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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A17072 it is the complementary color #5E8F8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A17072. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A17072 shade: #A6706D, #B78280, #C89493, #D9A6A6 and #EAB8B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A17072. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A17072 shade: #A17072, #905E5F, #7F4C4C, #6E3A39 and #5D2826

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A17072 shade: #A27173 and #A27171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A17072 shade: #A27173, #A27180, #A2718D, #A2719A and #9C71A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A17072 shade matches the following richer shades: #A27173, #B55E61, #C84B50, #DB383E and #EE252D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A17072 shade: #A27173, #8F8484, #7C9795, #69AAA7 and #56BCB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A17072 shade: #A2718D, #A27180, #A27173, #A27B71 and #A28871

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A17072 shade: #744C4D, #8D5C5E, #A27173, #B28A8B and #C2A2A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A17072 shade: #A17072, #9AA271 and #7187A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A17072 shade: #A17072, #73A271 and #7173A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A17072 shade: #A17072, #9AA271, #71A29F and #7871A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A17072 shade: #A17072, #8CA271, #71A29F and #8771A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 29 / 37

HEX #A17072

RGB 161 112 114

HSL 357.55, 0.21%, 0.54%

LAB 52.26, 19.71, 6.7

 

Complementary color

CMYK 34 / 0 / 1 / 44

HEX #5E8F8D

RGB 94 143 141

HSL 177.55, 0.21%, 0.46%

LAB 56.04, -16.89, -4.19

 

CMYK 0 / 33 / 34 / 35

HEX #A6706D

RGB 166 112 109

HSL 3.16, 0.24%, 0.54%

LAB 52.73, 21.01, 10.38

 

CMYK 0 / 29 / 30 / 28

HEX #B78280

RGB 183 130 128

HSL 2.18, 0.28%, 0.61%

LAB 59.52, 20.17, 9.23

 

CMYK 0 / 26 / 27 / 22

HEX #C89493

RGB 200 148 147

HSL 1.13, 0.33%, 0.68%

LAB 66.19, 19.43, 8.21

 

CMYK 0 / 24 / 24 / 15

HEX #D9A6A6

RGB 217 166 166

HSL 0, 0.4%, 0.75%

LAB 72.75, 18.76, 7.27

 

CMYK 0 / 21 / 21 / 8

HEX #EAB8B9

RGB 234 184 185

HSL 358.8, 0.54%, 0.82%

LAB 79.2, 18.17, 6.4

 

CMYK 0 / 30 / 29 / 37

HEX #A17072

RGB 161 112 114

HSL 357.55, 0.21%, 0.54%

LAB 52.26, 19.71, 6.7

 

CMYK 0 / 35 / 34 / 44

HEX #905E5F

RGB 144 94 95

HSL 358.8, 0.21%, 0.47%

LAB 45.3, 20.58, 7.85

 

CMYK 0 / 40 / 40 / 50

HEX #7F4C4C

RGB 127 76 76

HSL 0, 0.25%, 0.4%

LAB 38.2, 21.59, 9.2

 

CMYK 0 / 47 / 48 / 57

HEX #6E3A39

RGB 110 58 57

HSL 1.13, 0.32%, 0.33%

LAB 30.96, 22.75, 10.84

 

CMYK 0 / 57 / 59 / 64

HEX #5D2826

RGB 93 40 38

HSL 2.18, 0.42%, 0.26%

LAB 23.62, 24.05, 12.97

 

CMYK 0 / 30 / 29 / 36

HEX #A27173

RGB 162 113 115

HSL 357.55, 0.21%, 0.54%

LAB 52.65, 19.68, 6.68

 

CMYK 0 / 30 / 30 / 36

HEX #A27171

RGB 162 113 113

HSL 0, 0.21%, 0.54%

LAB 52.6, 19.39, 7.78

 

CMYK 0 / 30 / 29 / 36

HEX #A27173

RGB 162 113 115

HSL 357.55, 0.21%, 0.54%

LAB 52.65, 19.68, 6.68

 

CMYK 0 / 30 / 21 / 36

HEX #A27180

RGB 162 113 128

HSL 341.63, 0.21%, 0.54%

LAB 53, 21.65, -0.45

 

CMYK 0 / 30 / 13 / 36

HEX #A2718D

RGB 162 113 141

HSL 325.71, 0.21%, 0.54%

LAB 53.4, 23.82, -7.5

 

CMYK 0 / 30 / 5 / 36

HEX #A2719A

RGB 162 113 154

HSL 309.8, 0.21%, 0.54%

LAB 53.84, 26.17, -14.44

 

CMYK 4 / 30 / 0 / 36

HEX #9C71A2

RGB 156 113 162

HSL 292.65, 0.21%, 0.54%

LAB 53.48, 25.67, -19.72

 

CMYK 0 / 30 / 29 / 36

HEX #A27173

RGB 162 113 115

HSL 357.55, 0.21%, 0.54%

LAB 52.65, 19.68, 6.68

 

CMYK 0 / 48 / 46 / 29

HEX #B55E61

RGB 181 94 97

HSL 357.93, 0.37%, 0.54%

LAB 50.33, 35.4, 14.41

 

CMYK 0 / 63 / 60 / 22

HEX #C84B50

RGB 200 75 80

HSL 357.6, 0.53%, 0.54%

LAB 49.36, 50.09, 23.75

 

CMYK 0 / 74 / 72 / 14

HEX #DB383E

RGB 219 56 62

HSL 357.79, 0.69%, 0.54%

LAB 49.78, 62.46, 35.58

 

CMYK 0 / 84 / 81 / 7

HEX #EE252D

RGB 238 37 45

HSL 357.61, 0.86%, 0.54%

LAB 51.48, 72.2, 47.9

 

CMYK 0 / 30 / 29 / 36

HEX #A27173

RGB 162 113 115

HSL 357.55, 0.21%, 0.54%

LAB 52.65, 19.68, 6.68

 

CMYK 0 / 8 / 8 / 44

HEX #8F8484

RGB 143 132 132

HSL 0, 0.05%, 0.54%

LAB 56.1, 4.14, 1.49

 

CMYK 18 / 0 / 1 / 41

HEX #7C9795

RGB 124 151 149

HSL 175.56, 0.11%, 0.54%

LAB 60.42, -9.86, -2.11

 

CMYK 38 / 0 / 2 / 33

HEX #69AAA7

RGB 105 170 167

HSL 177.23, 0.28%, 0.54%

LAB 65.39, -21.43, -5.02

 

CMYK 54 / 0 / 2 / 26

HEX #56BCB8

RGB 86 188 184

HSL 177.65, 0.43%, 0.54%

LAB 70.46, -30.46, -7

 

CMYK 0 / 30 / 13 / 36

HEX #A2718D

RGB 162 113 141

HSL 325.71, 0.21%, 0.54%

LAB 53.4, 23.82, -7.5

 

CMYK 0 / 30 / 21 / 36

HEX #A27180

RGB 162 113 128

HSL 341.63, 0.21%, 0.54%

LAB 53, 21.65, -0.45

 

CMYK 0 / 30 / 29 / 36

HEX #A27173

RGB 162 113 115

HSL 357.55, 0.21%, 0.54%

LAB 52.65, 19.68, 6.68

 

CMYK 0 / 24 / 30 / 36

HEX #A27B71

RGB 162 123 113

HSL 12.24, 0.21%, 0.54%

LAB 55.11, 13.68, 11.33

 

CMYK 0 / 16 / 30 / 36

HEX #A28871

RGB 162 136 113

HSL 28.16, 0.21%, 0.54%

LAB 58.49, 6.32, 16.03

 

CMYK 0 / 34 / 34 / 55

HEX #744C4D

RGB 116 76 77

HSL 358.5, 0.21%, 0.38%

LAB 36.78, 17.11, 6.35

 

CMYK 0 / 35 / 33 / 45

HEX #8D5C5E

RGB 141 92 94

HSL 357.55, 0.21%, 0.46%

LAB 44.41, 20.39, 7.14

 

CMYK 0 / 30 / 29 / 36

HEX #A27173

RGB 162 113 115

HSL 357.55, 0.21%, 0.54%

LAB 52.65, 19.68, 6.68

 

CMYK 0 / 22 / 22 / 30

HEX #B28A8B

RGB 178 138 139

HSL 358.5, 0.21%, 0.62%

LAB 61.23, 15.36, 5.32

 

CMYK 0 / 16 / 15 / 24

HEX #C2A2A4

RGB 194 162 164

HSL 356.25, 0.21%, 0.7%

LAB 69.46, 12.07, 3.36

 

CMYK 0 / 30 / 29 / 37

HEX #A17072

RGB 161 112 114

HSL 357.55, 0.21%, 0.54%

LAB 52.26, 19.71, 6.7

 

CMYK 5 / 0 / 30 / 36

HEX #9AA271

RGB 154 162 113

HSL 69.8, 0.21%, 0.54%

LAB 64.89, -11.16, 24.59

 

CMYK 30 / 17 / 0 / 36

HEX #7187A2

RGB 113 135 162

HSL 213.06, 0.21%, 0.54%

LAB 55.53, -1.34, -16.92

 

CMYK 0 / 30 / 29 / 37

HEX #A17072

RGB 161 112 114

HSL 357.55, 0.21%, 0.54%

LAB 52.26, 19.71, 6.7

 

CMYK 29 / 0 / 30 / 36

HEX #73A271

RGB 115 162 113

HSL 117.55, 0.21%, 0.54%

LAB 62.23, -25.77, 20.57

 

CMYK 30 / 29 / 0 / 36

HEX #7173A2

RGB 113 115 162

HSL 237.55, 0.21%, 0.54%

LAB 49.95, 10.42, -25.48

 

CMYK 0 / 30 / 29 / 37

HEX #A17072

RGB 161 112 114

HSL 357.55, 0.21%, 0.54%

LAB 52.26, 19.71, 6.7

 

CMYK 5 / 0 / 30 / 36

HEX #9AA271

RGB 154 162 113

HSL 69.8, 0.21%, 0.54%

LAB 64.89, -11.16, 24.59

 

CMYK 30 / 0 / 2 / 36

HEX #71A29F

RGB 113 162 159

HSL 176.33, 0.21%, 0.54%

LAB 63.22, -16.95, -3.7

 

CMYK 26 / 30 / 0 / 36

HEX #7871A2

RGB 120 113 162

HSL 248.57, 0.21%, 0.54%

LAB 49.99, 13.8, -25.37

 

CMYK 0 / 30 / 29 / 37

HEX #A17072

RGB 161 112 114

HSL 357.55, 0.21%, 0.54%

LAB 52.26, 19.71, 6.7

 

CMYK 14 / 0 / 30 / 36

HEX #8CA271

RGB 140 162 113

HSL 86.94, 0.21%, 0.54%

LAB 63.84, -16.62, 23.01

 

CMYK 30 / 0 / 2 / 36

HEX #71A29F

RGB 113 162 159

HSL 176.33, 0.21%, 0.54%

LAB 63.22, -16.95, -3.7

 

CMYK 17 / 30 / 0 / 36

HEX #8771A2

RGB 135 113 162

HSL 266.94, 0.21%, 0.54%

LAB 51.35, 18.64, -23.17

 

Description

Color code: HEX #A17072 | qconv.com Color code: HEX #A17072 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 112 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 112 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 29 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 29% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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