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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 113 202 it is the complementary color RGB 62 142 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 113 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 113 202 shade: RGB 198 113 197, RGB 215 131 216, RGB 232 149 235, RGB 249 167 254 and RGB 255 185 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 113 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 113 202 shade: RGB 193 113 202, RGB 176 95 183, RGB 159 77 164, RGB 142 59 145 and RGB 125 41 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 113 202 shade: RGB 193 113 202, RGB 202 113 187, RGB 202 113 163, RGB 202 113 139 and RGB 202 113 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 113 202 shade: RGB 193 113 202, RGB 169 113 202, RGB 145 113 202, RGB 121 113 202 and RGB 113 113 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 113 202 shade matches the following richer shades: RGB 193 113 202, RGB 206 97 218, RGB 218 82 234 and RGB 231 66 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 113 202 shade: RGB 193 113 202, RGB 181 129 186, RGB 168 144 171, RGB 156 160 155 and RGB 143 176 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 113 202 shade: RGB 144 113 202, RGB 168 113 202, RGB 192 113 202, RGB 202 113 189 and RGB 202 113 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 113 202 shade: RGB 159 63 170, RGB 180 83 191, RGB 193 113 202, RGB 206 143 213 and RGB 219 173 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 113 202 shade: RGB 193 113 202, RGB 202 120 113 and RGB 113 202 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 113 202 shade: RGB 193 113 202, RGB 202 192 113 and RGB 113 202 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 113 202 shade: RGB 193 113 202, RGB 202 120 113, RGB 123 202 113 and RGB 113 195 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 113 202 shade: RGB 193 113 202, RGB 202 147 113, RGB 123 202 113 and RGB 113 168 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 44 / 0 / 21

HEX #C171CA

RGB 193 113 202

HSL 293.93, 0.46%, 0.62%

LAB 59.35, 45.34, -33.26

 

Complementary color

CMYK 56 / 0 / 63 / 44

HEX #3E8E35

RGB 62 142 53

HSL 113.93, 0.46%, 0.38%

LAB 52.54, -42.51, 39.21

 

CMYK 0 / 43 / 1 / 22

HEX #C671C5

RGB 198 113 197

HSL 300.71, 0.43%, 0.61%

LAB 59.75, 45.9, -29.76

 

CMYK 0 / 39 / 0 / 15

HEX #D783D8

RGB 215 131 216

HSL 299.29, 0.52%, 0.68%

LAB 66.24, 45.16, -30.23

 

CMYK 1 / 37 / 0 / 8

HEX #E895EB

RGB 232 149 235

HSL 297.91, 0.68%, 0.75%

LAB 72.66, 44.42, -30.64

 

CMYK 2 / 34 / 0 / 0

HEX #F9A7FE

RGB 249 167 254

HSL 296.55, 0.98%, 0.83%

LAB 79, 43.7, -31.02

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 4 / 44 / 0 / 21

HEX #C171CA

RGB 193 113 202

HSL 293.93, 0.46%, 0.62%

LAB 59.35, 45.34, -33.26

 

CMYK 4 / 48 / 0 / 28

HEX #B05FB7

RGB 176 95 183

HSL 295.23, 0.38%, 0.55%

LAB 52.77, 46.07, -32.81

 

CMYK 3 / 53 / 0 / 36

HEX #9F4DA4

RGB 159 77 164

HSL 296.55, 0.36%, 0.47%

LAB 46.12, 46.73, -32.26

 

CMYK 2 / 59 / 0 / 43

HEX #8E3B91

RGB 142 59 145

HSL 297.91, 0.42%, 0.4%

LAB 39.45, 47.21, -31.51

 

CMYK 1 / 67 / 0 / 51

HEX #7D297E

RGB 125 41 126

HSL 299.29, 0.51%, 0.33%

LAB 32.81, 47.31, -30.45

 

CMYK 4 / 44 / 0 / 21

HEX #C171CA

RGB 193 113 202

HSL 293.93, 0.46%, 0.62%

LAB 59.35, 45.34, -33.26

 

CMYK 0 / 44 / 7 / 21

HEX #CA71BB

RGB 202 113 187

HSL 310.11, 0.46%, 0.62%

LAB 59.85, 45.35, -23.88

 

CMYK 0 / 44 / 19 / 21

HEX #CA71A3

RGB 202 113 163

HSL 326.29, 0.46%, 0.62%

LAB 58.98, 41.46, -11.43

 

CMYK 0 / 44 / 31 / 21

HEX #CA718B

RGB 202 113 139

HSL 342.47, 0.46%, 0.62%

LAB 58.26, 38.05, 1.38

 

CMYK 0 / 44 / 43 / 21

HEX #CA7173

RGB 202 113 115

HSL 358.65, 0.46%, 0.62%

LAB 57.66, 35.18, 14.45

 

CMYK 4 / 44 / 0 / 21

HEX #C171CA

RGB 193 113 202

HSL 293.93, 0.46%, 0.62%

LAB 59.35, 45.34, -33.26

 

CMYK 16 / 44 / 0 / 21

HEX #A971CA

RGB 169 113 202

HSL 277.75, 0.46%, 0.62%

LAB 56.59, 38.26, -37.77

 

CMYK 28 / 44 / 0 / 21

HEX #9171CA

RGB 145 113 202

HSL 261.57, 0.46%, 0.62%

LAB 54.13, 31.38, -41.82

 

CMYK 40 / 44 / 0 / 21

HEX #7971CA

RGB 121 113 202

HSL 245.39, 0.46%, 0.62%

LAB 51.99, 24.92, -45.34

 

CMYK 44 / 44 / 0 / 21

HEX #7171CA

RGB 113 113 202

HSL 240, 0.46%, 0.62%

LAB 51.36, 22.9, -46.37

 

CMYK 4 / 44 / 0 / 21

HEX #C171CA

RGB 193 113 202

HSL 293.93, 0.46%, 0.62%

LAB 59.35, 45.34, -33.26

 

CMYK 6 / 56 / 0 / 15

HEX #CE61DA

RGB 206 97 218

HSL 294.05, 0.62%, 0.62%

LAB 58.73, 59.9, -43.16

 

CMYK 7 / 65 / 0 / 8

HEX #DA52EA

RGB 218 82 234

HSL 293.68, 0.78%, 0.62%

LAB 58.86, 72.09, -51.82

 

CMYK 7 / 73 / 0 / 2

HEX #E742F9

RGB 231 66 249

HSL 294.1, 0.94%, 0.62%

LAB 59.64, 82.91, -58.82

 

CMYK 4 / 44 / 0 / 21

HEX #C171CA

RGB 193 113 202

HSL 293.93, 0.46%, 0.62%

LAB 59.35, 45.34, -33.26

 

CMYK 3 / 31 / 0 / 27

HEX #B581BA

RGB 181 129 186

HSL 294.74, 0.29%, 0.62%

LAB 60.84, 29.77, -22

 

CMYK 2 / 16 / 0 / 33

HEX #A890AB

RGB 168 144 171

HSL 293.33, 0.14%, 0.62%

LAB 62.69, 13.93, -10.83

 

CMYK 2 / 0 / 3 / 37

HEX #9CA09B

RGB 156 160 155

HSL 108, 0.03%, 0.62%

LAB 65.42, -2.39, 2.09

 

CMYK 19 / 0 / 21 / 31

HEX #8FB08B

RGB 143 176 139

HSL 113.51, 0.19%, 0.62%

LAB 68.57, -18.48, 15.32

 

CMYK 29 / 44 / 0 / 21

HEX #9071CA

RGB 144 113 202

HSL 260.9, 0.46%, 0.62%

LAB 54.03, 31.1, -41.98

 

CMYK 17 / 44 / 0 / 21

HEX #A871CA

RGB 168 113 202

HSL 277.08, 0.46%, 0.62%

LAB 56.49, 37.97, -37.95

 

CMYK 5 / 44 / 0 / 21

HEX #C071CA

RGB 192 113 202

HSL 293.26, 0.46%, 0.62%

LAB 59.23, 45.04, -33.45

 

CMYK 0 / 44 / 6 / 21

HEX #CA71BD

RGB 202 113 189

HSL 308.76, 0.46%, 0.62%

LAB 59.93, 45.7, -24.9

 

CMYK 0 / 44 / 18 / 21

HEX #CA71A5

RGB 202 113 165

HSL 324.94, 0.46%, 0.62%

LAB 59.05, 41.76, -12.48

 

CMYK 6 / 63 / 0 / 33

HEX #9F3FAA

RGB 159 63 170

HSL 293.83, 0.46%, 0.46%

LAB 43.99, 54.51, -39.18

 

CMYK 6 / 57 / 0 / 25

HEX #B453BF

RGB 180 83 191

HSL 293.89, 0.46%, 0.54%

LAB 51.44, 54.66, -39.48

 

CMYK 4 / 44 / 0 / 21

HEX #C171CA

RGB 193 113 202

HSL 293.93, 0.46%, 0.62%

LAB 59.35, 45.34, -33.26

 

CMYK 3 / 33 / 0 / 16

HEX #CE8FD5

RGB 206 143 213

HSL 294, 0.45%, 0.7%

LAB 67.7, 35.4, -26.4

 

CMYK 2 / 23 / 0 / 12

HEX #DBADE0

RGB 219 173 224

HSL 294.12, 0.45%, 0.78%

LAB 76.27, 25.43, -19.25

 

CMYK 4 / 44 / 0 / 21

HEX #C171CA

RGB 193 113 202

HSL 293.93, 0.46%, 0.62%

LAB 59.35, 45.34, -33.26

 

CMYK 0 / 41 / 44 / 21

HEX #CA7871

RGB 202 120 113

HSL 4.72, 0.46%, 0.62%

LAB 59.14, 31.24, 17.65

 

CMYK 44 / 0 / 23 / 21

HEX #71CA9C

RGB 113 202 156

HSL 148.99, 0.46%, 0.62%

LAB 74.92, -37.2, 14.77

 

CMYK 4 / 44 / 0 / 21

HEX #C171CA

RGB 193 113 202

HSL 293.93, 0.46%, 0.62%

LAB 59.35, 45.34, -33.26

 

CMYK 0 / 5 / 44 / 21

HEX #CAC071

RGB 202 192 113

HSL 53.26, 0.46%, 0.62%

LAB 76.95, -7.55, 40.94

 

CMYK 44 / 0 / 5 / 21

HEX #71CAC0

RGB 113 202 192

HSL 173.26, 0.46%, 0.62%

LAB 75.8, -29.14, -3.35

 

CMYK 4 / 44 / 0 / 21

HEX #C171CA

RGB 193 113 202

HSL 293.93, 0.46%, 0.62%

LAB 59.35, 45.34, -33.26

 

CMYK 0 / 41 / 44 / 21

HEX #CA7871

RGB 202 120 113

HSL 4.72, 0.46%, 0.62%

LAB 59.14, 31.24, 17.65

 

CMYK 39 / 0 / 44 / 21

HEX #7BCA71

RGB 123 202 113

HSL 113.26, 0.46%, 0.62%

LAB 74.6, -41.71, 36.89

 

CMYK 44 / 3 / 0 / 21

HEX #71C3CA

RGB 113 195 202

HSL 184.72, 0.46%, 0.62%

LAB 74.06, -23.18, -11.34

 

CMYK 4 / 44 / 0 / 21

HEX #C171CA

RGB 193 113 202

HSL 293.93, 0.46%, 0.62%

LAB 59.35, 45.34, -33.26

 

CMYK 0 / 27 / 44 / 21

HEX #CA9371

RGB 202 147 113

HSL 22.92, 0.46%, 0.62%

LAB 65.45, 16.53, 26.15

 

CMYK 39 / 0 / 44 / 21

HEX #7BCA71

RGB 123 202 113

HSL 113.26, 0.46%, 0.62%

LAB 74.6, -41.71, 36.89

 

CMYK 44 / 17 / 0 / 21

HEX #71A8CA

RGB 113 168 202

HSL 202.92, 0.46%, 0.62%

LAB 66.35, -9.05, -23

 

Description

Color code: RGB 193 113 202 | qconv.com Color code: RGB 193 113 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 113 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 113 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 44 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 44% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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