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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81048F it is the complementary color #7EFB70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81048F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81048F shade: #86048A, #97169D, #A828B0, #B93AC3 and #CA4CD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81048F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81048F shade: #81048F, #70007C, #5F0069, #4E0056 and #3D0043

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81048F shade: #820390, #900378, #900352, #90032C and #900306

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81048F shade: #820390, #5C0390, #360390, #100390 and #030390

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81048F shade matches the following richer shades: #820390

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81048F shade: #820390, #780F84, #6E1B78, #65276C and #5B3360

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81048F shade: #340390, #5A0390, #7F0390, #90037B and #900355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81048F shade: #39013F, #5D0267, #820390, #A604B8 and #CA05E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81048F shade: #81048F, #900F03 and #039047

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81048F shade: #81048F, #907F03 and #03907F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81048F shade: #81048F, #900F03, #149003 and #038490

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81048F shade: #81048F, #903903, #149003 and #035A90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 97 / 0 / 44

HEX #81048F

RGB 129 4 143

HSL 293.96, 0.95%, 0.29%

LAB 31.2, 60.95, -43.56

 

Complementary color

CMYK 50 / 0 / 55 / 2

HEX #7EFB70

RGB 126 251 112

HSL 113.96, 0.95%, 0.71%

LAB 89.21, -60.83, 55.27

 

CMYK 3 / 97 / 0 / 46

HEX #86048A

RGB 134 4 138

HSL 298.21, 0.94%, 0.28%

LAB 31.78, 60.97, -39.48

 

CMYK 4 / 86 / 0 / 38

HEX #97169D

RGB 151 22 157

HSL 297.33, 0.75%, 0.35%

LAB 37.09, 64.2, -42.45

 

CMYK 5 / 77 / 0 / 31

HEX #A828B0

RGB 168 40 176

HSL 296.47, 0.63%, 0.42%

LAB 42.73, 66.12, -44.65

 

CMYK 5 / 70 / 0 / 24

HEX #B93AC3

RGB 185 58 195

HSL 295.62, 0.54%, 0.5%

LAB 48.61, 67.04, -46.24

 

CMYK 6 / 64 / 0 / 16

HEX #CA4CD6

RGB 202 76 214

HSL 294.78, 0.63%, 0.57%

LAB 54.64, 67.32, -47.4

 

CMYK 10 / 97 / 0 / 44

HEX #81048F

RGB 129 4 143

HSL 293.96, 0.95%, 0.29%

LAB 31.2, 60.95, -43.56

 

CMYK 10 / 100 / 0 / 51

HEX #70007C

RGB 112 0 124

HSL 294.19, 1%, 0.24%

LAB 26.45, 55.57, -39.49

 

CMYK 10 / 100 / 0 / 59

HEX #5F0069

RGB 95 0 105

HSL 294.29, 1%, 0.21%

LAB 21.77, 49.42, -34.97

 

CMYK 9 / 100 / 0 / 66

HEX #4E0056

RGB 78 0 86

HSL 294.42, 1%, 0.17%

LAB 16.95, 43.07, -30.29

 

CMYK 9 / 100 / 0 / 74

HEX #3D0043

RGB 61 0 67

HSL 294.63, 1%, 0.13%

LAB 11.94, 36.48, -25.42

 

CMYK 10 / 98 / 0 / 44

HEX #820390

RGB 130 3 144

HSL 294.04, 0.96%, 0.29%

LAB 31.4, 61.43, -43.84

 

CMYK 0 / 98 / 17 / 44

HEX #900378

RGB 144 3 120

HSL 310.21, 0.96%, 0.29%

LAB 32.59, 60.3, -26.8

 

CMYK 0 / 98 / 43 / 44

HEX #900352

RGB 144 3 82

HSL 326.38, 0.96%, 0.29%

LAB 30.89, 55.89, -4.87

 

CMYK 0 / 98 / 69 / 44

HEX #90032C

RGB 144 3 44

HSL 342.55, 0.96%, 0.29%

LAB 29.85, 53.11, 19.03

 

CMYK 0 / 98 / 96 / 44

HEX #900306

RGB 144 3 6

HSL 358.72, 0.96%, 0.29%

LAB 29.43, 51.95, 40.41

 

CMYK 10 / 98 / 0 / 44

HEX #820390

RGB 130 3 144

HSL 294.04, 0.96%, 0.29%

LAB 31.4, 61.43, -43.84

 

CMYK 36 / 98 / 0 / 44

HEX #5C0390

RGB 92 3 144

HSL 277.87, 0.96%, 0.29%

LAB 24.81, 55.98, -54.86

 

CMYK 63 / 98 / 0 / 44

HEX #360390

RGB 54 3 144

HSL 261.7, 0.96%, 0.29%

LAB 19.49, 52.43, -63.83

 

CMYK 89 / 98 / 0 / 44

HEX #100390

RGB 16 3 144

HSL 245.53, 0.96%, 0.29%

LAB 16.45, 50.92, -68.97

 

CMYK 98 / 98 / 0 / 44

HEX #030390

RGB 3 3 144

HSL 240, 0.96%, 0.29%

LAB 15.99, 50.73, -69.74

 

CMYK 10 / 98 / 0 / 44

HEX #820390

RGB 130 3 144

HSL 294.04, 0.96%, 0.29%

LAB 31.4, 61.43, -43.84

 

CMYK 10 / 98 / 0 / 44

HEX #820390

RGB 130 3 144

HSL 294.04, 0.96%, 0.29%

LAB 31.4, 61.43, -43.84

 

CMYK 9 / 89 / 0 / 48

HEX #780F84

RGB 120 15 132

HSL 293.85, 0.8%, 0.29%

LAB 29.41, 55.65, -39.68

 

CMYK 8 / 78 / 0 / 53

HEX #6E1B78

RGB 110 27 120

HSL 293.55, 0.63%, 0.29%

LAB 27.99, 48.08, -34.49

 

CMYK 6 / 64 / 0 / 58

HEX #65276C

RGB 101 39 108

HSL 293.91, 0.47%, 0.29%

LAB 27.57, 38.37, -27.58

 

CMYK 5 / 47 / 0 / 62

HEX #5B3360

RGB 91 51 96

HSL 293.33, 0.31%, 0.29%

LAB 27.94, 26.09, -19.36

 

CMYK 64 / 98 / 0 / 44

HEX #340390

RGB 52 3 144

HSL 260.85, 0.96%, 0.29%

LAB 19.26, 52.3, -64.21

 

CMYK 38 / 98 / 0 / 44

HEX #5A0390

RGB 90 3 144

HSL 277.02, 0.96%, 0.29%

LAB 24.49, 55.74, -55.4

 

CMYK 12 / 98 / 0 / 44

HEX #7F0390

RGB 127 3 144

HSL 292.77, 0.96%, 0.29%

LAB 30.86, 60.95, -44.75

 

CMYK 0 / 98 / 15 / 44

HEX #90037B

RGB 144 3 123

HSL 308.94, 0.96%, 0.29%

LAB 32.75, 60.71, -28.43

 

CMYK 0 / 98 / 41 / 44

HEX #900355

RGB 144 3 85

HSL 325.11, 0.96%, 0.29%

LAB 31, 56.18, -6.68

 

CMYK 10 / 98 / 0 / 75

HEX #39013F

RGB 57 1 63

HSL 294.19, 0.97%, 0.13%

LAB 10.92, 34.51, -24.27

 

CMYK 10 / 98 / 0 / 60

HEX #5D0267

RGB 93 2 103

HSL 294.06, 0.96%, 0.21%

LAB 21.39, 48.24, -34.29

 

CMYK 10 / 98 / 0 / 44

HEX #820390

RGB 130 3 144

HSL 294.04, 0.96%, 0.29%

LAB 31.4, 61.43, -43.84

 

CMYK 10 / 98 / 0 / 28

HEX #A604B8

RGB 166 4 184

HSL 294, 0.96%, 0.37%

LAB 40.66, 73.64, -52.71

 

CMYK 10 / 98 / 0 / 12

HEX #CA05E0

RGB 202 5 224

HSL 293.97, 0.96%, 0.45%

LAB 49.55, 85.35, -61.23

 

CMYK 10 / 97 / 0 / 44

HEX #81048F

RGB 129 4 143

HSL 293.96, 0.95%, 0.29%

LAB 31.2, 60.95, -43.56

 

CMYK 0 / 90 / 98 / 44

HEX #900F03

RGB 144 15 3

HSL 5.11, 0.96%, 0.29%

LAB 30.1, 49.93, 42.15

 

CMYK 98 / 0 / 51 / 44

HEX #039047

RGB 3 144 71

HSL 148.94, 0.96%, 0.29%

LAB 52.31, -49.69, 29.65

 

CMYK 10 / 97 / 0 / 44

HEX #81048F

RGB 129 4 143

HSL 293.96, 0.95%, 0.29%

LAB 31.2, 60.95, -43.56

 

CMYK 0 / 12 / 98 / 44

HEX #907F03

RGB 144 127 3

HSL 52.77, 0.96%, 0.29%

LAB 53.07, -4.83, 57.67

 

CMYK 98 / 0 / 12 / 44

HEX #03907F

RGB 3 144 127

HSL 172.77, 0.96%, 0.29%

LAB 53.49, -36.47, -0.15

 

CMYK 10 / 97 / 0 / 44

HEX #81048F

RGB 129 4 143

HSL 293.96, 0.95%, 0.29%

LAB 31.2, 60.95, -43.56

 

CMYK 0 / 90 / 98 / 44

HEX #900F03

RGB 144 15 3

HSL 5.11, 0.96%, 0.29%

LAB 30.1, 49.93, 42.15

 

CMYK 86 / 0 / 98 / 44

HEX #149003

RGB 20 144 3

HSL 112.77, 0.96%, 0.29%

LAB 51.95, -54.69, 54.03

 

CMYK 98 / 8 / 0 / 44

HEX #038490

RGB 3 132 144

HSL 185.11, 0.96%, 0.29%

LAB 50.14, -25.35, -15.03

 

CMYK 10 / 97 / 0 / 44

HEX #81048F

RGB 129 4 143

HSL 293.96, 0.95%, 0.29%

LAB 31.2, 60.95, -43.56

 

CMYK 0 / 60 / 98 / 44

HEX #903903

RGB 144 57 3

HSL 22.98, 0.96%, 0.29%

LAB 35.72, 34.57, 45.77

 

CMYK 86 / 0 / 98 / 44

HEX #149003

RGB 20 144 3

HSL 112.77, 0.96%, 0.29%

LAB 51.95, -54.69, 54.03

 

CMYK 98 / 38 / 0 / 44

HEX #035A90

RGB 3 90 144

HSL 202.98, 0.96%, 0.29%

LAB 36.64, -1.32, -36.01

 

Description

Color code: HEX #81048F | qconv.com Color code: HEX #81048F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 4 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 4 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 97 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 97% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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