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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A506B6 it is the complementary color #5AF949. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A506B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A506B6 shade: #AA06B1, #BB18C4, #CC2AD7, #DD3CEA and #EE4EFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A506B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A506B6 shade: #A506B6, #9400A3, #830090, #72007D and #61006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A506B6 shade: #A505B7, #B70598, #B70568, #B70538 and #B70508

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A506B6 shade: #A505B7, #7605B7, #4605B7, #1605B7 and #0505B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A506B6 shade matches the following richer shades: #A505B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A506B6 shade: #A505B7, #9914A7, #8D2498, #803389 and #744279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A506B6 shade: #4605B7, #7605B7, #A505B7, #B70599 and #B7056A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A506B6 shade: #5D0366, #81048F, #A505B7, #CA06DF and #E217F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A506B6 shade: #A506B6, #B71705 and #05B75E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A506B6 shade: #A506B6, #B7A505 and #05B7A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A506B6 shade: #A506B6, #B71705, #17B705 and #05A5B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A506B6 shade: #A506B6, #B74C05, #17B705 and #0570B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 97 / 0 / 29

HEX #A506B6

RGB 165 6 182

HSL 294.2, 0.94%, 0.37%

LAB 40.42, 72.95, -51.93

 

Complementary color

CMYK 64 / 0 / 71 / 2

HEX #5AF949

RGB 90 249 73

HSL 114.2, 0.94%, 0.63%

LAB 87.2, -72.33, 68.52

 

CMYK 4 / 97 / 0 / 31

HEX #AA06B1

RGB 170 6 177

HSL 297.54, 0.93%, 0.36%

LAB 40.98, 72.95, -48.03

 

CMYK 5 / 88 / 0 / 23

HEX #BB18C4

RGB 187 24 196

HSL 296.86, 0.78%, 0.43%

LAB 45.91, 76.51, -51.11

 

CMYK 5 / 80 / 0 / 16

HEX #CC2AD7

RGB 204 42 215

HSL 296.18, 0.68%, 0.5%

LAB 51.15, 78.88, -53.51

 

CMYK 6 / 74 / 0 / 8

HEX #DD3CEA

RGB 221 60 234

HSL 295.52, 0.81%, 0.58%

LAB 56.63, 80.32, -55.35

 

CMYK 6 / 69 / 0 / 1

HEX #EE4EFD

RGB 238 78 253

HSL 294.86, 0.98%, 0.65%

LAB 62.27, 81.09, -56.78

 

CMYK 9 / 97 / 0 / 29

HEX #A506B6

RGB 165 6 182

HSL 294.2, 0.94%, 0.37%

LAB 40.42, 72.95, -51.93

 

CMYK 9 / 100 / 0 / 36

HEX #9400A3

RGB 148 0 163

HSL 294.48, 1%, 0.32%

LAB 35.87, 67.87, -48.07

 

CMYK 9 / 100 / 0 / 44

HEX #830090

RGB 131 0 144

HSL 294.58, 1%, 0.28%

LAB 31.44, 62.04, -43.78

 

CMYK 9 / 100 / 0 / 51

HEX #72007D

RGB 114 0 125

HSL 294.72, 1%, 0.25%

LAB 26.9, 56.07, -39.38

 

CMYK 8 / 100 / 0 / 58

HEX #61006A

RGB 97 0 106

HSL 294.91, 1%, 0.21%

LAB 22.24, 49.94, -34.85

 

CMYK 10 / 97 / 0 / 28

HEX #A505B7

RGB 165 5 183

HSL 293.93, 0.95%, 0.37%

LAB 40.45, 73.21, -52.47

 

CMYK 0 / 97 / 17 / 28

HEX #B70598

RGB 183 5 152

HSL 310.45, 0.95%, 0.37%

LAB 41.91, 71.81, -31.41

 

CMYK 0 / 97 / 43 / 28

HEX #B70568

RGB 183 5 104

HSL 326.63, 0.95%, 0.37%

LAB 39.87, 66.54, -4.83

 

CMYK 0 / 97 / 69 / 28

HEX #B70538

RGB 183 5 56

HSL 342.81, 0.95%, 0.37%

LAB 38.66, 63.26, 24.13

 

CMYK 0 / 97 / 96 / 28

HEX #B70508

RGB 183 5 8

HSL 358.99, 0.95%, 0.37%

LAB 38.19, 61.97, 49.38

 

CMYK 10 / 97 / 0 / 28

HEX #A505B7

RGB 165 5 183

HSL 293.93, 0.95%, 0.37%

LAB 40.45, 73.21, -52.47

 

CMYK 36 / 97 / 0 / 28

HEX #7605B7

RGB 118 5 183

HSL 278.09, 0.95%, 0.37%

LAB 32.65, 66.78, -65.5

 

CMYK 62 / 97 / 0 / 28

HEX #4605B7

RGB 70 5 183

HSL 261.91, 0.95%, 0.37%

LAB 26.24, 62.51, -76.3

 

CMYK 88 / 97 / 0 / 28

HEX #1605B7

RGB 22 5 183

HSL 245.73, 0.95%, 0.37%

LAB 22.65, 60.74, -82.39

 

CMYK 97 / 97 / 0 / 28

HEX #0505B7

RGB 5 5 183

HSL 240, 0.95%, 0.37%

LAB 22.16, 60.55, -83.22

 

CMYK 10 / 97 / 0 / 28

HEX #A505B7

RGB 165 5 183

HSL 293.93, 0.95%, 0.37%

LAB 40.45, 73.21, -52.47

 

CMYK 10 / 97 / 0 / 28

HEX #A505B7

RGB 165 5 183

HSL 293.93, 0.95%, 0.37%

LAB 40.45, 73.21, -52.47

 

CMYK 8 / 88 / 0 / 35

HEX #9914A7

RGB 153 20 167

HSL 294.29, 0.79%, 0.37%

LAB 37.95, 66.62, -47.08

 

CMYK 7 / 76 / 0 / 40

HEX #8D2498

RGB 141 36 152

HSL 294.31, 0.62%, 0.37%

LAB 36.35, 57.62, -40.7

 

CMYK 7 / 63 / 0 / 46

HEX #803389

RGB 128 51 137

HSL 293.72, 0.46%, 0.37%

LAB 35.52, 45.7, -32.96

 

CMYK 4 / 45 / 0 / 53

HEX #744279

RGB 116 66 121

HSL 294.55, 0.29%, 0.37%

LAB 35.96, 30.97, -22.48

 

CMYK 62 / 97 / 0 / 28

HEX #4605B7

RGB 70 5 183

HSL 261.91, 0.95%, 0.37%

LAB 26.24, 62.51, -76.3

 

CMYK 36 / 97 / 0 / 28

HEX #7605B7

RGB 118 5 183

HSL 278.09, 0.95%, 0.37%

LAB 32.65, 66.78, -65.5

 

CMYK 10 / 97 / 0 / 28

HEX #A505B7

RGB 165 5 183

HSL 293.93, 0.95%, 0.37%

LAB 40.45, 73.21, -52.47

 

CMYK 0 / 97 / 16 / 28

HEX #B70599

RGB 183 5 153

HSL 310.11, 0.95%, 0.37%

LAB 41.96, 71.94, -31.93

 

CMYK 0 / 97 / 42 / 28

HEX #B7056A

RGB 183 5 106

HSL 325.96, 0.95%, 0.37%

LAB 39.94, 66.72, -5.99

 

CMYK 9 / 97 / 0 / 60

HEX #5D0366

RGB 93 3 102

HSL 294.55, 0.94%, 0.21%

LAB 21.4, 47.83, -33.62

 

CMYK 10 / 97 / 0 / 44

HEX #81048F

RGB 129 4 143

HSL 293.96, 0.95%, 0.29%

LAB 31.2, 60.95, -43.56

 

CMYK 10 / 97 / 0 / 28

HEX #A505B7

RGB 165 5 183

HSL 293.93, 0.95%, 0.37%

LAB 40.45, 73.21, -52.47

 

CMYK 9 / 97 / 0 / 13

HEX #CA06DF

RGB 202 6 223

HSL 294.19, 0.95%, 0.45%

LAB 49.51, 85.12, -60.72

 

CMYK 9 / 91 / 0 / 3

HEX #E217F7

RGB 226 23 247

HSL 294.38, 0.93%, 0.53%

LAB 55.58, 90.9, -64.27

 

CMYK 9 / 97 / 0 / 29

HEX #A506B6

RGB 165 6 182

HSL 294.2, 0.94%, 0.37%

LAB 40.42, 72.95, -51.93

 

CMYK 0 / 87 / 97 / 28

HEX #B71705

RGB 183 23 5

HSL 6.07, 0.95%, 0.37%

LAB 39.06, 59.4, 50.91

 

CMYK 97 / 0 / 49 / 28

HEX #05B75E

RGB 5 183 94

HSL 150, 0.95%, 0.37%

LAB 65.52, -58.94, 34.39

 

CMYK 9 / 97 / 0 / 29

HEX #A506B6

RGB 165 6 182

HSL 294.2, 0.94%, 0.37%

LAB 40.42, 72.95, -51.93

 

CMYK 0 / 10 / 97 / 28

HEX #B7A505

RGB 183 165 5

HSL 53.93, 0.95%, 0.37%

LAB 67.27, -7.45, 69.44

 

CMYK 97 / 0 / 10 / 28

HEX #05B7A5

RGB 5 183 165

HSL 173.93, 0.95%, 0.37%

LAB 66.99, -42.61, -1.82

 

CMYK 9 / 97 / 0 / 29

HEX #A506B6

RGB 165 6 182

HSL 294.2, 0.94%, 0.37%

LAB 40.42, 72.95, -51.93

 

CMYK 0 / 87 / 97 / 28

HEX #B71705

RGB 183 23 5

HSL 6.07, 0.95%, 0.37%

LAB 39.06, 59.4, 50.91

 

CMYK 87 / 0 / 97 / 28

HEX #17B705

RGB 23 183 5

HSL 113.93, 0.95%, 0.37%

LAB 65.01, -65.74, 64.4

 

CMYK 97 / 10 / 0 / 28

HEX #05A5B7

RGB 5 165 183

HSL 186.07, 0.95%, 0.37%

LAB 61.96, -28.76, -19.36

 

CMYK 9 / 97 / 0 / 29

HEX #A506B6

RGB 165 6 182

HSL 294.2, 0.94%, 0.37%

LAB 40.42, 72.95, -51.93

 

CMYK 0 / 58 / 97 / 28

HEX #B74C05

RGB 183 76 5

HSL 23.93, 0.95%, 0.37%

LAB 45.97, 40.53, 54.79

 

CMYK 87 / 0 / 97 / 28

HEX #17B705

RGB 23 183 5

HSL 113.93, 0.95%, 0.37%

LAB 65.01, -65.74, 64.4

 

CMYK 97 / 39 / 0 / 28

HEX #0570B7

RGB 5 112 183

HSL 203.93, 0.95%, 0.37%

LAB 45.69, 0.68, -44.73

 

Description

Color code: HEX #A506B6 | qconv.com Color code: HEX #A506B6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 6 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 6 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 97 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 97% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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