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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A257E1 it is the complementary color #5DA81E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A257E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A257E1 shade: #A757DC, #B869EF, #C97BFF, #DA8DFF and #EB9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A257E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A257E1 shade: #A257E1, #9145CE, #8033BB, #6F21A8 and #5E0F95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A257E1 shade: #A155E1, #C755E1, #E155D5, #E155B0 and #E1558A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A257E1 shade: #A155E1, #7C55E1, #5655E1 and #5555E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A257E1 shade matches the following richer shades: #A155E1 and #A345F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A257E1 shade: #A155E1, #A066D1, #9E76C0, #9D86B0 and #9C96A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A257E1 shade: #5555E1, #7B55E1, #A055E1, #C555E1 and #E155D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A257E1 shade: #7922C2, #8E32DA, #A155E1, #B479E7 and #C89CED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A257E1 shade: #A257E1, #E1557B and #55E168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A257E1 shade: #A257E1, #E1A055 and #55E1A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A257E1 shade: #A257E1, #E1557B, #96E155 and #55E1BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A257E1 shade: #A257E1, #E15A55, #96E155 and #55DCE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 61 / 0 / 12

HEX #A257E1

RGB 162 87 225

HSL 272.61, 0.7%, 0.61%

LAB 51.76, 55.39, -58.53

 

Complementary color

CMYK 45 / 0 / 82 / 34

HEX #5DA81E

RGB 93 168 30

HSL 92.61, 0.7%, 0.39%

LAB 62.02, -45.22, 57.94

 

CMYK 24 / 60 / 0 / 14

HEX #A757DC

RGB 167 87 220

HSL 276.09, 0.66%, 0.6%

LAB 52.06, 55.42, -55.19

 

CMYK 23 / 56 / 0 / 6

HEX #B869EF

RGB 184 105 239

HSL 275.37, 0.81%, 0.67%

LAB 58.53, 54.67, -55.4

 

CMYK 21 / 52 / 0 / 0

HEX #C97BFF

RGB 201 123 255

HSL 275.45, 1%, 0.74%

LAB 64.81, 53.22, -54.13

 

CMYK 15 / 45 / 0 / 0

HEX #DA8DFF

RGB 218 141 255

HSL 280.53, 1%, 0.78%

LAB 70.3, 48.41, -45.34

 

CMYK 8 / 38 / 0 / 0

HEX #EB9FFF

RGB 235 159 255

HSL 287.5, 1%, 0.81%

LAB 75.87, 43.86, -36.52

 

CMYK 28 / 61 / 0 / 12

HEX #A257E1

RGB 162 87 225

HSL 272.61, 0.7%, 0.61%

LAB 51.76, 55.39, -58.53

 

CMYK 30 / 67 / 0 / 19

HEX #9145CE

RGB 145 69 206

HSL 273.28, 0.58%, 0.54%

LAB 45.27, 56.05, -58.27

 

CMYK 32 / 73 / 0 / 27

HEX #8033BB

RGB 128 51 187

HSL 273.97, 0.57%, 0.47%

LAB 38.8, 56.42, -57.77

 

CMYK 34 / 80 / 0 / 34

HEX #6F21A8

RGB 111 33 168

HSL 274.67, 0.67%, 0.39%

LAB 32.47, 56.19, -56.88

 

CMYK 37 / 90 / 0 / 42

HEX #5E0F95

RGB 94 15 149

HSL 275.37, 0.82%, 0.32%

LAB 26.42, 54.84, -55.3

 

CMYK 28 / 62 / 0 / 12

HEX #A155E1

RGB 161 85 225

HSL 272.57, 0.7%, 0.61%

LAB 51.28, 56.15, -59.32

 

CMYK 12 / 62 / 0 / 12

HEX #C755E1

RGB 199 85 225

HSL 288.86, 0.7%, 0.61%

LAB 56.16, 64.87, -51.23

 

CMYK 0 / 62 / 5 / 12

HEX #E155D5

RGB 225 85 213

HSL 305.14, 0.7%, 0.61%

LAB 59.26, 69.05, -39.32

 

CMYK 0 / 62 / 22 / 12

HEX #E155B0

RGB 225 85 176

HSL 321, 0.7%, 0.61%

LAB 57.69, 63.61, -20.58

 

CMYK 0 / 62 / 39 / 12

HEX #E1558A

RGB 225 85 138

HSL 337.29, 0.7%, 0.61%

LAB 56.43, 59.01, -0.3

 

CMYK 28 / 62 / 0 / 12

HEX #A155E1

RGB 161 85 225

HSL 272.57, 0.7%, 0.61%

LAB 51.28, 56.15, -59.32

 

CMYK 45 / 62 / 0 / 12

HEX #7C55E1

RGB 124 85 225

HSL 256.71, 0.7%, 0.61%

LAB 47.26, 48.33, -66.01

 

CMYK 62 / 62 / 0 / 12

HEX #5655E1

RGB 86 85 225

HSL 240.43, 0.7%, 0.61%

LAB 44.11, 41.64, -71.28

 

CMYK 62 / 62 / 0 / 12

HEX #5555E1

RGB 85 85 225

HSL 240, 0.7%, 0.61%

LAB 44.04, 41.48, -71.39

 

CMYK 28 / 62 / 0 / 12

HEX #A155E1

RGB 161 85 225

HSL 272.57, 0.7%, 0.61%

LAB 51.28, 56.15, -59.32

 

CMYK 32 / 71 / 0 / 5

HEX #A345F1

RGB 163 69 241

HSL 272.79, 0.86%, 0.61%

LAB 49.97, 67.46, -70.43

 

CMYK 28 / 62 / 0 / 12

HEX #A155E1

RGB 161 85 225

HSL 272.57, 0.7%, 0.61%

LAB 51.28, 56.15, -59.32

 

CMYK 23 / 51 / 0 / 18

HEX #A066D1

RGB 160 102 209

HSL 272.52, 0.54%, 0.61%

LAB 53.58, 43.37, -46.58

 

CMYK 18 / 39 / 0 / 25

HEX #9E76C0

RGB 158 118 192

HSL 272.43, 0.37%, 0.61%

LAB 56.12, 29.93, -32.9

 

CMYK 11 / 24 / 0 / 31

HEX #9D86B0

RGB 157 134 176

HSL 272.86, 0.21%, 0.61%

LAB 59.3, 16.87, -18.88

 

CMYK 2 / 6 / 0 / 37

HEX #9C96A0

RGB 156 150 160

HSL 276, 0.05%, 0.61%

LAB 62.86, 4.12, -4.46

 

CMYK 62 / 62 / 0 / 12

HEX #5555E1

RGB 85 85 225

HSL 240, 0.7%, 0.61%

LAB 44.04, 41.48, -71.39

 

CMYK 45 / 62 / 0 / 12

HEX #7B55E1

RGB 123 85 225

HSL 256.29, 0.7%, 0.61%

LAB 47.16, 48.14, -66.17

 

CMYK 29 / 62 / 0 / 12

HEX #A055E1

RGB 160 85 225

HSL 272.14, 0.7%, 0.61%

LAB 51.16, 55.93, -59.51

 

CMYK 12 / 62 / 0 / 12

HEX #C555E1

RGB 197 85 225

HSL 288, 0.7%, 0.61%

LAB 55.89, 64.4, -51.68

 

CMYK 0 / 62 / 4 / 12

HEX #E155D7

RGB 225 85 215

HSL 304.29, 0.7%, 0.61%

LAB 59.35, 69.37, -40.3

 

CMYK 38 / 82 / 0 / 24

HEX #7922C2

RGB 121 34 194

HSL 272.63, 0.7%, 0.45%

LAB 36.18, 63.23, -66.2

 

CMYK 35 / 77 / 0 / 15

HEX #8E32DA

RGB 142 50 218

HSL 272.86, 0.69%, 0.53%

LAB 42.9, 66.25, -69.01

 

CMYK 28 / 62 / 0 / 12

HEX #A155E1

RGB 161 85 225

HSL 272.57, 0.7%, 0.61%

LAB 51.28, 56.15, -59.32

 

CMYK 22 / 48 / 0 / 9

HEX #B479E7

RGB 180 121 231

HSL 272.18, 0.7%, 0.69%

LAB 60.91, 43.44, -47.2

 

CMYK 16 / 34 / 0 / 7

HEX #C89CED

RGB 200 156 237

HSL 272.59, 0.69%, 0.77%

LAB 70.99, 31.33, -34.59

 

CMYK 28 / 61 / 0 / 12

HEX #A257E1

RGB 162 87 225

HSL 272.61, 0.7%, 0.61%

LAB 51.76, 55.39, -58.53

 

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

CMYK 62 / 0 / 54 / 12

HEX #55E168

RGB 85 225 104

HSL 128.14, 0.7%, 0.61%

LAB 80.06, -62.01, 47.71

 

CMYK 28 / 61 / 0 / 12

HEX #A257E1

RGB 162 87 225

HSL 272.61, 0.7%, 0.61%

LAB 51.76, 55.39, -58.53

 

CMYK 0 / 29 / 62 / 12

HEX #E1A055

RGB 225 160 85

HSL 32.14, 0.7%, 0.61%

LAB 70.74, 16.59, 47.94

 

CMYK 62 / 0 / 29 / 12

HEX #55E1A0

RGB 85 225 160

HSL 152.14, 0.7%, 0.61%

LAB 80.92, -52.61, 20.86

 

CMYK 28 / 61 / 0 / 12

HEX #A257E1

RGB 162 87 225

HSL 272.61, 0.7%, 0.61%

LAB 51.76, 55.39, -58.53

 

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

CMYK 33 / 0 / 62 / 12

HEX #96E155

RGB 150 225 85

HSL 92.14, 0.7%, 0.61%

LAB 82.37, -45.8, 59.44

 

CMYK 62 / 0 / 16 / 12

HEX #55E1BC

RGB 85 225 188

HSL 164.14, 0.7%, 0.61%

LAB 81.52, -46.43, 6.99

 

CMYK 28 / 61 / 0 / 12

HEX #A257E1

RGB 162 87 225

HSL 272.61, 0.7%, 0.61%

LAB 51.76, 55.39, -58.53

 

CMYK 0 / 60 / 62 / 12

HEX #E15A55

RGB 225 90 85

HSL 2.14, 0.7%, 0.61%

LAB 56.06, 52.3, 30.24

 

CMYK 33 / 0 / 62 / 12

HEX #96E155

RGB 150 225 85

HSL 92.14, 0.7%, 0.61%

LAB 82.37, -45.8, 59.44

 

CMYK 62 / 2 / 0 / 12

HEX #55DCE1

RGB 85 220 225

HSL 182.14, 0.7%, 0.61%

LAB 81.05, -34.67, -13.36

 

Description

Color code: HEX #A257E1 | qconv.com Color code: HEX #A257E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 87 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 87 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 61 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 61% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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