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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95D546 it is the complementary color #6A2AB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95D546. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95D546 shade: #9AD541, #ABE754, #BCF967, #CDFF7A and #DEFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95D546. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95D546 shade: #95D546, #84C333, #73B120, #629F0D and #518D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95D546 shade: #93D443, #BAD443, #D4C743, #D4A043 and #D47943

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95D546 shade: #93D443, #6CD443, #45D443, #43D469 and #43D490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95D546 shade matches the following richer shades: #93D443, #95E731 and #97F91E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95D546 shade: #93D443, #91C156, #8FAF69, #8D9C7B and #8C8A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95D546 shade: #D4C643, #BCD443, #95D443, #6FD443 and #48D443

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95D546 shade: #69A124, #7FC22C, #93D443, #A7DC65 and #BAE387

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95D546 shade: #95D546, #43D49F and #D443CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95D546 shade: #95D546, #4395D4 and #D44395

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95D546 shade: #95D546, #43D49F, #8243D4 and #D44378

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95D546 shade: #95D546, #43D4CA, #8243D4 and #D4434D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 67 / 16

HEX #95D546

RGB 149 213 70

HSL 86.85, 0.63%, 0.55%

LAB 78.71, -42.17, 61.55

 

Complementary color

CMYK 43 / 77 / 0 / 27

HEX #6A2AB9

RGB 106 42 185

HSL 266.85, 0.63%, 0.45%

LAB 34.44, 55.91, -63.82

 

CMYK 28 / 0 / 69 / 16

HEX #9AD541

RGB 154 213 65

HSL 83.92, 0.64%, 0.55%

LAB 78.95, -40.68, 63.78

 

CMYK 26 / 0 / 64 / 9

HEX #ABE754

RGB 171 231 84

HSL 84.49, 0.75%, 0.62%

LAB 85.23, -41.01, 63.28

 

CMYK 24 / 0 / 59 / 2

HEX #BCF967

RGB 188 249 103

HSL 85.07, 0.92%, 0.69%

LAB 91.42, -41.24, 62.5

 

CMYK 20 / 0 / 52 / 0

HEX #CDFF7A

RGB 205 255 122

HSL 82.56, 1%, 0.74%

LAB 94.27, -36.04, 57.71

 

CMYK 13 / 0 / 45 / 0

HEX #DEFF8D

RGB 222 255 141

HSL 77.37, 1%, 0.78%

LAB 95.57, -27.88, 50.75

 

CMYK 30 / 0 / 67 / 16

HEX #95D546

RGB 149 213 70

HSL 86.85, 0.63%, 0.55%

LAB 78.71, -42.17, 61.55

 

CMYK 32 / 0 / 74 / 24

HEX #84C333

RGB 132 195 51

HSL 86.25, 0.59%, 0.48%

LAB 72.35, -41.78, 61.79

 

CMYK 35 / 0 / 82 / 31

HEX #73B120

RGB 115 177 32

HSL 85.66, 0.69%, 0.41%

LAB 65.9, -41.2, 61.3

 

CMYK 38 / 0 / 92 / 38

HEX #629F0D

RGB 98 159 13

HSL 85.07, 0.85%, 0.34%

LAB 59.36, -40.35, 59.53

 

CMYK 43 / 0 / 100 / 45

HEX #518D00

RGB 81 141 0

HSL 85.53, 1%, 0.28%

LAB 52.73, -39.17, 55.93

 

CMYK 31 / 0 / 68 / 17

HEX #93D443

RGB 147 212 67

HSL 86.9, 0.63%, 0.55%

LAB 78.28, -42.67, 62.23

 

CMYK 12 / 0 / 68 / 17

HEX #BAD443

RGB 186 212 67

HSL 70.76, 0.63%, 0.55%

LAB 80.7, -27.67, 65.47

 

CMYK 0 / 6 / 68 / 17

HEX #D4C743

RGB 212 199 67

HSL 54.62, 0.63%, 0.55%

LAB 79.18, -10.49, 64.6

 

CMYK 0 / 25 / 68 / 17

HEX #D4A043

RGB 212 160 67

HSL 38.48, 0.63%, 0.55%

LAB 69.14, 9.98, 54.23

 

CMYK 0 / 43 / 68 / 17

HEX #D47943

RGB 212 121 67

HSL 22.34, 0.63%, 0.55%

LAB 59.96, 30.98, 44.21

 

CMYK 31 / 0 / 68 / 17

HEX #93D443

RGB 147 212 67

HSL 86.9, 0.63%, 0.55%

LAB 78.28, -42.67, 62.23

 

CMYK 49 / 0 / 68 / 17

HEX #6CD443

RGB 108 212 67

HSL 103.03, 0.63%, 0.55%

LAB 76.48, -55.43, 59.8

 

CMYK 67 / 0 / 68 / 17

HEX #45D443

RGB 69 212 67

HSL 119.17, 0.63%, 0.55%

LAB 75.3, -64.81, 58.19

 

CMYK 68 / 0 / 50 / 17

HEX #43D469

RGB 67 212 105

HSL 135.72, 0.63%, 0.55%

LAB 75.64, -60.69, 41.74

 

CMYK 68 / 0 / 32 / 17

HEX #43D490

RGB 67 212 144

HSL 151.86, 0.63%, 0.55%

LAB 76.25, -53.85, 22.75

 

CMYK 31 / 0 / 68 / 17

HEX #93D443

RGB 147 212 67

HSL 86.9, 0.63%, 0.55%

LAB 78.28, -42.67, 62.23

 

CMYK 35 / 0 / 79 / 9

HEX #95E731

RGB 149 231 49

HSL 87.03, 0.79%, 0.55%

LAB 83.84, -50.96, 73.6

 

CMYK 39 / 0 / 88 / 2

HEX #97F91E

RGB 151 249 30

HSL 86.85, 0.95%, 0.55%

LAB 89.12, -58.09, 82.45

 

CMYK 31 / 0 / 68 / 17

HEX #93D443

RGB 147 212 67

HSL 86.9, 0.63%, 0.55%

LAB 78.28, -42.67, 62.23

 

CMYK 25 / 0 / 55 / 24

HEX #91C156

RGB 145 193 86

HSL 86.92, 0.46%, 0.55%

LAB 72.78, -33.3, 48.09

 

CMYK 18 / 0 / 40 / 31

HEX #8FAF69

RGB 143 175 105

HSL 87.43, 0.3%, 0.55%

LAB 67.66, -23.22, 32.36

 

CMYK 10 / 0 / 21 / 39

HEX #8D9C7B

RGB 141 156 123

HSL 87.27, 0.14%, 0.55%

LAB 62.4, -11.49, 15.54

 

CMYK 1 / 3 / 0 / 44

HEX #8C8A8E

RGB 140 138 142

HSL 270, 0.02%, 0.55%

LAB 57.76, 1.53, -1.88

 

CMYK 0 / 7 / 68 / 17

HEX #D4C643

RGB 212 198 67

HSL 54.21, 0.63%, 0.55%

LAB 78.92, -9.98, 64.33

 

CMYK 11 / 0 / 68 / 17

HEX #BCD443

RGB 188 212 67

HSL 69.93, 0.63%, 0.55%

LAB 80.84, -26.87, 65.65

 

CMYK 30 / 0 / 68 / 17

HEX #95D443

RGB 149 212 67

HSL 86.07, 0.63%, 0.55%

LAB 78.39, -41.94, 62.37

 

CMYK 48 / 0 / 68 / 17

HEX #6FD443

RGB 111 212 67

HSL 101.79, 0.63%, 0.55%

LAB 76.6, -54.55, 59.95

 

CMYK 66 / 0 / 68 / 17

HEX #48D443

RGB 72 212 67

HSL 117.93, 0.63%, 0.55%

LAB 75.37, -64.23, 58.28

 

CMYK 35 / 0 / 78 / 37

HEX #69A124

RGB 105 161 36

HSL 86.88, 0.63%, 0.39%

LAB 60.45, -37.72, 54.87

 

CMYK 35 / 0 / 77 / 24

HEX #7FC22C

RGB 127 194 44

HSL 86.8, 0.63%, 0.47%

LAB 71.74, -43.55, 63.41

 

CMYK 31 / 0 / 68 / 17

HEX #93D443

RGB 147 212 67

HSL 86.9, 0.63%, 0.55%

LAB 78.28, -42.67, 62.23

 

CMYK 24 / 0 / 54 / 14

HEX #A7DC65

RGB 167 220 101

HSL 86.72, 0.63%, 0.63%

LAB 82.02, -36.08, 52.28

 

CMYK 18 / 0 / 41 / 11

HEX #BAE387

RGB 186 227 135

HSL 86.74, 0.62%, 0.71%

LAB 85.57, -28.61, 40.59

 

CMYK 30 / 0 / 67 / 16

HEX #95D546

RGB 149 213 70

HSL 86.85, 0.63%, 0.55%

LAB 78.71, -42.17, 61.55

 

CMYK 68 / 0 / 25 / 17

HEX #43D49F

RGB 67 212 159

HSL 158.07, 0.63%, 0.55%

LAB 76.55, -50.66, 15.25

 

CMYK 0 / 68 / 2 / 17

HEX #D443CF

RGB 212 67 207

HSL 302.07, 0.63%, 0.55%

LAB 54.57, 71.82, -43.42

 

CMYK 30 / 0 / 67 / 16

HEX #95D546

RGB 149 213 70

HSL 86.85, 0.63%, 0.55%

LAB 78.71, -42.17, 61.55

 

CMYK 68 / 30 / 0 / 17

HEX #4395D4

RGB 67 149 212

HSL 206.07, 0.63%, 0.55%

LAB 59.38, -4.79, -39.52

 

CMYK 0 / 68 / 30 / 17

HEX #D44395

RGB 212 67 149

HSL 326.07, 0.63%, 0.55%

LAB 52.04, 63.67, -13.56

 

CMYK 30 / 0 / 67 / 16

HEX #95D546

RGB 149 213 70

HSL 86.85, 0.63%, 0.55%

LAB 78.71, -42.17, 61.55

 

CMYK 68 / 0 / 25 / 17

HEX #43D49F

RGB 67 212 159

HSL 158.07, 0.63%, 0.55%

LAB 76.55, -50.66, 15.25

 

CMYK 39 / 68 / 0 / 17

HEX #8243D4

RGB 130 67 212

HSL 266.07, 0.63%, 0.55%

LAB 43.53, 55.43, -64.62

 

CMYK 0 / 68 / 43 / 17

HEX #D44378

RGB 212 67 120

HSL 338.07, 0.63%, 0.55%

LAB 51.11, 60.53, 2.42

 

CMYK 30 / 0 / 67 / 16

HEX #95D546

RGB 149 213 70

HSL 86.85, 0.63%, 0.55%

LAB 78.71, -42.17, 61.55

 

CMYK 68 / 0 / 5 / 17

HEX #43D4CA

RGB 67 212 202

HSL 175.86, 0.63%, 0.55%

LAB 77.61, -39.98, -6.23

 

CMYK 39 / 68 / 0 / 17

HEX #8243D4

RGB 130 67 212

HSL 266.07, 0.63%, 0.55%

LAB 43.53, 55.43, -64.62

 

CMYK 0 / 68 / 64 / 17

HEX #D4434D

RGB 212 67 77

HSL 355.86, 0.63%, 0.55%

LAB 50.15, 57.16, 26.96

 

Description

Color code: HEX #95D546 | qconv.com Color code: HEX #95D546 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 213 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 213 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 67 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 67% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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