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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6C44C it is the complementary color #593BB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6C44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6C44C shade: #ABC447, #BCD65A, #CDE86D, #DEFA80 and #EFFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6C44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6C44C shade: #A6C44C, #95B239, #84A026, #738E13 and #627C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6C44C shade: #A5C34B, #C3C04B, #C3A04B, #C3804B and #C35F4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6C44C shade: #A5C34B, #84C34B, #64C34B, #4BC352 and #4BC372

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6C44C shade matches the following richer shades: #A5C34B, #AED637, #B8E924 and #C2FD11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6C44C shade: #A5C34B, #9BAF5E, #919C72, #888885 and #7E7598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6C44C shade: #C3A14B, #C3C14B, #A5C34B, #85C34B and #65C34B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6C44C shade: #758C2E, #8FAB39, #A5C34B, #B4CD6A and #C4D789

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6C44C shade: #A6C44C, #4BC381 and #B14BC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6C44C shade: #A6C44C, #4BA5C3 and #C34BA5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6C44C shade: #A6C44C, #4BC381, #694BC3 and #C34B8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6C44C shade: #A6C44C, #4BC3A5, #694BC3 and #C34B69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 61 / 23

HEX #A6C44C

RGB 166 196 76

HSL 75, 0.5%, 0.53%

LAB 74.89, -27.46, 55.32

 

Complementary color

CMYK 50 / 67 / 0 / 30

HEX #593BB3

RGB 89 59 179

HSL 255, 0.5%, 0.47%

LAB 35.02, 43.03, -59.41

 

CMYK 13 / 0 / 64 / 23

HEX #ABC447

RGB 171 196 71

HSL 72, 0.51%, 0.52%

LAB 75.2, -25.81, 57.87

 

CMYK 12 / 0 / 58 / 16

HEX #BCD65A

RGB 188 214 90

HSL 72.58, 0.6%, 0.6%

LAB 81.58, -26.24, 57.06

 

CMYK 12 / 0 / 53 / 9

HEX #CDE86D

RGB 205 232 109

HSL 73.17, 0.73%, 0.67%

LAB 87.87, -26.58, 56.08

 

CMYK 11 / 0 / 49 / 2

HEX #DEFA80

RGB 222 250 128

HSL 73.77, 0.92%, 0.74%

LAB 94.08, -26.84, 55.02

 

CMYK 6 / 0 / 42 / 0

HEX #EFFF93

RGB 239 255 147

HSL 68.89, 1%, 0.79%

LAB 96.81, -20.91, 49.71

 

CMYK 15 / 0 / 61 / 23

HEX #A6C44C

RGB 166 196 76

HSL 75, 0.5%, 0.53%

LAB 74.89, -27.46, 55.32

 

CMYK 16 / 0 / 68 / 30

HEX #95B239

RGB 149 178 57

HSL 74.38, 0.51%, 0.46%

LAB 68.41, -27.01, 55.97

 

CMYK 18 / 0 / 76 / 37

HEX #84A026

RGB 132 160 38

HSL 73.77, 0.62%, 0.39%

LAB 61.82, -26.4, 56.09

 

CMYK 19 / 0 / 87 / 44

HEX #738E13

RGB 115 142 19

HSL 73.17, 0.76%, 0.32%

LAB 55.11, -25.57, 55.17

 

CMYK 21 / 0 / 100 / 51

HEX #627C00

RGB 98 124 0

HSL 72.58, 1%, 0.24%

LAB 48.28, -24.52, 52.95

 

CMYK 15 / 0 / 62 / 24

HEX #A5C34B

RGB 165 195 75

HSL 75, 0.5%, 0.53%

LAB 74.53, -27.45, 55.34

 

CMYK 0 / 2 / 62 / 24

HEX #C3C04B

RGB 195 192 75

HSL 58.5, 0.5%, 0.53%

LAB 75.95, -13.63, 57.53

 

CMYK 0 / 18 / 62 / 24

HEX #C3A04B

RGB 195 160 75

HSL 42.5, 0.5%, 0.53%

LAB 67.47, 3.16, 48.2

 

CMYK 0 / 34 / 62 / 24

HEX #C3804B

RGB 195 128 75

HSL 26.5, 0.5%, 0.53%

LAB 59.48, 20.66, 38.97

 

CMYK 0 / 51 / 62 / 24

HEX #C35F4B

RGB 195 95 75

HSL 10, 0.5%, 0.53%

LAB 52.17, 38.34, 30.07

 

CMYK 15 / 0 / 62 / 24

HEX #A5C34B

RGB 165 195 75

HSL 75, 0.5%, 0.53%

LAB 74.53, -27.45, 55.34

 

CMYK 32 / 0 / 62 / 24

HEX #84C34B

RGB 132 195 75

HSL 91.5, 0.5%, 0.53%

LAB 72.52, -40, 52.56

 

CMYK 49 / 0 / 62 / 24

HEX #64C34B

RGB 100 195 75

HSL 107.5, 0.5%, 0.53%

LAB 71.04, -50.43, 50.49

 

CMYK 62 / 0 / 58 / 24

HEX #4BC352

RGB 75 195 82

HSL 123.5, 0.5%, 0.53%

LAB 70.27, -56.09, 46.23

 

CMYK 62 / 0 / 42 / 24

HEX #4BC372

RGB 75 195 114

HSL 139.5, 0.5%, 0.53%

LAB 70.69, -51.39, 30.99

 

CMYK 15 / 0 / 62 / 24

HEX #A5C34B

RGB 165 195 75

HSL 75, 0.5%, 0.53%

LAB 74.53, -27.45, 55.34

 

CMYK 19 / 0 / 74 / 16

HEX #AED637

RGB 174 214 55

HSL 75.09, 0.66%, 0.53%

LAB 80.39, -34.04, 69.07

 

CMYK 21 / 0 / 85 / 9

HEX #B8E924

RGB 184 233 36

HSL 74.92, 0.82%, 0.53%

LAB 86.3, -39.43, 79.66

 

CMYK 23 / 0 / 93 / 1

HEX #C2FD11

RGB 194 253 17

HSL 75, 0.98%, 0.53%

LAB 92.47, -44.72, 87.83

 

CMYK 15 / 0 / 62 / 24

HEX #A5C34B

RGB 165 195 75

HSL 75, 0.5%, 0.53%

LAB 74.53, -27.45, 55.34

 

CMYK 11 / 0 / 46 / 31

HEX #9BAF5E

RGB 155 175 94

HSL 74.81, 0.34%, 0.53%

LAB 68.34, -19.86, 39.04

 

CMYK 7 / 0 / 27 / 39

HEX #919C72

RGB 145 156 114

HSL 75.71, 0.18%, 0.53%

LAB 62.52, -11.37, 20.74

 

CMYK 0 / 0 / 2 / 47

HEX #888885

RGB 136 136 133

HSL 60, 0.01%, 0.53%

LAB 56.62, -0.58, 1.6

 

CMYK 17 / 23 / 0 / 40

HEX #7E7598

RGB 126 117 152

HSL 255.43, 0.15%, 0.53%

LAB 51.18, 10.93, -17.65

 

CMYK 0 / 17 / 62 / 24

HEX #C3A14B

RGB 195 161 75

HSL 43, 0.5%, 0.53%

LAB 67.72, 2.62, 48.49

 

CMYK 0 / 1 / 62 / 24

HEX #C3C14B

RGB 195 193 75

HSL 59, 0.5%, 0.53%

LAB 76.22, -14.13, 57.82

 

CMYK 15 / 0 / 62 / 24

HEX #A5C34B

RGB 165 195 75

HSL 75, 0.5%, 0.53%

LAB 74.53, -27.45, 55.34

 

CMYK 32 / 0 / 62 / 24

HEX #85C34B

RGB 133 195 75

HSL 91, 0.5%, 0.53%

LAB 72.58, -39.65, 52.63

 

CMYK 48 / 0 / 62 / 24

HEX #65C34B

RGB 101 195 75

HSL 107, 0.5%, 0.53%

LAB 71.08, -50.14, 50.55

 

CMYK 16 / 0 / 67 / 45

HEX #758C2E

RGB 117 140 46

HSL 74.68, 0.51%, 0.36%

LAB 54.8, -22.31, 45.68

 

CMYK 16 / 0 / 67 / 33

HEX #8FAB39

RGB 143 171 57

HSL 74.74, 0.5%, 0.45%

LAB 65.95, -26.07, 53.3

 

CMYK 15 / 0 / 62 / 24

HEX #A5C34B

RGB 165 195 75

HSL 75, 0.5%, 0.53%

LAB 74.53, -27.45, 55.34

 

CMYK 12 / 0 / 48 / 20

HEX #B4CD6A

RGB 180 205 106

HSL 75.15, 0.5%, 0.61%

LAB 78.7, -23.59, 46.17

 

CMYK 9 / 0 / 36 / 16

HEX #C4D789

RGB 196 215 137

HSL 74.62, 0.49%, 0.69%

LAB 82.99, -18.84, 36.41

 

CMYK 15 / 0 / 61 / 23

HEX #A6C44C

RGB 166 196 76

HSL 75, 0.5%, 0.53%

LAB 74.89, -27.46, 55.32

 

CMYK 62 / 0 / 34 / 24

HEX #4BC381

RGB 75 195 129

HSL 147, 0.5%, 0.53%

LAB 70.95, -48.63, 23.48

 

CMYK 9 / 62 / 0 / 24

HEX #B14BC3

RGB 177 75 195

HSL 291, 0.5%, 0.53%

LAB 49.88, 58.33, -44.29

 

CMYK 15 / 0 / 61 / 23

HEX #A6C44C

RGB 166 196 76

HSL 75, 0.5%, 0.53%

LAB 74.89, -27.46, 55.32

 

CMYK 62 / 15 / 0 / 24

HEX #4BA5C3

RGB 75 165 195

HSL 195, 0.5%, 0.53%

LAB 63.63, -17.79, -23.42

 

CMYK 0 / 62 / 15 / 24

HEX #C34BA5

RGB 195 75 165

HSL 315, 0.5%, 0.53%

LAB 51.1, 57.95, -24.7

 

CMYK 15 / 0 / 61 / 23

HEX #A6C44C

RGB 166 196 76

HSL 75, 0.5%, 0.53%

LAB 74.89, -27.46, 55.32

 

CMYK 62 / 0 / 34 / 24

HEX #4BC381

RGB 75 195 129

HSL 147, 0.5%, 0.53%

LAB 70.95, -48.63, 23.48

 

CMYK 46 / 62 / 0 / 24

HEX #694BC3

RGB 105 75 195

HSL 255, 0.5%, 0.53%

LAB 41.18, 41.7, -58.73

 

CMYK 0 / 62 / 28 / 24

HEX #C34B8D

RGB 195 75 141

HSL 327, 0.5%, 0.53%

LAB 50.17, 54.59, -11.9

 

CMYK 15 / 0 / 61 / 23

HEX #A6C44C

RGB 166 196 76

HSL 75, 0.5%, 0.53%

LAB 74.89, -27.46, 55.32

 

CMYK 62 / 0 / 15 / 24

HEX #4BC3A5

RGB 75 195 165

HSL 165, 0.5%, 0.53%

LAB 71.72, -40.69, 5.19

 

CMYK 46 / 62 / 0 / 24

HEX #694BC3

RGB 105 75 195

HSL 255, 0.5%, 0.53%

LAB 41.18, 41.7, -58.73

 

CMYK 0 / 62 / 46 / 24

HEX #C34B69

RGB 195 75 105

HSL 345, 0.5%, 0.53%

LAB 49.07, 50.5, 8.18

 

Description

Color code: HEX #A6C44C | qconv.com Color code: HEX #A6C44C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 196 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 196 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 61 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 61% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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