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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 172 237 it is the complementary color RGB 222 83 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 172 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 172 237 shade: RGB 38 172 232, RGB 55 190 251, RGB 72 208 255, RGB 89 226 255 and RGB 106 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 172 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 172 237 shade: RGB 33 172 237, RGB 16 154 218, RGB 0 136 199, RGB 0 118 180 and RGB 0 100 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 172 237 shade: RGB 33 172 237, RGB 33 117 237, RGB 33 62 237, RGB 59 33 237 and RGB 114 33 237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 172 237 shade: RGB 33 172 237, RGB 33 117 237, RGB 33 62 237 and RGB 33 33 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 172 237 shade matches the following richer shades: RGB 33 172 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 172 237 shade: RGB 33 172 237, RGB 52 165 217, RGB 72 158 198, RGB 91 150 178 and RGB 110 143 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 172 237 shade: RGB 33 237 192, RGB 33 226 237, RGB 33 172 237, RGB 33 118 237 and RGB 33 63 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 172 237 shade: RGB 14 122 173, RGB 17 149 211, RGB 33 172 237, RGB 71 186 240 and RGB 109 200 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 172 237 shade: RGB 33 172 237, RGB 138 33 237 and RGB 237 220 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 172 237 shade: RGB 33 172 237, RGB 237 33 172 and RGB 172 237 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 172 237 shade: RGB 33 172 237, RGB 138 33 237, RGB 237 97 33 and RGB 131 237 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 172 237 shade: RGB 33 172 237, RGB 199 33 237, RGB 237 97 33 and RGB 70 237 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

Complementary color

CMYK 0 / 63 / 92 / 13

HEX #DE5312

RGB 222 83 18

HSL 19.12, 0.85%, 0.47%

LAB 53.77, 51.84, 59.78

 

CMYK 84 / 26 / 0 / 9

HEX #26ACE8

RGB 38 172 232

HSL 198.56, 0.81%, 0.53%

LAB 66.32, -13.97, -39.77

 

CMYK 78 / 24 / 0 / 2

HEX #37BEFB

RGB 55 190 251

HSL 198.67, 0.96%, 0.6%

LAB 72.63, -15.63, -40.23

 

CMYK 72 / 18 / 0 / 0

HEX #48D0FF

RGB 72 208 255

HSL 195.41, 1%, 0.64%

LAB 78.29, -21.77, -33.56

 

CMYK 65 / 11 / 0 / 0

HEX #59E2FF

RGB 89 226 255

HSL 190.48, 1%, 0.67%

LAB 83.83, -28.38, -25.04

 

CMYK 58 / 4 / 0 / 0

HEX #6AF4FF

RGB 106 244 255

HSL 184.43, 1%, 0.71%

LAB 89.39, -34.23, -16.59

 

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

CMYK 93 / 29 / 0 / 15

HEX #109ADA

RGB 16 154 218

HSL 199.01, 0.86%, 0.46%

LAB 60.14, -10.33, -41.74

 

CMYK 100 / 32 / 0 / 22

HEX #0088C7

RGB 0 136 199

HSL 198.99, 1%, 0.39%

LAB 53.74, -7.68, -41.15

 

CMYK 100 / 34 / 0 / 29

HEX #0076B4

RGB 0 118 180

HSL 200.67, 1%, 0.35%

LAB 47.3, -4.37, -40.43

 

CMYK 100 / 38 / 0 / 37

HEX #0064A1

RGB 0 100 161

HSL 202.73, 1%, 0.32%

LAB 40.72, -0.87, -39.73

 

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

CMYK 86 / 51 / 0 / 7

HEX #2175ED

RGB 33 117 237

HSL 215.29, 0.85%, 0.53%

LAB 50.87, 20.02, -67.14

 

CMYK 86 / 74 / 0 / 7

HEX #213EED

RGB 33 62 237

HSL 231.47, 0.85%, 0.53%

LAB 37.63, 54.01, -88.82

 

CMYK 75 / 86 / 0 / 7

HEX #3B21ED

RGB 59 33 237

HSL 247.65, 0.85%, 0.53%

LAB 34.26, 68.55, -94.39

 

CMYK 52 / 86 / 0 / 7

HEX #7221ED

RGB 114 33 237

HSL 263.82, 0.85%, 0.53%

LAB 39.21, 72.57, -86.04

 

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

CMYK 86 / 51 / 0 / 7

HEX #2175ED

RGB 33 117 237

HSL 215.29, 0.85%, 0.53%

LAB 50.87, 20.02, -67.14

 

CMYK 86 / 74 / 0 / 7

HEX #213EED

RGB 33 62 237

HSL 231.47, 0.85%, 0.53%

LAB 37.63, 54.01, -88.82

 

CMYK 86 / 86 / 0 / 7

HEX #2121ED

RGB 33 33 237

HSL 240, 0.85%, 0.53%

LAB 32.97, 67.59, -96.56

 

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

CMYK 76 / 24 / 0 / 15

HEX #34A5D9

RGB 52 165 217

HSL 198.91, 0.68%, 0.53%

LAB 63.88, -14.01, -35.31

 

CMYK 64 / 20 / 0 / 22

HEX #489EC6

RGB 72 158 198

HSL 199.05, 0.53%, 0.53%

LAB 61.58, -13.62, -28.26

 

CMYK 49 / 16 / 0 / 30

HEX #5B96B2

RGB 91 150 178

HSL 199.31, 0.36%, 0.53%

LAB 59.21, -11.43, -20.57

 

CMYK 31 / 10 / 0 / 38

HEX #6E8F9F

RGB 110 143 159

HSL 199.59, 0.2%, 0.53%

LAB 57.52, -7.56, -12.21

 

CMYK 86 / 0 / 19 / 7

HEX #21EDC0

RGB 33 237 192

HSL 166.76, 0.85%, 0.53%

LAB 84.33, -56.43, 8.8

 

CMYK 86 / 5 / 0 / 7

HEX #21E2ED

RGB 33 226 237

HSL 183.24, 0.85%, 0.53%

LAB 82.29, -39.49, -17.95

 

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

CMYK 86 / 50 / 0 / 7

HEX #2176ED

RGB 33 118 237

HSL 215, 0.85%, 0.53%

LAB 51.15, 19.39, -66.7

 

CMYK 86 / 73 / 0 / 7

HEX #213FED

RGB 33 63 237

HSL 231.18, 0.85%, 0.53%

LAB 37.83, 53.45, -88.5

 

CMYK 92 / 29 / 0 / 32

HEX #0E7AAD

RGB 14 122 173

HSL 199.25, 0.85%, 0.37%

LAB 48.3, -8.86, -34.79

 

CMYK 92 / 29 / 0 / 17

HEX #1195D3

RGB 17 149 211

HSL 199.18, 0.85%, 0.45%

LAB 58.34, -10.03, -40.67

 

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

CMYK 70 / 23 / 0 / 6

HEX #47BAF0

RGB 71 186 240

HSL 199.17, 0.85%, 0.61%

LAB 71.38, -15.28, -36.2

 

CMYK 55 / 18 / 0 / 5

HEX #6DC8F3

RGB 109 200 243

HSL 199.25, 0.85%, 0.69%

LAB 76.7, -15.31, -29.51

 

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

CMYK 42 / 86 / 0 / 7

HEX #8A21ED

RGB 138 33 237

HSL 270.88, 0.85%, 0.53%

LAB 42.16, 75.16, -81.06

 

CMYK 0 / 7 / 86 / 7

HEX #EDDC21

RGB 237 220 33

HSL 55, 0.85%, 0.53%

LAB 86.65, -11.67, 82.15

 

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

CMYK 0 / 86 / 27 / 7

HEX #ED21AC

RGB 237 33 172

HSL 319.12, 0.85%, 0.53%

LAB 54.1, 81.42, -23.59

 

CMYK 27 / 0 / 86 / 7

HEX #ACED21

RGB 172 237 33

HSL 79.12, 0.85%, 0.53%

LAB 86.73, -45.8, 80.34

 

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

CMYK 42 / 86 / 0 / 7

HEX #8A21ED

RGB 138 33 237

HSL 270.88, 0.85%, 0.53%

LAB 42.16, 75.16, -81.06

 

CMYK 0 / 59 / 86 / 7

HEX #ED6121

RGB 237 97 33

HSL 18.82, 0.85%, 0.53%

LAB 58.66, 51.23, 59.55

 

CMYK 45 / 0 / 86 / 7

HEX #83ED21

RGB 131 237 33

HSL 91.18, 0.85%, 0.53%

LAB 84.74, -59.79, 77.86

 

CMYK 86 / 27 / 0 / 7

HEX #21ACED

RGB 33 172 237

HSL 199.12, 0.85%, 0.53%

LAB 66.48, -12.57, -42.27

 

CMYK 16 / 86 / 0 / 7

HEX #C721ED

RGB 199 33 237

HSL 288.82, 0.85%, 0.53%

LAB 51.09, 83.59, -66.13

 

CMYK 0 / 59 / 86 / 7

HEX #ED6121

RGB 237 97 33

HSL 18.82, 0.85%, 0.53%

LAB 58.66, 51.23, 59.55

 

CMYK 70 / 0 / 86 / 7

HEX #46ED21

RGB 70 237 33

HSL 109.12, 0.85%, 0.53%

LAB 82.9, -74.58, 75.55

 

Description

Color code: RGB 33 172 237 | qconv.com Color code: RGB 33 172 237 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 172 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 172 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 27 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 27% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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