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Color name
HEX #A16471

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A16471 it is the complementary color #5E9B8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A16471. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A16471 shade: #A6646C, #B7767F, #C88892, #D99AA5 and #EAACB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A16471. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A16471 shade: #A16471, #90525E, #7F404B, #6E2E38 and #5D1C25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A16471 shade: #A06470 and #A06464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A16471 shade: #A06470, #A06481, #A06491, #9E64A0 and #8E64A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A16471 shade matches the following richer shades: #A06470, #B44F65, #C83B59, #DC274E and #F01342

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A16471 shade: #A06470, #8B787C, #778C88, #63A093 and #4FB49F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A16471 shade: #A06491, #A06481, #A06471, #A06764 and #A07764

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A16471 shade: #6E434C, #87535E, #A06470, #AF7D88 and #BF979F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A16471 shade: #A16471, #A09F64 and #6489A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A16471 shade: #A16471, #71A064 and #6471A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A16471 shade: #A16471, #A09F64, #64A093 and #6465A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A16471 shade: #A16471, #8FA064, #64A093 and #7564A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 30 / 37

HEX #A16471

RGB 161 100 113

HSL 347.21, 0.24%, 0.51%

LAB 49.35, 26.39, 3.11

 

Complementary color

CMYK 39 / 0 / 8 / 39

HEX #5E9B8E

RGB 94 155 142

HSL 167.21, 0.24%, 0.49%

LAB 59.69, -22.91, 0.59

 

CMYK 0 / 40 / 35 / 35

HEX #A6646C

RGB 166 100 108

HSL 352.73, 0.27%, 0.52%

LAB 49.86, 27.64, 6.91

 

CMYK 0 / 36 / 31 / 28

HEX #B7767F

RGB 183 118 127

HSL 351.69, 0.31%, 0.59%

LAB 56.64, 26.71, 5.71

 

CMYK 0 / 32 / 27 / 22

HEX #C88892

RGB 200 136 146

HSL 350.63, 0.37%, 0.66%

LAB 63.31, 25.87, 4.65

 

CMYK 0 / 29 / 24 / 15

HEX #D99AA5

RGB 217 154 165

HSL 349.52, 0.45%, 0.73%

LAB 69.88, 25.11, 3.7

 

CMYK 0 / 26 / 21 / 8

HEX #EAACB8

RGB 234 172 184

HSL 348.39, 0.6%, 0.8%

LAB 76.35, 24.41, 2.83

 

CMYK 0 / 38 / 30 / 37

HEX #A16471

RGB 161 100 113

HSL 347.21, 0.24%, 0.51%

LAB 49.35, 26.39, 3.11

 

CMYK 0 / 43 / 35 / 44

HEX #90525E

RGB 144 82 94

HSL 348.39, 0.27%, 0.44%

LAB 42.42, 27.34, 4.35

 

CMYK 0 / 50 / 41 / 50

HEX #7F404B

RGB 127 64 75

HSL 349.52, 0.33%, 0.37%

LAB 35.37, 28.38, 5.84

 

CMYK 0 / 58 / 49 / 57

HEX #6E2E38

RGB 110 46 56

HSL 350.63, 0.41%, 0.31%

LAB 28.26, 29.45, 7.75

 

CMYK 0 / 70 / 60 / 64

HEX #5D1C25

RGB 93 28 37

HSL 351.69, 0.54%, 0.24%

LAB 21.17, 30.35, 10.39

 

CMYK 0 / 38 / 30 / 37

HEX #A06470

RGB 160 100 112

HSL 348, 0.24%, 0.51%

LAB 49.2, 25.86, 3.47

 

CMYK 0 / 38 / 38 / 37

HEX #A06464

RGB 160 100 100

HSL 0, 0.24%, 0.51%

LAB 48.89, 24.25, 10.2

 

CMYK 0 / 38 / 30 / 37

HEX #A06470

RGB 160 100 112

HSL 348, 0.24%, 0.51%

LAB 49.2, 25.86, 3.47

 

CMYK 0 / 38 / 19 / 37

HEX #A06481

RGB 160 100 129

HSL 331, 0.24%, 0.51%

LAB 49.71, 28.44, -5.94

 

CMYK 0 / 38 / 9 / 37

HEX #A06491

RGB 160 100 145

HSL 315, 0.24%, 0.51%

LAB 50.25, 31.17, -14.61

 

CMYK 1 / 38 / 0 / 37

HEX #9E64A0

RGB 158 100 160

HSL 298, 0.24%, 0.51%

LAB 50.6, 33.32, -22.95

 

CMYK 11 / 38 / 0 / 37

HEX #8E64A0

RGB 142 100 160

HSL 282, 0.24%, 0.51%

LAB 48.76, 28.11, -25.93

 

CMYK 0 / 38 / 30 / 37

HEX #A06470

RGB 160 100 112

HSL 348, 0.24%, 0.51%

LAB 49.2, 25.86, 3.47

 

CMYK 0 / 56 / 44 / 29

HEX #B44F65

RGB 180 79 101

HSL 346.93, 0.4%, 0.51%

LAB 47.28, 43.12, 7.72

 

CMYK 0 / 71 / 56 / 22

HEX #C83B59

RGB 200 59 89

HSL 347.23, 0.56%, 0.51%

LAB 47.14, 57.27, 15.35

 

CMYK 0 / 82 / 65 / 14

HEX #DC274E

RGB 220 39 78

HSL 347.07, 0.72%, 0.51%

LAB 48.53, 68.28, 24.58

 

CMYK 0 / 92 / 73 / 6

HEX #F01342

RGB 240 19 66

HSL 347.24, 0.88%, 0.51%

LAB 51.13, 76.21, 35.87

 

CMYK 0 / 38 / 30 / 37

HEX #A06470

RGB 160 100 112

HSL 348, 0.24%, 0.51%

LAB 49.2, 25.86, 3.47

 

CMYK 0 / 14 / 11 / 45

HEX #8B787C

RGB 139 120 124

HSL 347.37, 0.08%, 0.51%

LAB 52.26, 8.05, 0.52

 

CMYK 15 / 0 / 3 / 45

HEX #778C88

RGB 119 140 136

HSL 168.57, 0.08%, 0.51%

LAB 56.54, -8.36, -0.4

 

CMYK 38 / 0 / 8 / 37

HEX #63A093

RGB 99 160 147

HSL 167.21, 0.24%, 0.51%

LAB 61.57, -22.85, 0.54

 

CMYK 56 / 0 / 12 / 29

HEX #4FB49F

RGB 79 180 159

HSL 167.52, 0.4%, 0.51%

LAB 67.13, -34.57, 1.85

 

CMYK 0 / 38 / 9 / 37

HEX #A06491

RGB 160 100 145

HSL 315, 0.24%, 0.51%

LAB 50.25, 31.17, -14.61

 

CMYK 0 / 38 / 19 / 37

HEX #A06481

RGB 160 100 129

HSL 331, 0.24%, 0.51%

LAB 49.71, 28.44, -5.94

 

CMYK 0 / 38 / 29 / 37

HEX #A06471

RGB 160 100 113

HSL 347, 0.24%, 0.51%

LAB 49.23, 26, 2.91

 

CMYK 0 / 36 / 38 / 37

HEX #A06764

RGB 160 103 100

HSL 3, 0.24%, 0.51%

LAB 49.61, 22.55, 11.2

 

CMYK 0 / 26 / 38 / 37

HEX #A07764

RGB 160 119 100

HSL 19, 0.24%, 0.51%

LAB 53.59, 13.41, 16.71

 

CMYK 0 / 39 / 31 / 57

HEX #6E434C

RGB 110 67 76

HSL 347.44, 0.24%, 0.35%

LAB 33.67, 19.9, 2.44

 

CMYK 0 / 39 / 30 / 47

HEX #87535E

RGB 135 83 94

HSL 347.31, 0.24%, 0.43%

LAB 41.45, 23.22, 2.79

 

CMYK 0 / 38 / 30 / 37

HEX #A06470

RGB 160 100 112

HSL 348, 0.24%, 0.51%

LAB 49.2, 25.86, 3.47

 

CMYK 0 / 29 / 22 / 31

HEX #AF7D88

RGB 175 125 136

HSL 346.8, 0.24%, 0.59%

LAB 57.62, 21.06, 1.78

 

CMYK 0 / 21 / 17 / 25

HEX #BF979F

RGB 191 151 159

HSL 348, 0.24%, 0.67%

LAB 66.3, 16.2, 1.52

 

CMYK 0 / 38 / 30 / 37

HEX #A16471

RGB 161 100 113

HSL 347.21, 0.24%, 0.51%

LAB 49.35, 26.39, 3.11

 

CMYK 0 / 1 / 38 / 37

HEX #A09F64

RGB 160 159 100

HSL 59, 0.24%, 0.51%

LAB 64.31, -8.82, 30.94

 

CMYK 38 / 14 / 0 / 37

HEX #6489A0

RGB 100 137 160

HSL 203, 0.24%, 0.51%

LAB 55.21, -6.88, -16.33

 

CMYK 0 / 38 / 30 / 37

HEX #A16471

RGB 161 100 113

HSL 347.21, 0.24%, 0.51%

LAB 49.35, 26.39, 3.11

 

CMYK 29 / 0 / 38 / 37

HEX #71A064

RGB 113 160 100

HSL 107, 0.24%, 0.51%

LAB 61.28, -27.61, 26.36

 

CMYK 38 / 29 / 0 / 37

HEX #6471A0

RGB 100 113 160

HSL 227, 0.24%, 0.51%

LAB 48.33, 7.18, -26.9

 

CMYK 0 / 38 / 30 / 37

HEX #A16471

RGB 161 100 113

HSL 347.21, 0.24%, 0.51%

LAB 49.35, 26.39, 3.11

 

CMYK 0 / 1 / 38 / 37

HEX #A09F64

RGB 160 159 100

HSL 59, 0.24%, 0.51%

LAB 64.31, -8.82, 30.94

 

CMYK 38 / 0 / 8 / 37

HEX #64A093

RGB 100 160 147

HSL 167, 0.24%, 0.51%

LAB 61.62, -22.56, 0.62

 

CMYK 38 / 37 / 0 / 37

HEX #6465A0

RGB 100 101 160

HSL 239, 0.24%, 0.51%

LAB 45.02, 14.52, -32.07

 

CMYK 0 / 38 / 30 / 37

HEX #A16471

RGB 161 100 113

HSL 347.21, 0.24%, 0.51%

LAB 49.35, 26.39, 3.11

 

CMYK 11 / 0 / 38 / 37

HEX #8FA064

RGB 143 160 100

HSL 77, 0.24%, 0.51%

LAB 63.26, -16.24, 29.32

 

CMYK 38 / 0 / 8 / 37

HEX #64A093

RGB 100 160 147

HSL 167, 0.24%, 0.51%

LAB 61.62, -22.56, 0.62

 

CMYK 27 / 38 / 0 / 37

HEX #7564A0

RGB 117 100 160

HSL 257, 0.24%, 0.51%

LAB 46.22, 20.19, -30.08

 

Description

Color code: HEX #A16471 | qconv.com Color code: HEX #A16471 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 100 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 100 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 30 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 30% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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