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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 123 23 it is the complementary color RGB 85 132 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 123 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 123 23 shade: RGB 175 123 18, RGB 192 141 37, RGB 209 159 56, RGB 226 177 75 and RGB 243 195 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 123 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 123 23 shade: RGB 170 123 23, RGB 153 105 4, RGB 136 87 0, RGB 119 69 0 and RGB 102 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 123 23 shade: RGB 170 123 23, RGB 170 83 23, RGB 170 44 23 and RGB 170 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 123 23 shade: RGB 170 123 23, RGB 170 163 23, RGB 138 170 23, RGB 98 170 23 and RGB 58 170 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 123 23 shade matches the following richer shades: RGB 170 123 23 and RGB 186 129 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 123 23 shade: RGB 170 123 23, RGB 154 117 38, RGB 139 112 54, RGB 123 106 70 and RGB 107 100 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 123 23 shade: RGB 170 42 23, RGB 170 82 23, RGB 170 121 23, RGB 170 160 23 and RGB 141 170 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 123 23 shade: RGB 97 70 13, RGB 134 97 18, RGB 170 123 23, RGB 206 149 28 and RGB 226 170 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 123 23 shade: RGB 170 123 23, RGB 42 170 23 and RGB 62 23 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 123 23 shade: RGB 170 123 23, RGB 23 170 121 and RGB 121 23 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 123 23 shade: RGB 170 123 23, RGB 42 170 23, RGB 23 72 170 and RGB 150 23 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 123 23 shade: RGB 170 123 23, RGB 23 170 47, RGB 23 72 170 and RGB 170 23 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

Complementary color

CMYK 63 / 43 / 0 / 9

HEX #5584E8

RGB 85 132 232

HSL 220.82, 0.76%, 0.62%

LAB 56.35, 15.06, -55.45

 

CMYK 0 / 30 / 90 / 31

HEX #AF7B12

RGB 175 123 18

HSL 40.13, 0.81%, 0.38%

LAB 55.4, 12.03, 57.96

 

CMYK 0 / 27 / 81 / 25

HEX #C08D25

RGB 192 141 37

HSL 40.26, 0.68%, 0.45%

LAB 61.99, 10.21, 58.57

 

CMYK 0 / 24 / 73 / 18

HEX #D19F38

RGB 209 159 56

HSL 40.39, 0.62%, 0.52%

LAB 68.49, 8.66, 58.15

 

CMYK 0 / 22 / 67 / 11

HEX #E2B14B

RGB 226 177 75

HSL 40.53, 0.72%, 0.59%

LAB 74.9, 7.34, 57.25

 

CMYK 0 / 20 / 61 / 5

HEX #F3C35E

RGB 243 195 94

HSL 40.67, 0.86%, 0.66%

LAB 81.23, 6.2, 56.13

 

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

CMYK 0 / 31 / 97 / 40

HEX #996904

RGB 153 105 4

HSL 40.67, 0.95%, 0.31%

LAB 48.11, 11.89, 54.36

 

CMYK 0 / 36 / 100 / 47

HEX #885700

RGB 136 87 0

HSL 38.38, 1%, 0.27%

LAB 41.3, 14.3, 49.69

 

CMYK 0 / 42 / 100 / 53

HEX #774500

RGB 119 69 0

HSL 34.79, 1%, 0.23%

LAB 34.35, 16.91, 44.03

 

CMYK 0 / 50 / 100 / 60

HEX #663300

RGB 102 51 0

HSL 30, 1%, 0.2%

LAB 27.28, 19.63, 37.72

 

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

CMYK 0 / 51 / 86 / 33

HEX #AA5317

RGB 170 83 23

HSL 24.49, 0.76%, 0.38%

LAB 45.35, 32.08, 48.03

 

CMYK 0 / 74 / 86 / 33

HEX #AA2C17

RGB 170 44 23

HSL 8.57, 0.76%, 0.38%

LAB 38.57, 49.96, 42.29

 

CMYK 0 / 86 / 86 / 33

HEX #AA1717

RGB 170 23 23

HSL 0, 0.76%, 0.38%

LAB 36.41, 56.04, 40.44

 

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

CMYK 0 / 4 / 86 / 33

HEX #AAA317

RGB 170 163 23

HSL 57.14, 0.76%, 0.38%

LAB 65.59, -11.91, 64.76

 

CMYK 19 / 0 / 86 / 33

HEX #8AAA17

RGB 138 170 23

HSL 73.06, 0.76%, 0.38%

LAB 65.13, -29.3, 63.37

 

CMYK 42 / 0 / 86 / 33

HEX #62AA17

RGB 98 170 23

HSL 89.39, 0.76%, 0.38%

LAB 62.85, -44.64, 60.52

 

CMYK 66 / 0 / 86 / 33

HEX #3AAA17

RGB 58 170 23

HSL 105.71, 0.76%, 0.38%

LAB 61.4, -55.99, 58.69

 

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

CMYK 0 / 31 / 96 / 27

HEX #BA8107

RGB 186 129 7

HSL 40.89, 0.93%, 0.38%

LAB 58.18, 13.48, 62.74

 

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

CMYK 0 / 24 / 75 / 40

HEX #9A7526

RGB 154 117 38

HSL 40.86, 0.6%, 0.38%

LAB 51.53, 6.49, 46.85

 

CMYK 0 / 19 / 61 / 45

HEX #8B7036

RGB 139 112 54

HSL 40.94, 0.44%, 0.38%

LAB 48.69, 3.47, 35.7

 

CMYK 0 / 14 / 43 / 52

HEX #7B6A46

RGB 123 106 70

HSL 40.75, 0.27%, 0.38%

LAB 45.58, 1.29, 22.68

 

CMYK 0 / 7 / 21 / 58

HEX #6B6455

RGB 107 100 85

HSL 40.91, 0.11%, 0.38%

LAB 42.61, 0.02, 9.51

 

CMYK 0 / 75 / 86 / 33

HEX #AA2A17

RGB 170 42 23

HSL 7.76, 0.76%, 0.38%

LAB 38.31, 50.67, 42.08

 

CMYK 0 / 52 / 86 / 33

HEX #AA5217

RGB 170 82 23

HSL 24.08, 0.76%, 0.38%

LAB 45.14, 32.61, 47.85

 

CMYK 0 / 29 / 86 / 33

HEX #AA7917

RGB 170 121 23

HSL 40, 0.76%, 0.38%

LAB 54.33, 11, 55.5

 

CMYK 0 / 6 / 86 / 33

HEX #AAA017

RGB 170 160 23

HSL 55.92, 0.76%, 0.38%

LAB 64.76, -10.34, 64.08

 

CMYK 17 / 0 / 86 / 33

HEX #8DAA17

RGB 141 170 23

HSL 71.84, 0.76%, 0.38%

LAB 65.34, -28.05, 63.62

 

CMYK 0 / 28 / 87 / 62

HEX #61460D

RGB 97 70 13

HSL 40.71, 0.76%, 0.22%

LAB 31.69, 5.91, 36.02

 

CMYK 0 / 28 / 87 / 47

HEX #866112

RGB 134 97 18

HSL 40.86, 0.76%, 0.3%

LAB 43.74, 7.89, 46.47

 

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

CMYK 0 / 28 / 86 / 19

HEX #CE951C

RGB 206 149 28

HSL 40.79, 0.76%, 0.46%

LAB 65.51, 11.78, 64.96

 

CMYK 0 / 25 / 78 / 11

HEX #E2AA31

RGB 226 170 49

HSL 41.02, 0.75%, 0.54%

LAB 72.98, 9.84, 65.73

 

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

CMYK 75 / 0 / 86 / 33

HEX #2AAA17

RGB 42 170 23

HSL 112.24, 0.76%, 0.38%

LAB 61.05, -59.03, 58.24

 

CMYK 64 / 86 / 0 / 33

HEX #3E17AA

RGB 62 23 170

HSL 255.92, 0.76%, 0.38%

LAB 25.38, 54.08, -69.96

 

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

CMYK 86 / 0 / 29 / 33

HEX #17AA79

RGB 23 170 121

HSL 160, 0.76%, 0.38%

LAB 61.92, -47.79, 15.27

 

CMYK 29 / 86 / 0 / 33

HEX #7917AA

RGB 121 23 170

HSL 280, 0.76%, 0.38%

LAB 33.09, 61.26, -57

 

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

CMYK 75 / 0 / 86 / 33

HEX #2AAA17

RGB 42 170 23

HSL 112.24, 0.76%, 0.38%

LAB 61.05, -59.03, 58.24

 

CMYK 86 / 58 / 0 / 33

HEX #1748AA

RGB 23 72 170

HSL 220, 0.76%, 0.38%

LAB 33.39, 22.57, -56.88

 

CMYK 12 / 86 / 0 / 33

HEX #9617AA

RGB 150 23 170

HSL 291.84, 0.76%, 0.38%

LAB 37.84, 66.01, -49.08

 

CMYK 0 / 28 / 86 / 33

HEX #AA7B17

RGB 170 123 23

HSL 40.82, 0.76%, 0.38%

LAB 54.84, 9.88, 55.92

 

CMYK 86 / 0 / 72 / 33

HEX #17AA2F

RGB 23 170 47

HSL 129.8, 0.76%, 0.38%

LAB 60.9, -59.83, 50.57

 

CMYK 86 / 58 / 0 / 33

HEX #1748AA

RGB 23 72 170

HSL 220, 0.76%, 0.38%

LAB 33.39, 22.57, -56.88

 

CMYK 0 / 86 / 15 / 33

HEX #AA1791

RGB 170 23 145

HSL 310.2, 0.76%, 0.38%

LAB 39.92, 65.93, -30.45

 

Description

Color code: RGB 170 123 23 | qconv.com Color code: RGB 170 123 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 123 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 123 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 86 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 86% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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