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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90525E it is the complementary color #6FADA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90525E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90525E shade: #955259, #A6646C, #B7767F, #C88892 and #D99AA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90525E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90525E shade: #90525E, #7F404B, #6E2E38, #5D1C25 and #4C0A12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90525E shade: #8E515D and #8E5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90525E shade: #8E515D, #8E516D, #8E517E, #8E518E and #7E518E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90525E shade matches the following richer shades: #8E515D, #A03F52, #B22D47, #C41B3C and #D70931

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90525E shade: #8E515D, #7C6468, #6A7673, #58887F and #459A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90525E shade: #8E517E, #8E516E, #8E515E, #8E5551 and #8E6651

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90525E shade: #5A333B, #74424C, #8E515D, #A56370 and #B47E88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90525E shade: #90525E, #8E8E51 and #51768E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90525E shade: #90525E, #5E8E51 and #515E8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90525E shade: #90525E, #8E8E51, #518E82 and #51518E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90525E shade: #90525E, #7C8E51, #518E82 and #64518E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 35 / 44

HEX #90525E

RGB 144 82 94

HSL 348.39, 0.27%, 0.44%

LAB 42.42, 27.34, 4.35

 

Complementary color

CMYK 36 / 0 / 7 / 32

HEX #6FADA1

RGB 111 173 161

HSL 168.39, 0.27%, 0.56%

LAB 66.4, -22.74, -0.17

 

CMYK 0 / 45 / 40 / 42

HEX #955259

RGB 149 82 89

HSL 353.73, 0.29%, 0.45%

LAB 42.98, 28.66, 8.32

 

CMYK 0 / 40 / 35 / 35

HEX #A6646C

RGB 166 100 108

HSL 352.73, 0.27%, 0.52%

LAB 49.86, 27.64, 6.91

 

CMYK 0 / 36 / 31 / 28

HEX #B7767F

RGB 183 118 127

HSL 351.69, 0.31%, 0.59%

LAB 56.64, 26.71, 5.71

 

CMYK 0 / 32 / 27 / 22

HEX #C88892

RGB 200 136 146

HSL 350.63, 0.37%, 0.66%

LAB 63.31, 25.87, 4.65

 

CMYK 0 / 29 / 24 / 15

HEX #D99AA5

RGB 217 154 165

HSL 349.52, 0.45%, 0.73%

LAB 69.88, 25.11, 3.7

 

CMYK 0 / 43 / 35 / 44

HEX #90525E

RGB 144 82 94

HSL 348.39, 0.27%, 0.44%

LAB 42.42, 27.34, 4.35

 

CMYK 0 / 50 / 41 / 50

HEX #7F404B

RGB 127 64 75

HSL 349.52, 0.33%, 0.37%

LAB 35.37, 28.38, 5.84

 

CMYK 0 / 58 / 49 / 57

HEX #6E2E38

RGB 110 46 56

HSL 350.63, 0.41%, 0.31%

LAB 28.26, 29.45, 7.75

 

CMYK 0 / 70 / 60 / 64

HEX #5D1C25

RGB 93 28 37

HSL 351.69, 0.54%, 0.24%

LAB 21.17, 30.35, 10.39

 

CMYK 0 / 87 / 76 / 70

HEX #4C0A12

RGB 76 10 18

HSL 352.73, 0.77%, 0.17%

LAB 14.39, 30.45, 14.07

 

CMYK 0 / 43 / 35 / 44

HEX #8E515D

RGB 142 81 93

HSL 348.2, 0.27%, 0.44%

LAB 41.89, 26.99, 4.16

 

CMYK 0 / 43 / 43 / 44

HEX #8E5151

RGB 142 81 81

HSL 0, 0.27%, 0.44%

LAB 41.58, 25.47, 11.12

 

CMYK 0 / 43 / 35 / 44

HEX #8E515D

RGB 142 81 93

HSL 348.2, 0.27%, 0.44%

LAB 41.89, 26.99, 4.16

 

CMYK 0 / 43 / 23 / 44

HEX #8E516D

RGB 142 81 109

HSL 332.46, 0.27%, 0.44%

LAB 42.37, 29.34, -4.99

 

CMYK 0 / 43 / 11 / 44

HEX #8E517E

RGB 142 81 126

HSL 315.74, 0.27%, 0.44%

LAB 42.98, 32.2, -14.48

 

CMYK 0 / 43 / 0 / 44

HEX #8E518E

RGB 142 81 142

HSL 300, 0.27%, 0.44%

LAB 43.64, 35.2, -23.16

 

CMYK 11 / 43 / 0 / 44

HEX #7E518E

RGB 126 81 142

HSL 284.26, 0.27%, 0.44%

LAB 41.65, 30.04, -26.4

 

CMYK 0 / 43 / 35 / 44

HEX #8E515D

RGB 142 81 93

HSL 348.2, 0.27%, 0.44%

LAB 41.89, 26.99, 4.16

 

CMYK 0 / 61 / 49 / 37

HEX #A03F52

RGB 160 63 82

HSL 348.25, 0.43%, 0.44%

LAB 40.63, 41.94, 9.6

 

CMYK 0 / 75 / 60 / 30

HEX #B22D47

RGB 178 45 71

HSL 348.27, 0.6%, 0.44%

LAB 40.89, 54.32, 17.36

 

CMYK 0 / 86 / 69 / 23

HEX #C41B3C

RGB 196 27 60

HSL 348.28, 0.76%, 0.44%

LAB 42.53, 63.62, 27.02

 

CMYK 0 / 96 / 77 / 16

HEX #D70931

RGB 215 9 49

HSL 348.35, 0.92%, 0.44%

LAB 45.45, 70.49, 38.03

 

CMYK 0 / 43 / 35 / 44

HEX #8E515D

RGB 142 81 93

HSL 348.2, 0.27%, 0.44%

LAB 41.89, 26.99, 4.16

 

CMYK 0 / 19 / 16 / 51

HEX #7C6468

RGB 124 100 104

HSL 350, 0.11%, 0.44%

LAB 44.8, 10.33, 1.38

 

CMYK 10 / 0 / 3 / 54

HEX #6A7673

RGB 106 118 115

HSL 165, 0.05%, 0.44%

LAB 48.58, -5.11, 0.12

 

CMYK 35 / 0 / 7 / 47

HEX #58887F

RGB 88 136 127

HSL 168.75, 0.21%, 0.44%

LAB 53.18, -18.39, -0.34

 

CMYK 55 / 0 / 10 / 40

HEX #459A8A

RGB 69 154 138

HSL 168.71, 0.38%, 0.44%

LAB 58.24, -29.71, 0.62

 

CMYK 0 / 43 / 11 / 44

HEX #8E517E

RGB 142 81 126

HSL 315.74, 0.27%, 0.44%

LAB 42.98, 32.2, -14.48

 

CMYK 0 / 43 / 23 / 44

HEX #8E516E

RGB 142 81 110

HSL 331.48, 0.27%, 0.44%

LAB 42.4, 29.5, -5.55

 

CMYK 0 / 43 / 34 / 44

HEX #8E515E

RGB 142 81 94

HSL 347.21, 0.27%, 0.44%

LAB 41.91, 27.13, 3.58

 

CMYK 0 / 40 / 43 / 44

HEX #8E5551

RGB 142 85 81

HSL 3.93, 0.27%, 0.44%

LAB 42.52, 23.18, 12.43

 

CMYK 0 / 28 / 43 / 44

HEX #8E6651

RGB 142 102 81

HSL 20.66, 0.27%, 0.44%

LAB 46.77, 13.28, 18.22

 

CMYK 0 / 43 / 34 / 65

HEX #5A333B

RGB 90 51 59

HSL 347.69, 0.28%, 0.28%

LAB 26.32, 18.73, 2.57

 

CMYK 0 / 43 / 34 / 55

HEX #74424C

RGB 116 66 76

HSL 348, 0.27%, 0.36%

LAB 34.25, 22.96, 3.38

 

CMYK 0 / 43 / 35 / 44

HEX #8E515D

RGB 142 81 93

HSL 348.2, 0.27%, 0.44%

LAB 41.89, 26.99, 4.16

 

CMYK 0 / 40 / 32 / 35

HEX #A56370

RGB 165 99 112

HSL 348.18, 0.27%, 0.52%

LAB 49.61, 28.35, 4.14

 

CMYK 0 / 30 / 24 / 29

HEX #B47E88

RGB 180 126 136

HSL 348.89, 0.26%, 0.6%

LAB 58.42, 22.4, 3.01

 

CMYK 0 / 43 / 35 / 44

HEX #90525E

RGB 144 82 94

HSL 348.39, 0.27%, 0.44%

LAB 42.42, 27.34, 4.35

 

CMYK 0 / 0 / 43 / 44

HEX #8E8E51

RGB 142 142 81

HSL 60, 0.27%, 0.44%

LAB 57.74, -9.41, 32.42

 

CMYK 43 / 17 / 0 / 44

HEX #51768E

RGB 81 118 142

HSL 203.61, 0.27%, 0.44%

LAB 47.83, -6.4, -17.18

 

CMYK 0 / 43 / 35 / 44

HEX #90525E

RGB 144 82 94

HSL 348.39, 0.27%, 0.44%

LAB 42.42, 27.34, 4.35

 

CMYK 34 / 0 / 43 / 44

HEX #5E8E51

RGB 94 142 81

HSL 107.21, 0.27%, 0.44%

LAB 54.36, -28.52, 27.44

 

CMYK 43 / 34 / 0 / 44

HEX #515E8E

RGB 81 94 142

HSL 227.21, 0.27%, 0.44%

LAB 40.75, 8.16, -28.13

 

CMYK 0 / 43 / 35 / 44

HEX #90525E

RGB 144 82 94

HSL 348.39, 0.27%, 0.44%

LAB 42.42, 27.34, 4.35

 

CMYK 0 / 0 / 43 / 44

HEX #8E8E51

RGB 142 142 81

HSL 60, 0.27%, 0.44%

LAB 57.74, -9.41, 32.42

 

CMYK 43 / 0 / 8 / 44

HEX #518E82

RGB 81 142 130

HSL 168.2, 0.27%, 0.44%

LAB 54.77, -22.8, 0.2

 

CMYK 43 / 43 / 0 / 44

HEX #51518E

RGB 81 81 142

HSL 240, 0.27%, 0.44%

LAB 37.09, 16.42, -33.88

 

CMYK 0 / 43 / 35 / 44

HEX #90525E

RGB 144 82 94

HSL 348.39, 0.27%, 0.44%

LAB 42.42, 27.34, 4.35

 

CMYK 13 / 0 / 43 / 44

HEX #7C8E51

RGB 124 142 81

HSL 77.7, 0.27%, 0.44%

LAB 56.31, -16.95, 30.32

 

CMYK 43 / 0 / 8 / 44

HEX #518E82

RGB 81 142 130

HSL 168.2, 0.27%, 0.44%

LAB 54.77, -22.8, 0.2

 

CMYK 30 / 43 / 0 / 44

HEX #64518E

RGB 100 81 142

HSL 258.69, 0.27%, 0.44%

LAB 38.81, 21.91, -31.06

 

Description

Color code: HEX #90525E | qconv.com Color code: HEX #90525E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 82 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 82 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 35 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 35% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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