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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A95E54 it is the complementary color #56A1AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A95E54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A95E54 shade: #AE5E4F, #BF7062, #D08275, #E19488 and #F2A69B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A95E54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A95E54 shade: #A95E54, #984C41, #873A2E, #76281B and #651608

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A95E54 shade: #AA5E54 and #AA5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A95E54 shade: #AA5E54, #AA7554, #AA8D54, #AAA454 and #99AA54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A95E54 shade matches the following richer shades: #AA5E54, #BF4E3F, #D43E2A, #E82F16 and #FD1F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A95E54 shade: #AA5E54, #966E68, #817D7D, #6C8D92 and #589DA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A95E54 shade: #AA5478, #AA5461, #AA5E54, #AA7554 and #AA8C54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A95E54 shade: #733F38, #8F4F46, #AA5E54, #B8786F and #C6928B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A95E54 shade: #A95E54, #8FAA54 and #546CAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A95E54 shade: #A95E54, #54AA5E and #5E54AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A95E54 shade: #A95E54, #8FAA54, #54A0AA and #6F54AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A95E54 shade: #A95E54, #75AA54, #54A0AA and #8954AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 50 / 34

HEX #A95E54

RGB 169 94 84

HSL 7.06, 0.34%, 0.5%

LAB 48.36, 29.41, 19.18

 

Complementary color

CMYK 50 / 6 / 0 / 33

HEX #56A1AB

RGB 86 161 171

HSL 187.06, 0.34%, 0.5%

LAB 62.01, -20.49, -12.4

 

CMYK 0 / 46 / 55 / 32

HEX #AE5E4F

RGB 174 94 79

HSL 9.47, 0.38%, 0.5%

LAB 48.97, 30.95, 23.05

 

CMYK 0 / 41 / 49 / 25

HEX #BF7062

RGB 191 112 98

HSL 9.03, 0.42%, 0.57%

LAB 55.63, 29.72, 21.26

 

CMYK 0 / 38 / 44 / 18

HEX #D08275

RGB 208 130 117

HSL 8.57, 0.49%, 0.64%

LAB 62.22, 28.61, 19.7

 

CMYK 0 / 34 / 40 / 12

HEX #E19488

RGB 225 148 136

HSL 8.09, 0.6%, 0.71%

LAB 68.73, 27.61, 18.32

 

CMYK 0 / 31 / 36 / 5

HEX #F2A69B

RGB 242 166 155

HSL 7.59, 0.77%, 0.78%

LAB 75.15, 26.71, 17.07

 

CMYK 0 / 44 / 50 / 34

HEX #A95E54

RGB 169 94 84

HSL 7.06, 0.34%, 0.5%

LAB 48.36, 29.41, 19.18

 

CMYK 0 / 50 / 57 / 40

HEX #984C41

RGB 152 76 65

HSL 7.59, 0.4%, 0.43%

LAB 41.57, 30.69, 21.13

 

CMYK 0 / 57 / 66 / 47

HEX #873A2E

RGB 135 58 46

HSL 8.09, 0.49%, 0.35%

LAB 34.75, 32.07, 23.5

 

CMYK 0 / 66 / 77 / 54

HEX #76281B

RGB 118 40 27

HSL 8.57, 0.63%, 0.28%

LAB 27.98, 33.41, 26.38

 

CMYK 0 / 78 / 92 / 60

HEX #651608

RGB 101 22 8

HSL 9.03, 0.85%, 0.21%

LAB 21.42, 34.37, 28.68

 

CMYK 0 / 45 / 51 / 33

HEX #AA5E54

RGB 170 94 84

HSL 6.98, 0.34%, 0.5%

LAB 48.5, 29.81, 19.39

 

CMYK 0 / 51 / 51 / 33

HEX #AA5454

RGB 170 84 84

HSL 0, 0.34%, 0.5%

LAB 46.35, 35.19, 16.49

 

CMYK 0 / 45 / 51 / 33

HEX #AA5E54

RGB 170 94 84

HSL 6.98, 0.34%, 0.5%

LAB 48.5, 29.81, 19.39

 

CMYK 0 / 31 / 51 / 33

HEX #AA7554

RGB 170 117 84

HSL 23.02, 0.34%, 0.5%

LAB 53.93, 16.96, 26.52

 

CMYK 0 / 17 / 51 / 33

HEX #AA8D54

RGB 170 141 84

HSL 39.77, 0.34%, 0.5%

LAB 60.1, 3.49, 34.32

 

CMYK 0 / 4 / 51 / 33

HEX #AAA454

RGB 170 164 84

HSL 55.81, 0.34%, 0.5%

LAB 66.32, -8.98, 41.89

 

CMYK 10 / 0 / 51 / 33

HEX #99AA54

RGB 153 170 84

HSL 71.86, 0.34%, 0.5%

LAB 66.64, -19.18, 41.95

 

CMYK 0 / 45 / 51 / 33

HEX #AA5E54

RGB 170 94 84

HSL 6.98, 0.34%, 0.5%

LAB 48.5, 29.81, 19.39

 

CMYK 0 / 59 / 67 / 25

HEX #BF4E3F

RGB 191 78 63

HSL 7.03, 0.5%, 0.5%

LAB 48.11, 44.47, 31.82

 

CMYK 0 / 71 / 80 / 17

HEX #D43E2A

RGB 212 62 42

HSL 7.06, 0.67%, 0.5%

LAB 49.02, 57.48, 45.36

 

CMYK 0 / 80 / 91 / 9

HEX #E82F16

RGB 232 47 22

HSL 7.14, 0.83%, 0.5%

LAB 50.97, 67.78, 57.45

 

CMYK 0 / 88 / 100 / 1

HEX #FD1F01

RGB 253 31 1

HSL 7.14, 0.99%, 0.5%

LAB 53.88, 76.58, 66.96

 

CMYK 0 / 45 / 51 / 33

HEX #AA5E54

RGB 170 94 84

HSL 6.98, 0.34%, 0.5%

LAB 48.5, 29.81, 19.39

 

CMYK 0 / 27 / 31 / 41

HEX #966E68

RGB 150 110 104

HSL 7.83, 0.18%, 0.5%

LAB 50.26, 15, 9.57

 

CMYK 0 / 3 / 3 / 49

HEX #817D7D

RGB 129 125 125

HSL 0, 0.02%, 0.5%

LAB 52.75, 1.51, 0.53

 

CMYK 26 / 3 / 0 / 43

HEX #6C8D92

RGB 108 141 146

HSL 187.89, 0.15%, 0.5%

LAB 56.4, -10.29, -6.44

 

CMYK 47 / 5 / 0 / 35

HEX #589DA6

RGB 88 157 166

HSL 186.92, 0.31%, 0.5%

LAB 60.73, -19.32, -11.48

 

CMYK 0 / 51 / 29 / 33

HEX #AA5478

RGB 170 84 120

HSL 334.88, 0.34%, 0.5%

LAB 47.29, 39.39, -3.97

 

CMYK 0 / 51 / 43 / 33

HEX #AA5461

RGB 170 84 97

HSL 350.93, 0.34%, 0.5%

LAB 46.64, 36.54, 9.04

 

CMYK 0 / 45 / 51 / 33

HEX #AA5E54

RGB 170 94 84

HSL 6.98, 0.34%, 0.5%

LAB 48.5, 29.81, 19.39

 

CMYK 0 / 31 / 51 / 33

HEX #AA7554

RGB 170 117 84

HSL 23.02, 0.34%, 0.5%

LAB 53.93, 16.96, 26.52

 

CMYK 0 / 18 / 51 / 33

HEX #AA8C54

RGB 170 140 84

HSL 39.07, 0.34%, 0.5%

LAB 59.84, 4.04, 34

 

CMYK 0 / 45 / 51 / 55

HEX #733F38

RGB 115 63 56

HSL 7.12, 0.35%, 0.34%

LAB 32.89, 21.82, 14.22

 

CMYK 0 / 45 / 51 / 44

HEX #8F4F46

RGB 143 79 70

HSL 7.4, 0.34%, 0.42%

LAB 41.01, 25.82, 17.11

 

CMYK 0 / 45 / 51 / 33

HEX #AA5E54

RGB 170 94 84

HSL 6.98, 0.34%, 0.5%

LAB 48.5, 29.81, 19.39

 

CMYK 0 / 35 / 40 / 28

HEX #B8786F

RGB 184 120 111

HSL 7.4, 0.34%, 0.58%

LAB 56.85, 23.95, 15.29

 

CMYK 0 / 26 / 30 / 22

HEX #C6928B

RGB 198 146 139

HSL 7.12, 0.34%, 0.66%

LAB 65.3, 18.64, 11.41

 

CMYK 0 / 44 / 50 / 34

HEX #A95E54

RGB 169 94 84

HSL 7.06, 0.34%, 0.5%

LAB 48.36, 29.41, 19.18

 

CMYK 16 / 0 / 51 / 33

HEX #8FAA54

RGB 143 170 84

HSL 78.84, 0.34%, 0.5%

LAB 65.93, -23.22, 40.92

 

CMYK 51 / 36 / 0 / 33

HEX #546CAA

RGB 84 108 170

HSL 223.26, 0.34%, 0.5%

LAB 46.33, 8.99, -35.98

 

CMYK 0 / 44 / 50 / 34

HEX #A95E54

RGB 169 94 84

HSL 7.06, 0.34%, 0.5%

LAB 48.36, 29.41, 19.18

 

CMYK 51 / 0 / 45 / 33

HEX #54AA5E

RGB 84 170 94

HSL 126.98, 0.34%, 0.5%

LAB 62.88, -42.35, 31.34

 

CMYK 45 / 51 / 0 / 33

HEX #5E54AA

RGB 94 84 170

HSL 246.98, 0.34%, 0.5%

LAB 40.61, 26.45, -45.01

 

CMYK 0 / 44 / 50 / 34

HEX #A95E54

RGB 169 94 84

HSL 7.06, 0.34%, 0.5%

LAB 48.36, 29.41, 19.18

 

CMYK 16 / 0 / 51 / 33

HEX #8FAA54

RGB 143 170 84

HSL 78.84, 0.34%, 0.5%

LAB 65.93, -23.22, 40.92

 

CMYK 51 / 6 / 0 / 33

HEX #54A0AA

RGB 84 160 170

HSL 186.98, 0.34%, 0.5%

LAB 61.59, -20.71, -12.46

 

CMYK 35 / 51 / 0 / 33

HEX #6F54AA

RGB 111 84 170

HSL 258.84, 0.34%, 0.5%

LAB 42.19, 30.8, -42.4

 

CMYK 0 / 44 / 50 / 34

HEX #A95E54

RGB 169 94 84

HSL 7.06, 0.34%, 0.5%

LAB 48.36, 29.41, 19.18

 

CMYK 31 / 0 / 51 / 33

HEX #75AA54

RGB 117 170 84

HSL 96.98, 0.34%, 0.5%

LAB 64.3, -33.14, 38.57

 

CMYK 51 / 6 / 0 / 33

HEX #54A0AA

RGB 84 160 170

HSL 186.98, 0.34%, 0.5%

LAB 61.59, -20.71, -12.46

 

CMYK 19 / 51 / 0 / 33

HEX #8954AA

RGB 137 84 170

HSL 276.98, 0.34%, 0.5%

LAB 45.03, 37.98, -37.72

 

Description

Color code: HEX #A95E54 | qconv.com Color code: HEX #A95E54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 94 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 94 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 50 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 50% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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