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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A32A8 it is the complementary color #75CD57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A32A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A32A8 shade: #8F32A3, #A044B6, #B156C9, #C268DC and #D37AEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A32A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A32A8 shade: #8A32A8, #792095, #680E82, #57006F and #46005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A32A8 shade: #8A32A8, #A832A7, #A83287, #A83267 and #A83247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A32A8 shade: #8A32A8, #6A32A8, #4A32A8 and #3232A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A32A8 shade matches the following richer shades: #8A32A8, #9320BA and #9C0ECC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A32A8 shade: #8A32A8, #824497, #795585, #706773 and #677961

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A32A8 shade: #4A32A8, #6932A8, #8932A8, #A832A8 and #A83289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A32A8 shade: #561F69, #702889, #8A32A8, #A33EC5 and #B25ECF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A32A8 shade: #8A32A8, #A8323A and #32A859

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A32A8 shade: #8A32A8, #A88932 and #32A889

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A32A8 shade: #8A32A8, #A8323A, #52A832 and #32A8A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A32A8 shade: #8A32A8, #A84E32, #52A832 and #328DA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 70 / 0 / 34

HEX #8A32A8

RGB 138 50 168

HSL 284.75, 0.54%, 0.43%

LAB 38.75, 54.78, -46.53

 

Complementary color

CMYK 43 / 0 / 58 / 20

HEX #75CD57

RGB 117 205 87

HSL 104.75, 0.54%, 0.57%

LAB 74.91, -48.09, 49.73

 

CMYK 12 / 69 / 0 / 36

HEX #8F32A3

RGB 143 50 163

HSL 289.38, 0.53%, 0.42%

LAB 39.18, 54.9, -42.8

 

CMYK 12 / 63 / 0 / 29

HEX #A044B6

RGB 160 68 182

HSL 288.42, 0.46%, 0.49%

LAB 45.61, 54.82, -43.66

 

CMYK 12 / 57 / 0 / 21

HEX #B156C9

RGB 177 86 201

HSL 287.48, 0.52%, 0.56%

LAB 52.08, 54.37, -44.25

 

CMYK 12 / 53 / 0 / 14

HEX #C268DC

RGB 194 104 220

HSL 286.55, 0.62%, 0.64%

LAB 58.54, 53.75, -44.68

 

CMYK 12 / 49 / 0 / 6

HEX #D37AEF

RGB 211 122 239

HSL 285.64, 0.79%, 0.71%

LAB 64.96, 53.04, -45.01

 

CMYK 18 / 70 / 0 / 34

HEX #8A32A8

RGB 138 50 168

HSL 284.75, 0.54%, 0.43%

LAB 38.75, 54.78, -46.53

 

CMYK 19 / 79 / 0 / 42

HEX #792095

RGB 121 32 149

HSL 285.64, 0.65%, 0.35%

LAB 32.41, 54.3, -45.37

 

CMYK 20 / 89 / 0 / 49

HEX #680E82

RGB 104 14 130

HSL 286.55, 0.81%, 0.28%

LAB 26.36, 52.64, -43.5

 

CMYK 22 / 100 / 0 / 56

HEX #57006F

RGB 87 0 111

HSL 287.03, 1%, 0.22%

LAB 20.73, 49.26, -40.64

 

CMYK 24 / 100 / 0 / 64

HEX #46005C

RGB 70 0 92

HSL 285.65, 1%, 0.18%

LAB 15.87, 42.92, -36.14

 

CMYK 18 / 70 / 0 / 34

HEX #8A32A8

RGB 138 50 168

HSL 284.75, 0.54%, 0.43%

LAB 38.75, 54.78, -46.53

 

CMYK 0 / 70 / 1 / 34

HEX #A832A7

RGB 168 50 167

HSL 300.51, 0.54%, 0.43%

LAB 43.35, 61.35, -38.31

 

CMYK 0 / 70 / 20 / 34

HEX #A83287

RGB 168 50 135

HSL 316.78, 0.54%, 0.43%

LAB 41.78, 56.38, -21.48

 

CMYK 0 / 70 / 39 / 34

HEX #A83267

RGB 168 50 103

HSL 333.05, 0.54%, 0.43%

LAB 40.55, 52.34, -3.51

 

CMYK 0 / 70 / 58 / 34

HEX #A83247

RGB 168 50 71

HSL 349.32, 0.54%, 0.43%

LAB 39.68, 49.37, 15.41

 

CMYK 18 / 70 / 0 / 34

HEX #8A32A8

RGB 138 50 168

HSL 284.75, 0.54%, 0.43%

LAB 38.75, 54.78, -46.53

 

CMYK 37 / 70 / 0 / 34

HEX #6A32A8

RGB 106 50 168

HSL 268.47, 0.54%, 0.43%

LAB 34.34, 48.03, -53.87

 

CMYK 56 / 70 / 0 / 34

HEX #4A32A8

RGB 74 50 168

HSL 252.2, 0.54%, 0.43%

LAB 30.79, 42.21, -59.8

 

CMYK 70 / 70 / 0 / 34

HEX #3232A8

RGB 50 50 168

HSL 240, 0.54%, 0.43%

LAB 28.87, 38.84, -63.03

 

CMYK 18 / 70 / 0 / 34

HEX #8A32A8

RGB 138 50 168

HSL 284.75, 0.54%, 0.43%

LAB 38.75, 54.78, -46.53

 

CMYK 21 / 83 / 0 / 27

HEX #9320BA

RGB 147 32 186

HSL 284.81, 0.71%, 0.43%

LAB 39.21, 66.26, -56.4

 

CMYK 24 / 93 / 0 / 20

HEX #9C0ECC

RGB 156 14 204

HSL 284.84, 0.87%, 0.43%

LAB 40.8, 74.52, -64.27

 

CMYK 18 / 70 / 0 / 34

HEX #8A32A8

RGB 138 50 168

HSL 284.75, 0.54%, 0.43%

LAB 38.75, 54.78, -46.53

 

CMYK 14 / 55 / 0 / 41

HEX #824497

RGB 130 68 151

HSL 284.82, 0.38%, 0.43%

LAB 39.77, 40.53, -34.75

 

CMYK 9 / 36 / 0 / 48

HEX #795585

RGB 121 85 133

HSL 285, 0.22%, 0.43%

LAB 41.62, 24.03, -21.04

 

CMYK 3 / 10 / 0 / 55

HEX #706773

RGB 112 103 115

HSL 285, 0.06%, 0.43%

LAB 44.78, 5.97, -5.43

 

CMYK 15 / 0 / 20 / 53

HEX #677961

RGB 103 121 97

HSL 105, 0.11%, 0.43%

LAB 48.79, -11.54, 10.99

 

CMYK 56 / 70 / 0 / 34

HEX #4A32A8

RGB 74 50 168

HSL 252.2, 0.54%, 0.43%

LAB 30.79, 42.21, -59.8

 

CMYK 38 / 70 / 0 / 34

HEX #6932A8

RGB 105 50 168

HSL 267.97, 0.54%, 0.43%

LAB 34.21, 47.83, -54.08

 

CMYK 18 / 70 / 0 / 34

HEX #8932A8

RGB 137 50 168

HSL 284.24, 0.54%, 0.43%

LAB 38.6, 54.56, -46.78

 

CMYK 0 / 70 / 0 / 34

HEX #A832A8

RGB 168 50 168

HSL 300, 0.54%, 0.43%

LAB 43.41, 61.52, -38.82

 

CMYK 0 / 70 / 18 / 34

HEX #A83289

RGB 168 50 137

HSL 315.76, 0.54%, 0.43%

LAB 41.86, 56.67, -22.56

 

CMYK 18 / 70 / 0 / 59

HEX #561F69

RGB 86 31 105

HSL 284.59, 0.54%, 0.27%

LAB 23.6, 37.67, -32.11

 

CMYK 18 / 71 / 0 / 46

HEX #702889

RGB 112 40 137

HSL 284.54, 0.55%, 0.35%

LAB 31.27, 46.76, -39.88

 

CMYK 18 / 70 / 0 / 34

HEX #8A32A8

RGB 138 50 168

HSL 284.75, 0.54%, 0.43%

LAB 38.75, 54.78, -46.53

 

CMYK 17 / 69 / 0 / 23

HEX #A33EC5

RGB 163 62 197

HSL 284.89, 0.54%, 0.51%

LAB 45.99, 61.09, -51.77

 

CMYK 14 / 55 / 0 / 19

HEX #B25ECF

RGB 178 94 207

HSL 284.6, 0.54%, 0.59%

LAB 54, 51.9, -44.63

 

CMYK 18 / 70 / 0 / 34

HEX #8A32A8

RGB 138 50 168

HSL 284.75, 0.54%, 0.43%

LAB 38.75, 54.78, -46.53

 

CMYK 0 / 70 / 65 / 34

HEX #A8323A

RGB 168 50 58

HSL 355.93, 0.54%, 0.43%

LAB 39.43, 48.49, 23.21

 

CMYK 70 / 0 / 47 / 34

HEX #32A859

RGB 50 168 89

HSL 139.83, 0.54%, 0.43%

LAB 61.14, -50.11, 31.51

 

CMYK 18 / 70 / 0 / 34

HEX #8A32A8

RGB 138 50 168

HSL 284.75, 0.54%, 0.43%

LAB 38.75, 54.78, -46.53

 

CMYK 0 / 18 / 70 / 34

HEX #A88932

RGB 168 137 50

HSL 44.24, 0.54%, 0.43%

LAB 58.46, 2.25, 49.15

 

CMYK 70 / 0 / 18 / 34

HEX #32A889

RGB 50 168 137

HSL 164.24, 0.54%, 0.43%

LAB 62.07, -39.96, 6.67

 

CMYK 18 / 70 / 0 / 34

HEX #8A32A8

RGB 138 50 168

HSL 284.75, 0.54%, 0.43%

LAB 38.75, 54.78, -46.53

 

CMYK 0 / 70 / 65 / 34

HEX #A8323A

RGB 168 50 58

HSL 355.93, 0.54%, 0.43%

LAB 39.43, 48.49, 23.21

 

CMYK 51 / 0 / 70 / 34

HEX #52A832

RGB 82 168 50

HSL 103.73, 0.54%, 0.43%

LAB 61.68, -47.39, 50.65

 

CMYK 70 / 0 / 5 / 34

HEX #32A8A0

RGB 50 168 160

HSL 175.93, 0.54%, 0.43%

LAB 62.69, -33.78, -5.31

 

CMYK 18 / 70 / 0 / 34

HEX #8A32A8

RGB 138 50 168

HSL 284.75, 0.54%, 0.43%

LAB 38.75, 54.78, -46.53

 

CMYK 0 / 54 / 70 / 34

HEX #A84E32

RGB 168 78 50

HSL 14.24, 0.54%, 0.43%

LAB 44.24, 34.99, 33.72

 

CMYK 51 / 0 / 70 / 34

HEX #52A832

RGB 82 168 50

HSL 103.73, 0.54%, 0.43%

LAB 61.68, -47.39, 50.65

 

CMYK 70 / 16 / 0 / 34

HEX #328DA8

RGB 50 141 168

HSL 193.73, 0.54%, 0.43%

LAB 54.61, -17.72, -22.04

 

Description

Color code: HEX #8A32A8 | qconv.com Color code: HEX #8A32A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 50 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 50 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 70 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 70% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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