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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1557B it is the complementary color #1EAA84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1557B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1557B shade: #E65576, #F76789, #FF799C, #FF8BAF and #FF9DC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1557B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1557B shade: #E1557B, #D04368, #BF3155, #AE1F42 and #9D0D2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1557B shade: #E1557B, #E15556 and #E15555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1557B shade: #E1557B, #E155A1, #E155C6, #D555E1 and #B055E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1557B shade matches the following richer shades: #E1557B and #F14574

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1557B shade: #E1557B, #D16683, #C0768A, #B08691 and #A09699

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1557B shade: #E155C7, #E155A2, #E1557D, #E15558 and #E17855

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1557B shade: #C2224D, #DA3260, #E1557B, #E77996 and #ED9CB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1557B shade: #E1557B, #E1D555 and #55B5E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1557B shade: #E1557B, #7DE155 and #557DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1557B shade: #E1557B, #E1D555, #55E1B9 and #5561E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1557B shade: #E1557B, #C2E155, #55E1B9 and #7455E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

Complementary color

CMYK 82 / 0 / 22 / 33

HEX #1EAA84

RGB 30 170 132

HSL 163.71, 0.7%, 0.39%

LAB 62.25, -44.53, 9.65

 

CMYK 0 / 63 / 49 / 10

HEX #E65576

RGB 230 85 118

HSL 346.34, 0.74%, 0.62%

LAB 56.71, 58.62, 12

 

CMYK 0 / 58 / 45 / 3

HEX #F76789

RGB 247 103 137

HSL 345.83, 0.9%, 0.69%

LAB 62.74, 57.99, 9.82

 

CMYK 0 / 53 / 39 / 0

HEX #FF799C

RGB 255 121 156

HSL 344.33, 1%, 0.74%

LAB 67.53, 54.28, 5.96

 

CMYK 0 / 45 / 31 / 0

HEX #FF8BAF

RGB 255 139 175

HSL 341.38, 1%, 0.77%

LAB 71.43, 47.74, 0.94

 

CMYK 0 / 38 / 24 / 0

HEX #FF9DC2

RGB 255 157 194

HSL 337.35, 1%, 0.81%

LAB 75.62, 41.12, -3.44

 

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

CMYK 0 / 68 / 50 / 18

HEX #D04368

RGB 208 67 104

HSL 344.26, 0.6%, 0.54%

LAB 50.01, 57.87, 10.41

 

CMYK 0 / 74 / 55 / 25

HEX #BF3155

RGB 191 49 85

HSL 344.79, 0.59%, 0.47%

LAB 44.13, 57.82, 13.42

 

CMYK 0 / 82 / 62 / 32

HEX #AE1F42

RGB 174 31 66

HSL 345.31, 0.7%, 0.4%

LAB 38.5, 57.07, 17.2

 

CMYK 0 / 92 / 70 / 38

HEX #9D0D2F

RGB 157 13 47

HSL 345.83, 0.85%, 0.33%

LAB 33.27, 55.19, 21.96

 

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

CMYK 0 / 62 / 62 / 12

HEX #E15556

RGB 225 85 86

HSL 359.57, 0.7%, 0.61%

LAB 55.25, 54.57, 28.64

 

CMYK 0 / 62 / 62 / 12

HEX #E15555

RGB 225 85 85

HSL 0, 0.7%, 0.61%

LAB 55.24, 54.5, 29.2

 

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

CMYK 0 / 62 / 28 / 12

HEX #E155A1

RGB 225 85 161

HSL 327.43, 0.7%, 0.61%

LAB 57.15, 61.66, -12.7

 

CMYK 0 / 62 / 12 / 12

HEX #E155C6

RGB 225 85 198

HSL 311.57, 0.7%, 0.61%

LAB 58.59, 66.74, -31.85

 

CMYK 5 / 62 / 0 / 12

HEX #D555E1

RGB 213 85 225

HSL 294.86, 0.7%, 0.61%

LAB 58.11, 68.16, -48.01

 

CMYK 22 / 62 / 0 / 12

HEX #B055E1

RGB 176 85 225

HSL 279, 0.7%, 0.61%

LAB 53.13, 59.54, -56.25

 

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

CMYK 0 / 71 / 52 / 5

HEX #F14574

RGB 241 69 116

HSL 343.6, 0.86%, 0.61%

LAB 56.31, 67.83, 12.89

 

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

CMYK 0 / 51 / 37 / 18

HEX #D16683

RGB 209 102 131

HSL 343.74, 0.54%, 0.61%

LAB 56.78, 45.17, 4.02

 

CMYK 0 / 39 / 28 / 25

HEX #C0768A

RGB 192 118 138

HSL 343.78, 0.37%, 0.61%

LAB 58.04, 31.61, 1.48

 

CMYK 0 / 24 / 18 / 31

HEX #B08691

RGB 176 134 145

HSL 344.29, 0.21%, 0.61%

LAB 60.18, 17.8, 0.35

 

CMYK 0 / 6 / 4 / 37

HEX #A09699

RGB 160 150 153

HSL 342, 0.05%, 0.61%

LAB 63, 4.23, -0.26

 

CMYK 0 / 62 / 12 / 12

HEX #E155C7

RGB 225 85 199

HSL 311.14, 0.7%, 0.61%

LAB 58.63, 66.89, -32.35

 

CMYK 0 / 62 / 28 / 12

HEX #E155A2

RGB 225 85 162

HSL 327, 0.7%, 0.61%

LAB 57.19, 61.79, -13.23

 

CMYK 0 / 62 / 44 / 12

HEX #E1557D

RGB 225 85 125

HSL 342.86, 0.7%, 0.61%

LAB 56.07, 57.69, 6.85

 

CMYK 0 / 62 / 61 / 12

HEX #E15558

RGB 225 85 88

HSL 358.71, 0.7%, 0.61%

LAB 55.29, 54.7, 27.52

 

CMYK 0 / 47 / 62 / 12

HEX #E17855

RGB 225 120 85

HSL 15, 0.7%, 0.61%

LAB 61.74, 37.76, 37.28

 

CMYK 0 / 82 / 60 / 24

HEX #C2224D

RGB 194 34 77

HSL 343.88, 0.7%, 0.45%

LAB 42.99, 62.47, 16.95

 

CMYK 0 / 77 / 56 / 15

HEX #DA3260

RGB 218 50 96

HSL 343.57, 0.69%, 0.53%

LAB 49.53, 65.96, 14.88

 

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

CMYK 0 / 48 / 35 / 9

HEX #E77996

RGB 231 121 150

HSL 344.18, 0.7%, 0.69%

LAB 64.05, 45.5, 3.94

 

CMYK 0 / 34 / 25 / 7

HEX #ED9CB2

RGB 237 156 178

HSL 343.7, 0.69%, 0.77%

LAB 72.89, 33.13, 1.13

 

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

CMYK 0 / 5 / 62 / 12

HEX #E1D555

RGB 225 213 85

HSL 54.86, 0.7%, 0.61%

LAB 84.1, -11.08, 62.78

HEX #E1D555

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

HEX #55B5E1

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

CMYK 44 / 0 / 62 / 12

HEX #7DE155

RGB 125 225 85

HSL 102.86, 0.7%, 0.61%

LAB 81.22, -53.89, 57.84

 

CMYK 62 / 44 / 0 / 12

HEX #557DE1

RGB 85 125 225

HSL 222.86, 0.7%, 0.61%

LAB 54.06, 16.95, -55.19

 

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

CMYK 0 / 5 / 62 / 12

HEX #E1D555

RGB 225 213 85

HSL 54.86, 0.7%, 0.61%

LAB 84.1, -11.08, 62.78

HEX #E1D555

CMYK 62 / 0 / 18 / 12

HEX #55E1B9

RGB 85 225 185

HSL 162.86, 0.7%, 0.61%

LAB 81.45, -47.13, 8.48

HEX #55E1B9

CMYK 62 / 57 / 0 / 12

HEX #5561E1

RGB 85 97 225

HSL 234.86, 0.7%, 0.61%

LAB 46.87, 34.21, -66.79

HEX #5561E1

CMYK 0 / 62 / 45 / 12

HEX #E1557B

RGB 225 85 123

HSL 343.71, 0.7%, 0.61%

LAB 56.02, 57.5, 7.96

 

CMYK 14 / 0 / 62 / 12

HEX #C2E155

RGB 194 225 85

HSL 73.29, 0.7%, 0.61%

LAB 84.98, -29.47, 63.04

 

CMYK 62 / 0 / 18 / 12

HEX #55E1B9

RGB 85 225 185

HSL 162.86, 0.7%, 0.61%

LAB 81.45, -47.13, 8.48

 

CMYK 48 / 62 / 0 / 12

HEX #7455E1

RGB 116 85 225

HSL 253.29, 0.7%, 0.61%

LAB 46.51, 46.79, -67.26

 

Description

Color code: HEX #E1557B | qconv.com Color code: HEX #E1557B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 85 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 85 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 45 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 45% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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