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Color name
HEX #A93368

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A93368 it is the complementary color #56CC97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A93368. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A93368 shade: #AE3363, #BF4576, #D05789, #E1699C and #F27BAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A93368. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A93368 shade: #A93368, #982155, #870F42, #76002F and #65001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A93368 shade: #A83267, #A83247 and #A83232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A93368 shade: #A83267, #A83287, #A832A7, #8A32A8 and #6A32A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A93368 shade matches the following richer shades: #A83267, #BA2065 and #CC0E64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A93368 shade: #A83267, #974469, #85556B, #73676D and #61796E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A93368 shade: #A832A6, #A83287, #A83267, #A83248 and #A83C32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A93368 shade: #691F40, #892854, #A83267, #C53E7B and #CF5E91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A93368 shade: #A93368, #A88B32 and #3297A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A93368 shade: #A93368, #67A832 and #3267A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A93368 shade: #A93368, #A88B32, #32A873 and #3250A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A93368 shade: #A93368, #A2A832, #32A873 and #3832A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 38 / 34

HEX #A93368

RGB 169 51 104

HSL 333.05, 0.54%, 0.43%

LAB 40.9, 52.36, -3.6

 

Complementary color

CMYK 58 / 0 / 26 / 20

HEX #56CC97

RGB 86 204 151

HSL 153.05, 0.54%, 0.57%

LAB 74.44, -45.61, 16.63

 

CMYK 0 / 71 / 43 / 32

HEX #AE3363

RGB 174 51 99

HSL 336.59, 0.55%, 0.44%

LAB 41.64, 53.31, 0.71

 

CMYK 0 / 64 / 38 / 25

HEX #BF4576

RGB 191 69 118

HSL 335.9, 0.49%, 0.51%

LAB 47.8, 53.2, -1.63

 

CMYK 0 / 58 / 34 / 18

HEX #D05789

RGB 208 87 137

HSL 335.21, 0.56%, 0.58%

LAB 54.06, 52.72, -3.49

 

CMYK 0 / 53 / 31 / 12

HEX #E1699C

RGB 225 105 156

HSL 334.5, 0.67%, 0.65%

LAB 60.35, 52.07, -5.03

 

CMYK 0 / 49 / 28 / 5

HEX #F27BAF

RGB 242 123 175

HSL 333.78, 0.82%, 0.72%

LAB 66.63, 51.32, -6.32

 

CMYK 0 / 70 / 38 / 34

HEX #A93368

RGB 169 51 104

HSL 333.05, 0.54%, 0.43%

LAB 40.9, 52.36, -3.6

 

CMYK 0 / 78 / 44 / 40

HEX #982155

RGB 152 33 85

HSL 333.78, 0.64%, 0.36%

LAB 34.84, 51.85, -0.81

 

CMYK 0 / 89 / 51 / 47

HEX #870F42

RGB 135 15 66

HSL 334.5, 0.8%, 0.29%

LAB 29.12, 50.24, 2.97

 

CMYK 0 / 100 / 60 / 54

HEX #76002F

RGB 118 0 47

HSL 336.1, 1%, 0.23%

LAB 23.86, 47.18, 7.97

 

CMYK 0 / 100 / 72 / 60

HEX #65001C

RGB 101 0 28

HSL 343.37, 1%, 0.2%

LAB 19.44, 41.55, 14.75

 

CMYK 0 / 70 / 39 / 34

HEX #A83267

RGB 168 50 103

HSL 333.05, 0.54%, 0.43%

LAB 40.55, 52.34, -3.51

 

CMYK 0 / 70 / 58 / 34

HEX #A83247

RGB 168 50 71

HSL 349.32, 0.54%, 0.43%

LAB 39.68, 49.37, 15.41

 

CMYK 0 / 70 / 70 / 34

HEX #A83232

RGB 168 50 50

HSL 0, 0.54%, 0.43%

LAB 39.3, 48.03, 27.95

 

CMYK 0 / 70 / 39 / 34

HEX #A83267

RGB 168 50 103

HSL 333.05, 0.54%, 0.43%

LAB 40.55, 52.34, -3.51

 

CMYK 0 / 70 / 20 / 34

HEX #A83287

RGB 168 50 135

HSL 316.78, 0.54%, 0.43%

LAB 41.78, 56.38, -21.48

 

CMYK 0 / 70 / 1 / 34

HEX #A832A7

RGB 168 50 167

HSL 300.51, 0.54%, 0.43%

LAB 43.35, 61.35, -38.31

 

CMYK 18 / 70 / 0 / 34

HEX #8A32A8

RGB 138 50 168

HSL 284.75, 0.54%, 0.43%

LAB 38.75, 54.78, -46.53

 

CMYK 37 / 70 / 0 / 34

HEX #6A32A8

RGB 106 50 168

HSL 268.47, 0.54%, 0.43%

LAB 34.34, 48.03, -53.87

 

CMYK 0 / 70 / 39 / 34

HEX #A83267

RGB 168 50 103

HSL 333.05, 0.54%, 0.43%

LAB 40.55, 52.34, -3.51

 

CMYK 0 / 83 / 46 / 27

HEX #BA2065

RGB 186 32 101

HSL 333.12, 0.71%, 0.43%

LAB 41.86, 62.69, 0.06

 

CMYK 0 / 93 / 51 / 20

HEX #CC0E64

RGB 204 14 100

HSL 332.84, 0.87%, 0.43%

LAB 44.34, 70.07, 4.72

 

CMYK 0 / 70 / 39 / 34

HEX #A83267

RGB 168 50 103

HSL 333.05, 0.54%, 0.43%

LAB 40.55, 52.34, -3.51

 

CMYK 0 / 55 / 30 / 41

HEX #974469

RGB 151 68 105

HSL 333.25, 0.38%, 0.43%

LAB 40.79, 39.01, -4.72

 

CMYK 0 / 36 / 20 / 48

HEX #85556B

RGB 133 85 107

HSL 332.5, 0.22%, 0.43%

LAB 42.07, 23.31, -4.33

 

CMYK 0 / 10 / 5 / 55

HEX #73676D

RGB 115 103 109

HSL 330, 0.06%, 0.43%

LAB 44.87, 5.9, -1.64

 

CMYK 20 / 0 / 9 / 53

HEX #61796E

RGB 97 121 110

HSL 152.5, 0.11%, 0.43%

LAB 48.69, -11.16, 3.14

 

CMYK 0 / 70 / 1 / 34

HEX #A832A6

RGB 168 50 166

HSL 301.02, 0.54%, 0.43%

LAB 43.3, 61.18, -37.8

 

CMYK 0 / 70 / 20 / 34

HEX #A83287

RGB 168 50 135

HSL 316.78, 0.54%, 0.43%

LAB 41.78, 56.38, -21.48

 

CMYK 0 / 70 / 39 / 34

HEX #A83267

RGB 168 50 103

HSL 333.05, 0.54%, 0.43%

LAB 40.55, 52.34, -3.51

 

CMYK 0 / 70 / 57 / 34

HEX #A83248

RGB 168 50 72

HSL 348.81, 0.54%, 0.43%

LAB 39.7, 49.44, 14.81

 

CMYK 0 / 64 / 70 / 34

HEX #A83C32

RGB 168 60 50

HSL 5.08, 0.54%, 0.43%

LAB 40.88, 43.78, 29.82

 

CMYK 0 / 70 / 39 / 59

HEX #691F40

RGB 105 31 64

HSL 333.24, 0.54%, 0.27%

LAB 24.81, 36.07, -2.71

 

CMYK 0 / 71 / 39 / 46

HEX #892854

RGB 137 40 84

HSL 332.78, 0.55%, 0.35%

LAB 32.87, 44.82, -3.39

 

CMYK 0 / 70 / 39 / 34

HEX #A83267

RGB 168 50 103

HSL 333.05, 0.54%, 0.43%

LAB 40.55, 52.34, -3.51

 

CMYK 0 / 69 / 38 / 23

HEX #C53E7B

RGB 197 62 123

HSL 332.89, 0.54%, 0.51%

LAB 47.94, 58.38, -4.35

 

CMYK 0 / 55 / 30 / 19

HEX #CF5E91

RGB 207 94 145

HSL 332.92, 0.54%, 0.59%

LAB 55.4, 50.12, -6.25

 

CMYK 0 / 70 / 38 / 34

HEX #A93368

RGB 169 51 104

HSL 333.05, 0.54%, 0.43%

LAB 40.9, 52.36, -3.6

 

CMYK 0 / 17 / 70 / 34

HEX #A88B32

RGB 168 139 50

HSL 45.25, 0.54%, 0.43%

LAB 58.99, 1.15, 49.7

 

CMYK 70 / 10 / 0 / 34

HEX #3297A8

RGB 50 151 168

HSL 188.64, 0.54%, 0.43%

LAB 57.69, -23, -17.33

 

CMYK 0 / 70 / 38 / 34

HEX #A93368

RGB 169 51 104

HSL 333.05, 0.54%, 0.43%

LAB 40.9, 52.36, -3.6

 

CMYK 39 / 0 / 70 / 34

HEX #67A832

RGB 103 168 50

HSL 93.05, 0.54%, 0.43%

LAB 62.61, -40.58, 51.9

 

CMYK 70 / 39 / 0 / 34

HEX #3267A8

RGB 50 103 168

HSL 213.05, 0.54%, 0.43%

LAB 43.07, 4.53, -40.06

 

CMYK 0 / 70 / 38 / 34

HEX #A93368

RGB 169 51 104

HSL 333.05, 0.54%, 0.43%

LAB 40.9, 52.36, -3.6

 

CMYK 0 / 17 / 70 / 34

HEX #A88B32

RGB 168 139 50

HSL 45.25, 0.54%, 0.43%

LAB 58.99, 1.15, 49.7

 

CMYK 70 / 0 / 32 / 34

HEX #32A873

RGB 50 168 115

HSL 153.05, 0.54%, 0.43%

LAB 61.59, -45.11, 18.17

 

CMYK 70 / 52 / 0 / 34

HEX #3250A8

RGB 50 80 168

HSL 224.75, 0.54%, 0.43%

LAB 36.45, 19.44, -50.68

 

CMYK 0 / 70 / 38 / 34

HEX #A93368

RGB 169 51 104

HSL 333.05, 0.54%, 0.43%

LAB 40.9, 52.36, -3.6

 

CMYK 4 / 0 / 70 / 34

HEX #A2A832

RGB 162 168 50

HSL 63.05, 0.54%, 0.43%

LAB 66.46, -16.97, 57.04

 

CMYK 70 / 0 / 32 / 34

HEX #32A873

RGB 50 168 115

HSL 153.05, 0.54%, 0.43%

LAB 61.59, -45.11, 18.17

 

CMYK 67 / 70 / 0 / 34

HEX #3832A8

RGB 56 50 168

HSL 243.05, 0.54%, 0.43%

LAB 29.28, 39.58, -62.33

 

Description

Color code: HEX #A93368 | qconv.com Color code: HEX #A93368 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 51 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 51 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 38 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 38% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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