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Color name
HEX #A48D50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A48D50 it is the complementary color #5B72AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A48D50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A48D50 shade: #A98D4B, #BA9F5E, #CBB171, #DCC384 and #EDD597

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A48D50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A48D50 shade: #A48D50, #937B3D, #82692A, #715717 and #604504

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A48D50 shade: #A48D50, #A47650, #A46050 and #A45050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A48D50 shade: #A48D50, #A4A350, #8DA450, #77A450 and #61A450

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A48D50 shade matches the following richer shades: #A48D50, #B7963C, #CB9F29, #DFA815 and #F3B101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A48D50 shade: #A48D50, #908464, #7C7B78, #68728C and #5469A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A48D50 shade: #A46050, #A47650, #A48C50, #A4A250 and #8FA450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A48D50 shade: #6C5D35, #887543, #A48D50, #B5A068 and #C2B184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A48D50 shade: #A48D50, #57A450 and #6B50A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A48D50 shade: #A48D50, #50A48C and #8C50A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A48D50 shade: #A48D50, #57A450, #5068A4 and #9D50A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A48D50 shade: #A48D50, #50A462, #5068A4 and #A45091

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 51 / 36

HEX #A48D50

RGB 164 141 80

HSL 43.57, 0.34%, 0.48%

LAB 59.45, 0.51, 35.51

 

Complementary color

CMYK 48 / 35 / 0 / 31

HEX #5B72AF

RGB 91 114 175

HSL 223.57, 0.34%, 0.52%

LAB 48.7, 8.61, -35.13

 

CMYK 0 / 17 / 56 / 34

HEX #A98D4B

RGB 169 141 75

HSL 42.13, 0.39%, 0.48%

LAB 59.88, 2.24, 38.74

 

CMYK 0 / 15 / 49 / 27

HEX #BA9F5E

RGB 186 159 94

HSL 42.39, 0.4%, 0.55%

LAB 66.55, 1.41, 37.41

 

CMYK 0 / 13 / 44 / 20

HEX #CBB171

RGB 203 177 113

HSL 42.67, 0.46%, 0.62%

LAB 73.11, 0.72, 36.12

 

CMYK 0 / 11 / 40 / 14

HEX #DCC384

RGB 220 195 132

HSL 42.95, 0.56%, 0.69%

LAB 79.56, 0.14, 34.89

 

CMYK 0 / 10 / 36 / 7

HEX #EDD597

RGB 237 213 151

HSL 43.26, 0.7%, 0.76%

LAB 85.92, -0.37, 33.71

 

CMYK 0 / 14 / 51 / 36

HEX #A48D50

RGB 164 141 80

HSL 43.57, 0.34%, 0.48%

LAB 59.45, 0.51, 35.51

 

CMYK 0 / 16 / 59 / 42

HEX #937B3D

RGB 147 123 61

HSL 43.26, 0.41%, 0.41%

LAB 52.63, 1.38, 36.85

 

CMYK 0 / 19 / 68 / 49

HEX #82692A

RGB 130 105 42

HSL 42.95, 0.51%, 0.34%

LAB 45.66, 2.48, 38.11

 

CMYK 0 / 23 / 80 / 56

HEX #715717

RGB 113 87 23

HSL 42.67, 0.66%, 0.27%

LAB 38.53, 3.89, 38.98

 

CMYK 0 / 28 / 96 / 62

HEX #604504

RGB 96 69 4

HSL 42.39, 0.92%, 0.2%

LAB 31.24, 5.72, 38.86

 

CMYK 0 / 14 / 51 / 36

HEX #A48D50

RGB 164 141 80

HSL 43.57, 0.34%, 0.48%

LAB 59.45, 0.51, 35.51

 

CMYK 0 / 28 / 51 / 36

HEX #A47650

RGB 164 118 80

HSL 27.14, 0.34%, 0.48%

LAB 53.42, 13.44, 27.96

 

CMYK 0 / 41 / 51 / 36

HEX #A46050

RGB 164 96 80

HSL 11.43, 0.34%, 0.48%

LAB 48.05, 25.89, 21.01

 

CMYK 0 / 51 / 51 / 36

HEX #A45050

RGB 164 80 80

HSL 0, 0.34%, 0.48%

LAB 44.53, 34.62, 16.29

 

CMYK 0 / 14 / 51 / 36

HEX #A48D50

RGB 164 141 80

HSL 43.57, 0.34%, 0.48%

LAB 59.45, 0.51, 35.51

 

CMYK 0 / 1 / 51 / 36

HEX #A4A350

RGB 164 163 80

HSL 59.29, 0.34%, 0.48%

LAB 65.49, -11.36, 42.76

 

CMYK 14 / 0 / 51 / 36

HEX #8DA450

RGB 141 164 80

HSL 76.43, 0.34%, 0.48%

LAB 63.99, -21.44, 40.55

 

CMYK 27 / 0 / 51 / 36

HEX #77A450

RGB 119 164 80

HSL 92.14, 0.34%, 0.48%

LAB 62.55, -30.06, 38.47

 

CMYK 41 / 0 / 51 / 36

HEX #61A450

RGB 97 164 80

HSL 107.86, 0.34%, 0.48%

LAB 61.37, -37.82, 36.76

 

CMYK 0 / 14 / 51 / 36

HEX #A48D50

RGB 164 141 80

HSL 43.57, 0.34%, 0.48%

LAB 59.45, 0.51, 35.51

 

CMYK 0 / 18 / 67 / 28

HEX #B7963C

RGB 183 150 60

HSL 43.9, 0.51%, 0.48%

LAB 63.51, 2.37, 50.48

 

CMYK 0 / 22 / 80 / 20

HEX #CB9F29

RGB 203 159 41

HSL 43.7, 0.66%, 0.48%

LAB 67.76, 5.43, 62.83

 

CMYK 0 / 25 / 91 / 13

HEX #DFA815

RGB 223 168 21

HSL 43.66, 0.83%, 0.48%

LAB 72.06, 8.88, 72.46

 

CMYK 0 / 27 / 100 / 5

HEX #F3B101

RGB 243 177 1

HSL 43.64, 0.99%, 0.48%

LAB 76.38, 12.57, 79.15

 

CMYK 0 / 14 / 51 / 36

HEX #A48D50

RGB 164 141 80

HSL 43.57, 0.34%, 0.48%

LAB 59.45, 0.51, 35.51

 

CMYK 0 / 8 / 31 / 44

HEX #908464

RGB 144 132 100

HSL 43.64, 0.18%, 0.48%

LAB 55.43, -0.66, 18.95

 

CMYK 0 / 1 / 3 / 51

HEX #7C7B78

RGB 124 123 120

HSL 45, 0.02%, 0.48%

LAB 51.62, -0.21, 1.76

 

CMYK 26 / 19 / 0 / 45

HEX #68728C

RGB 104 114 140

HSL 223.33, 0.15%, 0.48%

LAB 48.1, 2.42, -15.45

 

CMYK 48 / 34 / 0 / 37

HEX #5469A0

RGB 84 105 160

HSL 223.42, 0.31%, 0.48%

LAB 44.98, 7.68, -32.22

 

CMYK 0 / 41 / 51 / 36

HEX #A46050

RGB 164 96 80

HSL 11.43, 0.34%, 0.48%

LAB 48.05, 25.89, 21.01

 

CMYK 0 / 28 / 51 / 36

HEX #A47650

RGB 164 118 80

HSL 27.14, 0.34%, 0.48%

LAB 53.42, 13.44, 27.96

 

CMYK 0 / 15 / 51 / 36

HEX #A48C50

RGB 164 140 80

HSL 42.86, 0.34%, 0.48%

LAB 59.18, 1.07, 35.18

 

CMYK 0 / 1 / 51 / 36

HEX #A4A250

RGB 164 162 80

HSL 58.57, 0.34%, 0.48%

LAB 65.21, -10.83, 42.43

 

CMYK 13 / 0 / 51 / 36

HEX #8FA450

RGB 143 164 80

HSL 75, 0.34%, 0.48%

LAB 64.14, -20.63, 40.76

 

CMYK 0 / 14 / 51 / 58

HEX #6C5D35

RGB 108 93 53

HSL 43.64, 0.34%, 0.32%

LAB 40.04, 0.19, 25.1

 

CMYK 0 / 14 / 51 / 47

HEX #887543

RGB 136 117 67

HSL 43.48, 0.34%, 0.4%

LAB 49.93, 0.41, 30.15

 

CMYK 0 / 14 / 51 / 36

HEX #A48D50

RGB 164 141 80

HSL 43.57, 0.34%, 0.48%

LAB 59.45, 0.51, 35.51

 

CMYK 0 / 12 / 43 / 29

HEX #B5A068

RGB 181 160 104

HSL 43.64, 0.34%, 0.56%

LAB 66.49, -0.2, 31.98

 

CMYK 0 / 9 / 32 / 24

HEX #C2B184

RGB 194 177 132

HSL 43.55, 0.34%, 0.64%

LAB 72.61, -0.71, 25.28

 

CMYK 0 / 14 / 51 / 36

HEX #A48D50

RGB 164 141 80

HSL 43.57, 0.34%, 0.48%

LAB 59.45, 0.51, 35.51

 

CMYK 47 / 0 / 51 / 36

HEX #57A450

RGB 87 164 80

HSL 115, 0.34%, 0.48%

LAB 60.92, -40.98, 36.11

 

CMYK 35 / 51 / 0 / 36

HEX #6B50A4

RGB 107 80 164

HSL 259.29, 0.34%, 0.48%

LAB 40.48, 30.5, -41.59

 

CMYK 0 / 14 / 51 / 36

HEX #A48D50

RGB 164 141 80

HSL 43.57, 0.34%, 0.48%

LAB 59.45, 0.51, 35.51

 

CMYK 51 / 0 / 15 / 36

HEX #50A48C

RGB 80 164 140

HSL 162.86, 0.34%, 0.48%

LAB 61.78, -31.49, 4.68

 

CMYK 15 / 51 / 0 / 36

HEX #8C50A4

RGB 140 80 164

HSL 282.86, 0.34%, 0.48%

LAB 44.22, 39.71, -35.42

 

CMYK 0 / 14 / 51 / 36

HEX #A48D50

RGB 164 141 80

HSL 43.57, 0.34%, 0.48%

LAB 59.45, 0.51, 35.51

 

CMYK 47 / 0 / 51 / 36

HEX #57A450

RGB 87 164 80

HSL 115, 0.34%, 0.48%

LAB 60.92, -40.98, 36.11

 

CMYK 51 / 37 / 0 / 36

HEX #5068A4

RGB 80 104 164

HSL 222.86, 0.34%, 0.48%

LAB 44.64, 8.57, -35.13

 

CMYK 4 / 51 / 0 / 36

HEX #9D50A4

RGB 157 80 164

HSL 295, 0.34%, 0.48%

LAB 46.43, 44.63, -31.8

 

CMYK 0 / 14 / 51 / 36

HEX #A48D50

RGB 164 141 80

HSL 43.57, 0.34%, 0.48%

LAB 59.45, 0.51, 35.51

 

CMYK 51 / 0 / 40 / 36

HEX #50A462

RGB 80 164 98

HSL 132.86, 0.34%, 0.48%

LAB 60.9, -40.22, 26.64

 

CMYK 51 / 37 / 0 / 36

HEX #5068A4

RGB 80 104 164

HSL 222.86, 0.34%, 0.48%

LAB 44.64, 8.57, -35.13

 

CMYK 0 / 51 / 12 / 36

HEX #A45091

RGB 164 80 145

HSL 313.57, 0.34%, 0.48%

LAB 46.54, 43.29, -20.23

 

Description

Color code: HEX #A48D50 | qconv.com Color code: HEX #A48D50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 141 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 141 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 51 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 51% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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