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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6E759 it is the complementary color #5918A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6E759. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6E759 shade: #ABE754, #BCF967, #CDFF7A, #DEFF8D and #EFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6E759. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6E759 shade: #A6E759, #95D546, #84C333, #73B120 and #629F0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6E759 shade: #A6E759, #CCE759, #E7DB59, #E7B559 and #E78F59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6E759 shade: #A6E759, #80E759, #5AE759, #59E77F and #59E7A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6E759 shade matches the following richer shades: #A6E759 and #A7F64A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6E759 shade: #A6E759, #A5D869, #A4C878, #A2B987 and #A1AA96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6E759 shade: #E7DB59, #CDE759, #A7E759, #81E759 and #5CE759

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6E759 shade: #7ED01D, #93E235, #A6E759, #B9EC7D and #CDF1A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6E759 shade: #A6E759, #59E7B5 and #E759E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6E759 shade: #A6E759, #59A7E7 and #E759A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6E759 shade: #A6E759, #59E7B5, #9959E7 and #E7598B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6E759 shade: #A6E759, #59E7E0, #9959E7 and #E75960

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 61 / 9

HEX #A6E759

RGB 166 231 89

HSL 87.46, 0.75%, 0.63%

LAB 84.99, -42.42, 60.89

 

Complementary color

CMYK 46 / 86 / 0 / 35

HEX #5918A6

RGB 89 24 166

HSL 267.46, 0.75%, 0.37%

LAB 28.2, 55.57, -62.79

 

CMYK 26 / 0 / 64 / 9

HEX #ABE754

RGB 171 231 84

HSL 84.49, 0.75%, 0.62%

LAB 85.23, -41.01, 63.28

 

CMYK 24 / 0 / 59 / 2

HEX #BCF967

RGB 188 249 103

HSL 85.07, 0.92%, 0.69%

LAB 91.42, -41.24, 62.5

 

CMYK 20 / 0 / 52 / 0

HEX #CDFF7A

RGB 205 255 122

HSL 82.56, 1%, 0.74%

LAB 94.27, -36.04, 57.71

 

CMYK 13 / 0 / 45 / 0

HEX #DEFF8D

RGB 222 255 141

HSL 77.37, 1%, 0.78%

LAB 95.57, -27.88, 50.75

 

CMYK 6 / 0 / 37 / 0

HEX #EFFFA0

RGB 239 255 160

HSL 70.11, 1%, 0.81%

LAB 96.99, -19.49, 43.66

 

CMYK 28 / 0 / 61 / 9

HEX #A6E759

RGB 166 231 89

HSL 87.46, 0.75%, 0.63%

LAB 84.99, -42.42, 60.89

 

CMYK 30 / 0 / 67 / 16

HEX #95D546

RGB 149 213 70

HSL 86.85, 0.63%, 0.55%

LAB 78.71, -42.17, 61.55

 

CMYK 32 / 0 / 74 / 24

HEX #84C333

RGB 132 195 51

HSL 86.25, 0.59%, 0.48%

LAB 72.35, -41.78, 61.79

 

CMYK 35 / 0 / 82 / 31

HEX #73B120

RGB 115 177 32

HSL 85.66, 0.69%, 0.41%

LAB 65.9, -41.2, 61.3

 

CMYK 38 / 0 / 92 / 38

HEX #629F0D

RGB 98 159 13

HSL 85.07, 0.85%, 0.34%

LAB 59.36, -40.35, 59.53

 

CMYK 28 / 0 / 61 / 9

HEX #A6E759

RGB 166 231 89

HSL 87.46, 0.75%, 0.63%

LAB 84.99, -42.42, 60.89

 

CMYK 12 / 0 / 61 / 9

HEX #CCE759

RGB 204 231 89

HSL 71.41, 0.75%, 0.63%

LAB 87.34, -28.08, 64.14

 

CMYK 0 / 5 / 61 / 9

HEX #E7DB59

RGB 231 219 89

HSL 54.93, 0.75%, 0.63%

LAB 86.19, -11.35, 63.5

 

CMYK 0 / 22 / 61 / 9

HEX #E7B559

RGB 231 181 89

HSL 38.87, 0.75%, 0.63%

LAB 76.53, 8.2, 52.81

 

CMYK 0 / 38 / 61 / 9

HEX #E78F59

RGB 231 143 89

HSL 22.82, 0.75%, 0.63%

LAB 67.54, 28.39, 42.35

 

CMYK 28 / 0 / 61 / 9

HEX #A6E759

RGB 166 231 89

HSL 87.46, 0.75%, 0.63%

LAB 84.99, -42.42, 60.89

 

CMYK 45 / 0 / 61 / 9

HEX #80E759

RGB 128 231 89

HSL 103.52, 0.75%, 0.63%

LAB 83.16, -54.97, 58.35

 

CMYK 61 / 0 / 61 / 9

HEX #5AE759

RGB 90 231 89

HSL 119.58, 0.75%, 0.63%

LAB 81.86, -64.83, 56.54

 

CMYK 61 / 0 / 45 / 9

HEX #59E77F

RGB 89 231 127

HSL 136.06, 0.75%, 0.63%

LAB 82.28, -60.08, 39.46

 

CMYK 61 / 0 / 29 / 9

HEX #59E7A5

RGB 89 231 165

HSL 152.11, 0.75%, 0.63%

LAB 82.91, -53.25, 21.03

 

CMYK 28 / 0 / 61 / 9

HEX #A6E759

RGB 166 231 89

HSL 87.46, 0.75%, 0.63%

LAB 84.99, -42.42, 60.89

 

CMYK 32 / 0 / 70 / 4

HEX #A7F64A

RGB 167 246 74

HSL 87.56, 0.91%, 0.63%

LAB 89.22, -49.54, 71.15

 

CMYK 28 / 0 / 61 / 9

HEX #A6E759

RGB 166 231 89

HSL 87.46, 0.75%, 0.63%

LAB 84.99, -42.42, 60.89

 

CMYK 24 / 0 / 51 / 15

HEX #A5D869

RGB 165 216 105

HSL 87.57, 0.59%, 0.63%

LAB 80.81, -34.58, 48.96

 

CMYK 18 / 0 / 40 / 22

HEX #A4C878

RGB 164 200 120

HSL 87, 0.42%, 0.63%

LAB 76.41, -25.65, 36.12

 

CMYK 12 / 0 / 27 / 27

HEX #A2B987

RGB 162 185 135

HSL 87.6, 0.26%, 0.63%

LAB 72.31, -16.83, 22.84

 

CMYK 5 / 0 / 12 / 33

HEX #A1AA96

RGB 161 170 150

HSL 87, 0.11%, 0.63%

LAB 68.41, -6.89, 9.22

 

CMYK 0 / 5 / 61 / 9

HEX #E7DB59

RGB 231 219 89

HSL 54.93, 0.75%, 0.63%

LAB 86.19, -11.35, 63.5

 

CMYK 11 / 0 / 61 / 9

HEX #CDE759

RGB 205 231 89

HSL 70.99, 0.75%, 0.63%

LAB 87.41, -27.69, 64.23

 

CMYK 28 / 0 / 61 / 9

HEX #A7E759

RGB 167 231 89

HSL 87.04, 0.75%, 0.63%

LAB 85.04, -42.07, 60.96

 

CMYK 44 / 0 / 61 / 9

HEX #81E759

RGB 129 231 89

HSL 103.1, 0.75%, 0.63%

LAB 83.2, -54.67, 58.41

 

CMYK 60 / 0 / 61 / 9

HEX #5CE759

RGB 92 231 89

HSL 118.73, 0.75%, 0.63%

LAB 81.92, -64.39, 56.62

 

CMYK 39 / 0 / 86 / 18

HEX #7ED01D

RGB 126 208 29

HSL 87.49, 0.76%, 0.46%

LAB 75.85, -50.3, 70.95

 

CMYK 35 / 0 / 77 / 11

HEX #93E235

RGB 147 226 53

HSL 87.4, 0.75%, 0.55%

LAB 82.3, -49.41, 70.97

 

CMYK 28 / 0 / 61 / 9

HEX #A6E759

RGB 166 231 89

HSL 87.46, 0.75%, 0.63%

LAB 84.99, -42.42, 60.89

 

CMYK 22 / 0 / 47 / 7

HEX #B9EC7D

RGB 185 236 125

HSL 87.57, 0.74%, 0.71%

LAB 87.87, -34.34, 48.32

 

CMYK 15 / 0 / 33 / 5

HEX #CDF1A2

RGB 205 241 162

HSL 87.34, 0.74%, 0.79%

LAB 91.01, -24.93, 34.42

 

CMYK 28 / 0 / 61 / 9

HEX #A6E759

RGB 166 231 89

HSL 87.46, 0.75%, 0.63%

LAB 84.99, -42.42, 60.89

 

CMYK 61 / 0 / 22 / 9

HEX #59E7B5

RGB 89 231 181

HSL 158.87, 0.75%, 0.63%

LAB 83.24, -49.85, 13.14

 

CMYK 0 / 61 / 3 / 9

HEX #E759E0

RGB 231 89 224

HSL 302.96, 0.75%, 0.63%

LAB 61.23, 70.67, -42.35

 

CMYK 28 / 0 / 61 / 9

HEX #A6E759

RGB 166 231 89

HSL 87.46, 0.75%, 0.63%

LAB 84.99, -42.42, 60.89

 

CMYK 61 / 28 / 0 / 9

HEX #59A7E7

RGB 89 167 231

HSL 207.04, 0.75%, 0.63%

LAB 66.16, -4.99, -39.38

 

CMYK 0 / 61 / 28 / 9

HEX #E759A7

RGB 231 89 167

HSL 327.04, 0.75%, 0.63%

LAB 58.9, 62.47, -13.45

 

CMYK 28 / 0 / 61 / 9

HEX #A6E759

RGB 166 231 89

HSL 87.46, 0.75%, 0.63%

LAB 84.99, -42.42, 60.89

 

CMYK 61 / 0 / 22 / 9

HEX #59E7B5

RGB 89 231 181

HSL 158.87, 0.75%, 0.63%

LAB 83.24, -49.85, 13.14

 

CMYK 34 / 61 / 0 / 9

HEX #9959E7

RGB 153 89 231

HSL 267.04, 0.75%, 0.63%

LAB 51.48, 53.8, -62.42

 

CMYK 0 / 61 / 40 / 9

HEX #E7598B

RGB 231 89 139

HSL 338.87, 0.75%, 0.63%

LAB 58.03, 59.25, 1.57

 

CMYK 28 / 0 / 61 / 9

HEX #A6E759

RGB 166 231 89

HSL 87.46, 0.75%, 0.63%

LAB 84.99, -42.42, 60.89

 

CMYK 61 / 0 / 3 / 9

HEX #59E7E0

RGB 89 231 224

HSL 177.04, 0.75%, 0.63%

LAB 84.31, -39.37, -7.95

 

CMYK 34 / 61 / 0 / 9

HEX #9959E7

RGB 153 89 231

HSL 267.04, 0.75%, 0.63%

LAB 51.48, 53.8, -62.42

 

CMYK 0 / 61 / 58 / 9

HEX #E75960

RGB 231 89 96

HSL 357.04, 0.75%, 0.63%

LAB 57.05, 55.51, 25.37

 

Description

Color code: HEX #A6E759 | qconv.com Color code: HEX #A6E759 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 231 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 231 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 61 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 61% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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