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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE5C81 it is the complementary color #31A37E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE5C81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE5C81 shade: #D35C7C, #E46E8F, #F580A2, #FF92B5 and #FFA4C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE5C81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE5C81 shade: #CE5C81, #BD4A6E, #AC385B, #9B2648 and #8A1435

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE5C81 shade: #CD5A7F, #CD5A60 and #CD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE5C81 shade: #CD5A7F, #CD5A9E, #CD5ABD, #BE5ACD and #9F5ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE5C81 shade matches the following richer shades: #CD5A7F, #DF4879 and #F03773

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE5C81 shade: #CD5A7F, #BC6B85, #AB7C8B, #998E91 and #889F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE5C81 shade: #CD5ABE, #CD5A9F, #CD5A80, #CD5A61 and #CD715A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE5C81 shade: #A43156, #C33A67, #CD5A7F, #D77998 and #E099B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE5C81 shade: #CE5C81, #CDBE5A and #5AAECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE5C81 shade: #CE5C81, #80CD5A and #5A80CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE5C81 shade: #CE5C81, #CDBE5A, #5ACDA7 and #5A69CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE5C81 shade: #CE5C81, #BACD5A, #5ACDA7 and #6D5ACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 37 / 19

HEX #CE5C81

RGB 206 92 129

HSL 340.53, 0.54%, 0.58%

LAB 54.41, 48.8, 1.71

 

Complementary color

CMYK 70 / 0 / 23 / 36

HEX #31A37E

RGB 49 163 126

HSL 160.53, 0.54%, 0.42%

LAB 60.21, -40.66, 10.15

 

CMYK 0 / 56 / 41 / 17

HEX #D35C7C

RGB 211 92 124

HSL 343.87, 0.57%, 0.59%

LAB 55.03, 49.92, 5.66

 

CMYK 0 / 52 / 37 / 11

HEX #E46E8F

RGB 228 110 143

HSL 343.22, 0.69%, 0.66%

LAB 61.33, 49.1, 3.97

 

CMYK 0 / 48 / 34 / 4

HEX #F580A2

RGB 245 128 162

HSL 342.56, 0.85%, 0.73%

LAB 67.62, 48.24, 2.53

 

CMYK 0 / 43 / 29 / 0

HEX #FF92B5

RGB 255 146 181

HSL 340.73, 1%, 0.79%

LAB 72.99, 44.99, -0.12

 

CMYK 0 / 36 / 22 / 0

HEX #FFA4C8

RGB 255 164 200

HSL 336.26, 1%, 0.82%

LAB 77.27, 38.36, -4.29

 

CMYK 0 / 55 / 37 / 19

HEX #CE5C81

RGB 206 92 129

HSL 340.53, 0.54%, 0.58%

LAB 54.41, 48.8, 1.71

 

CMYK 0 / 61 / 42 / 26

HEX #BD4A6E

RGB 189 74 110

HSL 341.22, 0.47%, 0.52%

LAB 48.06, 49.49, 3.57

 

CMYK 0 / 67 / 47 / 33

HEX #AC385B

RGB 172 56 91

HSL 341.9, 0.51%, 0.45%

LAB 41.77, 49.93, 5.87

 

CMYK 0 / 75 / 54 / 39

HEX #9B2648

RGB 155 38 72

HSL 342.56, 0.61%, 0.38%

LAB 35.64, 49.88, 8.83

 

CMYK 0 / 86 / 62 / 46

HEX #8A1435

RGB 138 20 53

HSL 343.22, 0.75%, 0.31%

LAB 29.81, 48.92, 12.74

 

CMYK 0 / 56 / 38 / 20

HEX #CD5A7F

RGB 205 90 127

HSL 340.7, 0.53%, 0.58%

LAB 53.84, 49.19, 2.05

 

CMYK 0 / 56 / 53 / 20

HEX #CD5A60

RGB 205 90 96

HSL 356.87, 0.53%, 0.58%

LAB 53.1, 46.13, 19.37

 

CMYK 0 / 56 / 56 / 20

HEX #CD5A5A

RGB 205 90 90

HSL 0, 0.53%, 0.58%

LAB 52.98, 45.64, 22.74

 

CMYK 0 / 56 / 38 / 20

HEX #CD5A7F

RGB 205 90 127

HSL 340.7, 0.53%, 0.58%

LAB 53.84, 49.19, 2.05

 

CMYK 0 / 56 / 23 / 20

HEX #CD5A9E

RGB 205 90 158

HSL 324.52, 0.53%, 0.58%

LAB 54.82, 53.12, -14.76

 

CMYK 0 / 56 / 8 / 20

HEX #CD5ABD

RGB 205 90 189

HSL 308.35, 0.53%, 0.58%

LAB 56.05, 57.83, -30.85

 

CMYK 7 / 56 / 0 / 20

HEX #BE5ACD

RGB 190 90 205

HSL 292.17, 0.53%, 0.58%

LAB 54.73, 56.6, -42.24

 

CMYK 22 / 56 / 0 / 20

HEX #9F5ACD

RGB 159 90 205

HSL 276, 0.53%, 0.58%

LAB 50.79, 48.6, -48.73

 

CMYK 0 / 56 / 38 / 20

HEX #CD5A7F

RGB 205 90 127

HSL 340.7, 0.53%, 0.58%

LAB 53.84, 49.19, 2.05

 

CMYK 0 / 68 / 46 / 13

HEX #DF4879

RGB 223 72 121

HSL 340.53, 0.7%, 0.58%

LAB 53.71, 61.96, 5.8

 

CMYK 0 / 77 / 52 / 6

HEX #F03773

RGB 240 55 115

HSL 340.54, 0.86%, 0.58%

LAB 54.55, 71.84, 11

 

CMYK 0 / 56 / 38 / 20

HEX #CD5A7F

RGB 205 90 127

HSL 340.7, 0.53%, 0.58%

LAB 53.84, 49.19, 2.05

 

CMYK 0 / 43 / 29 / 26

HEX #BC6B85

RGB 188 107 133

HSL 340.74, 0.38%, 0.58%

LAB 54.97, 35.4, -0.14

 

CMYK 0 / 27 / 19 / 33

HEX #AB7C8B

RGB 171 124 139

HSL 340.85, 0.22%, 0.58%

LAB 57.01, 20.58, -0.88

 

CMYK 0 / 7 / 5 / 40

HEX #998E91

RGB 153 142 145

HSL 343.64, 0.05%, 0.58%

LAB 60.04, 4.64, -0.13

 

CMYK 14 / 0 / 5 / 38

HEX #889F97

RGB 136 159 151

HSL 159.13, 0.11%, 0.58%

LAB 63.56, -9.7, 1.46

 

CMYK 0 / 56 / 7 / 20

HEX #CD5ABE

RGB 205 90 190

HSL 307.83, 0.53%, 0.58%

LAB 56.1, 57.99, -31.36

 

CMYK 0 / 56 / 22 / 20

HEX #CD5A9F

RGB 205 90 159

HSL 324, 0.53%, 0.58%

LAB 54.86, 53.26, -15.29

 

CMYK 0 / 56 / 38 / 20

HEX #CD5A80

RGB 205 90 128

HSL 340.17, 0.53%, 0.58%

LAB 53.87, 49.31, 1.5

 

CMYK 0 / 56 / 53 / 20

HEX #CD5A61

RGB 205 90 97

HSL 356.35, 0.53%, 0.58%

LAB 53.12, 46.22, 18.81

 

CMYK 0 / 45 / 56 / 20

HEX #CD715A

RGB 205 113 90

HSL 12, 0.53%, 0.58%

LAB 57.59, 33.98, 28.73

 

CMYK 0 / 70 / 48 / 36

HEX #A43156

RGB 164 49 86

HSL 340.7, 0.54%, 0.42%

LAB 39.18, 49.77, 5.11

 

CMYK 0 / 70 / 47 / 24

HEX #C33A67

RGB 195 58 103

HSL 340.29, 0.54%, 0.5%

LAB 46.46, 57.3, 5.67

 

CMYK 0 / 56 / 38 / 20

HEX #CD5A7F

RGB 205 90 127

HSL 340.7, 0.53%, 0.58%

LAB 53.84, 49.19, 2.05

 

CMYK 0 / 44 / 29 / 16

HEX #D77998

RGB 215 121 152

HSL 340.21, 0.54%, 0.66%

LAB 61.99, 40.18, -0.47

 

CMYK 0 / 32 / 21 / 12

HEX #E099B0

RGB 224 153 176

HSL 340.56, 0.53%, 0.74%

LAB 70.71, 29.8, -1.12

 

CMYK 0 / 55 / 37 / 19

HEX #CE5C81

RGB 206 92 129

HSL 340.53, 0.54%, 0.58%

LAB 54.41, 48.8, 1.71

 

CMYK 0 / 7 / 56 / 20

HEX #CDBE5A

RGB 205 190 90

HSL 52.17, 0.53%, 0.58%

LAB 76.4, -7.33, 51.55

 

CMYK 56 / 15 / 0 / 20

HEX #5AAECD

RGB 90 174 205

HSL 196.17, 0.53%, 0.58%

LAB 67.17, -16.64, -23.5

 

CMYK 0 / 55 / 37 / 19

HEX #CE5C81

RGB 206 92 129

HSL 340.53, 0.54%, 0.58%

LAB 54.41, 48.8, 1.71

 

CMYK 38 / 0 / 56 / 20

HEX #80CD5A

RGB 128 205 90

HSL 100.17, 0.53%, 0.58%

LAB 75.45, -44.24, 49.11

 

CMYK 56 / 38 / 0 / 20

HEX #5A80CD

RGB 90 128 205

HSL 220.17, 0.53%, 0.58%

LAB 54.05, 9.44, -43.92

 

CMYK 0 / 55 / 37 / 19

HEX #CE5C81

RGB 206 92 129

HSL 340.53, 0.54%, 0.58%

LAB 54.41, 48.8, 1.71

 

CMYK 0 / 7 / 56 / 20

HEX #CDBE5A

RGB 205 190 90

HSL 52.17, 0.53%, 0.58%

LAB 76.4, -7.33, 51.55

 

CMYK 56 / 0 / 19 / 20

HEX #5ACDA7

RGB 90 205 167

HSL 160.17, 0.53%, 0.58%

LAB 75.22, -41.68, 9.18

 

CMYK 56 / 49 / 0 / 20

HEX #5A69CD

RGB 90 105 205

HSL 232.17, 0.53%, 0.58%

LAB 47.86, 23.55, -53.78

 

CMYK 0 / 55 / 37 / 19

HEX #CE5C81

RGB 206 92 129

HSL 340.53, 0.54%, 0.58%

LAB 54.41, 48.8, 1.71

 

CMYK 9 / 0 / 56 / 20

HEX #BACD5A

RGB 186 205 90

HSL 69.91, 0.53%, 0.58%

LAB 78.95, -22.69, 54.06

 

CMYK 56 / 0 / 19 / 20

HEX #5ACDA7

RGB 90 205 167

HSL 160.17, 0.53%, 0.58%

LAB 75.22, -41.68, 9.18

 

CMYK 47 / 56 / 0 / 20

HEX #6D5ACD

RGB 109 90 205

HSL 249.91, 0.53%, 0.58%

LAB 45.59, 36.69, -57.35

 

Description

Color code: HEX #CE5C81 | qconv.com Color code: HEX #CE5C81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 92 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 92 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 37 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 37% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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