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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A54A4 it is the complementary color #95AB5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A54A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A54A4 shade: #6F549F, #8066B2, #9178C5, #A28AD8 and #B39CEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A54A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A54A4 shade: #6A54A4, #594291, #48307E, #371E6B and #260C58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A54A4 shade: #6A54A4, #8054A4, #9654A4, #A4549E and #A45488

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A54A4 shade: #6A54A4, #5554A4 and #5454A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A54A4 shade matches the following richer shades: #6A54A4, #6140B9, #582CCD, #4F18E1 and #4604F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A54A4 shade: #6A54A4, #746990, #7D7D7C, #869168 and #8FA554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A54A4 shade: #546AA4, #5454A4, #6A54A4, #7F54A4 and #9454A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A54A4 shade: #47386E, #594689, #6A54A4, #816EB4 and #9989C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A54A4 shade: #6A54A4, #A4547F and #5FA454

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A54A4 shade: #6A54A4, #A46A54 and #54A46A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A54A4 shade: #6A54A4, #A4547F, #8FA454 and #54A47A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A54A4 shade: #6A54A4, #A45467, #8FA454 and #54A492

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

Complementary color

CMYK 13 / 0 / 47 / 33

HEX #95AB5B

RGB 149 171 91

HSL 76.5, 0.32%, 0.51%

LAB 66.73, -20.57, 38.48

 

CMYK 30 / 47 / 0 / 38

HEX #6F549F

RGB 111 84 159

HSL 261.6, 0.31%, 0.48%

LAB 41.57, 27.84, -36.85

 

CMYK 28 / 43 / 0 / 30

HEX #8066B2

RGB 128 102 178

HSL 260.53, 0.33%, 0.55%

LAB 48.64, 26.91, -36.76

 

CMYK 26 / 39 / 0 / 23

HEX #9178C5

RGB 145 120 197

HSL 259.48, 0.4%, 0.62%

LAB 55.57, 26.07, -36.71

 

CMYK 25 / 36 / 0 / 15

HEX #A28AD8

RGB 162 138 216

HSL 258.46, 0.5%, 0.69%

LAB 62.35, 25.32, -36.7

 

CMYK 24 / 34 / 0 / 8

HEX #B39CEB

RGB 179 156 235

HSL 257.47, 0.66%, 0.77%

LAB 69.01, 24.64, -36.71

 

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

CMYK 39 / 54 / 0 / 43

HEX #594291

RGB 89 66 145

HSL 257.47, 0.37%, 0.41%

LAB 34.12, 28.95, -40.4

 

CMYK 43 / 62 / 0 / 51

HEX #48307E

RGB 72 48 126

HSL 258.46, 0.45%, 0.34%

LAB 26.73, 30.24, -40.6

 

CMYK 49 / 72 / 0 / 58

HEX #371E6B

RGB 55 30 107

HSL 259.48, 0.56%, 0.27%

LAB 19.23, 31.57, -40.68

 

CMYK 57 / 86 / 0 / 65

HEX #260C58

RGB 38 12 88

HSL 260.53, 0.76%, 0.2%

LAB 11.82, 32.5, -40.29

 

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

CMYK 22 / 49 / 0 / 36

HEX #8054A4

RGB 128 84 164

HSL 273, 0.32%, 0.49%

LAB 43.67, 33.99, -36.39

 

CMYK 9 / 49 / 0 / 36

HEX #9654A4

RGB 150 84 164

HSL 289.5, 0.32%, 0.49%

LAB 46.32, 40.46, -32.03

 

CMYK 0 / 49 / 4 / 36

HEX #A4549E

RGB 164 84 158

HSL 304.5, 0.32%, 0.49%

LAB 47.88, 43.51, -25.91

 

CMYK 0 / 49 / 17 / 36

HEX #A45488

RGB 164 84 136

HSL 321, 0.32%, 0.49%

LAB 46.99, 39.73, -14.15

 

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

CMYK 48 / 49 / 0 / 36

HEX #5554A4

RGB 85 84 164

HSL 240.75, 0.32%, 0.49%

LAB 39.5, 22.41, -43.27

 

CMYK 49 / 49 / 0 / 36

HEX #5454A4

RGB 84 84 164

HSL 240, 0.32%, 0.49%

LAB 39.42, 22.17, -43.4

 

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

CMYK 48 / 65 / 0 / 27

HEX #6140B9

RGB 97 64 185

HSL 256.36, 0.49%, 0.49%

LAB 37.32, 43.47, -59.17

 

CMYK 57 / 79 / 0 / 20

HEX #582CCD

RGB 88 44 205

HSL 256.4, 0.65%, 0.49%

LAB 34.57, 57.8, -75.42

 

CMYK 65 / 89 / 0 / 12

HEX #4F18E1

RGB 79 24 225

HSL 256.42, 0.81%, 0.49%

LAB 33.46, 69.3, -88.83

 

CMYK 71 / 98 / 0 / 4

HEX #4604F5

RGB 70 4 245

HSL 256.43, 0.97%, 0.49%

LAB 33.94, 77.34, -99.42

 

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

CMYK 19 / 27 / 0 / 44

HEX #746990

RGB 116 105 144

HSL 256.92, 0.16%, 0.49%

LAB 46.75, 12.82, -19.79

 

CMYK 0 / 0 / 1 / 51

HEX #7D7D7C

RGB 125 125 124

HSL 60, 0%, 0.49%

LAB 52.38, -0.2, 0.54

 

CMYK 8 / 0 / 28 / 43

HEX #869168

RGB 134 145 104

HSL 76.1, 0.16%, 0.49%

LAB 58.34, -11.32, 20.49

 

CMYK 13 / 0 / 49 / 35

HEX #8FA554

RGB 143 165 84

HSL 76.3, 0.33%, 0.49%

LAB 64.48, -20.72, 39.17

 

CMYK 49 / 35 / 0 / 36

HEX #546AA4

RGB 84 106 164

HSL 223.5, 0.32%, 0.49%

LAB 45.46, 8.32, -33.82

 

CMYK 49 / 49 / 0 / 36

HEX #5454A4

RGB 84 84 164

HSL 240, 0.32%, 0.49%

LAB 39.42, 22.17, -43.4

 

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

CMYK 23 / 49 / 0 / 36

HEX #7F54A4

RGB 127 84 164

HSL 272.25, 0.32%, 0.49%

LAB 43.56, 33.7, -36.57

 

CMYK 10 / 49 / 0 / 36

HEX #9454A4

RGB 148 84 164

HSL 288, 0.32%, 0.49%

LAB 46.07, 39.86, -32.45

 

CMYK 35 / 49 / 0 / 57

HEX #47386E

RGB 71 56 110

HSL 256.67, 0.33%, 0.33%

LAB 27.56, 20.1, -29.14

 

CMYK 35 / 49 / 0 / 46

HEX #594689

RGB 89 70 137

HSL 257.01, 0.32%, 0.41%

LAB 34.62, 24.17, -34.7

 

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

CMYK 28 / 39 / 0 / 29

HEX #816EB4

RGB 129 110 180

HSL 256.29, 0.32%, 0.57%

LAB 50.82, 22.96, -34.5

 

CMYK 21 / 29 / 0 / 24

HEX #9989C2

RGB 153 137 194

HSL 256.84, 0.32%, 0.65%

LAB 60.39, 17.91, -27.45

 

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

CMYK 0 / 49 / 23 / 36

HEX #A4547F

RGB 164 84 127

HSL 327.75, 0.32%, 0.49%

LAB 46.67, 38.33, -9.22

 

CMYK 42 / 0 / 49 / 36

HEX #5FA454

RGB 95 164 84

HSL 111.75, 0.32%, 0.49%

LAB 61.33, -37.94, 34.66

 

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

CMYK 0 / 35 / 49 / 36

HEX #A46A54

RGB 164 106 84

HSL 16.5, 0.32%, 0.49%

LAB 50.5, 20.65, 21.9

 

CMYK 49 / 0 / 35 / 36

HEX #54A46A

RGB 84 164 106

HSL 136.5, 0.32%, 0.49%

LAB 61.2, -37.69, 22.74

 

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

CMYK 0 / 49 / 23 / 36

HEX #A4547F

RGB 164 84 127

HSL 327.75, 0.32%, 0.49%

LAB 46.67, 38.33, -9.22

 

CMYK 13 / 0 / 49 / 36

HEX #8FA454

RGB 143 164 84

HSL 75.75, 0.32%, 0.49%

LAB 64.19, -20.21, 38.81

 

CMYK 49 / 0 / 26 / 36

HEX #54A47A

RGB 84 164 122

HSL 148.5, 0.32%, 0.49%

LAB 61.52, -34.54, 14.38

 

CMYK 35 / 49 / 0 / 36

HEX #6A54A4

RGB 106 84 164

HSL 256.5, 0.32%, 0.49%

LAB 41.35, 27.81, -40.21

 

CMYK 0 / 49 / 37 / 36

HEX #A45467

RGB 164 84 103

HSL 345.75, 0.32%, 0.49%

LAB 45.92, 35.01, 4.25

 

CMYK 13 / 0 / 49 / 36

HEX #8FA454

RGB 143 164 84

HSL 75.75, 0.32%, 0.49%

LAB 64.19, -20.21, 38.81

 

CMYK 49 / 0 / 11 / 36

HEX #54A492

RGB 84 164 146

HSL 166.5, 0.32%, 0.49%

LAB 62.09, -29.05, 1.79

 

Description

Color code: HEX #6A54A4 | qconv.com Color code: HEX #6A54A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 84 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 84 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 49 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 49% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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