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Color name
HEX #ACD55C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACD55C it is the complementary color #532AA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACD55C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACD55C shade: #B1D557, #C2E76A, #D3F97D, #E4FF90 and #F5FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACD55C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACD55C shade: #ACD55C, #9BC349, #8AB136, #799F23 and #688D10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACD55C shade: #ACD55C, #CCD55C, #D5BD5C, #D59C5C and #D57C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACD55C shade: #ACD55C, #8BD55C, #6BD55C, #5CD56E and #5CD58F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACD55C shade matches the following richer shades: #ACD55C, #B1E54C and #B7F63B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACD55C shade: #ACD55C, #A7C46D, #A1B47D, #9CA38E and #97939E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACD55C shade: #D5BD5C, #CDD55C, #ADD55C, #8CD55C and #6CD55C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACD55C shade: #84B12D, #9BCC3C, #ACD55C, #BDDD7D and #CDE69E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACD55C shade: #ACD55C, #5CD59D and #CD5CD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACD55C shade: #ACD55C, #5CADD5 and #D55CAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACD55C shade: #ACD55C, #5CD59D, #845CD5 and #D55C94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACD55C shade: #ACD55C, #5CD5C1, #845CD5 and #D55C70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 57 / 16

HEX #ACD55C

RGB 172 213 92

HSL 80.33, 0.59%, 0.6%

LAB 80.25, -31.83, 54.39

 

Complementary color

CMYK 49 / 74 / 0 / 36

HEX #532AA3

RGB 83 42 163

HSL 260.33, 0.59%, 0.4%

LAB 29.76, 46.46, -58.44

 

CMYK 17 / 0 / 59 / 16

HEX #B1D557

RGB 177 213 87

HSL 77.14, 0.6%, 0.59%

LAB 80.53, -30.32, 56.99

 

CMYK 16 / 0 / 54 / 9

HEX #C2E76A

RGB 194 231 106

HSL 77.76, 0.72%, 0.66%

LAB 86.83, -30.59, 56.04

 

CMYK 15 / 0 / 50 / 2

HEX #D3F97D

RGB 211 249 125

HSL 78.39, 0.91%, 0.73%

LAB 93.05, -30.79, 54.99

 

CMYK 11 / 0 / 44 / 0

HEX #E4FF90

RGB 228 255 144

HSL 74.59, 1%, 0.78%

LAB 96.01, -25.34, 49.97

 

CMYK 4 / 0 / 36 / 0

HEX #F5FFA3

RGB 245 255 163

HSL 66.52, 1%, 0.82%

LAB 97.46, -16.92, 42.89

 

CMYK 19 / 0 / 57 / 16

HEX #ACD55C

RGB 172 213 92

HSL 80.33, 0.59%, 0.6%

LAB 80.25, -31.83, 54.39

 

CMYK 21 / 0 / 63 / 24

HEX #9BC349

RGB 155 195 73

HSL 79.67, 0.5%, 0.53%

LAB 73.86, -31.56, 55.27

 

CMYK 22 / 0 / 69 / 31

HEX #8AB136

RGB 138 177 54

HSL 79.02, 0.53%, 0.45%

LAB 67.36, -31.17, 55.85

 

CMYK 24 / 0 / 78 / 38

HEX #799F23

RGB 121 159 35

HSL 78.39, 0.64%, 0.38%

LAB 60.77, -30.61, 55.83

 

CMYK 26 / 0 / 89 / 45

HEX #688D10

RGB 104 141 16

HSL 77.76, 0.8%, 0.31%

LAB 54.06, -29.83, 54.67

 

CMYK 19 / 0 / 57 / 16

HEX #ACD55C

RGB 172 213 92

HSL 80.33, 0.59%, 0.6%

LAB 80.25, -31.83, 54.39

 

CMYK 4 / 0 / 57 / 16

HEX #CCD55C

RGB 204 213 92

HSL 64.46, 0.59%, 0.6%

LAB 82.49, -19.2, 57.51

 

CMYK 0 / 11 / 57 / 16

HEX #D5BD5C

RGB 213 189 92

HSL 48.1, 0.59%, 0.6%

LAB 76.87, -3.32, 51.33

 

CMYK 0 / 27 / 57 / 16

HEX #D59C5C

RGB 213 156 92

HSL 31.74, 0.59%, 0.6%

LAB 68.53, 14.24, 41.49

 

CMYK 0 / 42 / 57 / 16

HEX #D57C5C

RGB 213 124 92

HSL 15.87, 0.59%, 0.6%

LAB 61.08, 31.47, 32.28

 

CMYK 19 / 0 / 57 / 16

HEX #ACD55C

RGB 172 213 92

HSL 80.33, 0.59%, 0.6%

LAB 80.25, -31.83, 54.39

 

CMYK 35 / 0 / 57 / 16

HEX #8BD55C

RGB 139 213 92

HSL 96.69, 0.59%, 0.6%

LAB 78.37, -43.78, 51.74

 

CMYK 50 / 0 / 57 / 16

HEX #6BD55C

RGB 107 213 92

HSL 112.56, 0.59%, 0.6%

LAB 76.97, -53.68, 49.75

 

CMYK 57 / 0 / 48 / 16

HEX #5CD56E

RGB 92 213 110

HSL 128.93, 0.59%, 0.6%

LAB 76.67, -55.19, 40.74

 

CMYK 57 / 0 / 33 / 16

HEX #5CD58F

RGB 92 213 143

HSL 145.29, 0.59%, 0.6%

LAB 77.19, -49.67, 24.66

 

CMYK 19 / 0 / 57 / 16

HEX #ACD55C

RGB 172 213 92

HSL 80.33, 0.59%, 0.6%

LAB 80.25, -31.83, 54.39

 

CMYK 23 / 0 / 67 / 10

HEX #B1E54C

RGB 177 229 76

HSL 80.39, 0.75%, 0.6%

LAB 84.95, -38.47, 66.23

 

CMYK 26 / 0 / 76 / 4

HEX #B7F63B

RGB 183 246 59

HSL 80.21, 0.91%, 0.6%

LAB 90, -44.63, 77.09

 

CMYK 19 / 0 / 57 / 16

HEX #ACD55C

RGB 172 213 92

HSL 80.33, 0.59%, 0.6%

LAB 80.25, -31.83, 54.39

 

CMYK 15 / 0 / 44 / 23

HEX #A7C46D

RGB 167 196 109

HSL 80, 0.42%, 0.6%

LAB 75.33, -23.9, 40.35

 

CMYK 11 / 0 / 31 / 29

HEX #A1B47D

RGB 161 180 125

HSL 80.73, 0.27%, 0.6%

LAB 70.66, -16.12, 25.95

 

CMYK 4 / 0 / 13 / 36

HEX #9CA38E

RGB 156 163 142

HSL 80, 0.1%, 0.6%

LAB 65.92, -6.38, 10.06

 

CMYK 4 / 7 / 0 / 38

HEX #97939E

RGB 151 147 158

HSL 261.82, 0.05%, 0.6%

LAB 61.58, 3.62, -5.27

 

CMYK 0 / 11 / 57 / 16

HEX #D5BD5C

RGB 213 189 92

HSL 48.1, 0.59%, 0.6%

LAB 76.87, -3.32, 51.33

 

CMYK 4 / 0 / 57 / 16

HEX #CDD55C

RGB 205 213 92

HSL 63.97, 0.59%, 0.6%

LAB 82.56, -18.79, 57.62

 

CMYK 19 / 0 / 57 / 16

HEX #ADD55C

RGB 173 213 92

HSL 79.83, 0.59%, 0.6%

LAB 80.32, -31.44, 54.48

 

CMYK 34 / 0 / 57 / 16

HEX #8CD55C

RGB 140 213 92

HSL 96.2, 0.59%, 0.6%

LAB 78.42, -43.44, 51.81

 

CMYK 49 / 0 / 57 / 16

HEX #6CD55C

RGB 108 213 92

HSL 112.07, 0.59%, 0.6%

LAB 77.01, -53.4, 49.8

 

CMYK 25 / 0 / 75 / 31

HEX #84B12D

RGB 132 177 45

HSL 80.45, 0.59%, 0.44%

LAB 66.93, -34.09, 58.59

 

CMYK 24 / 0 / 71 / 20

HEX #9BCC3C

RGB 155 204 60

HSL 80.42, 0.59%, 0.52%

LAB 76.36, -36.6, 63.03

 

CMYK 19 / 0 / 57 / 16

HEX #ACD55C

RGB 172 213 92

HSL 80.33, 0.59%, 0.6%

LAB 80.25, -31.83, 54.39

 

CMYK 14 / 0 / 43 / 13

HEX #BDDD7D

RGB 189 221 125

HSL 80, 0.59%, 0.68%

LAB 83.97, -25.83, 43.55

 

CMYK 11 / 0 / 31 / 10

HEX #CDE69E

RGB 205 230 158

HSL 80.83, 0.59%, 0.76%

LAB 87.99, -20.16, 32.43

 

CMYK 19 / 0 / 57 / 16

HEX #ACD55C

RGB 172 213 92

HSL 80.33, 0.59%, 0.6%

LAB 80.25, -31.83, 54.39

 

CMYK 57 / 0 / 26 / 16

HEX #5CD59D

RGB 92 213 157

HSL 152.23, 0.59%, 0.6%

LAB 77.46, -46.88, 17.68

 

CMYK 4 / 57 / 0 / 16

HEX #CD5CD5

RGB 205 92 213

HSL 296.03, 0.59%, 0.6%

LAB 57.5, 61.03, -42.28

 

CMYK 19 / 0 / 57 / 16

HEX #ACD55C

RGB 172 213 92

HSL 80.33, 0.59%, 0.6%

LAB 80.25, -31.83, 54.39

 

CMYK 57 / 19 / 0 / 16

HEX #5CADD5

RGB 92 173 213

HSL 199.83, 0.59%, 0.6%

LAB 67.25, -13.32, -27.78

 

CMYK 0 / 57 / 19 / 16

HEX #D55CAD

RGB 213 92 173

HSL 319.83, 0.59%, 0.6%

LAB 56.9, 56.73, -20.23

 

CMYK 19 / 0 / 57 / 16

HEX #ACD55C

RGB 172 213 92

HSL 80.33, 0.59%, 0.6%

LAB 80.25, -31.83, 54.39

 

CMYK 57 / 0 / 26 / 16

HEX #5CD59D

RGB 92 213 157

HSL 152.23, 0.59%, 0.6%

LAB 77.46, -46.88, 17.68

 

CMYK 38 / 57 / 0 / 16

HEX #845CD5

RGB 132 92 213

HSL 259.83, 0.59%, 0.6%

LAB 48.72, 42.91, -56.79

 

CMYK 0 / 57 / 31 / 16

HEX #D55C94

RGB 213 92 148

HSL 332.23, 0.59%, 0.6%

LAB 56.03, 53.35, -6.97

 

CMYK 19 / 0 / 57 / 16

HEX #ACD55C

RGB 172 213 92

HSL 80.33, 0.59%, 0.6%

LAB 80.25, -31.83, 54.39

 

CMYK 57 / 0 / 9 / 16

HEX #5CD5C1

RGB 92 213 193

HSL 170.08, 0.59%, 0.6%

LAB 78.29, -38.64, -0.31

 

CMYK 38 / 57 / 0 / 16

HEX #845CD5

RGB 132 92 213

HSL 259.83, 0.59%, 0.6%

LAB 48.72, 42.91, -56.79

 

CMYK 0 / 57 / 47 / 16

HEX #D55C70

RGB 213 92 112

HSL 350.08, 0.59%, 0.6%

LAB 55.04, 49.39, 12.8

 

Description

Color code: HEX #ACD55C | qconv.com Color code: HEX #ACD55C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 213 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 213 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 57% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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