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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7E236 it is the complementary color #581DC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7E236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7E236 shade: #ACE231, #BDF444, #CEFF57, #DFFF6A and #F0FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7E236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7E236 shade: #A7E236, #96D023, #85BE10, #74AC00 and #639A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7E236 shade: #A7E236, #D5E236, #E2C036, #E29236 and #E26336

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7E236 shade: #A7E236, #78E236, #4AE236, #36E250 and #36E27E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7E236 shade matches the following richer shades: #A7E236 and #ADF423

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7E236 shade: #A7E236, #A1CF48, #9BBD5B, #95AA6D and #8F9880

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7E236 shade: #E2BF36, #D6E236, #A8E236, #7BE236 and #4DE236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7E236 shade: #7AAD18, #93D11D, #A7E236, #B7E75A and #C6EC7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7E236 shade: #A7E236, #36E291 and #D636E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7E236 shade: #A7E236, #36A8E2 and #E236A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7E236 shade: #A7E236, #36E291, #6F36E2 and #E23686

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7E236 shade: #A7E236, #36E2C5, #6F36E2 and #E23652

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 76 / 11

HEX #A7E236

RGB 167 226 54

HSL 80.58, 0.75%, 0.55%

LAB 83.38, -42.15, 72.06

 

Complementary color

CMYK 56 / 86 / 0 / 21

HEX #581DC9

RGB 88 29 201

HSL 260.58, 0.75%, 0.45%

LAB 32.19, 62.52, -77.01

 

CMYK 24 / 0 / 78 / 11

HEX #ACE231

RGB 172 226 49

HSL 78.31, 0.75%, 0.54%

LAB 83.64, -40.49, 73.88

 

CMYK 23 / 0 / 72 / 4

HEX #BDF444

RGB 189 244 68

HSL 78.75, 0.89%, 0.61%

LAB 89.83, -41.08, 74.23

 

CMYK 19 / 0 / 66 / 0

HEX #CEFF57

RGB 206 255 87

HSL 77.5, 1%, 0.67%

LAB 94.03, -38.45, 72.04

 

CMYK 13 / 0 / 58 / 0

HEX #DFFF6A

RGB 223 255 106

HSL 72.89, 1%, 0.71%

LAB 95.27, -30.67, 66.12

 

CMYK 6 / 0 / 51 / 0

HEX #F0FF7D

RGB 240 255 125

HSL 66.92, 1%, 0.75%

LAB 96.63, -22.61, 59.71

 

CMYK 26 / 0 / 76 / 11

HEX #A7E236

RGB 167 226 54

HSL 80.58, 0.75%, 0.55%

LAB 83.38, -42.15, 72.06

 

CMYK 28 / 0 / 83 / 18

HEX #96D023

RGB 150 208 35

HSL 80.12, 0.71%, 0.48%

LAB 77.11, -41.47, 71.2

 

CMYK 30 / 0 / 92 / 25

HEX #85BE10

RGB 133 190 16

HSL 79.66, 0.84%, 0.4%

LAB 70.77, -40.6, 69.16

 

CMYK 33 / 0 / 100 / 33

HEX #74AC00

RGB 116 172 0

HSL 79.53, 1%, 0.34%

LAB 64.34, -39.49, 65.7

 

CMYK 36 / 0 / 100 / 40

HEX #639A00

RGB 99 154 0

HSL 81.43, 1%, 0.3%

LAB 57.81, -38.1, 60.27

 

CMYK 26 / 0 / 76 / 11

HEX #A7E236

RGB 167 226 54

HSL 80.58, 0.75%, 0.55%

LAB 83.38, -42.15, 72.06

 

CMYK 6 / 0 / 76 / 11

HEX #D5E236

RGB 213 226 54

HSL 64.53, 0.75%, 0.55%

LAB 86.41, -23.99, 75.97

 

CMYK 0 / 15 / 76 / 11

HEX #E2C036

RGB 226 192 54

HSL 48.14, 0.75%, 0.55%

LAB 78.54, -1.52, 69.13

 

CMYK 0 / 35 / 76 / 11

HEX #E29236

RGB 226 146 54

HSL 32.09, 0.75%, 0.55%

LAB 67.27, 22.84, 58.43

 

CMYK 0 / 56 / 76 / 11

HEX #E26336

RGB 226 99 54

HSL 15.7, 0.75%, 0.55%

LAB 57.42, 46.92, 48.58

 

CMYK 26 / 0 / 76 / 11

HEX #A7E236

RGB 167 226 54

HSL 80.58, 0.75%, 0.55%

LAB 83.38, -42.15, 72.06

 

CMYK 47 / 0 / 76 / 11

HEX #78E236

RGB 120 226 54

HSL 96.98, 0.75%, 0.55%

LAB 81.1, -58.09, 69.1

 

CMYK 67 / 0 / 76 / 11

HEX #4AE236

RGB 74 226 54

HSL 113.02, 0.75%, 0.55%

LAB 79.68, -69.4, 67.24

 

CMYK 76 / 0 / 65 / 11

HEX #36E250

RGB 54 226 80

HSL 129.07, 0.75%, 0.55%

LAB 79.47, -70.47, 57.42

 

CMYK 76 / 0 / 44 / 11

HEX #36E27E

RGB 54 226 126

HSL 145.12, 0.75%, 0.55%

LAB 80, -64.22, 36.89

 

CMYK 26 / 0 / 76 / 11

HEX #A7E236

RGB 167 226 54

HSL 80.58, 0.75%, 0.55%

LAB 83.38, -42.15, 72.06

 

CMYK 29 / 0 / 86 / 4

HEX #ADF423

RGB 173 244 35

HSL 80.38, 0.9%, 0.55%

LAB 88.78, -48.33, 81.71

 

CMYK 26 / 0 / 76 / 11

HEX #A7E236

RGB 167 226 54

HSL 80.58, 0.75%, 0.55%

LAB 83.38, -42.15, 72.06

 

CMYK 22 / 0 / 65 / 19

HEX #A1CF48

RGB 161 207 72

HSL 80.44, 0.58%, 0.55%

LAB 77.68, -34.87, 59.89

 

CMYK 18 / 0 / 52 / 26

HEX #9BBD5B

RGB 155 189 91

HSL 80.82, 0.43%, 0.55%

LAB 72.31, -27.09, 45.32

 

CMYK 12 / 0 / 36 / 33

HEX #95AA6D

RGB 149 170 109

HSL 80.66, 0.26%, 0.55%

LAB 66.71, -17.85, 29.08

 

CMYK 6 / 0 / 16 / 40

HEX #8F9880

RGB 143 152 128

HSL 82.5, 0.1%, 0.55%

LAB 61.53, -7.73, 11.54

 

CMYK 0 / 15 / 76 / 11

HEX #E2BF36

RGB 226 191 54

HSL 47.79, 0.75%, 0.55%

LAB 78.28, -1, 68.89

 

CMYK 5 / 0 / 76 / 11

HEX #D6E236

RGB 214 226 54

HSL 64.19, 0.75%, 0.55%

LAB 86.48, -23.58, 76.06

 

CMYK 26 / 0 / 76 / 11

HEX #A8E236

RGB 168 226 54

HSL 80.23, 0.75%, 0.55%

LAB 83.43, -41.77, 72.14

 

CMYK 46 / 0 / 76 / 11

HEX #7BE236

RGB 123 226 54

HSL 95.93, 0.75%, 0.55%

LAB 81.22, -57.19, 69.25

 

CMYK 66 / 0 / 76 / 11

HEX #4DE236

RGB 77 226 54

HSL 111.98, 0.75%, 0.55%

LAB 79.75, -68.82, 67.33

 

CMYK 29 / 0 / 86 / 32

HEX #7AAD18

RGB 122 173 24

HSL 80.54, 0.76%, 0.39%

LAB 65.03, -37.1, 62.67

 

CMYK 30 / 0 / 86 / 18

HEX #93D11D

RGB 147 209 29

HSL 80.67, 0.76%, 0.47%

LAB 77.22, -43.23, 72.54

 

CMYK 26 / 0 / 76 / 11

HEX #A7E236

RGB 167 226 54

HSL 80.58, 0.75%, 0.55%

LAB 83.38, -42.15, 72.06

 

CMYK 21 / 0 / 61 / 9

HEX #B7E75A

RGB 183 231 90

HSL 80.43, 0.75%, 0.63%

LAB 85.99, -36.1, 61.85

 

CMYK 16 / 0 / 47 / 7

HEX #C6EC7E

RGB 198 236 126

HSL 80.73, 0.74%, 0.71%

LAB 88.69, -29.47, 49.04

 

CMYK 26 / 0 / 76 / 11

HEX #A7E236

RGB 167 226 54

HSL 80.58, 0.75%, 0.55%

LAB 83.38, -42.15, 72.06

 

CMYK 76 / 0 / 36 / 11

HEX #36E291

RGB 54 226 145

HSL 151.74, 0.75%, 0.55%

LAB 80.3, -60.76, 27.68

 

CMYK 5 / 76 / 0 / 11

HEX #D636E2

RGB 214 54 226

HSL 295.81, 0.75%, 0.55%

LAB 54.48, 79.4, -54.35

 

CMYK 26 / 0 / 76 / 11

HEX #A7E236

RGB 167 226 54

HSL 80.58, 0.75%, 0.55%

LAB 83.38, -42.15, 72.06

 

CMYK 76 / 26 / 0 / 11

HEX #36A8E2

RGB 54 168 226

HSL 200.23, 0.75%, 0.55%

LAB 65.18, -12.36, -38.23

 

CMYK 0 / 76 / 26 / 11

HEX #E236A8

RGB 226 54 168

HSL 320.23, 0.75%, 0.55%

LAB 53.64, 73.76, -22.13

 

CMYK 26 / 0 / 76 / 11

HEX #A7E236

RGB 167 226 54

HSL 80.58, 0.75%, 0.55%

LAB 83.38, -42.15, 72.06

 

CMYK 76 / 0 / 36 / 11

HEX #36E291

RGB 54 226 145

HSL 151.74, 0.75%, 0.55%

LAB 80.3, -60.76, 27.68

 

CMYK 51 / 76 / 0 / 11

HEX #6F36E2

RGB 111 54 226

HSL 259.88, 0.75%, 0.55%

LAB 40.42, 61.92, -77.79

 

CMYK 0 / 76 / 41 / 11

HEX #E23686

RGB 226 54 134

HSL 332.09, 0.75%, 0.55%

LAB 52.43, 70.08, -3.78

 

CMYK 26 / 0 / 76 / 11

HEX #A7E236

RGB 167 226 54

HSL 80.58, 0.75%, 0.55%

LAB 83.38, -42.15, 72.06

 

CMYK 76 / 0 / 13 / 11

HEX #36E2C5

RGB 54 226 197

HSL 169.88, 0.75%, 0.55%

LAB 81.41, -48.96, 1.99

 

CMYK 51 / 76 / 0 / 11

HEX #6F36E2

RGB 111 54 226

HSL 259.88, 0.75%, 0.55%

LAB 40.42, 61.92, -77.79

 

CMYK 0 / 76 / 64 / 11

HEX #E23652

RGB 226 54 82

HSL 350.23, 0.75%, 0.55%

LAB 51.17, 66.12, 25.79

 

Description

Color code: HEX #A7E236 | qconv.com Color code: HEX #A7E236 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 226 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 226 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 76 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 76% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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