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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #36C83C it is the complementary color #C937C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #36C83C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #36C83C shade: #3BC837, #4CDA4A, #5DEC5D, #6EFE70 and #7FFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #36C83C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #36C83C shade: #36C83C, #25B629, #14A416, #039203 and #008000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #36C83C shade: #36C83C, #58C836, #7FC836, #A6C836 and #C8C236

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #36C83C shade: #36C83C, #36C864, #36C88B, #36C8B2 and #36B6C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #36C83C shade matches the following richer shades: #36C83C, #22DC29 and #0DF116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #36C83C shade: #36C83C, #4BB34F, #609E62, #748A75 and #897588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #36C83C shade: #7FC836, #58C836, #36C83B, #36C862 and #36C889

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #36C83C shade: #258729, #2DA732, #36C83C, #57D15C and #77D97B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #36C83C shade: #36C83C, #36A6C8 and #C8366C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #36C83C shade: #36C83C, #3B36C8 and #C83B36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #36C83C shade: #36C83C, #36A6C8, #C836C3 and #C85836

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #36C83C shade: #36C83C, #367AC8, #C836C3 and #C88436

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 70 / 22

HEX #36C83C

RGB 54 200 60

HSL 122.47, 0.57%, 0.5%

LAB 71.16, -64.15, 56.42

 

Complementary color

CMYK 0 / 73 / 3 / 21

HEX #C937C3

RGB 201 55 195

HSL 302.47, 0.57%, 0.5%

LAB 50.79, 71.52, -42.62

 

CMYK 71 / 0 / 73 / 22

HEX #3BC837

RGB 59 200 55

HSL 118.34, 0.57%, 0.5%

LAB 71.22, -63.72, 58.38

 

CMYK 65 / 0 / 66 / 15

HEX #4CDA4A

RGB 76 218 74

HSL 119.17, 0.66%, 0.57%

LAB 77.38, -64.8, 57.7

 

CMYK 61 / 0 / 61 / 7

HEX #5DEC5D

RGB 93 236 93

HSL 120, 0.79%, 0.65%

LAB 83.5, -65.49, 56.71

 

CMYK 57 / 0 / 56 / 0

HEX #6EFE70

RGB 110 254 112

HSL 120.83, 0.99%, 0.71%

LAB 89.57, -65.91, 55.56

 

CMYK 50 / 0 / 49 / 0

HEX #7FFF83

RGB 127 255 131

HSL 121.88, 1%, 0.75%

LAB 90.63, -59.76, 48.29

 

CMYK 73 / 0 / 70 / 22

HEX #36C83C

RGB 54 200 60

HSL 122.47, 0.57%, 0.5%

LAB 71.16, -64.15, 56.42

 

CMYK 80 / 0 / 77 / 29

HEX #25B629

RGB 37 182 41

HSL 121.66, 0.66%, 0.43%

LAB 64.97, -62.46, 56.83

 

CMYK 88 / 0 / 87 / 36

HEX #14A416

RGB 20 164 22

HSL 120.83, 0.78%, 0.36%

LAB 58.75, -59.98, 56.31

 

CMYK 98 / 0 / 98 / 43

HEX #039203

RGB 3 146 3

HSL 120, 0.96%, 0.29%

LAB 52.49, -56.59, 54.41

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 73 / 0 / 70 / 22

HEX #36C83C

RGB 54 200 60

HSL 122.47, 0.57%, 0.5%

LAB 71.16, -64.15, 56.42

 

CMYK 56 / 0 / 73 / 22

HEX #58C836

RGB 88 200 54

HSL 106.03, 0.57%, 0.5%

LAB 71.99, -57.46, 59.77

 

CMYK 37 / 0 / 73 / 22

HEX #7FC836

RGB 127 200 54

HSL 90, 0.57%, 0.5%

LAB 73.6, -45.51, 61.9

 

CMYK 17 / 0 / 73 / 22

HEX #A6C836

RGB 166 200 54

HSL 73.97, 0.57%, 0.5%

LAB 75.87, -30.77, 64.9

 

CMYK 0 / 3 / 73 / 22

HEX #C8C236

RGB 200 194 54

HSL 57.53, 0.57%, 0.5%

LAB 76.76, -13.68, 66.63

 

CMYK 73 / 0 / 70 / 22

HEX #36C83C

RGB 54 200 60

HSL 122.47, 0.57%, 0.5%

LAB 71.16, -64.15, 56.42

 

CMYK 73 / 0 / 50 / 22

HEX #36C864

RGB 54 200 100

HSL 138.9, 0.57%, 0.5%

LAB 71.56, -59.33, 39.07

 

CMYK 73 / 0 / 31 / 22

HEX #36C88B

RGB 54 200 139

HSL 154.93, 0.57%, 0.5%

LAB 72.2, -52.15, 19.8

 

CMYK 73 / 0 / 11 / 22

HEX #36C8B2

RGB 54 200 178

HSL 170.96, 0.57%, 0.5%

LAB 73.09, -42.79, 0.06

 

CMYK 73 / 9 / 0 / 22

HEX #36B6C8

RGB 54 182 200

HSL 187.4, 0.57%, 0.5%

LAB 68.32, -28.11, -19.08

 

CMYK 73 / 0 / 70 / 22

HEX #36C83C

RGB 54 200 60

HSL 122.47, 0.57%, 0.5%

LAB 71.16, -64.15, 56.42

 

CMYK 85 / 0 / 81 / 14

HEX #22DC29

RGB 34 220 41

HSL 122.26, 0.73%, 0.5%

LAB 77.09, -73.99, 68.3

 

CMYK 95 / 0 / 91 / 5

HEX #0DF116

RGB 13 241 22

HSL 122.37, 0.9%, 0.5%

LAB 83.47, -81.77, 77.64

 

CMYK 73 / 0 / 70 / 22

HEX #36C83C

RGB 54 200 60

HSL 122.47, 0.57%, 0.5%

LAB 71.16, -64.15, 56.42

 

CMYK 58 / 0 / 56 / 30

HEX #4BB34F

RGB 75 179 79

HSL 122.31, 0.41%, 0.5%

LAB 65.2, -50.48, 41.67

 

CMYK 39 / 0 / 38 / 38

HEX #609E62

RGB 96 158 98

HSL 121.94, 0.24%, 0.5%

LAB 59.73, -32.76, 25.22

 

CMYK 16 / 0 / 15 / 46

HEX #748A75

RGB 116 138 117

HSL 122.73, 0.09%, 0.5%

LAB 55.25, -12.21, 8.64

 

CMYK 0 / 15 / 1 / 46

HEX #897588

RGB 137 117 136

HSL 303, 0.08%, 0.5%

LAB 51.63, 11.34, -7.48

 

CMYK 37 / 0 / 73 / 22

HEX #7FC836

RGB 127 200 54

HSL 90, 0.57%, 0.5%

LAB 73.6, -45.51, 61.9

 

CMYK 56 / 0 / 73 / 22

HEX #58C836

RGB 88 200 54

HSL 106.03, 0.57%, 0.5%

LAB 71.99, -57.46, 59.77

 

CMYK 73 / 0 / 71 / 22

HEX #36C83B

RGB 54 200 59

HSL 122.05, 0.57%, 0.5%

LAB 71.15, -64.23, 56.8

 

CMYK 73 / 0 / 51 / 22

HEX #36C862

RGB 54 200 98

HSL 138.08, 0.57%, 0.5%

LAB 71.54, -59.63, 40.02

 

CMYK 73 / 0 / 32 / 22

HEX #36C889

RGB 54 200 137

HSL 154.11, 0.57%, 0.5%

LAB 72.16, -52.58, 20.81

 

CMYK 73 / 0 / 70 / 47

HEX #258729

RGB 37 135 41

HSL 122.45, 0.57%, 0.34%

LAB 49.35, -47.01, 40.91

 

CMYK 73 / 0 / 70 / 35

HEX #2DA732

RGB 45 167 50

HSL 122.46, 0.58%, 0.42%

LAB 60.27, -55.72, 48.84

 

CMYK 73 / 0 / 70 / 22

HEX #36C83C

RGB 54 200 60

HSL 122.47, 0.57%, 0.5%

LAB 71.16, -64.15, 56.42

 

CMYK 58 / 0 / 56 / 18

HEX #57D15C

RGB 87 209 92

HSL 122.46, 0.57%, 0.58%

LAB 75.08, -57.27, 47.35

 

CMYK 45 / 0 / 43 / 15

HEX #77D97B

RGB 119 217 123

HSL 122.45, 0.56%, 0.66%

LAB 79.03, -47.86, 37.49

 

CMYK 73 / 0 / 70 / 22

HEX #36C83C

RGB 54 200 60

HSL 122.47, 0.57%, 0.5%

LAB 71.16, -64.15, 56.42

 

CMYK 73 / 17 / 0 / 22

HEX #36A6C8

RGB 54 166 200

HSL 193.97, 0.57%, 0.5%

LAB 63.53, -19.97, -26.41

 

CMYK 0 / 73 / 46 / 22

HEX #C8366C

RGB 200 54 108

HSL 337.81, 0.57%, 0.5%

LAB 46.98, 60.64, 3.46

 

CMYK 73 / 0 / 70 / 22

HEX #36C83C

RGB 54 200 60

HSL 122.47, 0.57%, 0.5%

LAB 71.16, -64.15, 56.42

 

CMYK 71 / 73 / 0 / 22

HEX #3B36C8

RGB 59 54 200

HSL 242.05, 0.57%, 0.5%

LAB 33.43, 48.12, -74.46

 

CMYK 0 / 71 / 73 / 22

HEX #C83B36

RGB 200 59 54

HSL 2.05, 0.57%, 0.5%

LAB 46.54, 55.2, 35.54

 

CMYK 73 / 0 / 70 / 22

HEX #36C83C

RGB 54 200 60

HSL 122.47, 0.57%, 0.5%

LAB 71.16, -64.15, 56.42

 

CMYK 73 / 17 / 0 / 22

HEX #36A6C8

RGB 54 166 200

HSL 193.97, 0.57%, 0.5%

LAB 63.53, -19.97, -26.41

 

CMYK 0 / 73 / 3 / 22

HEX #C836C3

RGB 200 54 195

HSL 302.05, 0.57%, 0.5%

LAB 50.52, 71.62, -43.06

 

CMYK 0 / 56 / 73 / 22

HEX #C85836

RGB 200 88 54

HSL 13.97, 0.57%, 0.5%

LAB 51.3, 42.52, 40.84

 

CMYK 73 / 0 / 70 / 22

HEX #36C83C

RGB 54 200 60

HSL 122.47, 0.57%, 0.5%

LAB 71.16, -64.15, 56.42

 

CMYK 73 / 39 / 0 / 22

HEX #367AC8

RGB 54 122 200

HSL 212.05, 0.57%, 0.5%

LAB 50.54, 5.07, -46.74

 

CMYK 0 / 73 / 3 / 22

HEX #C836C3

RGB 200 54 195

HSL 302.05, 0.57%, 0.5%

LAB 50.52, 71.62, -43.06

 

CMYK 0 / 34 / 73 / 22

HEX #C88436

RGB 200 132 54

HSL 32.05, 0.57%, 0.5%

LAB 60.82, 19.35, 50.94

 

Description

Color code: HEX #36C83C | qconv.com Color code: HEX #36C83C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 200 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 200 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 70 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 70% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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