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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B78280 it is the complementary color #487D7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B78280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B78280 shade: #BC827B, #CD948E, #DEA6A1, #EFB8B4 and #FFCAC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B78280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B78280 shade: #B78280, #A6706D, #955E5A, #844C47 and #733A34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B78280 shade: #B7817F and #B77F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B78280 shade: #B7817F, #B7907F, #B79F7F, #B7AE7F and #B0B77F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B78280 shade matches the following richer shades: #B7817F, #C7726F, #D7635F, #E7544F and #F7463F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B78280 shade: #B7817F, #A7908F, #979F9F, #87AEAF and #77BDC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B78280 shade: #B77F9B, #B77F8C, #B7817F, #B7907F and #B79F7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B78280 shade: #925452, #A86765, #B7817F, #C69B9A and #D5B5B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B78280 shade: #B78280, #AAB77F and #7F94B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B78280 shade: #B78280, #7FB781 and #817FB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B78280 shade: #B78280, #AAB77F, #7FB5B7 and #8C7FB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B78280 shade: #B78280, #99B77F, #7FB5B7 and #9D7FB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 30 / 28

HEX #B78280

RGB 183 130 128

HSL 2.18, 0.28%, 0.61%

LAB 59.52, 20.17, 9.23

 

Complementary color

CMYK 43 / 2 / 0 / 50

HEX #487D7F

RGB 72 125 127

HSL 182.18, 0.28%, 0.39%

LAB 48.98, -17.05, -6.63

 

CMYK 0 / 31 / 35 / 26

HEX #BC827B

RGB 188 130 123

HSL 6.46, 0.33%, 0.61%

LAB 59.97, 21.46, 12.81

 

CMYK 0 / 28 / 31 / 20

HEX #CD948E

RGB 205 148 142

HSL 5.71, 0.39%, 0.68%

LAB 66.61, 20.65, 11.68

 

CMYK 0 / 25 / 27 / 13

HEX #DEA6A1

RGB 222 166 161

HSL 4.92, 0.48%, 0.75%

LAB 73.14, 19.93, 10.65

 

CMYK 0 / 23 / 25 / 6

HEX #EFB8B4

RGB 239 184 180

HSL 4.07, 0.65%, 0.82%

LAB 79.57, 19.28, 9.7

 

CMYK 0 / 21 / 22 / 0

HEX #FFCAC7

RGB 255 202 199

HSL 3.21, 1%, 0.89%

LAB 85.82, 18.33, 8.67

 

CMYK 0 / 29 / 30 / 28

HEX #B78280

RGB 183 130 128

HSL 2.18, 0.28%, 0.61%

LAB 59.52, 20.17, 9.23

 

CMYK 0 / 33 / 34 / 35

HEX #A6706D

RGB 166 112 109

HSL 3.16, 0.24%, 0.54%

LAB 52.73, 21.01, 10.38

 

CMYK 0 / 37 / 40 / 42

HEX #955E5A

RGB 149 94 90

HSL 4.07, 0.25%, 0.47%

LAB 45.82, 21.97, 11.68

 

CMYK 0 / 42 / 46 / 48

HEX #844C47

RGB 132 76 71

HSL 4.92, 0.3%, 0.4%

LAB 38.78, 23.07, 13.21

 

CMYK 0 / 50 / 55 / 55

HEX #733A34

RGB 115 58 52

HSL 5.71, 0.38%, 0.33%

LAB 31.62, 24.33, 15.07

 

CMYK 0 / 30 / 31 / 28

HEX #B7817F

RGB 183 129 127

HSL 2.14, 0.28%, 0.61%

LAB 59.25, 20.59, 9.43

 

CMYK 0 / 31 / 31 / 28

HEX #B77F7F

RGB 183 127 127

HSL 0, 0.28%, 0.61%

LAB 58.77, 21.7, 8.75

 

CMYK 0 / 30 / 31 / 28

HEX #B7817F

RGB 183 129 127

HSL 2.14, 0.28%, 0.61%

LAB 59.25, 20.59, 9.43

 

CMYK 0 / 21 / 31 / 28

HEX #B7907F

RGB 183 144 127

HSL 18.21, 0.28%, 0.61%

LAB 62.97, 12.23, 14.65

 

CMYK 0 / 13 / 31 / 28

HEX #B79F7F

RGB 183 159 127

HSL 34.29, 0.28%, 0.61%

LAB 66.82, 3.96, 19.97

 

CMYK 0 / 5 / 31 / 28

HEX #B7AE7F

RGB 183 174 127

HSL 50.36, 0.28%, 0.61%

LAB 70.78, -4.13, 25.34

 

CMYK 4 / 0 / 31 / 28

HEX #B0B77F

RGB 176 183 127

HSL 67.5, 0.28%, 0.61%

LAB 72.65, -11.61, 27.73

 

CMYK 0 / 30 / 31 / 28

HEX #B7817F

RGB 183 129 127

HSL 2.14, 0.28%, 0.61%

LAB 59.25, 20.59, 9.43

 

CMYK 0 / 43 / 44 / 22

HEX #C7726F

RGB 199 114 111

HSL 2.05, 0.44%, 0.61%

LAB 57.39, 33.08, 16.33

 

CMYK 0 / 54 / 56 / 16

HEX #D7635F

RGB 215 99 95

HSL 2, 0.6%, 0.61%

LAB 56.28, 45.27, 24.47

 

CMYK 0 / 64 / 66 / 9

HEX #E7544F

RGB 231 84 79

HSL 1.97, 0.76%, 0.61%

LAB 55.98, 56.57, 33.78

 

CMYK 0 / 72 / 74 / 3

HEX #F7463F

RGB 247 70 63

HSL 2.28, 0.92%, 0.61%

LAB 56.6, 66.23, 44.11

 

CMYK 0 / 30 / 31 / 28

HEX #B7817F

RGB 183 129 127

HSL 2.14, 0.28%, 0.61%

LAB 59.25, 20.59, 9.43

 

CMYK 0 / 14 / 14 / 35

HEX #A7908F

RGB 167 144 143

HSL 2.5, 0.12%, 0.61%

LAB 61.78, 8.43, 3.7

 

CMYK 5 / 0 / 0 / 38

HEX #979F9F

RGB 151 159 159

HSL 180, 0.04%, 0.61%

LAB 64.87, -2.85, -1

 

CMYK 23 / 1 / 0 / 31

HEX #87AEAF

RGB 135 174 175

HSL 181.5, 0.2%, 0.61%

LAB 68.4, -12.85, -4.83

 

CMYK 38 / 2 / 0 / 25

HEX #77BDC0

RGB 119 189 192

HSL 182.47, 0.37%, 0.61%

LAB 72.31, -21.18, -8.48

 

CMYK 0 / 31 / 15 / 28

HEX #B77F9B

RGB 183 127 155

HSL 330, 0.28%, 0.61%

LAB 59.54, 25.95, -6.24

 

CMYK 0 / 31 / 23 / 28

HEX #B77F8C

RGB 183 127 140

HSL 346.07, 0.28%, 0.61%

LAB 59.1, 23.58, 1.75

 

CMYK 0 / 30 / 31 / 28

HEX #B7817F

RGB 183 129 127

HSL 2.14, 0.28%, 0.61%

LAB 59.25, 20.59, 9.43

 

CMYK 0 / 21 / 31 / 28

HEX #B7907F

RGB 183 144 127

HSL 18.21, 0.28%, 0.61%

LAB 62.97, 12.23, 14.65

 

CMYK 0 / 13 / 31 / 28

HEX #B79F7F

RGB 183 159 127

HSL 34.29, 0.28%, 0.61%

LAB 66.82, 3.96, 19.97

 

CMYK 0 / 42 / 44 / 43

HEX #925452

RGB 146 84 82

HSL 1.87, 0.28%, 0.45%

LAB 42.85, 25.51, 12.36

 

CMYK 0 / 39 / 40 / 34

HEX #A86765

RGB 168 103 101

HSL 1.79, 0.28%, 0.53%

LAB 50.65, 25.87, 12.21

 

CMYK 0 / 30 / 31 / 28

HEX #B7817F

RGB 183 129 127

HSL 2.14, 0.28%, 0.61%

LAB 59.25, 20.59, 9.43

 

CMYK 0 / 22 / 22 / 22

HEX #C69B9A

RGB 198 155 154

HSL 1.36, 0.28%, 0.69%

LAB 67.86, 15.85, 6.66

 

CMYK 0 / 15 / 15 / 16

HEX #D5B5B4

RGB 213 181 180

HSL 1.82, 0.28%, 0.77%

LAB 76.37, 11.33, 4.78

 

CMYK 0 / 29 / 30 / 28

HEX #B78280

RGB 183 130 128

HSL 2.18, 0.28%, 0.61%

LAB 59.52, 20.17, 9.23

 

CMYK 7 / 0 / 31 / 28

HEX #AAB77F

RGB 170 183 127

HSL 73.93, 0.28%, 0.61%

LAB 72.19, -13.93, 27.04

 

CMYK 31 / 19 / 0 / 28

HEX #7F94B7

RGB 127 148 183

HSL 217.5, 0.28%, 0.61%

LAB 60.88, 0.88, -20.66

 

CMYK 0 / 29 / 30 / 28

HEX #B78280

RGB 183 130 128

HSL 2.18, 0.28%, 0.61%

LAB 59.52, 20.17, 9.23

 

CMYK 31 / 0 / 30 / 28

HEX #7FB781

RGB 127 183 129

HSL 122.14, 0.28%, 0.61%

LAB 69.44, -29.2, 21.79

 

CMYK 30 / 31 / 0 / 28

HEX #817FB7

RGB 129 127 183

HSL 242.14, 0.28%, 0.61%

LAB 55.34, 13.65, -29.17

 

CMYK 0 / 29 / 30 / 28

HEX #B78280

RGB 183 130 128

HSL 2.18, 0.28%, 0.61%

LAB 59.52, 20.17, 9.23

 

CMYK 7 / 0 / 31 / 28

HEX #AAB77F

RGB 170 183 127

HSL 73.93, 0.28%, 0.61%

LAB 72.19, -13.93, 27.04

 

CMYK 31 / 1 / 0 / 28

HEX #7FB5B7

RGB 127 181 183

HSL 182.14, 0.28%, 0.61%

LAB 70.16, -17.06, -6.69

 

CMYK 23 / 31 / 0 / 28

HEX #8C7FB7

RGB 140 127 183

HSL 253.93, 0.28%, 0.61%

LAB 56.26, 17.02, -27.68

 

CMYK 0 / 29 / 30 / 28

HEX #B78280

RGB 183 130 128

HSL 2.18, 0.28%, 0.61%

LAB 59.52, 20.17, 9.23

 

CMYK 16 / 0 / 31 / 28

HEX #99B77F

RGB 153 183 127

HSL 92.14, 0.28%, 0.61%

LAB 70.99, -20.36, 25.22

 

CMYK 31 / 1 / 0 / 28

HEX #7FB5B7

RGB 127 181 183

HSL 182.14, 0.28%, 0.61%

LAB 70.16, -17.06, -6.69

 

CMYK 14 / 31 / 0 / 28

HEX #9D7FB7

RGB 157 127 183

HSL 272.14, 0.28%, 0.61%

LAB 57.81, 22.42, -25.15

 

Description

Color code: HEX #B78280 | qconv.com Color code: HEX #B78280 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 130 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 130 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 30 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 30% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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