68.48

 

CMYK 38 / 0 / 100 / 35

HEX #66A500

RGB 102 165 0

HSL 82.91, 1%, 0.32%

LAB 61.42, -41.71, 63.13

 

CMYK 29 / 0 / 86 / 7

HEX #A9ED21

RGB 169 237 33

HSL 80, 0.85%, 0.53%

LAB 86.56, -46.9, 80.13

 

CMYK 5 / 0 / 86 / 7

HEX #E0ED21

RGB 224 237 33

HSL 63.82, 0.85%, 0.53%

LAB 90.1, -25.35, 84.51

 

CMYK 0 / 18 / 86 / 7

HEX #EDC221

RGB 237 194 33

HSL 47.35, 0.85%, 0.53%

LAB 80.01, 1.53, 76.79

 

CMYK 0 / 41 / 86 / 7

HEX #ED8B21

RGB 237 139 33

HSL 31.18, 0.85%, 0.53%

LAB 66.96, 30.46, 66.27

 

CMYK 0 / 65 / 86 / 7

HEX #ED5421

RGB 237 84 33

HSL 15, 0.85%, 0.53%

LAB 56.54, 56.86, 57.83

 

CMYK 29 / 0 / 86 / 7

HEX #A9ED21

RGB 169 237 33

HSL 80, 0.85%, 0.53%

LAB 86.56, -46.9, 80.13

 

CMYK 52 / 0 / 86 / 7

HEX #72ED21

RGB 114 237 33

HSL 96.18, 0.85%, 0.53%

LAB 84.1, -64.75, 77.06

 

CMYK 75 / 0 / 86 / 7

HEX #3BED21

RGB 59 237 33

HSL 112.35, 0.85%, 0.53%

LAB 82.7, -76.31, 75.3

 

CMYK 86 / 0 / 74 / 7

HEX #21ED3D

RGB 33 237 61

HSL 128.24, 0.85%, 0.53%

LAB 82.5, -77.63, 67.56

 

CMYK 86 / 0 / 51 / 7

HEX #21ED74

RGB 33 237 116

HSL 144.41, 0.85%, 0.53%

LAB 82.99, -71.54, 45.46

 

CMYK 29 / 0 / 86 / 7

HEX #A9ED21

RGB 169 237 33

HSL 80, 0.85%, 0.53%

LAB 86.56, -46.9, 80.13

 

CMYK 29 / 0 / 86 / 7

HEX #A9ED21

RGB 169 237 33

HSL 80, 0.85%, 0.53%

LAB 86.56, -46.9, 80.13

 

CMYK 25 / 0 / 76 / 15

HEX #A2D934

RGB 162 217 52

HSL 80, 0.68%, 0.53%

LAB 80.49, -40.18, 69.86

 

CMYK 21 / 0 / 64 / 22

HEX #9CC648

RGB 156 198 72

HSL 80, 0.53%, 0.53%

LAB 74.78, -32.64, 56.7

 

CMYK 16 / 0 / 49 / 30

HEX #95B25B

RGB 149 178 91

HSL 80, 0.36%, 0.53%

LAB 68.74, -24.06, 40.94

 

CMYK 10 / 0 / 31 / 38

HEX #8F9F6E

RGB 143 159 110

HSL 79.59, 0.2%, 0.53%

LAB 63.15, -14.34, 23.76

 

CMYK 0 / 19 / 86 / 7

HEX #EDC021

RGB 237 192 33

HSL 46.76, 0.85%, 0.53%

LAB 79.51, 2.57, 76.39

 

CMYK 5 / 0 / 86 / 7

HEX #E2ED21

RGB 226 237 33

HSL 63.24, 0.85%, 0.53%

LAB 90.25, -24.53, 84.69

 

CMYK 27 / 0 / 86 / 7

HEX #ACED21

RGB 172 237 33

HSL 79.12, 0.85%, 0.53%

LAB 86.73, -45.8, 80.34

 

CMYK 50 / 0 / 86 / 7

HEX #76ED21

RGB 118 237 33

HSL 95, 0.85%, 0.53%

LAB 84.24, -63.63, 77.23

 

CMYK 73 / 0 / 86 / 7

HEX #3FED21

RGB 63 237 33

HSL 111.18, 0.85%, 0.53%

LAB 82.77, -75.72, 75.39

 

CMYK 31 / 0 / 92 / 32

HEX #78AD0E

RGB 120 173 14

HSL 80, 0.85%, 0.37%

LAB 64.89, -38.15, 64.39

 

CMYK 30 / 0 / 92 / 17

HEX #93D311

RGB 147 211 17

HSL 79.79, 0.85%, 0.45%

LAB 77.78, -44.37, 75.01

 

CMYK 29 / 0 / 86 / 7

HEX #A9ED21

RGB 169 237 33

HSL 80, 0.85%, 0.53%

LAB 86.56, -46.9, 80.13

 

CMYK 23 / 0 / 70 / 6

HEX #B8F047

RGB 184 240 71

HSL 79.88, 0.85%, 0.61%

LAB 88.43, -41.03, 71.73

 

CMYK 19 / 0 / 55 / 5

HEX #C6F36D

RGB 198 243 109

HSL 80.15, 0.85%, 0.69%

LAB 90.42, -34.36, 58.91

 

CMYK 28 / 0 / 85 / 7

HEX #AAED23

RGB 170 237 35

HSL 79.9, 0.85%, 0.53%

LAB 86.62, -46.48, 79.81

 

CMYK 86 / 0 / 42 / 7

HEX #21ED8A

RGB 33 237 138

HSL 150.88, 0.85%, 0.53%

LAB 83.3, -67.93, 35.14

 

CMYK 7 / 86 / 0 / 7

HEX #DC21ED

RGB 220 33 237

HSL 295, 0.85%, 0.53%

LAB 54.47, 86.95, -60.51

 

CMYK 28 / 0 / 85 / 7

HEX #AAED23

RGB 170 237 35

HSL 79.9, 0.85%, 0.53%

LAB 86.62, -46.48, 79.81

 

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

CMYK 0 / 86 / 27 / 7

HEX #ED21AC

RGB 237 33 172

HSL 319.12, 0.85%, 0.53%

LAB 54.1, 81.42, -23.59

 

CMYK 28 / 0 / 85 / 7

HEX #AAED23

RGB 170 237 35

HSL 79.9, 0.85%, 0.53%

LAB 86.62, -46.48, 79.81

 

CMYK 86 / 0 / 42 / 7

HEX #21ED8A

RGB 33 237 138

HSL 150.88, 0.85%, 0.53%

LAB 83.3, -67.93, 35.14

 

CMYK 59 / 86 / 0 / 7

HEX #6121ED

RGB 97 33 237

HSL 258.82, 0.85%, 0.53%

LAB 37.38, 71.04, -89.12

 

CMYK 0 / 86 / 45 / 7

HEX #ED2183

RGB 237 33 131

HSL 331.18, 0.85%, 0.53%

LAB 52.65, 77.41, -1.41

 

CMYK 28 / 0 / 85 / 7

HEX #AAED23

RGB 170 237 35

HSL 79.9, 0.85%, 0.53%

LAB 86.62, -46.48, 79.81

 

CMYK 86 / 0 / 16 / 7

HEX #21EDC7

RGB 33 237 199

HSL 168.82, 0.85%, 0.53%

LAB 84.49, -54.69, 5.37

 

CMYK 59 / 86 / 0 / 7

HEX #6121ED

RGB 97 33 237

HSL 258.82, 0.85%, 0.53%

LAB 37.38, 71.04, -89.12

 

CMYK 0 / 86 / 70 / 7

HEX #ED2146

RGB 237 33 70

HSL 349.12, 0.85%, 0.53%

LAB 51.31, 73.56, 33.56

 

Description

Color code: HEX #AAED23 | qconv.com Color code: HEX #AAED23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 237 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 237 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 85 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 85% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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