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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA1762 it is the complementary color #55E89D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA1762. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA1762 shade: #AF175D, #C02970, #D13B83, #E24D96 and #F35FA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA1762. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA1762 shade: #AA1762, #99054F, #88003C, #770029 and #660016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA1762 shade: #AA1762, #AA173A and #AA1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA1762 shade: #AA1762, #AA178A, #A317AA, #7B17AA and #5317AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA1762 shade matches the following richer shades: #AA1762 and #BA0762

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA1762 shade: #AA1762, #9A2662, #8B3661, #7B4661 and #6B5561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA1762 shade: #A317AA, #AA178A, #AA1763, #AA173C and #AA1917

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA1762 shade: #610D38, #86124D, #AA1762, #CE1C77 and #E2318B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA1762 shade: #AA1762, #AA7B17 and #179EAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA1762 shade: #AA1762, #63AA17 and #1763AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA1762 shade: #AA1762, #AA7B17, #17AA5E and #1745AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA1762 shade: #AA1762, #AAA817, #17AA5E and #1719AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 42 / 33

HEX #AA1762

RGB 170 23 98

HSL 329.39, 0.76%, 0.38%

LAB 37.92, 60.41, -4.21

 

Complementary color

CMYK 63 / 0 / 32 / 9

HEX #55E89D

RGB 85 232 157

HSL 149.39, 0.76%, 0.62%

LAB 82.96, -55.98, 25.21

 

CMYK 0 / 87 / 47 / 31

HEX #AF175D

RGB 175 23 93

HSL 332.37, 0.77%, 0.39%

LAB 38.75, 61.19, 0.32

 

CMYK 0 / 79 / 42 / 25

HEX #C02970

RGB 192 41 112

HSL 331.79, 0.65%, 0.46%

LAB 44.18, 62.9, -3.26

 

CMYK 0 / 72 / 37 / 18

HEX #D13B83

RGB 209 59 131

HSL 331.2, 0.62%, 0.53%

LAB 49.88, 63.69, -6.08

 

CMYK 0 / 66 / 34 / 11

HEX #E24D96

RGB 226 77 150

HSL 330.6, 0.72%, 0.59%

LAB 55.76, 63.87, -8.32

 

CMYK 0 / 61 / 30 / 5

HEX #F35FA9

RGB 243 95 169

HSL 330, 0.86%, 0.66%

LAB 61.74, 63.67, -10.15

 

CMYK 0 / 86 / 42 / 33

HEX #AA1762

RGB 170 23 98

HSL 329.39, 0.76%, 0.38%

LAB 37.92, 60.41, -4.21

 

CMYK 0 / 97 / 48 / 40

HEX #99054F

RGB 153 5 79

HSL 330, 0.94%, 0.31%

LAB 32.8, 57.45, 0.15

 

CMYK 0 / 100 / 56 / 47

HEX #88003C

RGB 136 0 60

HSL 333.53, 1%, 0.27%

LAB 28.28, 52.59, 5.83

 

CMYK 0 / 100 / 66 / 53

HEX #770029

RGB 119 0 41

HSL 339.33, 1%, 0.23%

LAB 23.94, 47.04, 12.3

HEX #770029

CMYK 0 / 100 / 78 / 60

HEX #660016

RGB 102 0 22

HSL 347.06, 1%, 0.2%

LAB 19.57, 41.53, 19.18

HEX #660016

CMYK 0 / 86 / 42 / 33

HEX #AA1762

RGB 170 23 98

HSL 329.39, 0.76%, 0.38%

LAB 37.92, 60.41, -4.21

 

CMYK 0 / 86 / 66 / 33

HEX #AA173A

RGB 170 23 58

HSL 345.71, 0.76%, 0.38%

LAB 36.86, 57.39, 20.01

 

CMYK 0 / 86 / 86 / 33

HEX #AA1717

RGB 170 23 23

HSL 0, 0.76%, 0.38%

LAB 36.41, 56.04, 40.44

 

CMYK 0 / 86 / 42 / 33

HEX #AA1762

RGB 170 23 98

HSL 329.39, 0.76%, 0.38%

LAB 37.92, 60.41, -4.21

 

CMYK 0 / 86 / 19 / 33

HEX #AA178A

RGB 170 23 138

HSL 313.06, 0.76%, 0.38%

LAB 39.57, 64.99, -26.72

 

CMYK 4 / 86 / 0 / 33

HEX #A317AA

RGB 163 23 170

HSL 297.14, 0.76%, 0.38%

LAB 40.08, 68.32, -45.36

 

CMYK 28 / 86 / 0 / 33

HEX #7B17AA

RGB 123 23 170

HSL 280.82, 0.76%, 0.38%

LAB 33.41, 61.56, -56.48

 

CMYK 51 / 86 / 0 / 33

HEX #5317AA

RGB 83 23 170

HSL 264.49, 0.76%, 0.38%

LAB 27.72, 56.16, -66.02

 

CMYK 0 / 86 / 42 / 33

HEX #AA1762

RGB 170 23 98

HSL 329.39, 0.76%, 0.38%

LAB 37.92, 60.41, -4.21

 

CMYK 0 / 96 / 47 / 27

HEX #BA0762

RGB 186 7 98

HSL 329.5, 0.93%, 0.38%

LAB 40.37, 66.49, -0.23

 

CMYK 0 / 86 / 42 / 33

HEX #AA1762

RGB 170 23 98

HSL 329.39, 0.76%, 0.38%

LAB 37.92, 60.41, -4.21

 

CMYK 0 / 75 / 36 / 40

HEX #9A2662

RGB 154 38 98

HSL 328.97, 0.6%, 0.38%

LAB 36.25, 52.15, -7.03

 

CMYK 0 / 61 / 30 / 45

HEX #8B3661

RGB 139 54 97

HSL 329.65, 0.44%, 0.38%

LAB 35.97, 40.85, -7.09

 

CMYK 0 / 43 / 21 / 52

HEX #7B4661

RGB 123 70 97

HSL 329.43, 0.27%, 0.38%

LAB 36.84, 26.6, -6.03

 

CMYK 0 / 21 / 9 / 58

HEX #6B5561

RGB 107 85 97

HSL 327.27, 0.11%, 0.38%

LAB 38.7, 11.3, -3.48

 

CMYK 4 / 86 / 0 / 33

HEX #A317AA

RGB 163 23 170

HSL 297.14, 0.76%, 0.38%

LAB 40.08, 68.32, -45.36

 

CMYK 0 / 86 / 19 / 33

HEX #AA178A

RGB 170 23 138

HSL 313.06, 0.76%, 0.38%

LAB 39.57, 64.99, -26.72

 

CMYK 0 / 86 / 42 / 33

HEX #AA1763

RGB 170 23 99

HSL 328.98, 0.76%, 0.38%

LAB 37.95, 60.51, -4.8

 

CMYK 0 / 86 / 65 / 33

HEX #AA173C

RGB 170 23 60

HSL 344.9, 0.76%, 0.38%

LAB 36.9, 57.5, 18.77

 

CMYK 0 / 85 / 86 / 33

HEX #AA1917

RGB 170 25 23

HSL 0.82, 0.76%, 0.38%

LAB 36.56, 55.59, 40.58

 

CMYK 0 / 87 / 42 / 62

HEX #610D38

RGB 97 13 56

HSL 329.29, 0.76%, 0.22%

LAB 20.5, 39.39, -3.77

 

CMYK 0 / 87 / 43 / 47

HEX #86124D

RGB 134 18 77

HSL 329.48, 0.76%, 0.3%

LAB 29.51, 50.35, -3.84

 

CMYK 0 / 86 / 42 / 33

HEX #AA1762

RGB 170 23 98

HSL 329.39, 0.76%, 0.38%

LAB 37.92, 60.41, -4.21

 

CMYK 0 / 86 / 42 / 19

HEX #CE1C77

RGB 206 28 119

HSL 329.33, 0.76%, 0.46%

LAB 46.02, 70.04, -4.56

 

CMYK 0 / 78 / 38 / 11

HEX #E2318B

RGB 226 49 139

HSL 329.49, 0.75%, 0.54%

LAB 52.1, 71.97, -7.27

 

CMYK 0 / 86 / 42 / 33

HEX #AA1762

RGB 170 23 98

HSL 329.39, 0.76%, 0.38%

LAB 37.92, 60.41, -4.21

 

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

CMYK 86 / 7 / 0 / 33

HEX #179EAA

RGB 23 158 170

HSL 184.9, 0.76%, 0.38%

LAB 59.47, -28.72, -15.81

 

CMYK 0 / 86 / 42 / 33

HEX #AA1762

RGB 170 23 98

HSL 329.39, 0.76%, 0.38%

LAB 37.92, 60.41, -4.21

 

CMYK 42 / 0 / 86 / 33

HEX #63AA17

RGB 99 170 23

HSL 88.98, 0.76%, 0.38%

LAB 62.9, -44.3, 60.58

 

CMYK 86 / 42 / 0 / 33

HEX #1763AA

RGB 23 99 170

HSL 208.98, 0.76%, 0.38%

LAB 41.23, 4.65, -44.22

 

CMYK 0 / 86 / 42 / 33

HEX #AA1762

RGB 170 23 98

HSL 329.39, 0.76%, 0.38%

LAB 37.92, 60.41, -4.21

 

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

CMYK 86 / 0 / 45 / 33

HEX #17AA5E

RGB 23 170 94

HSL 148.98, 0.76%, 0.38%

LAB 61.43, -53.43, 29.19

 

CMYK 86 / 59 / 0 / 33

HEX #1745AA

RGB 23 69 170

HSL 221.22, 0.76%, 0.38%

LAB 32.57, 24.6, -58.21

 

CMYK 0 / 86 / 42 / 33

HEX #AA1762

RGB 170 23 98

HSL 329.39, 0.76%, 0.38%

LAB 37.92, 60.41, -4.21

 

CMYK 0 / 1 / 86 / 33

HEX #AAA817

RGB 170 168 23

HSL 59.18, 0.76%, 0.38%

LAB 66.99, -14.51, 65.9

 

CMYK 86 / 0 / 45 / 33

HEX #17AA5E

RGB 23 170 94

HSL 148.98, 0.76%, 0.38%

LAB 61.43, -53.43, 29.19

 

CMYK 86 / 85 / 0 / 33

HEX #1719AA

RGB 23 25 170

HSL 239.18, 0.76%, 0.38%

LAB 22.93, 50.93, -74.11

 

Description

Color code: HEX #AA1762 | qconv.com Color code: HEX #AA1762 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 23 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 23 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 42 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 42% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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