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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A73860 it is the complementary color #58C79F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A73860. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A73860 shade: #AC385B, #BD4A6E, #CE5C81, #DF6E94 and #F080A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A73860. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A73860 shade: #A73860, #96264D, #85143A, #740227 and #630014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A73860 shade: #A83860, #A83842 and #A83838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A73860 shade: #A83860, #A8387E, #A8389D, #9538A8 and #7738A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A73860 shade matches the following richer shades: #A83860, #BA255B, #CC1356 and #DE0151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A73860 shade: #A83860, #964A65, #835C6A, #716E6F and #5F8074

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A73860 shade: #A8389D, #A8387F, #A83861, #A83843 and #A84A38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A73860 shade: #6A233D, #892D4E, #A83860, #C14773 and #CC668B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A73860 shade: #A73860, #A89538 and #388EA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A73860 shade: #A73860, #61A838 and #3861A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A73860 shade: #A73860, #A89538, #38A87F and #384AA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A73860 shade: #A73860, #99A838, #38A87F and #4738A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 43 / 35

HEX #A73860

RGB 167 56 96

HSL 338.38, 0.5%, 0.44%

LAB 41.04, 48.85, 1.57

 

Complementary color

CMYK 56 / 0 / 20 / 22

HEX #58C79F

RGB 88 199 159

HSL 158.38, 0.5%, 0.56%

LAB 73.17, -41.27, 10.56

 

CMYK 0 / 67 / 47 / 33

HEX #AC385B

RGB 172 56 91

HSL 341.9, 0.51%, 0.45%

LAB 41.77, 49.93, 5.87

 

CMYK 0 / 61 / 42 / 26

HEX #BD4A6E

RGB 189 74 110

HSL 341.22, 0.47%, 0.52%

LAB 48.06, 49.49, 3.57

 

CMYK 0 / 55 / 37 / 19

HEX #CE5C81

RGB 206 92 129

HSL 340.53, 0.54%, 0.58%

LAB 54.41, 48.8, 1.71

 

CMYK 0 / 51 / 34 / 13

HEX #DF6E94

RGB 223 110 148

HSL 339.82, 0.64%, 0.65%

LAB 60.76, 48, 0.17

 

CMYK 0 / 47 / 30 / 6

HEX #F080A7

RGB 240 128 167

HSL 339.11, 0.79%, 0.72%

LAB 67.09, 47.16, -1.14

 

CMYK 0 / 66 / 43 / 35

HEX #A73860

RGB 167 56 96

HSL 338.38, 0.5%, 0.44%

LAB 41.04, 48.85, 1.57

 

CMYK 0 / 75 / 49 / 41

HEX #96264D

RGB 150 38 77

HSL 339.11, 0.6%, 0.37%

LAB 34.81, 48.81, 4.29

 

CMYK 0 / 85 / 56 / 48

HEX #85143A

RGB 133 20 58

HSL 339.82, 0.74%, 0.3%

LAB 28.88, 47.87, 7.94

 

CMYK 0 / 98 / 66 / 55

HEX #740227

RGB 116 2 39

HSL 340.53, 0.97%, 0.23%

LAB 23.35, 45.71, 12.77

 

CMYK 0 / 100 / 80 / 61

HEX #630014

RGB 99 0 20

HSL 347.88, 1%, 0.19%

LAB 18.81, 40.62, 19.48

 

CMYK 0 / 67 / 43 / 34

HEX #A83860

RGB 168 56 96

HSL 338.57, 0.5%, 0.44%

LAB 41.21, 49.16, 1.84

 

CMYK 0 / 67 / 61 / 34

HEX #A83842

RGB 168 56 66

HSL 354.64, 0.5%, 0.44%

LAB 40.49, 46.53, 19.61

 

CMYK 0 / 67 / 67 / 34

HEX #A83838

RGB 168 56 56

HSL 0, 0.5%, 0.44%

LAB 40.31, 45.88, 25.53

 

CMYK 0 / 67 / 43 / 34

HEX #A83860

RGB 168 56 96

HSL 338.57, 0.5%, 0.44%

LAB 41.21, 49.16, 1.84

 

CMYK 0 / 67 / 25 / 34

HEX #A8387E

RGB 168 56 126

HSL 322.5, 0.5%, 0.44%

LAB 42.25, 52.78, -15.24

 

CMYK 0 / 67 / 7 / 34

HEX #A8389D

RGB 168 56 157

HSL 305.89, 0.5%, 0.44%

LAB 43.64, 57.43, -31.89

 

CMYK 11 / 67 / 0 / 34

HEX #9538A8

RGB 149 56 168

HSL 289.82, 0.5%, 0.44%

LAB 41.29, 54.75, -42.37

 

CMYK 29 / 67 / 0 / 34

HEX #7738A8

RGB 119 56 168

HSL 273.75, 0.5%, 0.44%

LAB 37.07, 47.83, -49.36

 

CMYK 0 / 67 / 43 / 34

HEX #A83860

RGB 168 56 96

HSL 338.57, 0.5%, 0.44%

LAB 41.21, 49.16, 1.84

 

CMYK 0 / 80 / 51 / 27

HEX #BA255B

RGB 186 37 91

HSL 338.26, 0.67%, 0.44%

LAB 42.03, 60.55, 6.58

 

CMYK 0 / 91 / 58 / 20

HEX #CC1356

RGB 204 19 86

HSL 338.27, 0.83%, 0.44%

LAB 44.2, 68.46, 13.29

 

CMYK 0 / 100 / 64 / 13

HEX #DE0151

RGB 222 1 81

HSL 338.28, 0.99%, 0.44%

LAB 47.16, 74.19, 21.03

 

CMYK 0 / 67 / 43 / 34

HEX #A83860

RGB 168 56 96

HSL 338.57, 0.5%, 0.44%

LAB 41.21, 49.16, 1.84

 

CMYK 0 / 51 / 33 / 41

HEX #964A65

RGB 150 74 101

HSL 338.68, 0.34%, 0.44%

LAB 41.72, 34.97, -0.88

 

CMYK 0 / 30 / 19 / 49

HEX #835C6A

RGB 131 92 106

HSL 338.46, 0.17%, 0.44%

LAB 43.54, 18.23, -1.58

 

CMYK 0 / 3 / 2 / 56

HEX #716E6F

RGB 113 110 111

HSL 340, 0.01%, 0.44%

LAB 46.72, 1.36, -0.15

 

CMYK 26 / 0 / 9 / 50

HEX #5F8074

RGB 95 128 116

HSL 158.18, 0.15%, 0.44%

LAB 50.84, -14.41, 2.71

 

CMYK 0 / 67 / 7 / 34

HEX #A8389D

RGB 168 56 157

HSL 305.89, 0.5%, 0.44%

LAB 43.64, 57.43, -31.89

 

CMYK 0 / 67 / 24 / 34

HEX #A8387F

RGB 168 56 127

HSL 321.96, 0.5%, 0.44%

LAB 42.29, 52.92, -15.79

 

CMYK 0 / 67 / 42 / 34

HEX #A83861

RGB 168 56 97

HSL 338.04, 0.5%, 0.44%

LAB 41.24, 49.27, 1.26

 

CMYK 0 / 67 / 60 / 34

HEX #A83843

RGB 168 56 67

HSL 354.11, 0.5%, 0.44%

LAB 40.51, 46.6, 19.01

 

CMYK 0 / 56 / 67 / 34

HEX #A84A38

RGB 168 74 56

HSL 9.64, 0.5%, 0.44%

LAB 43.52, 37.39, 29.45

 

CMYK 0 / 67 / 42 / 58

HEX #6A233D

RGB 106 35 61

HSL 338.03, 0.5%, 0.28%

LAB 25.57, 34.18, 0.47

 

CMYK 0 / 67 / 43 / 46

HEX #892D4E

RGB 137 45 78

HSL 338.48, 0.51%, 0.36%

LAB 33.45, 42.02, 1.36

 

CMYK 0 / 67 / 43 / 34

HEX #A83860

RGB 168 56 96

HSL 338.57, 0.5%, 0.44%

LAB 41.21, 49.16, 1.84

 

CMYK 0 / 63 / 40 / 24

HEX #C14773

RGB 193 71 115

HSL 338.36, 0.5%, 0.52%

LAB 48.36, 52.63, 1.05

 

CMYK 0 / 50 / 32 / 20

HEX #CC668B

RGB 204 102 139

HSL 338.24, 0.5%, 0.6%

LAB 56.29, 44.42, -1.46

 

CMYK 0 / 66 / 43 / 35

HEX #A73860

RGB 167 56 96

HSL 338.38, 0.5%, 0.44%

LAB 41.04, 48.85, 1.57

 

CMYK 0 / 11 / 67 / 34

HEX #A89538

RGB 168 149 56

HSL 49.82, 0.5%, 0.44%

LAB 61.74, -3.97, 49.94

 

CMYK 67 / 15 / 0 / 34

HEX #388EA8

RGB 56 142 168

HSL 193.93, 0.5%, 0.44%

LAB 55.09, -17.31, -21.29

 

CMYK 0 / 66 / 43 / 35

HEX #A73860

RGB 167 56 96

HSL 338.38, 0.5%, 0.44%

LAB 41.04, 48.85, 1.57

 

CMYK 42 / 0 / 67 / 34

HEX #61A838

RGB 97 168 56

HSL 98.04, 0.5%, 0.44%

LAB 62.37, -42.15, 49.11

 

CMYK 67 / 42 / 0 / 34

HEX #3861A8

RGB 56 97 168

HSL 218.04, 0.5%, 0.44%

LAB 41.56, 9.34, -42.46

 

CMYK 0 / 66 / 43 / 35

HEX #A73860

RGB 167 56 96

HSL 338.38, 0.5%, 0.44%

LAB 41.04, 48.85, 1.57

 

CMYK 0 / 11 / 67 / 34

HEX #A89538

RGB 168 149 56

HSL 49.82, 0.5%, 0.44%

LAB 61.74, -3.97, 49.94

 

CMYK 67 / 0 / 24 / 34

HEX #38A87F

RGB 56 168 127

HSL 158.04, 0.5%, 0.44%

LAB 61.98, -41.4, 12.12

 

CMYK 67 / 56 / 0 / 34

HEX #384AA8

RGB 56 74 168

HSL 230.36, 0.5%, 0.44%

LAB 35.13, 24.34, -52.79

 

CMYK 0 / 66 / 43 / 35

HEX #A73860

RGB 167 56 96

HSL 338.38, 0.5%, 0.44%

LAB 41.04, 48.85, 1.57

 

CMYK 9 / 0 / 67 / 34

HEX #99A838

RGB 153 168 56

HSL 68.04, 0.5%, 0.44%

LAB 65.8, -20.47, 53.78

 

CMYK 67 / 0 / 24 / 34

HEX #38A87F

RGB 56 168 127

HSL 158.04, 0.5%, 0.44%

LAB 61.98, -41.4, 12.12

 

CMYK 58 / 67 / 0 / 34

HEX #4738A8

RGB 71 56 168

HSL 248.04, 0.5%, 0.44%

LAB 31.8, 38.24, -58.17

 

Description

Color code: HEX #A73860 | qconv.com Color code: HEX #A73860 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 56 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 56 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 43 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 43% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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