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Color name
RGB 168 86 95

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 86 95 it is the complementary color RGB 87 169 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 86 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 168 86 95 shade: RGB 173 86 90, RGB 190 104 109, RGB 207 122 128, RGB 224 140 147 and RGB 241 158 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 86 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 168 86 95 shade: RGB 168 86 95, RGB 151 68 76, RGB 134 50 57, RGB 117 32 38 and RGB 100 14 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 168 86 95 shade: RGB 168 86 95 and RGB 168 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 168 86 95 shade: RGB 168 86 95, RGB 168 86 117, RGB 168 86 139, RGB 168 86 161 and RGB 152 86 168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 168 86 95 shade matches the following richer shades: RGB 168 86 95, RGB 188 66 79, RGB 209 45 63, RGB 230 24 47 and RGB 250 4 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 168 86 95 shade: RGB 168 86 95, RGB 147 107 111, RGB 127 127 127, RGB 106 148 143 and RGB 85 169 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 168 86 95 shade: RGB 168 86 139, RGB 168 86 117, RGB 168 86 96, RGB 168 98 86 and RGB 168 120 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 168 86 95 shade: RGB 113 58 64, RGB 141 72 80, RGB 168 86 95, RGB 182 113 121 and RGB 196 141 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 168 86 95 shade: RGB 168 86 95, RGB 161 168 86 and RGB 86 128 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 168 86 95 shade: RGB 168 86 95, RGB 96 168 86 and RGB 86 96 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 168 86 95 shade: RGB 168 86 95, RGB 161 168 86, RGB 86 168 158 and RGB 93 86 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 168 86 95 shade: RGB 168 86 95, RGB 137 168 86, RGB 86 168 158 and RGB 117 86 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

Complementary color

CMYK 49 / 0 / 5 / 34

HEX #57A9A0

RGB 87 169 160

HSL 173.41, 0.32%, 0.5%

LAB 64.11, -27.26, -3.09

 

CMYK 0 / 50 / 48 / 32

HEX #AD565A

RGB 173 86 90

HSL 357.24, 0.35%, 0.51%

LAB 47.34, 35.87, 14.3

 

CMYK 0 / 45 / 43 / 25

HEX #BE686D

RGB 190 104 109

HSL 356.51, 0.4%, 0.58%

LAB 53.98, 34.78, 12.58

 

CMYK 0 / 41 / 38 / 19

HEX #CF7A80

RGB 207 122 128

HSL 355.76, 0.47%, 0.65%

LAB 60.55, 33.75, 11.11

 

CMYK 0 / 38 / 34 / 12

HEX #E08C93

RGB 224 140 147

HSL 355, 0.58%, 0.71%

LAB 67.06, 32.79, 9.82

 

CMYK 0 / 34 / 31 / 5

HEX #F19EA6

RGB 241 158 166

HSL 354.22, 0.75%, 0.78%

LAB 73.49, 31.91, 8.68

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 0 / 55 / 50 / 41

HEX #97444C

RGB 151 68 76

HSL 354.22, 0.38%, 0.43%

LAB 39.97, 35.58, 12.2

 

CMYK 0 / 63 / 57 / 47

HEX #863239

RGB 134 50 57

HSL 355, 0.46%, 0.36%

LAB 33.23, 36.59, 14.58

 

CMYK 0 / 73 / 68 / 54

HEX #752026

RGB 117 32 38

HSL 355.76, 0.57%, 0.29%

LAB 26.61, 37.31, 17.71

 

CMYK 0 / 86 / 81 / 61

HEX #640E13

RGB 100 14 19

HSL 356.51, 0.75%, 0.22%

LAB 20.32, 37.18, 21.92

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 0 / 49 / 49 / 34

HEX #A85656

RGB 168 86 86

HSL 0, 0.32%, 0.5%

LAB 46.51, 33.56, 15.46

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 0 / 49 / 30 / 34

HEX #A85675

RGB 168 86 117

HSL 337.32, 0.32%, 0.5%

LAB 47.32, 37.23, -2.14

 

CMYK 0 / 49 / 17 / 34

HEX #A8568B

RGB 168 86 139

HSL 321.22, 0.32%, 0.5%

LAB 48.06, 40.49, -14.27

 

CMYK 0 / 49 / 4 / 34

HEX #A856A1

RGB 168 86 161

HSL 305.12, 0.32%, 0.5%

LAB 48.95, 44.24, -25.98

 

CMYK 10 / 49 / 0 / 34

HEX #9856A8

RGB 152 86 168

HSL 288.29, 0.32%, 0.5%

LAB 47.18, 40.79, -33.02

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 0 / 65 / 58 / 26

HEX #BC424F

RGB 188 66 79

HSL 353.61, 0.48%, 0.5%

LAB 45.84, 49.9, 19.34

 

CMYK 0 / 78 / 70 / 18

HEX #D12D3F

RGB 209 45 63

HSL 353.41, 0.65%, 0.5%

LAB 46.7, 62.95, 30.88

 

CMYK 0 / 90 / 80 / 10

HEX #E6182F

RGB 230 24 47

HSL 353.3, 0.81%, 0.5%

LAB 49.11, 72.46, 43.95

 

CMYK 0 / 98 / 88 / 2

HEX #FA041F

RGB 250 4 31

HSL 353.41, 0.97%, 0.5%

LAB 52.41, 78.94, 56.47

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 0 / 27 / 24 / 42

HEX #936B6F

RGB 147 107 111

HSL 354, 0.16%, 0.5%

LAB 49.33, 16.57, 4.06

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 28 / 0 / 3 / 42

HEX #6A948F

RGB 106 148 143

HSL 172.86, 0.17%, 0.5%

LAB 58.25, -15.44, -2

 

CMYK 50 / 0 / 5 / 34

HEX #55A9A0

RGB 85 169 160

HSL 173.57, 0.33%, 0.5%

LAB 64.04, -27.73, -3.21

 

CMYK 0 / 49 / 17 / 34

HEX #A8568B

RGB 168 86 139

HSL 321.22, 0.32%, 0.5%

LAB 48.06, 40.49, -14.27

 

CMYK 0 / 49 / 30 / 34

HEX #A85675

RGB 168 86 117

HSL 337.32, 0.32%, 0.5%

LAB 47.32, 37.23, -2.14

 

CMYK 0 / 49 / 43 / 34

HEX #A85660

RGB 168 86 96

HSL 352.68, 0.32%, 0.5%

LAB 46.74, 34.62, 9.74

 

CMYK 0 / 42 / 49 / 34

HEX #A86256

RGB 168 98 86

HSL 8.78, 0.32%, 0.5%

LAB 49.17, 27, 19.05

 

CMYK 0 / 29 / 49 / 34

HEX #A87856

RGB 168 120 86

HSL 24.88, 0.32%, 0.5%

LAB 54.48, 14.61, 26.06

 

CMYK 0 / 49 / 43 / 56

HEX #713A40

RGB 113 58 64

HSL 353.45, 0.32%, 0.34%

LAB 31.59, 24.83, 7.26

 

CMYK 0 / 49 / 43 / 45

HEX #8D4850

RGB 141 72 80

HSL 353.04, 0.32%, 0.42%

LAB 39.37, 30.02, 8.63

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 0 / 38 / 34 / 29

HEX #B67179

RGB 182 113 121

HSL 353.04, 0.32%, 0.58%

LAB 55.21, 28.29, 7.14

 

CMYK 0 / 28 / 25 / 23

HEX #C48D93

RGB 196 141 147

HSL 353.45, 0.32%, 0.66%

LAB 64.07, 21.76, 5.12

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 4 / 0 / 49 / 34

HEX #A1A856

RGB 161 168 86

HSL 65.12, 0.32%, 0.5%

LAB 66.71, -14.66, 41.18

 

CMYK 49 / 24 / 0 / 34

HEX #5680A8

RGB 86 128 168

HSL 209.27, 0.32%, 0.5%

LAB 52.11, -3.17, -25.77

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 43 / 0 / 49 / 34

HEX #60A856

RGB 96 168 86

HSL 112.68, 0.32%, 0.5%

LAB 62.65, -39.11, 35.28

 

CMYK 49 / 43 / 0 / 34

HEX #5660A8

RGB 86 96 168

HSL 232.68, 0.32%, 0.5%

LAB 43.02, 16.33, -40.02

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 4 / 0 / 49 / 34

HEX #A1A856

RGB 161 168 86

HSL 65.12, 0.32%, 0.5%

LAB 66.71, -14.66, 41.18

 

CMYK 49 / 0 / 6 / 34

HEX #56A89E

RGB 86 168 158

HSL 172.68, 0.32%, 0.5%

LAB 63.71, -27.52, -2.56

 

CMYK 45 / 49 / 0 / 34

HEX #5D56A8

RGB 93 86 168

HSL 245.12, 0.32%, 0.5%

LAB 40.91, 24.35, -43.35

 

CMYK 0 / 49 / 43 / 34

HEX #A8565F

RGB 168 86 95

HSL 353.41, 0.32%, 0.5%

LAB 46.72, 34.5, 10.31

 

CMYK 18 / 0 / 49 / 34

HEX #89A856

RGB 137 168 86

HSL 82.68, 0.32%, 0.5%

LAB 64.96, -24.39, 38.65

 

CMYK 49 / 0 / 6 / 34

HEX #56A89E

RGB 86 168 158

HSL 172.68, 0.32%, 0.5%

LAB 63.71, -27.52, -2.56

 

CMYK 30 / 49 / 0 / 34

HEX #7556A8

RGB 117 86 168

HSL 262.68, 0.32%, 0.5%

LAB 43.16, 30.7, -39.64

 

Description

Color code: RGB 168 86 95 | qconv.com Color code: RGB 168 86 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 86 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 86 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 43 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 43% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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