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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 12 / 0 / 53 / 9 it is the complementary color CMYK 65 / 84 / 0 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 12 / 0 / 53 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 12 / 0 / 53 / 9 shade: CMYK 10 / 0 / 55 / 9, CMYK 10 / 0 / 51 / 2, CMYK 5 / 0 / 44 / 0, CMYK 0 / 0 / 37 / 0 and CMYK 0 / 0 / 29 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 12 / 0 / 53 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 12 / 0 / 53 / 9 shade: CMYK 12 / 0 / 53 / 9, CMYK 13 / 0 / 58 / 16, CMYK 13 / 0 / 64 / 23, CMYK 14 / 0 / 71 / 30 and CMYK 15 / 0 / 79 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 12 / 0 / 53 / 9 shade: CMYK 12 / 0 / 53 / 9, CMYK 0 / 2 / 53 / 9, CMYK 0 / 17 / 53 / 9, CMYK 0 / 31 / 53 / 9 and CMYK 0 / 45 / 53 / 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 12 / 0 / 53 / 9 shade: CMYK 12 / 0 / 53 / 9, CMYK 26 / 0 / 53 / 9, CMYK 41 / 0 / 53 / 9, CMYK 53 / 0 / 51 / 9 and CMYK 53 / 0 / 37 / 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 12 / 0 / 53 / 9 shade matches the following richer shades: CMYK 12 / 0 / 53 / 9 and CMYK 14 / 0 / 61 / 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 12 / 0 / 53 / 9 shade: CMYK 12 / 0 / 53 / 9, CMYK 10 / 0 / 44 / 15, CMYK 8 / 0 / 34 / 20, CMYK 5 / 0 / 21 / 25 and CMYK 2 / 0 / 8 / 31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 12 / 0 / 53 / 9 shade: CMYK 0 / 17 / 53 / 9, CMYK 0 / 3 / 53 / 9, CMYK 12 / 0 / 53 / 9, CMYK 26 / 0 / 53 / 9 and CMYK 40 / 0 / 53 / 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 12 / 0 / 53 / 9 shade: CMYK 19 / 0 / 83 / 13, CMYK 15 / 0 / 68 / 11, CMYK 12 / 0 / 53 / 9, CMYK 9 / 0 / 39 / 7 and CMYK 6 / 0 / 26 / 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 12 / 0 / 53 / 9 shade: CMYK 12 / 0 / 53 / 9, CMYK 53 / 0 / 31 / 9 and CMYK 10 / 53 / 0 / 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 12 / 0 / 53 / 9 shade: CMYK 12 / 0 / 53 / 9, CMYK 53 / 12 / 0 / 9 and CMYK 0 / 53 / 12 / 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 12 / 0 / 53 / 9 shade: CMYK 12 / 0 / 53 / 9, CMYK 53 / 0 / 31 / 9, CMYK 41 / 53 / 0 / 9 and CMYK 0 / 53 / 22 / 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 12 / 0 / 53 / 9 shade: CMYK 12 / 0 / 53 / 9, CMYK 53 / 0 / 15 / 9, CMYK 41 / 53 / 0 / 9 and CMYK 0 / 53 / 38 / 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 53 / 9

HEX #CCE86D

RGB 204 232 109

HSL 73.66, 0.73%, 0.67%

LAB 87.8, -26.97, 55.98

 

Complementary color

CMYK 65 / 84 / 0 / 43

HEX #331792

RGB 51 23 146

HSL 253.66, 0.73%, 0.33%

LAB 21.55, 46.32, -61.66

 

CMYK 10 / 0 / 55 / 9

HEX #D1E868

RGB 209 232 104

HSL 70.78, 0.74%, 0.66%

LAB 88.1, -25.45, 58.65

 

CMYK 10 / 0 / 51 / 2

HEX #E2FA7B

RGB 226 250 123

HSL 71.34, 0.93%, 0.73%

LAB 94.3, -25.79, 57.63

 

CMYK 5 / 0 / 44 / 0

HEX #F3FF8E

RGB 243 255 142

HSL 66.37, 1%, 0.78%

LAB 97.04, -19.9, 52.42

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 12 / 0 / 53 / 9

HEX #CCE86D

RGB 204 232 109

HSL 73.66, 0.73%, 0.67%

LAB 87.8, -26.97, 55.98

 

CMYK 13 / 0 / 58 / 16

HEX #BBD65A

RGB 187 214 90

HSL 73.06, 0.6%, 0.6%

LAB 81.51, -26.64, 56.96

 

CMYK 13 / 0 / 64 / 23

HEX #AAC447

RGB 170 196 71

HSL 72.48, 0.51%, 0.52%

LAB 75.13, -26.22, 57.77

 

CMYK 14 / 0 / 71 / 30

HEX #99B234

RGB 153 178 52

HSL 71.9, 0.55%, 0.45%

LAB 68.65, -25.67, 58.23

 

CMYK 15 / 0 / 79 / 37

HEX #88A021

RGB 136 160 33

HSL 71.34, 0.66%, 0.38%

LAB 62.07, -24.94, 58.03

 

CMYK 12 / 0 / 53 / 9

HEX #CCE86D

RGB 204 232 109

HSL 73.66, 0.73%, 0.67%

LAB 87.8, -26.97, 55.98

 

CMYK 0 / 2 / 53 / 9

HEX #E8E36D

RGB 232 227 109

HSL 57.56, 0.73%, 0.67%

LAB 88.54, -13.49, 57.37

 

CMYK 0 / 17 / 53 / 9

HEX #E8C16D

RGB 232 193 109

HSL 40.98, 0.73%, 0.67%

LAB 79.84, 3.82, 47.09

 

CMYK 0 / 31 / 53 / 9

HEX #E8A06D

RGB 232 160 109

HSL 24.88, 0.73%, 0.67%

LAB 71.83, 21.29, 37.2

 

CMYK 0 / 45 / 53 / 9

HEX #E87F6D

RGB 232 127 109

HSL 8.78, 0.73%, 0.67%

LAB 64.51, 38.65, 27.8

 

CMYK 12 / 0 / 53 / 9

HEX #CCE86D

RGB 204 232 109

HSL 73.66, 0.73%, 0.67%

LAB 87.8, -26.97, 55.98

 

CMYK 26 / 0 / 53 / 9

HEX #ABE86D

RGB 171 232 109

HSL 89.76, 0.73%, 0.67%

LAB 85.74, -39.24, 53.05

 

CMYK 41 / 0 / 53 / 9

HEX #8AE86D

RGB 138 232 109

HSL 105.85, 0.73%, 0.67%

LAB 84.08, -50.25, 50.67

 

CMYK 53 / 0 / 51 / 9

HEX #6DE871

RGB 109 232 113

HSL 121.95, 0.73%, 0.67%

LAB 83, -57.9, 47.23

 

CMYK 53 / 0 / 37 / 9

HEX #6DE893

RGB 109 232 147

HSL 138.54, 0.73%, 0.67%

LAB 83.48, -52.76, 31.14

 

CMYK 12 / 0 / 53 / 9

HEX #CCE86D

RGB 204 232 109

HSL 73.66, 0.73%, 0.67%

LAB 87.8, -26.97, 55.98

 

CMYK 14 / 0 / 61 / 4

HEX #D3F55F

RGB 211 245 95

HSL 73.6, 0.88%, 0.67%

LAB 91.68, -31.47, 66.51

 

CMYK 12 / 0 / 53 / 9

HEX #CCE86D

RGB 204 232 109

HSL 73.66, 0.73%, 0.67%

LAB 87.8, -26.97, 55.98

 

CMYK 10 / 0 / 44 / 15

HEX #C4DA7B

RGB 196 218 123

HSL 73.89, 0.56%, 0.67%

LAB 83.6, -21.94, 44.17

 

CMYK 8 / 0 / 34 / 20

HEX #BDCD88

RGB 189 205 136

HSL 73.91, 0.41%, 0.67%

LAB 79.76, -16.64, 32.6

 

CMYK 5 / 0 / 21 / 25

HEX #B6BF96

RGB 182 191 150

HSL 73.17, 0.24%, 0.67%

LAB 75.7, -10.18, 19.68

 

CMYK 2 / 0 / 8 / 31

HEX #AEB1A3

RGB 174 177 163

HSL 72.86, 0.08%, 0.67%

LAB 71.61, -3.61, 6.79

 

CMYK 0 / 17 / 53 / 9

HEX #E8C16D

RGB 232 193 109

HSL 40.98, 0.73%, 0.67%

LAB 79.84, 3.82, 47.09

 

CMYK 0 / 3 / 53 / 9

HEX #E8E26D

RGB 232 226 109

HSL 57.07, 0.73%, 0.67%

LAB 88.28, -13, 57.07

 

CMYK 12 / 0 / 53 / 9

HEX #CDE86D

RGB 205 232 109

HSL 73.17, 0.73%, 0.67%

LAB 87.87, -26.58, 56.08

 

CMYK 26 / 0 / 53 / 9

HEX #ACE86D

RGB 172 232 109

HSL 89.27, 0.73%, 0.67%

LAB 85.8, -38.89, 53.13

 

CMYK 40 / 0 / 53 / 9

HEX #8CE86D

RGB 140 232 109

HSL 104.88, 0.73%, 0.67%

LAB 84.17, -49.63, 50.8

 

CMYK 19 / 0 / 83 / 13

HEX #B3DD26

RGB 179 221 38

HSL 73.77, 0.73%, 0.51%

LAB 82.61, -35.95, 75.95

 

CMYK 15 / 0 / 68 / 11

HEX #BFE249

RGB 191 226 73

HSL 73.73, 0.73%, 0.59%

LAB 84.97, -31.9, 67.67

 

CMYK 12 / 0 / 53 / 9

HEX #CCE86D

RGB 204 232 109

HSL 73.66, 0.73%, 0.67%

LAB 87.8, -26.97, 55.98

 

CMYK 9 / 0 / 39 / 7

HEX #D8ED91

RGB 216 237 145

HSL 73.7, 0.72%, 0.75%

LAB 90.42, -21.11, 42.26

 

CMYK 6 / 0 / 26 / 5

HEX #E5F3B4

RGB 229 243 180

HSL 73.33, 0.72%, 0.83%

LAB 93.47, -14.81, 28.91

 

CMYK 12 / 0 / 53 / 9

HEX #CCE86D

RGB 204 232 109

HSL 73.66, 0.73%, 0.67%

LAB 87.8, -26.97, 55.98

 

CMYK 53 / 0 / 31 / 9

HEX #6DE8A0

RGB 109 232 160

HSL 144.88, 0.73%, 0.67%

LAB 83.71, -50.42, 24.8

 

CMYK 10 / 53 / 0 / 9

HEX #D16DE8

RGB 209 109 232

HSL 288.78, 0.73%, 0.67%

LAB 61.93, 57.6, -45.93

 

CMYK 12 / 0 / 53 / 9

HEX #CCE86D

RGB 204 232 109

HSL 73.66, 0.73%, 0.67%

LAB 87.8, -26.97, 55.98

 

CMYK 53 / 12 / 0 / 9

HEX #6DCDE8

RGB 109 205 232

HSL 193.17, 0.73%, 0.67%

LAB 77.72, -21.02, -22.04

 

CMYK 0 / 53 / 12 / 9

HEX #E86DCD

RGB 232 109 205

HSL 313.17, 0.73%, 0.67%

LAB 63.75, 59.23, -27.73

 

CMYK 12 / 0 / 53 / 9

HEX #CCE86D

RGB 204 232 109

HSL 73.66, 0.73%, 0.67%

LAB 87.8, -26.97, 55.98

 

CMYK 53 / 0 / 31 / 9

HEX #6DE8A0

RGB 109 232 160

HSL 144.88, 0.73%, 0.67%

LAB 83.71, -50.42, 24.8

 

CMYK 41 / 53 / 0 / 9

HEX #886DE8

RGB 136 109 232

HSL 253.17, 0.73%, 0.67%

LAB 54.02, 39.31, -58.98

 

CMYK 0 / 53 / 22 / 9

HEX #E86DB5

RGB 232 109 181

HSL 324.88, 0.73%, 0.67%

LAB 62.87, 55.68, -15.49

 

CMYK 12 / 0 / 53 / 9

HEX #CCE86D

RGB 204 232 109

HSL 73.66, 0.73%, 0.67%

LAB 87.8, -26.97, 55.98

 

CMYK 53 / 0 / 15 / 9

HEX #6DE8C5

RGB 109 232 197

HSL 162.93, 0.73%, 0.67%

LAB 84.48, -42.72, 6.6

 

CMYK 41 / 53 / 0 / 9

HEX #886DE8

RGB 136 109 232

HSL 253.17, 0.73%, 0.67%

LAB 54.02, 39.31, -58.98

 

CMYK 0 / 53 / 38 / 9

HEX #E86D90

RGB 232 109 144

HSL 342.93, 0.73%, 0.67%

LAB 61.75, 51.04, 4.06

 

Description

Color code: CMYK 12 / 0 / 53 / 9 | qconv.com Color code: CMYK 12 / 0 / 53 / 9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 232 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 232 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 53 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 53% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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