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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A970CA it is the complementary color #568F35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A970CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A970CA shade: #AE70C5, #BF82D8, #D094EB, #E1A6FE and #F2B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A970CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A970CA shade: #A970CA, #985EB7, #874CA4, #763A91 and #65287E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A970CA shade: #A971CA, #C271CA, #CA71BB, #CA71A3 and #CA718B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A970CA shade: #A971CA, #9171CA, #7971CA and #7171CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A970CA shade matches the following richer shades: #A971CA, #AE61DA, #B252EA and #B642F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A970CA shade: #A971CA, #A581BA, #A190AB, #9DA09B and #99B08B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A970CA shade: #7A71CA, #9271CA, #A971CA, #C171CA and #CA71BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A970CA shade: #833FAA, #9753BF, #A971CA, #BC8FD5 and #CEADE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A970CA shade: #A970CA, #CA7180 and #71CA86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A970CA shade: #A970CA, #CAA971 and #71CAA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A970CA shade: #A970CA, #CA7180, #92CA71 and #71CABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A970CA shade: #A970CA, #CA7D71, #92CA71 and #71BECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 45 / 0 / 21

HEX #A970CA

RGB 169 112 202

HSL 278, 0.46%, 0.62%

LAB 56.37, 38.81, -38.12

 

Complementary color

CMYK 40 / 0 / 63 / 44

HEX #568F35

RGB 86 143 53

HSL 98, 0.46%, 0.38%

LAB 53.9, -35.34, 41.02

 

CMYK 12 / 43 / 0 / 23

HEX #AE70C5

RGB 174 112 197

HSL 283.76, 0.42%, 0.61%

LAB 56.7, 39.21, -34.72

 

CMYK 12 / 40 / 0 / 15

HEX #BF82D8

RGB 191 130 216

HSL 282.56, 0.52%, 0.68%

LAB 63.34, 38.43, -34.94

 

CMYK 11 / 37 / 0 / 8

HEX #D094EB

RGB 208 148 235

HSL 281.38, 0.69%, 0.75%

LAB 69.89, 37.68, -35.14

 

CMYK 11 / 35 / 0 / 0

HEX #E1A6FE

RGB 225 166 254

HSL 280.23, 0.98%, 0.82%

LAB 76.34, 36.97, -35.34

 

CMYK 5 / 28 / 0 / 0

HEX #F2B8FF

RGB 242 184 255

HSL 289.01, 1%, 0.86%

LAB 82.04, 32.79, -26.96

 

CMYK 16 / 45 / 0 / 21

HEX #A970CA

RGB 169 112 202

HSL 278, 0.46%, 0.62%

LAB 56.37, 38.81, -38.12

 

CMYK 17 / 49 / 0 / 28

HEX #985EB7

RGB 152 94 183

HSL 279.1, 0.38%, 0.54%

LAB 49.62, 39.64, -37.96

 

CMYK 18 / 54 / 0 / 36

HEX #874CA4

RGB 135 76 164

HSL 280.23, 0.37%, 0.47%

LAB 42.76, 40.48, -37.76

 

CMYK 19 / 60 / 0 / 43

HEX #763A91

RGB 118 58 145

HSL 281.38, 0.43%, 0.4%

LAB 35.83, 41.23, -37.46

 

CMYK 20 / 68 / 0 / 51

HEX #65287E

RGB 101 40 126

HSL 282.56, 0.52%, 0.33%

LAB 28.88, 41.75, -36.94

 

CMYK 16 / 44 / 0 / 21

HEX #A971CA

RGB 169 113 202

HSL 277.75, 0.46%, 0.62%

LAB 56.59, 38.26, -37.77

 

CMYK 4 / 44 / 0 / 21

HEX #C271CA

RGB 194 113 202

HSL 294.61, 0.46%, 0.62%

LAB 59.47, 45.63, -33.06

 

CMYK 0 / 44 / 7 / 21

HEX #CA71BB

RGB 202 113 187

HSL 310.11, 0.46%, 0.62%

LAB 59.85, 45.35, -23.88

 

CMYK 0 / 44 / 19 / 21

HEX #CA71A3

RGB 202 113 163

HSL 326.29, 0.46%, 0.62%

LAB 58.98, 41.46, -11.43

 

CMYK 0 / 44 / 31 / 21

HEX #CA718B

RGB 202 113 139

HSL 342.47, 0.46%, 0.62%

LAB 58.26, 38.05, 1.38

 

CMYK 16 / 44 / 0 / 21

HEX #A971CA

RGB 169 113 202

HSL 277.75, 0.46%, 0.62%

LAB 56.59, 38.26, -37.77

 

CMYK 28 / 44 / 0 / 21

HEX #9171CA

RGB 145 113 202

HSL 261.57, 0.46%, 0.62%

LAB 54.13, 31.38, -41.82

 

CMYK 40 / 44 / 0 / 21

HEX #7971CA

RGB 121 113 202

HSL 245.39, 0.46%, 0.62%

LAB 51.99, 24.92, -45.34

 

CMYK 44 / 44 / 0 / 21

HEX #7171CA

RGB 113 113 202

HSL 240, 0.46%, 0.62%

LAB 51.36, 22.9, -46.37

 

CMYK 16 / 44 / 0 / 21

HEX #A971CA

RGB 169 113 202

HSL 277.75, 0.46%, 0.62%

LAB 56.59, 38.26, -37.77

 

CMYK 20 / 56 / 0 / 15

HEX #AE61DA

RGB 174 97 218

HSL 278.18, 0.62%, 0.62%

LAB 54.67, 51.67, -49.85

 

CMYK 24 / 65 / 0 / 8

HEX #B252EA

RGB 178 82 234

HSL 277.89, 0.78%, 0.62%

LAB 53.43, 63.27, -60.82

 

CMYK 27 / 73 / 0 / 2

HEX #B642F9

RGB 182 66 249

HSL 278.03, 0.94%, 0.62%

LAB 52.6, 73.75, -70.52

 

CMYK 16 / 44 / 0 / 21

HEX #A971CA

RGB 169 113 202

HSL 277.75, 0.46%, 0.62%

LAB 56.59, 38.26, -37.77

 

CMYK 11 / 31 / 0 / 27

HEX #A581BA

RGB 165 129 186

HSL 277.89, 0.29%, 0.62%

LAB 59.2, 24.53, -24.66

 

CMYK 6 / 16 / 0 / 33

HEX #A190AB

RGB 161 144 171

HSL 277.78, 0.14%, 0.62%

LAB 62.05, 11.48, -11.84

 

CMYK 2 / 0 / 3 / 37

HEX #9DA09B

RGB 157 160 155

HSL 96, 0.03%, 0.62%

LAB 65.5, -2.03, 2.22

 

CMYK 13 / 0 / 21 / 31

HEX #99B08B

RGB 153 176 139

HSL 97.3, 0.19%, 0.62%

LAB 69.25, -14.88, 16.36

 

CMYK 40 / 44 / 0 / 21

HEX #7A71CA

RGB 122 113 202

HSL 246.07, 0.46%, 0.62%

LAB 52.08, 25.17, -45.2

 

CMYK 28 / 44 / 0 / 21

HEX #9271CA

RGB 146 113 202

HSL 262.25, 0.46%, 0.62%

LAB 54.22, 31.66, -41.67

 

CMYK 16 / 44 / 0 / 21

HEX #A971CA

RGB 169 113 202

HSL 277.75, 0.46%, 0.62%

LAB 56.59, 38.26, -37.77

 

CMYK 4 / 44 / 0 / 21

HEX #C171CA

RGB 193 113 202

HSL 293.93, 0.46%, 0.62%

LAB 59.35, 45.34, -33.26

 

CMYK 0 / 44 / 7 / 21

HEX #CA71BB

RGB 202 113 187

HSL 310.11, 0.46%, 0.62%

LAB 59.85, 45.35, -23.88

 

CMYK 23 / 63 / 0 / 33

HEX #833FAA

RGB 131 63 170

HSL 278.13, 0.46%, 0.46%

LAB 40.05, 47.6, -45.68

 

CMYK 21 / 57 / 0 / 25

HEX #9753BF

RGB 151 83 191

HSL 277.78, 0.46%, 0.54%

LAB 47.66, 47.07, -45.72

 

CMYK 16 / 44 / 0 / 21

HEX #A971CA

RGB 169 113 202

HSL 277.75, 0.46%, 0.62%

LAB 56.59, 38.26, -37.77

 

CMYK 12 / 33 / 0 / 16

HEX #BC8FD5

RGB 188 143 213

HSL 278.57, 0.45%, 0.7%

LAB 65.86, 29.72, -29.39

 

CMYK 8 / 23 / 0 / 12

HEX #CEADE0

RGB 206 173 224

HSL 278.82, 0.45%, 0.78%

LAB 75.07, 21.19, -21.19

 

CMYK 16 / 45 / 0 / 21

HEX #A970CA

RGB 169 112 202

HSL 278, 0.46%, 0.62%

LAB 56.37, 38.81, -38.12

 

CMYK 0 / 44 / 37 / 21

HEX #CA7180

RGB 202 113 128

HSL 349.89, 0.46%, 0.62%

LAB 57.97, 36.67, 7.35

 

CMYK 44 / 0 / 34 / 21

HEX #71CA86

RGB 113 202 134

HSL 134.16, 0.46%, 0.62%

LAB 74.49, -41.37, 25.85

 

CMYK 16 / 45 / 0 / 21

HEX #A970CA

RGB 169 112 202

HSL 278, 0.46%, 0.62%

LAB 56.37, 38.81, -38.12

 

CMYK 0 / 16 / 44 / 21

HEX #CAA971

RGB 202 169 113

HSL 37.75, 0.46%, 0.62%

LAB 70.96, 4.59, 33.34

 

CMYK 44 / 0 / 16 / 21

HEX #71CAA9

RGB 113 202 169

HSL 157.75, 0.46%, 0.62%

LAB 75.21, -34.46, 8.21

 

CMYK 16 / 45 / 0 / 21

HEX #A970CA

RGB 169 112 202

HSL 278, 0.46%, 0.62%

LAB 56.37, 38.81, -38.12

 

CMYK 0 / 44 / 37 / 21

HEX #CA7180

RGB 202 113 128

HSL 349.89, 0.46%, 0.62%

LAB 57.97, 36.67, 7.35

 

CMYK 28 / 0 / 44 / 21

HEX #92CA71

RGB 146 202 113

HSL 97.75, 0.46%, 0.62%

LAB 75.79, -34.03, 38.65

 

CMYK 44 / 0 / 7 / 21

HEX #71CABB

RGB 113 202 187

HSL 169.89, 0.46%, 0.62%

LAB 75.66, -30.34, -0.85

 

CMYK 16 / 45 / 0 / 21

HEX #A970CA

RGB 169 112 202

HSL 278, 0.46%, 0.62%

LAB 56.37, 38.81, -38.12

 

CMYK 0 / 38 / 44 / 21

HEX #CA7D71

RGB 202 125 113

HSL 8.09, 0.46%, 0.62%

LAB 60.26, 28.54, 19.18

 

CMYK 28 / 0 / 44 / 21

HEX #92CA71

RGB 146 202 113

HSL 97.75, 0.46%, 0.62%

LAB 75.79, -34.03, 38.65

 

CMYK 44 / 6 / 0 / 21

HEX #71BECA

RGB 113 190 202

HSL 188.09, 0.46%, 0.62%

LAB 72.63, -20.65, -13.49

 

Description

Color code: HEX #A970CA | qconv.com Color code: HEX #A970CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 112 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 112 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 45 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 45% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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