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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A46B55 it is the complementary color #5B94AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A46B55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A46B55 shade: #A96B50, #BA7D63, #CB8F76, #DCA189 and #EDB39C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A46B55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A46B55 shade: #A46B55, #935942, #82472F, #71351C and #602309

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A46B55 shade: #A46B54, #A45554 and #A45454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A46B55 shade: #A46B54, #A48054, #A49654, #9DA454 and #88A454

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A46B55 shade matches the following richer shades: #A46B54, #B96240, #CD592C, #E15018 and #F54704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A46B55 shade: #A46B54, #907469, #7C7D7D, #688691 and #548FA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A46B55 shade: #A4546A, #A45454, #A46A54, #A47F54 and #A49454

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A46B55 shade: #6E4738, #895946, #A46B54, #B4826E and #C29989

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A46B55 shade: #A46B55, #7FA454 and #545FA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A46B55 shade: #A46B55, #54A46A and #6A54A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A46B55 shade: #A46B55, #7FA454, #548FA4 and #7A54A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A46B55 shade: #A46B55, #67A454, #548FA4 and #9254A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 48 / 36

HEX #A46B55

RGB 164 107 85

HSL 16.71, 0.32%, 0.49%

LAB 50.76, 20.19, 21.67

 

Complementary color

CMYK 46 / 13 / 0 / 33

HEX #5B94AA

RGB 91 148 170

HSL 196.71, 0.32%, 0.51%

LAB 58.33, -12.64, -17.37

 

CMYK 0 / 37 / 53 / 34

HEX #A96B50

RGB 169 107 80

HSL 18.2, 0.36%, 0.49%

LAB 51.3, 21.79, 25.37

 

CMYK 0 / 33 / 47 / 27

HEX #BA7D63

RGB 186 125 99

HSL 17.93, 0.39%, 0.56%

LAB 58.04, 20.65, 23.79

 

CMYK 0 / 30 / 42 / 20

HEX #CB8F76

RGB 203 143 118

HSL 17.65, 0.45%, 0.63%

LAB 64.68, 19.67, 22.38

 

CMYK 0 / 27 / 38 / 14

HEX #DCA189

RGB 220 161 137

HSL 17.35, 0.54%, 0.7%

LAB 71.22, 18.8, 21.1

 

CMYK 0 / 24 / 34 / 7

HEX #EDB39C

RGB 237 179 156

HSL 17.04, 0.69%, 0.77%

LAB 77.66, 18.03, 19.93

 

CMYK 0 / 35 / 48 / 36

HEX #A46B55

RGB 164 107 85

HSL 16.71, 0.32%, 0.49%

LAB 50.76, 20.19, 21.67

 

CMYK 0 / 39 / 55 / 42

HEX #935942

RGB 147 89 66

HSL 17.04, 0.38%, 0.42%

LAB 43.86, 21.41, 23.34

 

CMYK 0 / 45 / 64 / 49

HEX #82472F

RGB 130 71 47

HSL 17.35, 0.47%, 0.35%

LAB 36.85, 22.83, 25.29

 

CMYK 0 / 53 / 75 / 56

HEX #71351C

RGB 113 53 28

HSL 17.65, 0.6%, 0.28%

LAB 29.76, 24.5, 27.52

 

CMYK 0 / 64 / 91 / 62

HEX #602309

RGB 96 35 9

HSL 17.93, 0.83%, 0.21%

LAB 22.68, 26.35, 29.3

 

CMYK 0 / 35 / 49 / 36

HEX #A46B54

RGB 164 107 84

HSL 17.25, 0.32%, 0.49%

LAB 50.74, 20.09, 22.22

 

CMYK 0 / 48 / 49 / 36

HEX #A45554

RGB 164 85 84

HSL 0.75, 0.32%, 0.49%

LAB 45.67, 32.34, 15.43

 

CMYK 0 / 49 / 49 / 36

HEX #A45454

RGB 164 84 84

HSL 0, 0.32%, 0.49%

LAB 45.46, 32.88, 15.13

 

CMYK 0 / 35 / 49 / 36

HEX #A46B54

RGB 164 107 84

HSL 17.25, 0.32%, 0.49%

LAB 50.74, 20.09, 22.22

 

CMYK 0 / 22 / 49 / 36

HEX #A48054

RGB 164 128 84

HSL 33, 0.32%, 0.49%

LAB 56.06, 8.17, 29.11

 

CMYK 0 / 9 / 49 / 36

HEX #A49654

RGB 164 150 84

HSL 49.5, 0.32%, 0.49%

LAB 61.95, -4.03, 36.48

 

CMYK 4 / 0 / 49 / 36

HEX #9DA454

RGB 157 164 84

HSL 65.25, 0.32%, 0.49%

LAB 65.25, -14.45, 40.35

 

CMYK 17 / 0 / 49 / 36

HEX #88A454

RGB 136 164 84

HSL 81, 0.32%, 0.49%

LAB 63.69, -23.02, 38.1

 

CMYK 0 / 35 / 49 / 36

HEX #A46B54

RGB 164 107 84

HSL 17.25, 0.32%, 0.49%

LAB 50.74, 20.09, 22.22

 

CMYK 0 / 47 / 65 / 27

HEX #B96240

RGB 185 98 64

HSL 16.86, 0.49%, 0.49%

LAB 51.17, 32.09, 34.7

 

CMYK 0 / 57 / 79 / 20

HEX #CD592C

RGB 205 89 44

HSL 16.77, 0.65%, 0.49%

LAB 52.18, 43.51, 47.08

 

CMYK 0 / 64 / 89 / 12

HEX #E15018

RGB 225 80 24

HSL 16.72, 0.81%, 0.49%

LAB 53.83, 54.26, 58.17

 

CMYK 0 / 71 / 98 / 4

HEX #F54704

RGB 245 71 4

HSL 16.68, 0.97%, 0.49%

LAB 56.02, 64.07, 66.36

 

CMYK 0 / 35 / 49 / 36

HEX #A46B54

RGB 164 107 84

HSL 17.25, 0.32%, 0.49%

LAB 50.74, 20.09, 22.22

 

CMYK 0 / 19 / 27 / 44

HEX #907469

RGB 144 116 105

HSL 16.92, 0.16%, 0.49%

LAB 51.2, 9.21, 10.22

 

CMYK 1 / 0 / 0 / 51

HEX #7C7D7D

RGB 124 125 125

HSL 180, 0%, 0.49%

LAB 52.32, -0.37, -0.14

 

CMYK 28 / 8 / 0 / 43

HEX #688691

RGB 104 134 145

HSL 196.1, 0.16%, 0.49%

LAB 54.07, -7.9, -9.37

 

CMYK 49 / 13 / 0 / 35

HEX #548FA5

RGB 84 143 165

HSL 196.3, 0.33%, 0.49%

LAB 56.33, -13.05, -17.58

 

CMYK 0 / 49 / 35 / 36

HEX #A4546A

RGB 164 84 106

HSL 343.5, 0.32%, 0.49%

LAB 46.01, 35.39, 2.54

 

CMYK 0 / 49 / 49 / 36

HEX #A45454

RGB 164 84 84

HSL 0, 0.32%, 0.49%

LAB 45.46, 32.88, 15.13

 

CMYK 0 / 35 / 49 / 36

HEX #A46A54

RGB 164 106 84

HSL 16.5, 0.32%, 0.49%

LAB 50.5, 20.65, 21.9

 

CMYK 0 / 23 / 49 / 36

HEX #A47F54

RGB 164 127 84

HSL 32.25, 0.32%, 0.49%

LAB 55.8, 8.73, 28.78

 

CMYK 0 / 10 / 49 / 36

HEX #A49454

RGB 164 148 84

HSL 48, 0.32%, 0.49%

LAB 61.41, -2.94, 35.81

 

CMYK 0 / 35 / 49 / 57

HEX #6E4738

RGB 110 71 56

HSL 16.67, 0.33%, 0.33%

LAB 34.2, 14.8, 15.85

 

CMYK 0 / 35 / 49 / 46

HEX #895946

RGB 137 89 70

HSL 17.01, 0.32%, 0.41%

LAB 42.62, 17.49, 19.1

 

CMYK 0 / 35 / 49 / 36

HEX #A46B54

RGB 164 107 84

HSL 17.25, 0.32%, 0.49%

LAB 50.74, 20.09, 22.22

 

CMYK 0 / 28 / 39 / 29

HEX #B4826E

RGB 180 130 110

HSL 17.14, 0.32%, 0.57%

LAB 58.78, 16.64, 18.44

 

CMYK 0 / 21 / 29 / 24

HEX #C29989

RGB 194 153 137

HSL 16.84, 0.32%, 0.65%

LAB 66.56, 12.96, 14.24

 

CMYK 0 / 35 / 48 / 36

HEX #A46B55

RGB 164 107 85

HSL 16.71, 0.32%, 0.49%

LAB 50.76, 20.19, 21.67

 

CMYK 23 / 0 / 49 / 36

HEX #7FA454

RGB 127 164 84

HSL 87.75, 0.32%, 0.49%

LAB 63.1, -26.55, 37.24

 

CMYK 49 / 42 / 0 / 36

HEX #545FA4

RGB 84 95 164

HSL 231.75, 0.32%, 0.49%

LAB 42.38, 15.2, -38.68

 

CMYK 0 / 35 / 48 / 36

HEX #A46B55

RGB 164 107 85

HSL 16.71, 0.32%, 0.49%

LAB 50.76, 20.19, 21.67

 

CMYK 49 / 0 / 35 / 36

HEX #54A46A

RGB 84 164 106

HSL 136.5, 0.32%, 0.49%

LAB 61.2, -37.69, 22.74

 

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

CMYK 0 / 35 / 48 / 36

HEX #A46B55

RGB 164 107 85

HSL 16.71, 0.32%, 0.49%

LAB 50.76, 20.19, 21.67

 

CMYK 23 / 0 / 49 / 36

HEX #7FA454

RGB 127 164 84

HSL 87.75, 0.32%, 0.49%

LAB 63.1, -26.55, 37.24

 

CMYK 49 / 13 / 0 / 36

HEX #548FA4

RGB 84 143 164

HSL 195.75, 0.32%, 0.49%

LAB 56.3, -13.35, -17.06

 

CMYK 26 / 49 / 0 / 36

HEX #7A54A4

RGB 122 84 164

HSL 268.5, 0.32%, 0.49%

LAB 43, 32.27, -37.48

 

CMYK 0 / 35 / 48 / 36

HEX #A46B55

RGB 164 107 85

HSL 16.71, 0.32%, 0.49%

LAB 50.76, 20.19, 21.67

 

CMYK 37 / 0 / 49 / 36

HEX #67A454

RGB 103 164 84

HSL 105.75, 0.32%, 0.49%

LAB 61.72, -35.29, 35.23

 

CMYK 49 / 13 / 0 / 36

HEX #548FA4

RGB 84 143 164

HSL 195.75, 0.32%, 0.49%

LAB 56.3, -13.35, -17.06

 

CMYK 11 / 49 / 0 / 36

HEX #9254A4

RGB 146 84 164

HSL 286.5, 0.32%, 0.49%

LAB 45.81, 39.27, -32.86

 

Description

Color code: HEX #A46B55 | qconv.com Color code: HEX #A46B55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 107 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 107 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 48 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 48% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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