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Color name
RGB 170 164 84

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 164 84 it is the complementary color RGB 85 91 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 164 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 164 84 shade: RGB 175 164 79, RGB 192 182 98, RGB 209 200 117, RGB 226 218 136 and RGB 243 236 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 164 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 164 84 shade: RGB 170 164 84, RGB 153 146 65, RGB 136 128 46, RGB 119 110 27 and RGB 102 92 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 164 84 shade: RGB 170 164 84, RGB 170 141 84, RGB 170 118 84, RGB 170 94 84 and RGB 170 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 164 84 shade: RGB 170 164 84, RGB 153 170 84, RGB 130 170 84, RGB 106 170 84 and RGB 84 170 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 164 84 shade matches the following richer shades: RGB 170 164 84, RGB 191 182 63, RGB 212 200 42, RGB 232 218 22 and RGB 253 235 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 164 84 shade: RGB 170 164 84, RGB 150 147 104, RGB 129 129 125, RGB 108 111 146 and RGB 88 93 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 164 84 shade: RGB 170 117 84, RGB 170 140 84, RGB 170 163 84, RGB 154 170 84 and RGB 131 170 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 164 84 shade: RGB 115 111 56, RGB 143 138 70, RGB 170 164 84, RGB 184 179 111 and RGB 198 193 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 164 84 shade: RGB 170 164 84, RGB 84 170 94 and RGB 128 84 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 164 84 shade: RGB 170 164 84, RGB 84 170 163 and RGB 163 84 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 164 84 shade: RGB 170 164 84, RGB 84 170 94, RGB 84 91 170 and RGB 170 84 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 164 84 shade: RGB 170 164 84, RGB 84 170 120, RGB 84 91 170 and RGB 170 84 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 51 / 33

HEX #AAA454

RGB 170 164 84

HSL 55.81, 0.34%, 0.5%

LAB 66.32, -8.98, 41.89

 

Complementary color

CMYK 50 / 47 / 0 / 33

HEX #555BAB

RGB 85 91 171

HSL 235.81, 0.34%, 0.5%

LAB 41.77, 20.2, -43.79

 

CMYK 0 / 6 / 55 / 31

HEX #AFA44F

RGB 175 164 79

HSL 53.13, 0.38%, 0.5%

LAB 66.69, -7.29, 44.9

 

CMYK 0 / 5 / 49 / 25

HEX #C0B662

RGB 192 182 98

HSL 53.62, 0.43%, 0.57%

LAB 73.25, -7.92, 43.7

 

CMYK 0 / 4 / 44 / 18

HEX #D1C875

RGB 209 200 117

HSL 54.13, 0.5%, 0.64%

LAB 79.7, -8.44, 42.49

 

CMYK 0 / 4 / 40 / 11

HEX #E2DA88

RGB 226 218 136

HSL 54.67, 0.61%, 0.71%

LAB 86.05, -8.87, 41.3

 

CMYK 0 / 3 / 36 / 5

HEX #F3EC9B

RGB 243 236 155

HSL 55.23, 0.79%, 0.78%

LAB 92.31, -9.24, 40.15

 

CMYK 0 / 4 / 51 / 33

HEX #AAA454

RGB 170 164 84

HSL 55.81, 0.34%, 0.5%

LAB 66.32, -8.98, 41.89

 

CMYK 0 / 5 / 58 / 40

HEX #999241

RGB 153 146 65

HSL 55.23, 0.4%, 0.43%

LAB 59.63, -8.34, 43.06

 

CMYK 0 / 6 / 66 / 47

HEX #88802E

RGB 136 128 46

HSL 54.67, 0.49%, 0.36%

LAB 52.81, -7.52, 44.06

 

CMYK 0 / 8 / 77 / 53

HEX #776E1B

RGB 119 110 27

HSL 54.13, 0.63%, 0.29%

LAB 45.84, -6.45, 44.54

 

CMYK 0 / 10 / 92 / 60

HEX #665C08

RGB 102 92 8

HSL 53.62, 0.85%, 0.22%

LAB 38.72, -5.04, 43.75

 

CMYK 0 / 4 / 51 / 33

HEX #AAA454

RGB 170 164 84

HSL 55.81, 0.34%, 0.5%

LAB 66.32, -8.98, 41.89

 

CMYK 0 / 17 / 51 / 33

HEX #AA8D54

RGB 170 141 84

HSL 39.77, 0.34%, 0.5%

LAB 60.1, 3.49, 34.32

 

CMYK 0 / 31 / 51 / 33

HEX #AA7654

RGB 170 118 84

HSL 23.72, 0.34%, 0.5%

LAB 54.18, 16.39, 26.84

 

CMYK 0 / 45 / 51 / 33

HEX #AA5E54

RGB 170 94 84

HSL 6.98, 0.34%, 0.5%

LAB 48.5, 29.81, 19.39

 

CMYK 0 / 51 / 51 / 33

HEX #AA5454

RGB 170 84 84

HSL 0, 0.34%, 0.5%

LAB 46.35, 35.19, 16.49

 

CMYK 0 / 4 / 51 / 33

HEX #AAA454

RGB 170 164 84

HSL 55.81, 0.34%, 0.5%

LAB 66.32, -8.98, 41.89

 

CMYK 10 / 0 / 51 / 33

HEX #99AA54

RGB 153 170 84

HSL 71.86, 0.34%, 0.5%

LAB 66.64, -19.18, 41.95

 

CMYK 24 / 0 / 51 / 33

HEX #82AA54

RGB 130 170 84

HSL 87.91, 0.34%, 0.5%

LAB 65.07, -28.31, 39.68

 

CMYK 38 / 0 / 51 / 33

HEX #6AAA54

RGB 106 170 84

HSL 104.65, 0.34%, 0.5%

LAB 63.72, -36.99, 37.72

 

CMYK 51 / 0 / 51 / 33

HEX #54AA54

RGB 84 170 84

HSL 120, 0.34%, 0.5%

LAB 62.74, -43.83, 36.3

 

CMYK 0 / 4 / 51 / 33

HEX #AAA454

RGB 170 164 84

HSL 55.81, 0.34%, 0.5%

LAB 66.32, -8.98, 41.89

 

CMYK 0 / 5 / 67 / 25

HEX #BFB63F

RGB 191 182 63

HSL 55.78, 0.5%, 0.5%

LAB 72.82, -10.95, 59.13

 

CMYK 0 / 6 / 80 / 17

HEX #D4C82A

RGB 212 200 42

HSL 55.76, 0.67%, 0.5%

LAB 79.31, -12.04, 73.04

 

CMYK 0 / 6 / 91 / 9

HEX #E8DA16

RGB 232 218 22

HSL 56, 0.83%, 0.5%

LAB 85.68, -12.99, 83.09

 

CMYK 0 / 7 / 100 / 1

HEX #FDEB01

RGB 253 235 1

HSL 55.71, 0.99%, 0.5%

LAB 91.82, -12.73, 90.47

 

CMYK 0 / 4 / 51 / 33

HEX #AAA454

RGB 170 164 84

HSL 55.81, 0.34%, 0.5%

LAB 66.32, -8.98, 41.89

 

CMYK 0 / 2 / 31 / 41

HEX #969368

RGB 150 147 104

HSL 56.09, 0.18%, 0.5%

LAB 60.2, -5.94, 23.22

 

CMYK 0 / 0 / 3 / 49

HEX #81817D

RGB 129 129 125

HSL 60, 0.02%, 0.5%

LAB 53.87, -0.78, 2.16

 

CMYK 26 / 24 / 0 / 43

HEX #6C6F92

RGB 108 111 146

HSL 235.26, 0.15%, 0.5%

LAB 47.79, 7.06, -19.43

 

CMYK 47 / 44 / 0 / 35

HEX #585DA6

RGB 88 93 166

HSL 236.15, 0.31%, 0.5%

LAB 42.24, 18.09, -40.07

 

CMYK 0 / 31 / 51 / 33

HEX #AA7554

RGB 170 117 84

HSL 23.02, 0.34%, 0.5%

LAB 53.93, 16.96, 26.52

 

CMYK 0 / 18 / 51 / 33

HEX #AA8C54

RGB 170 140 84

HSL 39.07, 0.34%, 0.5%

LAB 59.84, 4.04, 34

 

CMYK 0 / 4 / 51 / 33

HEX #AAA354

RGB 170 163 84

HSL 55.12, 0.34%, 0.5%

LAB 66.04, -8.45, 41.56

 

CMYK 9 / 0 / 51 / 33

HEX #9AAA54

RGB 154 170 84

HSL 71.16, 0.34%, 0.5%

LAB 66.72, -18.77, 42.05

 

CMYK 23 / 0 / 51 / 33

HEX #83AA54

RGB 131 170 84

HSL 87.21, 0.34%, 0.5%

LAB 65.13, -27.93, 39.77

 

CMYK 0 / 3 / 51 / 55

HEX #736F38

RGB 115 111 56

HSL 55.93, 0.35%, 0.34%

LAB 46.04, -6.75, 30.93

 

CMYK 0 / 3 / 51 / 44

HEX #8F8A46

RGB 143 138 70

HSL 55.89, 0.34%, 0.42%

LAB 56.54, -7.94, 36.74

 

CMYK 0 / 4 / 51 / 33

HEX #AAA454

RGB 170 164 84

HSL 55.81, 0.34%, 0.5%

LAB 66.32, -8.98, 41.89

 

CMYK 0 / 3 / 40 / 28

HEX #B8B36F

RGB 184 179 111

HSL 55.89, 0.34%, 0.58%

LAB 71.95, -8.31, 35.33

 

CMYK 0 / 3 / 30 / 22

HEX #C6C18B

RGB 198 193 139

HSL 54.92, 0.34%, 0.66%

LAB 77.29, -6.66, 27.89

 

CMYK 0 / 4 / 51 / 33

HEX #AAA454

RGB 170 164 84

HSL 55.81, 0.34%, 0.5%

LAB 66.32, -8.98, 41.89

 

CMYK 51 / 0 / 45 / 33

HEX #54AA5E

RGB 84 170 94

HSL 126.98, 0.34%, 0.5%

LAB 62.88, -42.35, 31.34

 

CMYK 25 / 51 / 0 / 33

HEX #8054AA

RGB 128 84 170

HSL 270.7, 0.34%, 0.5%

LAB 43.99, 35.44, -39.43

 

CMYK 0 / 4 / 51 / 33

HEX #AAA454

RGB 170 164 84

HSL 55.81, 0.34%, 0.5%

LAB 66.32, -8.98, 41.89

 

CMYK 51 / 0 / 4 / 33

HEX #54AAA3

RGB 84 170 163

HSL 175.12, 0.34%, 0.5%

LAB 64.39, -27.67, -4.37

 

CMYK 4 / 51 / 0 / 33

HEX #A354AA

RGB 163 84 170

HSL 295.12, 0.34%, 0.5%

LAB 48.3, 45.47, -32.35

 

CMYK 0 / 4 / 51 / 33

HEX #AAA454

RGB 170 164 84

HSL 55.81, 0.34%, 0.5%

LAB 66.32, -8.98, 41.89

 

CMYK 51 / 0 / 45 / 33

HEX #54AA5E

RGB 84 170 94

HSL 126.98, 0.34%, 0.5%

LAB 62.88, -42.35, 31.34

 

CMYK 51 / 46 / 0 / 33

HEX #545BAA

RGB 84 91 170

HSL 235.12, 0.34%, 0.5%

LAB 41.64, 19.65, -43.41

 

CMYK 0 / 51 / 6 / 33

HEX #AA54A0

RGB 170 84 160

HSL 306.98, 0.34%, 0.5%

LAB 48.79, 45.69, -25.62

 

CMYK 0 / 4 / 51 / 33

HEX #AAA454

RGB 170 164 84

HSL 55.81, 0.34%, 0.5%

LAB 66.32, -8.98, 41.89

 

CMYK 51 / 0 / 29 / 33

HEX #54AA78

RGB 84 170 120

HSL 145.12, 0.34%, 0.5%

LAB 63.33, -37.68, 17.99

 

CMYK 51 / 46 / 0 / 33

HEX #545BAA

RGB 84 91 170

HSL 235.12, 0.34%, 0.5%

LAB 41.64, 19.65, -43.41

 

CMYK 0 / 51 / 21 / 33

HEX #AA5486

RGB 170 84 134

HSL 325.12, 0.34%, 0.5%

LAB 47.76, 41.42, -11.7

 

Description

Color code: RGB 170 164 84 | qconv.com Color code: RGB 170 164 84 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 164 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 164 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 51 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 51% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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