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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A09735 it is the complementary color #5F68CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A09735. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A09735 shade: #A59730, #B6A943, #C7BB56, #D8CD69 and #E9DF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A09735. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A09735 shade: #A09735, #8F8522, #7E730F, #6D6100 and #5C4F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A09735 shade: #A09735, #A07A35, #A05D35, #A04035 and #A03535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A09735 shade: #A09735, #8CA035, #6FA035, #53A035 and #36A035

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A09735 shade matches the following richer shades: #A09735, #B1A624, #C3B412 and #D4C201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A09735 shade: #A09735, #8F8946, #7D7A58, #6C6C69 and #5B5D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A09735 shade: #A05C35, #A07935, #A09535, #8EA035 and #72A035

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A09735 shade: #625D20, #817A2B, #A09735, #BFB440 and #C9C05F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A09735 shade: #A09735, #35A040 and #6B35A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A09735 shade: #A09735, #35A095 and #9535A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A09735 shade: #A09735, #35A040, #3540A0 and #A03595

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A09735 shade: #A09735, #35A060, #3540A0 and #A03575

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 67 / 37

HEX #A09735

RGB 160 151 53

HSL 54.95, 0.5%, 0.42%

LAB 61.54, -8.78, 50.79

 

Complementary color

CMYK 53 / 49 / 0 / 21

HEX #5F68CA

RGB 95 104 202

HSL 234.95, 0.5%, 0.58%

LAB 47.75, 24.24, -52.22

 

CMYK 0 / 8 / 71 / 35

HEX #A59730

RGB 165 151 48

HSL 52.82, 0.55%, 0.42%

LAB 61.95, -6.84, 53.43

 

CMYK 0 / 7 / 63 / 29

HEX #B6A943

RGB 182 169 67

HSL 53.22, 0.46%, 0.49%

LAB 68.55, -7.81, 52.72

 

CMYK 0 / 6 / 57 / 22

HEX #C7BB56

RGB 199 187 86

HSL 53.63, 0.5%, 0.56%

LAB 75.05, -8.6, 51.72

 

CMYK 0 / 5 / 51 / 15

HEX #D8CD69

RGB 216 205 105

HSL 54.05, 0.59%, 0.63%

LAB 81.45, -9.26, 50.6

 

CMYK 0 / 4 / 47 / 9

HEX #E9DF7C

RGB 233 223 124

HSL 54.5, 0.71%, 0.7%

LAB 87.75, -9.81, 49.43

 

CMYK 0 / 6 / 67 / 37

HEX #A09735

RGB 160 151 53

HSL 54.95, 0.5%, 0.42%

LAB 61.54, -8.78, 50.79

 

CMYK 0 / 7 / 76 / 44

HEX #8F8522

RGB 143 133 34

HSL 54.5, 0.62%, 0.35%

LAB 54.79, -7.73, 51.18

 

CMYK 0 / 9 / 88 / 51

HEX #7E730F

RGB 126 115 15

HSL 54.05, 0.79%, 0.28%

LAB 47.92, -6.39, 50.48

 

CMYK 0 / 11 / 100 / 57

HEX #6D6100

RGB 109 97 0

HSL 53.39, 1%, 0.21%

LAB 40.9, -4.72, 47.92

 

CMYK 0 / 14 / 100 / 64

HEX #5C4F00

RGB 92 79 0

HSL 51.52, 1%, 0.18%

LAB 33.7, -2.59, 41.96

 

CMYK 0 / 6 / 67 / 37

HEX #A09735

RGB 160 151 53

HSL 54.95, 0.5%, 0.42%

LAB 61.54, -8.78, 50.79

 

CMYK 0 / 24 / 67 / 37

HEX #A07A35

RGB 160 122 53

HSL 38.69, 0.5%, 0.42%

LAB 53.65, 7.23, 42.4

 

CMYK 0 / 42 / 67 / 37

HEX #A05D35

RGB 160 93 53

HSL 22.43, 0.5%, 0.42%

LAB 46.39, 23.7, 34.24

 

CMYK 0 / 60 / 67 / 37

HEX #A04035

RGB 160 64 53

HSL 6.17, 0.5%, 0.42%

LAB 40.24, 39.14, 26.94

 

CMYK 0 / 67 / 67 / 37

HEX #A03535

RGB 160 53 53

HSL 0, 0.5%, 0.42%

LAB 38.33, 44.23, 24.6

 

CMYK 0 / 6 / 67 / 37

HEX #A09735

RGB 160 151 53

HSL 54.95, 0.5%, 0.42%

LAB 61.54, -8.78, 50.79

 

CMYK 13 / 0 / 67 / 37

HEX #8CA035

RGB 140 160 53

HSL 71.21, 0.5%, 0.42%

LAB 62.49, -22.15, 51.27

 

CMYK 31 / 0 / 67 / 37

HEX #6FA035

RGB 111 160 53

HSL 87.48, 0.5%, 0.42%

LAB 60.59, -33.86, 48.69

 

CMYK 48 / 0 / 67 / 37

HEX #53A035

RGB 83 160 53

HSL 103.18, 0.5%, 0.42%

LAB 59.19, -43.61, 46.79

 

CMYK 66 / 0 / 67 / 37

HEX #36A035

RGB 54 160 53

HSL 119.44, 0.5%, 0.42%

LAB 58.21, -51.27, 45.44

 

CMYK 0 / 6 / 67 / 37

HEX #A09735

RGB 160 151 53

HSL 54.95, 0.5%, 0.42%

LAB 61.54, -8.78, 50.79

 

CMYK 0 / 6 / 80 / 31

HEX #B1A624

RGB 177 166 36

HSL 55.32, 0.66%, 0.42%

LAB 67.09, -9.99, 62.86

 

CMYK 0 / 8 / 91 / 24

HEX #C3B412

RGB 195 180 18

HSL 54.92, 0.83%, 0.42%

LAB 72.42, -9.78, 72.07

 

CMYK 0 / 8 / 100 / 17

HEX #D4C201

RGB 212 194 1

HSL 54.88, 0.99%, 0.42%

LAB 77.63, -9.73, 78.61

 

CMYK 0 / 6 / 67 / 37

HEX #A09735

RGB 160 151 53

HSL 54.95, 0.5%, 0.42%

LAB 61.54, -8.78, 50.79

 

CMYK 0 / 4 / 51 / 44

HEX #8F8946

RGB 143 137 70

HSL 55.07, 0.34%, 0.42%

LAB 56.26, -7.39, 36.4

 

CMYK 0 / 2 / 30 / 51

HEX #7D7A58

RGB 125 122 88

HSL 55.14, 0.17%, 0.42%

LAB 50.67, -4.67, 19.08

 

CMYK 0 / 0 / 3 / 58

HEX #6C6C69

RGB 108 108 105

HSL 60, 0.01%, 0.42%

LAB 45.54, -0.6, 1.67

 

CMYK 25 / 24 / 0 / 52

HEX #5B5D7A

RGB 91 93 122

HSL 236.13, 0.15%, 0.42%

LAB 40.34, 6.17, -16.56

 

CMYK 0 / 43 / 67 / 37

HEX #A05C35

RGB 160 92 53

HSL 21.87, 0.5%, 0.42%

LAB 46.16, 24.27, 33.97

 

CMYK 0 / 24 / 67 / 37

HEX #A07935

RGB 160 121 53

HSL 38.13, 0.5%, 0.42%

LAB 53.39, 7.79, 42.11

 

CMYK 0 / 7 / 67 / 37

HEX #A09535

RGB 160 149 53

HSL 53.83, 0.5%, 0.42%

LAB 60.98, -7.71, 50.22

 

CMYK 11 / 0 / 67 / 37

HEX #8EA035

RGB 142 160 53

HSL 70.09, 0.5%, 0.42%

LAB 62.63, -21.3, 51.47

 

CMYK 29 / 0 / 67 / 37

HEX #72A035

RGB 114 160 53

HSL 85.79, 0.5%, 0.42%

LAB 60.76, -32.71, 48.93

 

CMYK 0 / 5 / 67 / 62

HEX #625D20

RGB 98 93 32

HSL 55.45, 0.51%, 0.25%

LAB 38.78, -6.43, 34.62

HEX #625D20

CMYK 0 / 5 / 67 / 49

HEX #817A2B

RGB 129 122 43

HSL 55.12, 0.5%, 0.34%

LAB 50.41, -7.6, 42.68

HEX #817A2B

CMYK 0 / 6 / 67 / 37

HEX #A09735

RGB 160 151 53

HSL 54.95, 0.5%, 0.42%

LAB 61.54, -8.78, 50.79

HEX #A09735

CMYK 0 / 6 / 66 / 25

HEX #BFB440

RGB 191 180 64

HSL 54.8, 0.5%, 0.5%

LAB 72.29, -9.86, 58.18

HEX #BFB440

CMYK 0 / 4 / 53 / 21

HEX #C9C05F

RGB 201 192 95

HSL 54.91, 0.5%, 0.58%

LAB 76.64, -9.62, 49.38

HEX #C9C05F

CMYK 0 / 6 / 67 / 37

HEX #A09735

RGB 160 151 53

HSL 54.95, 0.5%, 0.42%

LAB 61.54, -8.78, 50.79

 

CMYK 67 / 0 / 60 / 37

HEX #35A040

RGB 53 160 64

HSL 126.17, 0.5%, 0.42%

LAB 58.29, -50.23, 40.54

 

CMYK 33 / 67 / 0 / 37

HEX #6B35A0

RGB 107 53 160

HSL 270.28, 0.5%, 0.42%

LAB 34.42, 44.73, -48.92

 

CMYK 0 / 6 / 67 / 37

HEX #A09735

RGB 160 151 53

HSL 54.95, 0.5%, 0.42%

LAB 61.54, -8.78, 50.79

 

CMYK 67 / 0 / 7 / 37

HEX #35A095

RGB 53 160 149

HSL 173.83, 0.5%, 0.42%

LAB 59.95, -32.66, -3.16

 

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

CMYK 0 / 6 / 67 / 37

HEX #A09735

RGB 160 151 53

HSL 54.95, 0.5%, 0.42%

LAB 61.54, -8.78, 50.79

 

CMYK 67 / 0 / 60 / 37

HEX #35A040

RGB 53 160 64

HSL 126.17, 0.5%, 0.42%

LAB 58.29, -50.23, 40.54

 

CMYK 67 / 60 / 0 / 37

HEX #3540A0

RGB 53 64 160

HSL 233.83, 0.5%, 0.42%

LAB 31.72, 27.54, -53.53

 

CMYK 0 / 67 / 7 / 37

HEX #A03595

RGB 160 53 149

HSL 306.17, 0.5%, 0.42%

LAB 41.52, 55.29, -30.5

 

CMYK 0 / 6 / 67 / 37

HEX #A09735

RGB 160 151 53

HSL 54.95, 0.5%, 0.42%

LAB 61.54, -8.78, 50.79

 

CMYK 67 / 0 / 40 / 37

HEX #35A060

RGB 53 160 96

HSL 144.11, 0.5%, 0.42%

LAB 58.74, -45.2, 24.7

 

CMYK 67 / 60 / 0 / 37

HEX #3540A0

RGB 53 64 160

HSL 233.83, 0.5%, 0.42%

LAB 31.72, 27.54, -53.53

 

CMYK 0 / 67 / 27 / 37

HEX #A03575

RGB 160 53 117

HSL 324.11, 0.5%, 0.42%

LAB 40.09, 50.5, -13.08

 

Description

Color code: HEX #A09735 | qconv.com Color code: HEX #A09735 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 151 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 151 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 67 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 67% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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