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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6C46C it is the complementary color #593B93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6C46C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6C46C shade: #ABC467, #BCD67A, #CDE88D, #DEFAA0 and #EFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6C46C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6C46C shade: #A6C46C, #95B259, #84A046, #738E33 and #627C20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6C46C shade: #A6C46D, #BEC46D, #C4B36D, #C49B6D and #C4846D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6C46C shade: #A6C46D, #8FC46D, #77C46D, #6DC47A and #6DC491

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6C46C shade matches the following richer shades: #A6C46D, #ACD55C, #B1E54C and #B6F63B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6C46C shade: #A6C46D, #A1B47D, #9CA38E, #97939E and #9182AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6C46C shade: #C4B36D, #BFC46D, #A7C46D, #90C46D and #78C46D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6C46C shade: #7F9F3F, #95B94F, #A6C46D, #B8D08A and #CADCA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6C46C shade: #A6C46C, #6DC49B and #BF6DC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6C46C shade: #A6C46C, #6DA7C4 and #C46DA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6C46C shade: #A6C46C, #6DC49B, #8A6DC4 and #C46D96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6C46C shade: #A6C46C, #6DC4B6, #8A6DC4 and #C46D7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 45 / 23

HEX #A6C46C

RGB 166 196 108

HSL 80.45, 0.43%, 0.6%

LAB 75.25, -24.4, 40.73

 

Complementary color

CMYK 39 / 60 / 0 / 42

HEX #593B93

RGB 89 59 147

HSL 260.45, 0.43%, 0.4%

LAB 32.61, 33.77, -44.05

 

CMYK 13 / 0 / 47 / 23

HEX #ABC467

RGB 171 196 103

HSL 76.13, 0.44%, 0.59%

LAB 75.52, -23.01, 43.62

 

CMYK 12 / 0 / 43 / 16

HEX #BCD67A

RGB 188 214 122

HSL 76.96, 0.53%, 0.66%

LAB 81.94, -23.16, 42.47

 

CMYK 12 / 0 / 39 / 9

HEX #CDE88D

RGB 205 232 141

HSL 77.8, 0.66%, 0.73%

LAB 88.26, -23.28, 41.32

 

CMYK 11 / 0 / 36 / 2

HEX #DEFAA0

RGB 222 250 160

HSL 78.67, 0.9%, 0.8%

LAB 94.5, -23.35, 40.21

 

CMYK 6 / 0 / 30 / 0

HEX #EFFFB3

RGB 239 255 179

HSL 72.63, 1%, 0.85%

LAB 97.28, -17.18, 34.66

 

CMYK 15 / 0 / 45 / 23

HEX #A6C46C

RGB 166 196 108

HSL 80.45, 0.43%, 0.6%

LAB 75.25, -24.4, 40.73

 

CMYK 16 / 0 / 50 / 30

HEX #95B259

RGB 149 178 89

HSL 79.55, 0.37%, 0.52%

LAB 68.72, -24.28, 41.9

 

CMYK 18 / 0 / 56 / 37

HEX #84A046

RGB 132 160 70

HSL 78.67, 0.39%, 0.45%

LAB 62.07, -24.08, 43.02

 

CMYK 19 / 0 / 64 / 44

HEX #738E33

RGB 115 142 51

HSL 77.8, 0.47%, 0.38%

LAB 55.31, -23.78, 43.98

 

CMYK 21 / 0 / 74 / 51

HEX #627C20

RGB 98 124 32

HSL 76.96, 0.59%, 0.31%

LAB 48.41, -23.31, 44.5

 

CMYK 15 / 0 / 44 / 23

HEX #A6C46D

RGB 166 196 109

HSL 80.69, 0.42%, 0.6%

LAB 75.26, -24.28, 40.25

 

CMYK 3 / 0 / 44 / 23

HEX #BEC46D

RGB 190 196 109

HSL 64.14, 0.42%, 0.6%

LAB 77, -14.85, 42.79

 

CMYK 0 / 9 / 44 / 23

HEX #C4B36D

RGB 196 179 109

HSL 48.28, 0.42%, 0.6%

LAB 72.94, -3.62, 37.85

 

CMYK 0 / 21 / 44 / 23

HEX #C49B6D

RGB 196 155 109

HSL 31.72, 0.42%, 0.6%

LAB 66.74, 9.27, 29.9

 

CMYK 0 / 33 / 44 / 23

HEX #C4846D

RGB 196 132 109

HSL 15.86, 0.42%, 0.6%

LAB 61.08, 21.9, 22.43

 

CMYK 15 / 0 / 44 / 23

HEX #A6C46D

RGB 166 196 109

HSL 80.69, 0.42%, 0.6%

LAB 75.26, -24.28, 40.25

 

CMYK 27 / 0 / 44 / 23

HEX #8FC46D

RGB 143 196 109

HSL 96.55, 0.42%, 0.6%

LAB 73.82, -32.82, 38.14

 

CMYK 39 / 0 / 44 / 23

HEX #77C46D

RGB 119 196 109

HSL 113.1, 0.42%, 0.6%

LAB 72.57, -40.91, 36.29

 

CMYK 44 / 0 / 38 / 23

HEX #6DC47A

RGB 109 196 122

HSL 128.97, 0.42%, 0.6%

LAB 72.32, -41.93, 29.2

 

CMYK 44 / 0 / 26 / 23

HEX #6DC491

RGB 109 196 145

HSL 144.83, 0.42%, 0.6%

LAB 72.74, -37.76, 17.6

 

CMYK 15 / 0 / 44 / 23

HEX #A6C46D

RGB 166 196 109

HSL 80.69, 0.42%, 0.6%

LAB 75.26, -24.28, 40.25

 

CMYK 19 / 0 / 57 / 16

HEX #ACD55C

RGB 172 213 92

HSL 80.33, 0.59%, 0.6%

LAB 80.25, -31.83, 54.39

 

CMYK 23 / 0 / 67 / 10

HEX #B1E54C

RGB 177 229 76

HSL 80.39, 0.75%, 0.6%

LAB 84.95, -38.47, 66.23

 

CMYK 26 / 0 / 76 / 4

HEX #B6F63B

RGB 182 246 59

HSL 80.53, 0.91%, 0.6%

LAB 89.94, -45, 77.02

 

CMYK 15 / 0 / 44 / 23

HEX #A6C46D

RGB 166 196 109

HSL 80.69, 0.42%, 0.6%

LAB 75.26, -24.28, 40.25

 

CMYK 11 / 0 / 31 / 29

HEX #A1B47D

RGB 161 180 125

HSL 80.73, 0.27%, 0.6%

LAB 70.66, -16.12, 25.95

 

CMYK 4 / 0 / 13 / 36

HEX #9CA38E

RGB 156 163 142

HSL 80, 0.1%, 0.6%

LAB 65.92, -6.38, 10.06

 

CMYK 4 / 7 / 0 / 38

HEX #97939E

RGB 151 147 158

HSL 261.82, 0.05%, 0.6%

LAB 61.58, 3.62, -5.27

 

CMYK 17 / 26 / 0 / 31

HEX #9182AF

RGB 145 130 175

HSL 260, 0.22%, 0.6%

LAB 57.15, 14.97, -21.69

 

CMYK 0 / 9 / 44 / 23

HEX #C4B36D

RGB 196 179 109

HSL 48.28, 0.42%, 0.6%

LAB 72.94, -3.62, 37.85

 

CMYK 3 / 0 / 44 / 23

HEX #BFC46D

RGB 191 196 109

HSL 63.45, 0.42%, 0.6%

LAB 77.08, -14.45, 42.9

 

CMYK 15 / 0 / 44 / 23

HEX #A7C46D

RGB 167 196 109

HSL 80, 0.42%, 0.6%

LAB 75.33, -23.9, 40.35

 

CMYK 27 / 0 / 44 / 23

HEX #90C46D

RGB 144 196 109

HSL 95.86, 0.42%, 0.6%

LAB 73.88, -32.46, 38.22

 

CMYK 39 / 0 / 44 / 23

HEX #78C46D

RGB 120 196 109

HSL 112.41, 0.42%, 0.6%

LAB 72.61, -40.59, 36.36

 

CMYK 20 / 0 / 60 / 38

HEX #7F9F3F

RGB 127 159 63

HSL 80, 0.43%, 0.44%

LAB 61.37, -26.26, 45.42

 

CMYK 19 / 0 / 57 / 27

HEX #95B94F

RGB 149 185 79

HSL 80.38, 0.43%, 0.52%

LAB 70.63, -28.66, 48.91

 

CMYK 15 / 0 / 44 / 23

HEX #A6C46D

RGB 166 196 109

HSL 80.69, 0.42%, 0.6%

LAB 75.26, -24.28, 40.25

 

CMYK 12 / 0 / 34 / 18

HEX #B8D08A

RGB 184 208 138

HSL 80.57, 0.43%, 0.68%

LAB 80.26, -19.76, 32.16

 

CMYK 8 / 0 / 24 / 14

HEX #CADCA8

RGB 202 220 168

HSL 80.77, 0.43%, 0.76%

LAB 85.29, -14.89, 23.6

 

CMYK 15 / 0 / 45 / 23

HEX #A6C46C

RGB 166 196 108

HSL 80.45, 0.43%, 0.6%

LAB 75.25, -24.4, 40.73

 

CMYK 44 / 0 / 21 / 23

HEX #6DC49B

RGB 109 196 155

HSL 151.72, 0.42%, 0.6%

LAB 72.96, -35.73, 12.52

 

CMYK 3 / 44 / 0 / 23

HEX #BF6DC4

RGB 191 109 196

HSL 296.55, 0.42%, 0.6%

LAB 58.04, 45.69, -31.92

 

CMYK 15 / 0 / 45 / 23

HEX #A6C46C

RGB 166 196 108

HSL 80.45, 0.43%, 0.6%

LAB 75.25, -24.4, 40.73

 

CMYK 44 / 15 / 0 / 23

HEX #6DA7C4

RGB 109 167 196

HSL 200, 0.42%, 0.6%

LAB 65.65, -11.17, -20.76

 

CMYK 0 / 44 / 15 / 23

HEX #C46DA7

RGB 196 109 167

HSL 320, 0.42%, 0.6%

LAB 57.52, 42.18, -16.02

 

CMYK 15 / 0 / 45 / 23

HEX #A6C46C

RGB 166 196 108

HSL 80.45, 0.43%, 0.6%

LAB 75.25, -24.4, 40.73

 

CMYK 44 / 0 / 21 / 23

HEX #6DC49B

RGB 109 196 155

HSL 151.72, 0.42%, 0.6%

LAB 72.96, -35.73, 12.52

 

CMYK 30 / 44 / 0 / 23

HEX #8A6DC4

RGB 138 109 196

HSL 260, 0.42%, 0.6%

LAB 52.2, 30.23, -41.48

 

CMYK 0 / 44 / 23 / 23

HEX #C46D96

RGB 196 109 150

HSL 331.72, 0.42%, 0.6%

LAB 56.95, 39.57, -7.02

 

CMYK 15 / 0 / 45 / 23

HEX #A6C46C

RGB 166 196 108

HSL 80.45, 0.43%, 0.6%

LAB 75.25, -24.4, 40.73

 

CMYK 44 / 0 / 7 / 23

HEX #6DC4B6

RGB 109 196 182

HSL 170.34, 0.42%, 0.6%

LAB 73.62, -29.64, -1.15

 

CMYK 30 / 44 / 0 / 23

HEX #8A6DC4

RGB 138 109 196

HSL 260, 0.42%, 0.6%

LAB 52.2, 30.23, -41.48

 

CMYK 0 / 44 / 37 / 23

HEX #C46D7B

RGB 196 109 123

HSL 350.34, 0.42%, 0.6%

LAB 56.19, 35.97, 7.62

 

Description

Color code: HEX #A6C46C | qconv.com Color code: HEX #A6C46C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 196 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 196 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 45 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 45% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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