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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93D11D it is the complementary color #6C2EE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93D11D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93D11D shade: #98D118, #A9E32B, #BAF53E, #CBFF51 and #DCFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93D11D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93D11D shade: #93D11D, #82BF0A, #71AD00, #609B00 and #4F8900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93D11D shade: #94D21C, #C5D21C, #D2AF1C, #D27E1C and #D24D1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93D11D shade: #94D21C, #63D21C, #31D21C, #1CD238 and #1CD269

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93D11D shade matches the following richer shades: #94D21C and #9AE609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93D11D shade: #94D21C, #8EBF30, #88AC43, #829856 and #7C856A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93D11D shade: #D2AE1C, #C6D21C, #96D21C, #65D21C and #35D21C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93D11D shade: #618A12, #7AAE17, #94D21C, #A7E335 and #B7E859

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93D11D shade: #93D11D, #1CD27D and #C61CD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93D11D shade: #93D11D, #1C96D2 and #D21C96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93D11D shade: #93D11D, #1CD27D, #591CD2 and #D21C71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93D11D shade: #93D11D, #1CD2B4, #591CD2 and #D21C3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 86 / 18

HEX #93D11D

RGB 147 209 29

HSL 80.67, 0.76%, 0.47%

LAB 77.22, -43.23, 72.54

 

Complementary color

CMYK 52 / 80 / 0 / 11

HEX #6C2EE2

RGB 108 46 226

HSL 260.67, 0.76%, 0.53%

LAB 38.96, 64.86, -80.22

 

CMYK 27 / 0 / 89 / 18

HEX #98D118

RGB 152 209 24

HSL 78.49, 0.79%, 0.46%

LAB 77.49, -41.48, 73.82

 

CMYK 26 / 0 / 81 / 11

HEX #A9E32B

RGB 169 227 43

HSL 78.91, 0.77%, 0.53%

LAB 83.73, -42.3, 75.48

 

CMYK 24 / 0 / 75 / 4

HEX #BAF53E

RGB 186 245 62

HSL 79.34, 0.9%, 0.6%

LAB 89.9, -42.94, 76.15

 

CMYK 20 / 0 / 68 / 0

HEX #CBFF51

RGB 203 255 81

HSL 77.93, 1%, 0.66%

LAB 93.8, -39.94, 73.95

 

CMYK 14 / 0 / 61 / 0

HEX #DCFF64

RGB 220 255 100

HSL 73.55, 1%, 0.7%

LAB 95.02, -32.26, 68.27

 

CMYK 30 / 0 / 86 / 18

HEX #93D11D

RGB 147 209 29

HSL 80.67, 0.76%, 0.47%

LAB 77.22, -43.23, 72.54

 

CMYK 32 / 0 / 95 / 25

HEX #82BF0A

RGB 130 191 10

HSL 80.22, 0.9%, 0.39%

LAB 70.89, -42.27, 69.96

 

CMYK 35 / 0 / 100 / 32

HEX #71AD00

RGB 113 173 0

HSL 80.81, 1%, 0.34%

LAB 64.48, -41.06, 65.74

 

CMYK 38 / 0 / 100 / 39

HEX #609B00

RGB 96 155 0

HSL 82.84, 1%, 0.3%

LAB 57.97, -39.66, 60.32

 

CMYK 42 / 0 / 100 / 46

HEX #4F8900

RGB 79 137 0

HSL 85.4, 1%, 0.27%

LAB 51.33, -38.2, 54.8

 

CMYK 30 / 0 / 87 / 18

HEX #94D21C

RGB 148 210 28

HSL 80.44, 0.76%, 0.47%

LAB 77.56, -43.31, 73.06

 

CMYK 6 / 0 / 87 / 18

HEX #C5D21C

RGB 197 210 28

HSL 64.29, 0.76%, 0.47%

LAB 80.77, -23.73, 77.01

 

CMYK 0 / 17 / 87 / 18

HEX #D2AF1C

RGB 210 175 28

HSL 48.46, 0.76%, 0.47%

LAB 72.53, -0.38, 70.8

 

CMYK 0 / 40 / 87 / 18

HEX #D27E1C

RGB 210 126 28

HSL 32.31, 0.76%, 0.47%

LAB 60.52, 25.96, 61.11

 

CMYK 0 / 63 / 87 / 18

HEX #D24D1C

RGB 210 77 28

HSL 16.15, 0.76%, 0.47%

LAB 50.8, 50.39, 53.24

 

CMYK 30 / 0 / 87 / 18

HEX #94D21C

RGB 148 210 28

HSL 80.44, 0.76%, 0.47%

LAB 77.56, -43.31, 73.06

 

CMYK 53 / 0 / 87 / 18

HEX #63D21C

RGB 99 210 28

HSL 96.59, 0.76%, 0.47%

LAB 75.35, -59.45, 70.28

 

CMYK 77 / 0 / 87 / 18

HEX #31D21C

RGB 49 210 28

HSL 113.08, 0.76%, 0.47%

LAB 74.08, -69.97, 68.69

 

CMYK 87 / 0 / 73 / 18

HEX #1CD238

RGB 28 210 56

HSL 129.23, 0.76%, 0.47%

LAB 73.95, -70.64, 60.65

 

CMYK 87 / 0 / 50 / 18

HEX #1CD269

RGB 28 210 105

HSL 145.38, 0.76%, 0.47%

LAB 74.42, -64.85, 40.1

 

CMYK 30 / 0 / 87 / 18

HEX #94D21C

RGB 148 210 28

HSL 80.44, 0.76%, 0.47%

LAB 77.56, -43.31, 73.06

 

CMYK 33 / 0 / 96 / 10

HEX #9AE609

RGB 154 230 9

HSL 80.63, 0.92%, 0.47%

LAB 83.7, -49.88, 80.71

 

CMYK 30 / 0 / 87 / 18

HEX #94D21C

RGB 148 210 28

HSL 80.44, 0.76%, 0.47%

LAB 77.56, -43.31, 73.06

 

CMYK 26 / 0 / 75 / 25

HEX #8EBF30

RGB 142 191 48

HSL 80.56, 0.6%, 0.47%

LAB 71.71, -36.41, 62.39

 

CMYK 21 / 0 / 61 / 33

HEX #88AC43

RGB 136 172 67

HSL 80.57, 0.44%, 0.47%

LAB 65.86, -28.61, 48.77

 

CMYK 14 / 0 / 43 / 40

HEX #829856

RGB 130 152 86

HSL 80, 0.28%, 0.47%

LAB 59.77, -19.09, 32.12

 

CMYK 7 / 0 / 20 / 48

HEX #7C856A

RGB 124 133 106

HSL 80, 0.11%, 0.47%

LAB 54.13, -8.41, 13.47

 

CMYK 0 / 17 / 87 / 18

HEX #D2AE1C

RGB 210 174 28

HSL 48.13, 0.76%, 0.47%

LAB 72.27, 0.15, 70.59

 

CMYK 6 / 0 / 87 / 18

HEX #C6D21C

RGB 198 210 28

HSL 63.96, 0.76%, 0.47%

LAB 80.84, -23.31, 77.11

 

CMYK 29 / 0 / 87 / 18

HEX #96D21C

RGB 150 210 28

HSL 79.78, 0.76%, 0.47%

LAB 77.67, -42.56, 73.19

 

CMYK 52 / 0 / 87 / 18

HEX #65D21C

RGB 101 210 28

HSL 95.93, 0.76%, 0.47%

LAB 75.42, -58.89, 70.37

 

CMYK 75 / 0 / 87 / 18

HEX #35D21C

RGB 53 210 28

HSL 111.76, 0.76%, 0.47%

LAB 74.15, -69.39, 68.78

 

CMYK 30 / 0 / 87 / 46

HEX #618A12

RGB 97 138 18

HSL 80.5, 0.77%, 0.31%

LAB 52.69, -31.21, 52.87

 

CMYK 30 / 0 / 87 / 32

HEX #7AAE17

RGB 122 174 23

HSL 80.66, 0.77%, 0.39%

LAB 65.34, -37.58, 63.14

 

CMYK 30 / 0 / 87 / 18

HEX #94D21C

RGB 148 210 28

HSL 80.44, 0.76%, 0.47%

LAB 77.56, -43.31, 73.06

 

CMYK 26 / 0 / 77 / 11

HEX #A7E335

RGB 167 227 53

HSL 80.69, 0.76%, 0.55%

LAB 83.66, -42.63, 72.62

 

CMYK 21 / 0 / 62 / 9

HEX #B7E859

RGB 183 232 89

HSL 80.56, 0.76%, 0.63%

LAB 86.26, -36.63, 62.56

 

CMYK 30 / 0 / 86 / 18

HEX #93D11D

RGB 147 209 29

HSL 80.67, 0.76%, 0.47%

LAB 77.22, -43.23, 72.54

 

CMYK 87 / 0 / 40 / 18

HEX #1CD27D

RGB 28 210 125

HSL 151.98, 0.76%, 0.47%

LAB 74.71, -61.4, 30.44

 

CMYK 6 / 87 / 0 / 18

HEX #C61CD2

RGB 198 28 210

HSL 296.04, 0.76%, 0.47%

LAB 48.87, 79.91, -54.36

 

CMYK 30 / 0 / 86 / 18

HEX #93D11D

RGB 147 209 29

HSL 80.67, 0.76%, 0.47%

LAB 77.22, -43.23, 72.54

 

CMYK 87 / 29 / 0 / 18

HEX #1C96D2

RGB 28 150 210

HSL 199.78, 0.76%, 0.47%

LAB 58.71, -10.36, -39.52

 

CMYK 0 / 87 / 29 / 18

HEX #D21C96

RGB 210 28 150

HSL 319.78, 0.76%, 0.47%

LAB 47.92, 74.1, -20.46

 

CMYK 30 / 0 / 86 / 18

HEX #93D11D

RGB 147 209 29

HSL 80.67, 0.76%, 0.47%

LAB 77.22, -43.23, 72.54

 

CMYK 87 / 0 / 40 / 18

HEX #1CD27D

RGB 28 210 125

HSL 151.98, 0.76%, 0.47%

LAB 74.71, -61.4, 30.44

 

CMYK 58 / 87 / 0 / 18

HEX #591CD2

RGB 89 28 210

HSL 260.11, 0.76%, 0.47%

LAB 33.15, 65.18, -80.66

 

CMYK 0 / 87 / 46 / 18

HEX #D21C71

RGB 210 28 113

HSL 331.98, 0.76%, 0.47%

LAB 46.61, 70.46, 0.09

 

CMYK 30 / 0 / 86 / 18

HEX #93D11D

RGB 147 209 29

HSL 80.67, 0.76%, 0.47%

LAB 77.22, -43.23, 72.54

 

CMYK 87 / 0 / 14 / 18

HEX #1CD2B4

RGB 28 210 180

HSL 170.11, 0.76%, 0.47%

LAB 75.84, -48.91, 2.94

 

CMYK 58 / 87 / 0 / 18

HEX #591CD2

RGB 89 28 210

HSL 260.11, 0.76%, 0.47%

LAB 33.15, 65.18, -80.66

 

CMYK 0 / 87 / 72 / 18

HEX #D21C3B

RGB 210 28 59

HSL 349.78, 0.76%, 0.47%

LAB 45.43, 67.07, 31.8

 

Description

Color code: HEX #93D11D | qconv.com Color code: HEX #93D11D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 209 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 209 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 86 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 86% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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