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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A85760 it is the complementary color #57A89F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A85760. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A85760 shade: #AD575B, #BE696E, #CF7B81, #E08D94 and #F19FA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A85760. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A85760 shade: #A85760, #97454D, #86333A, #752127 and #640F14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A85760 shade: #A8565F and #A85656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A85760 shade: #A8565F, #A85675, #A8568B, #A856A1 and #9856A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A85760 shade matches the following richer shades: #A8565F, #BC424F, #D12D3F, #E6182F and #FA041F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A85760 shade: #A8565F, #936B6F, #7F7F7F, #6A948F and #55A99F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A85760 shade: #A8568B, #A85675, #A85660, #A86256 and #A87856

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A85760 shade: #713A40, #8D4850, #A8565F, #B67179 and #C48D93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A85760 shade: #A85760, #A1A856 and #5680A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A85760 shade: #A85760, #60A856 and #5660A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A85760 shade: #A85760, #A1A856, #56A89E and #5D56A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A85760 shade: #A85760, #89A856, #56A89E and #7556A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 43 / 34

HEX #A85760

RGB 168 87 96

HSL 353.33, 0.32%, 0.5%

LAB 46.96, 34.08, 10.04

 

Complementary color

CMYK 48 / 0 / 5 / 34

HEX #57A89F

RGB 87 168 159

HSL 173.33, 0.32%, 0.5%

LAB 63.78, -27.02, -3.02

 

CMYK 0 / 50 / 47 / 32

HEX #AD575B

RGB 173 87 91

HSL 357.21, 0.34%, 0.51%

LAB 47.57, 35.45, 14.01

 

CMYK 0 / 45 / 42 / 25

HEX #BE696E

RGB 190 105 110

HSL 356.47, 0.4%, 0.58%

LAB 54.21, 34.35, 12.32

 

CMYK 0 / 41 / 38 / 19

HEX #CF7B81

RGB 207 123 129

HSL 355.71, 0.47%, 0.65%

LAB 60.8, 33.33, 10.87

 

CMYK 0 / 37 / 34 / 12

HEX #E08D94

RGB 224 141 148

HSL 354.94, 0.57%, 0.72%

LAB 67.3, 32.39, 9.61

 

CMYK 0 / 34 / 31 / 5

HEX #F19FA7

RGB 241 159 167

HSL 354.15, 0.75%, 0.78%

LAB 73.73, 31.52, 8.48

 

CMYK 0 / 48 / 43 / 34

HEX #A85760

RGB 168 87 96

HSL 353.33, 0.32%, 0.5%

LAB 46.96, 34.08, 10.04

 

CMYK 0 / 54 / 49 / 41

HEX #97454D

RGB 151 69 77

HSL 354.15, 0.37%, 0.43%

LAB 40.2, 35.16, 11.89

 

CMYK 0 / 62 / 57 / 47

HEX #86333A

RGB 134 51 58

HSL 354.94, 0.45%, 0.36%

LAB 33.44, 36.19, 14.21

 

CMYK 0 / 72 / 67 / 54

HEX #752127

RGB 117 33 39

HSL 355.71, 0.56%, 0.29%

LAB 26.78, 36.95, 17.27

 

CMYK 0 / 85 / 80 / 61

HEX #640F14

RGB 100 15 20

HSL 356.47, 0.74%, 0.23%

LAB 20.45, 36.92, 21.41

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 0 / 49 / 49 / 34

HEX #A85656

RGB 168 86 86

HSL 0, 0.32%, 0.5%

LAB 46.51, 33.56, 15.46

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 0 / 49 / 30 / 34

HEX #A85675

RGB 168 86 117

HSL 337.32, 0.32%, 0.5%

LAB 47.32, 37.23, -2.14

 

CMYK 0 / 49 / 17 / 34

HEX #A8568B

RGB 168 86 139

HSL 321.22, 0.32%, 0.5%

LAB 48.06, 40.49, -14.27

 

CMYK 0 / 49 / 4 / 34

HEX #A856A1

RGB 168 86 161

HSL 305.12, 0.32%, 0.5%

LAB 48.95, 44.24, -25.98

 

CMYK 10 / 49 / 0 / 34

HEX #9856A8

RGB 152 86 168

HSL 288.29, 0.32%, 0.5%

LAB 47.18, 40.79, -33.02

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 0 / 65 / 58 / 26

HEX #BC424F

RGB 188 66 79

HSL 353.61, 0.48%, 0.5%

LAB 45.84, 49.9, 19.34

 

CMYK 0 / 78 / 70 / 18

HEX #D12D3F

RGB 209 45 63

HSL 353.41, 0.65%, 0.5%

LAB 46.7, 62.95, 30.88

 

CMYK 0 / 90 / 80 / 10

HEX #E6182F

RGB 230 24 47

HSL 353.3, 0.81%, 0.5%

LAB 49.11, 72.46, 43.95

 

CMYK 0 / 98 / 88 / 2

HEX #FA041F

RGB 250 4 31

HSL 353.41, 0.97%, 0.5%

LAB 52.41, 78.94, 56.47

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 0 / 27 / 24 / 42

HEX #936B6F

RGB 147 107 111

HSL 354, 0.16%, 0.5%

LAB 49.33, 16.57, 4.06

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 28 / 0 / 3 / 42

HEX #6A948F

RGB 106 148 143

HSL 172.86, 0.17%, 0.5%

LAB 58.25, -15.44, -2

 

CMYK 50 / 0 / 6 / 34

HEX #55A99F

RGB 85 169 159

HSL 172.86, 0.33%, 0.5%

LAB 64.01, -27.99, -2.69

 

CMYK 0 / 49 / 17 / 34

HEX #A8568B

RGB 168 86 139

HSL 321.22, 0.32%, 0.5%

LAB 48.06, 40.49, -14.27

 

CMYK 0 / 49 / 30 / 34

HEX #A85675

RGB 168 86 117

HSL 337.32, 0.32%, 0.5%

LAB 47.32, 37.23, -2.14

 

CMYK 0 / 49 / 43 / 34

HEX #A85660

RGB 168 86 96

HSL 352.68, 0.32%, 0.5%

LAB 46.74, 34.62, 9.74

 

CMYK 0 / 42 / 49 / 34

HEX #A86256

RGB 168 98 86

HSL 8.78, 0.32%, 0.5%

LAB 49.17, 27, 19.05

 

CMYK 0 / 29 / 49 / 34

HEX #A87856

RGB 168 120 86

HSL 24.88, 0.32%, 0.5%

LAB 54.48, 14.61, 26.06

 

CMYK 0 / 49 / 43 / 56

HEX #713A40

RGB 113 58 64

HSL 353.45, 0.32%, 0.34%

LAB 31.59, 24.83, 7.26

 

CMYK 0 / 49 / 43 / 45

HEX #8D4850

RGB 141 72 80

HSL 353.04, 0.32%, 0.42%

LAB 39.37, 30.02, 8.63

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 0 / 38 / 34 / 29

HEX #B67179

RGB 182 113 121

HSL 353.04, 0.32%, 0.58%

LAB 55.21, 28.29, 7.14

 

CMYK 0 / 28 / 25 / 23

HEX #C48D93

RGB 196 141 147

HSL 353.45, 0.32%, 0.66%

LAB 64.07, 21.76, 5.12

 

CMYK 0 / 48 / 43 / 34

HEX #A85760

RGB 168 87 96

HSL 353.33, 0.32%, 0.5%

LAB 46.96, 34.08, 10.04

 

CMYK 4 / 0 / 49 / 34

HEX #A1A856

RGB 161 168 86

HSL 65.12, 0.32%, 0.5%

LAB 66.71, -14.66, 41.18

 

CMYK 49 / 24 / 0 / 34

HEX #5680A8

RGB 86 128 168

HSL 209.27, 0.32%, 0.5%

LAB 52.11, -3.17, -25.77

 

CMYK 0 / 48 / 43 / 34

HEX #A85760

RGB 168 87 96

HSL 353.33, 0.32%, 0.5%

LAB 46.96, 34.08, 10.04

 

CMYK 43 / 0 / 49 / 34

HEX #60A856

RGB 96 168 86

HSL 112.68, 0.32%, 0.5%

LAB 62.65, -39.11, 35.28

 

CMYK 49 / 43 / 0 / 34

HEX #5660A8

RGB 86 96 168

HSL 232.68, 0.32%, 0.5%

LAB 43.02, 16.33, -40.02

 

CMYK 0 / 48 / 43 / 34

HEX #A85760

RGB 168 87 96

HSL 353.33, 0.32%, 0.5%

LAB 46.96, 34.08, 10.04

 

CMYK 4 / 0 / 49 / 34

HEX #A1A856

RGB 161 168 86

HSL 65.12, 0.32%, 0.5%

LAB 66.71, -14.66, 41.18

 

CMYK 49 / 0 / 6 / 34

HEX #56A89E

RGB 86 168 158

HSL 172.68, 0.32%, 0.5%

LAB 63.71, -27.52, -2.56

 

CMYK 45 / 49 / 0 / 34

HEX #5D56A8

RGB 93 86 168

HSL 245.12, 0.32%, 0.5%

LAB 40.91, 24.35, -43.35

 

CMYK 0 / 48 / 43 / 34

HEX #A85760

RGB 168 87 96

HSL 353.33, 0.32%, 0.5%

LAB 46.96, 34.08, 10.04

 

CMYK 18 / 0 / 49 / 34

HEX #89A856

RGB 137 168 86

HSL 82.68, 0.32%, 0.5%

LAB 64.96, -24.39, 38.65

 

CMYK 49 / 0 / 6 / 34

HEX #56A89E

RGB 86 168 158

HSL 172.68, 0.32%, 0.5%

LAB 63.71, -27.52, -2.56

 

CMYK 30 / 49 / 0 / 34

HEX #7556A8

RGB 117 86 168

HSL 262.68, 0.32%, 0.5%

LAB 43.16, 30.7, -39.64

 

Description

Color code: HEX #A85760 | qconv.com Color code: HEX #A85760 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 87 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 87 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 43 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 43% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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