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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6C836 it is the complementary color #5937C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6C836. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6C836 shade: #ABC831, #BCDA44, #CDEC57, #DEFE6A and #EFFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6C836. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6C836 shade: #A6C836, #95B623, #84A410, #739200 and #628000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6C836 shade: #A6C836, #C8C236, #C89B36, #C87436 and #C84D36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6C836 shade: #A6C836, #7FC836, #57C836, #36C83C and #36C864

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6C836 shade matches the following richer shades: #A6C836, #B1DC22 and #BCF10D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6C836 shade: #A6C836, #9BB34B, #909E60, #858A74 and #7A7589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6C836 shade: #C89A36, #C8C036, #A8C836, #81C836 and #5BC836

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6C836 shade: #708725, #8BA72D, #A6C836, #B4D157 and #C3D977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6C836 shade: #A6C836, #36C873 and #AD36C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6C836 shade: #A6C836, #36A8C8 and #C836A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6C836 shade: #A6C836, #36C873, #5636C8 and #C8368B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6C836 shade: #A6C836, #36C89E, #5636C8 and #C83660

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

Complementary color

CMYK 56 / 73 / 0 / 21

HEX #5937C9

RGB 89 55 201

HSL 253.97, 0.57%, 0.5%

LAB 36.12, 51.57, -70.53

 

CMYK 15 / 0 / 76 / 22

HEX #ABC831

RGB 171 200 49

HSL 71.52, 0.61%, 0.49%

LAB 76.18, -28.99, 66.96

 

CMYK 14 / 0 / 69 / 15

HEX #BCDA44

RGB 188 218 68

HSL 72, 0.67%, 0.56%

LAB 82.51, -29.65, 66.97

 

CMYK 13 / 0 / 63 / 7

HEX #CDEC57

RGB 205 236 87

HSL 72.48, 0.8%, 0.63%

LAB 88.76, -30.17, 66.49

 

CMYK 13 / 0 / 58 / 0

HEX #DEFE6A

RGB 222 254 106

HSL 72.97, 0.99%, 0.71%

LAB 94.93, -30.59, 65.73

 

CMYK 6 / 0 / 51 / 0

HEX #EFFF7D

RGB 239 255 125

HSL 67.38, 1%, 0.75%

LAB 96.55, -22.99, 59.61

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

CMYK 18 / 0 / 81 / 29

HEX #95B623

RGB 149 182 35

HSL 73.47, 0.68%, 0.43%

LAB 69.45, -30.05, 64.42

 

CMYK 20 / 0 / 90 / 36

HEX #84A410

RGB 132 164 16

HSL 72.97, 0.82%, 0.35%

LAB 62.92, -29.13, 62.76

 

CMYK 21 / 0 / 100 / 43

HEX #739200

RGB 115 146 0

HSL 72.74, 1%, 0.29%

LAB 56.29, -27.97, 59.53

 

CMYK 23 / 0 / 100 / 50

HEX #628000

RGB 98 128 0

HSL 74.06, 1%, 0.25%

LAB 49.54, -26.5, 53.9

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

CMYK 0 / 3 / 73 / 22

HEX #C8C236

RGB 200 194 54

HSL 57.53, 0.57%, 0.5%

LAB 76.76, -13.68, 66.63

 

CMYK 0 / 23 / 73 / 22

HEX #C89B36

RGB 200 155 54

HSL 41.51, 0.57%, 0.5%

LAB 66.51, 6.8, 56.69

 

CMYK 0 / 42 / 73 / 22

HEX #C87436

RGB 200 116 54

HSL 25.48, 0.57%, 0.5%

LAB 57.11, 28.04, 47.08

 

CMYK 0 / 62 / 73 / 22

HEX #C84D36

RGB 200 77 54

HSL 9.45, 0.57%, 0.5%

LAB 49.32, 47.7, 38.66

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

CMYK 37 / 0 / 73 / 22

HEX #7FC836

RGB 127 200 54

HSL 90, 0.57%, 0.5%

LAB 73.6, -45.51, 61.9

 

CMYK 57 / 0 / 73 / 22

HEX #57C836

RGB 87 200 54

HSL 106.44, 0.57%, 0.5%

LAB 71.96, -57.72, 59.72

 

CMYK 73 / 0 / 70 / 22

HEX #36C83C

RGB 54 200 60

HSL 122.47, 0.57%, 0.5%

LAB 71.16, -64.15, 56.42

 

CMYK 73 / 0 / 50 / 22

HEX #36C864

RGB 54 200 100

HSL 138.9, 0.57%, 0.5%

LAB 71.56, -59.33, 39.07

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

CMYK 20 / 0 / 85 / 14

HEX #B1DC22

RGB 177 220 34

HSL 73.87, 0.73%, 0.5%

LAB 82.19, -36.4, 76.43

 

CMYK 22 / 0 / 95 / 5

HEX #BCF10D

RGB 188 241 13

HSL 73.95, 0.9%, 0.5%

LAB 88.75, -41.86, 85.14

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

CMYK 13 / 0 / 58 / 30

HEX #9BB34B

RGB 155 179 75

HSL 73.85, 0.41%, 0.5%

LAB 69.27, -23.7, 49.31

 

CMYK 9 / 0 / 39 / 38

HEX #909E60

RGB 144 158 96

HSL 73.55, 0.24%, 0.5%

LAB 62.7, -15.31, 30.74

 

CMYK 4 / 0 / 16 / 46

HEX #858A74

RGB 133 138 116

HSL 73.64, 0.09%, 0.5%

LAB 56.51, -5.95, 11.17

 

CMYK 11 / 15 / 0 / 46

HEX #7A7589

RGB 122 117 137

HSL 255, 0.08%, 0.5%

LAB 50.29, 6.1, -10.21

 

CMYK 0 / 23 / 73 / 22

HEX #C89A36

RGB 200 154 54

HSL 41.1, 0.57%, 0.5%

LAB 66.26, 7.34, 56.44

 

CMYK 0 / 4 / 73 / 22

HEX #C8C036

RGB 200 192 54

HSL 56.71, 0.57%, 0.5%

LAB 76.22, -12.67, 66.12

 

CMYK 16 / 0 / 73 / 22

HEX #A8C836

RGB 168 200 54

HSL 73.15, 0.57%, 0.5%

LAB 76.01, -29.97, 65.07

 

CMYK 36 / 0 / 73 / 22

HEX #81C836

RGB 129 200 54

HSL 89.18, 0.57%, 0.5%

LAB 73.7, -44.81, 62.04

 

CMYK 55 / 0 / 73 / 22

HEX #5BC836

RGB 91 200 54

HSL 104.79, 0.57%, 0.5%

LAB 72.09, -56.67, 59.9

 

CMYK 17 / 0 / 73 / 47

HEX #708725

RGB 112 135 37

HSL 74.08, 0.57%, 0.34%

LAB 52.85, -22.53, 47.28

 

CMYK 17 / 0 / 73 / 35

HEX #8BA72D

RGB 139 167 45

HSL 73.77, 0.58%, 0.42%

LAB 64.42, -26.52, 56.31

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

CMYK 14 / 0 / 58 / 18

HEX #B4D157

RGB 180 209 87

HSL 74.26, 0.57%, 0.58%

LAB 79.61, -27.25, 56.02

 

CMYK 10 / 0 / 45 / 15

HEX #C3D977

RGB 195 217 119

HSL 73.47, 0.56%, 0.66%

LAB 83.21, -22.27, 45.62

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

CMYK 73 / 0 / 43 / 22

HEX #36C873

RGB 54 200 115

HSL 145.07, 0.57%, 0.5%

LAB 71.78, -56.85, 31.8

 

CMYK 14 / 73 / 0 / 22

HEX #AD36C8

RGB 173 54 200

HSL 288.9, 0.57%, 0.5%

LAB 46.57, 66.83, -52.5

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

CMYK 73 / 16 / 0 / 22

HEX #36A8C8

RGB 54 168 200

HSL 193.15, 0.57%, 0.5%

LAB 64.13, -21.02, -25.49

 

CMYK 0 / 73 / 16 / 22

HEX #C836A8

RGB 200 54 168

HSL 313.15, 0.57%, 0.5%

LAB 49.19, 67.61, -29.37

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

CMYK 73 / 0 / 43 / 22

HEX #36C873

RGB 54 200 115

HSL 145.07, 0.57%, 0.5%

LAB 71.78, -56.85, 31.8

 

CMYK 57 / 73 / 0 / 22

HEX #5636C8

RGB 86 54 200

HSL 253.15, 0.57%, 0.5%

LAB 35.57, 51.37, -70.86

 

CMYK 0 / 73 / 31 / 22

HEX #C8368B

RGB 200 54 139

HSL 325.07, 0.57%, 0.5%

LAB 47.98, 63.88, -13.91

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

CMYK 73 / 0 / 21 / 22

HEX #36C89E

RGB 54 200 158

HSL 162.74, 0.57%, 0.5%

LAB 72.6, -47.84, 10.18

 

CMYK 57 / 73 / 0 / 22

HEX #5636C8

RGB 86 54 200

HSL 253.15, 0.57%, 0.5%

LAB 35.57, 51.37, -70.86

 

CMYK 0 / 73 / 52 / 22

HEX #C83660

RGB 200 54 96

HSL 342.74, 0.57%, 0.5%

LAB 46.66, 59.6, 10.39

 

Description

Color code: HEX #A6C836 | qconv.com Color code: HEX #A6C836 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 200 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 200 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 73 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 73% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - 商品案内
Link: http://www.attain-ad.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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