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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 53 160 it is the complementary color RGB 106 202 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 53 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 53 160 shade: RGB 154 53 155, RGB 171 71 174, RGB 188 89 193, RGB 205 107 212 and RGB 222 125 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 53 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 53 160 shade: RGB 149 53 160, RGB 132 35 141, RGB 115 17 122, RGB 98 0 103 and RGB 81 0 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 53 160 shade: RGB 149 53 160, RGB 160 53 142, RGB 160 53 113, RGB 160 53 85 and RGB 160 53 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 53 160 shade: RGB 149 53 160, RGB 120 53 160, RGB 91 53 160, RGB 62 53 160 and RGB 53 53 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 53 160 shade matches the following richer shades: RGB 149 53 160, RGB 163 36 177, RGB 177 18 195 and RGB 190 1 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 53 160 shade: RGB 149 53 160, RGB 135 70 143, RGB 122 88 125, RGB 108 105 108 and RGB 94 122 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 53 160 shade: RGB 91 53 160, RGB 119 53 160, RGB 148 53 160, RGB 160 53 144 and RGB 160 53 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 53 160 shade: RGB 91 32 98, RGB 120 43 129, RGB 149 53 160, RGB 178 64 191 and RGB 190 95 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 53 160 shade: RGB 149 53 160, RGB 160 62 53 and RGB 53 160 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 53 160 shade: RGB 149 53 160, RGB 160 148 53 and RGB 53 160 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 53 160 shade: RGB 149 53 160, RGB 160 62 53, RGB 66 160 53 and RGB 53 151 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 53 160 shade: RGB 149 53 160, RGB 160 94 53, RGB 66 160 53 and RGB 53 119 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

Complementary color

CMYK 48 / 0 / 53 / 21

HEX #6ACA5F

RGB 106 202 95

HSL 113.83, 0.5%, 0.58%

LAB 73.63, -49.23, 44.37

 

CMYK 1 / 66 / 0 / 39

HEX #9A359B

RGB 154 53 155

HSL 299.41, 0.49%, 0.41%

LAB 40.87, 54.81, -35.2

 

CMYK 2 / 59 / 0 / 32

HEX #AB47AE

RGB 171 71 174

HSL 298.25, 0.42%, 0.48%

LAB 47.26, 54.73, -36.25

 

CMYK 3 / 54 / 0 / 24

HEX #BC59C1

RGB 188 89 193

HSL 297.12, 0.46%, 0.55%

LAB 53.69, 54.32, -37.02

 

CMYK 3 / 50 / 0 / 17

HEX #CD6BD4

RGB 205 107 212

HSL 296, 0.55%, 0.63%

LAB 60.11, 53.73, -37.61

 

CMYK 4 / 46 / 0 / 9

HEX #DE7DE7

RGB 222 125 231

HSL 294.91, 0.69%, 0.7%

LAB 66.49, 53.05, -38.1

 

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

CMYK 6 / 75 / 0 / 45

HEX #84238D

RGB 132 35 141

HSL 294.91, 0.6%, 0.35%

LAB 34.05, 54.03, -37.73

 

CMYK 6 / 86 / 0 / 52

HEX #73117A

RGB 115 17 122

HSL 296, 0.76%, 0.27%

LAB 27.98, 52.47, -35.73

 

CMYK 5 / 100 / 0 / 60

HEX #620067

RGB 98 0 103

HSL 297.09, 1%, 0.2%

LAB 22.22, 49.59, -32.91

 

CMYK 4 / 100 / 0 / 67

HEX #510054

RGB 81 0 84

HSL 297.86, 1%, 0.16%

LAB 17.41, 43.25, -28.16

 

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

CMYK 0 / 67 / 11 / 37

HEX #A0358E

RGB 160 53 142

HSL 310.09, 0.5%, 0.42%

LAB 41.17, 54.16, -26.79

 

CMYK 0 / 67 / 29 / 37

HEX #A03571

RGB 160 53 113

HSL 326.36, 0.5%, 0.42%

LAB 39.94, 49.97, -10.83

 

CMYK 0 / 67 / 47 / 37

HEX #A03555

RGB 160 53 85

HSL 342.06, 0.5%, 0.42%

LAB 39.03, 46.77, 5.44

 

CMYK 0 / 67 / 65 / 37

HEX #A03538

RGB 160 53 56

HSL 358.32, 0.5%, 0.42%

LAB 38.38, 44.42, 22.81

 

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

CMYK 25 / 67 / 0 / 37

HEX #7835A0

RGB 120 53 160

HSL 277.57, 0.5%, 0.42%

LAB 36.13, 47.66, -46.07

 

CMYK 43 / 67 / 0 / 37

HEX #5B35A0

RGB 91 53 160

HSL 261.31, 0.5%, 0.42%

LAB 32.5, 41.32, -52.12

 

CMYK 61 / 67 / 0 / 37

HEX #3E35A0

RGB 62 53 160

HSL 245.05, 0.5%, 0.42%

LAB 29.68, 35.98, -56.83

 

CMYK 67 / 67 / 0 / 37

HEX #3535A0

RGB 53 53 160

HSL 240, 0.5%, 0.42%

LAB 29.01, 34.62, -57.96

 

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

CMYK 8 / 80 / 0 / 31

HEX #A324B1

RGB 163 36 177

HSL 294.04, 0.66%, 0.42%

LAB 41.57, 66.44, -47.15

 

CMYK 9 / 91 / 0 / 24

HEX #B112C3

RGB 177 18 195

HSL 293.9, 0.83%, 0.42%

LAB 43.83, 75.59, -53.97

 

CMYK 10 / 100 / 0 / 17

HEX #BE01D4

RGB 190 1 212

HSL 293.74, 0.99%, 0.42%

LAB 46.61, 82.02, -59.22

 

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

CMYK 6 / 51 / 0 / 44

HEX #87468F

RGB 135 70 143

HSL 293.42, 0.34%, 0.42%

LAB 40.43, 39.23, -28.82

 

CMYK 2 / 30 / 0 / 51

HEX #7A587D

RGB 122 88 125

HSL 295.14, 0.17%, 0.42%

LAB 42.15, 20.85, -15.35

 

CMYK 0 / 3 / 0 / 58

HEX #6C696C

RGB 108 105 108

HSL 300, 0.01%, 0.42%

LAB 44.76, 1.78, -1.27

 

CMYK 23 / 0 / 25 / 52

HEX #5E7A5B

RGB 94 122 91

HSL 114.19, 0.15%, 0.42%

LAB 48.33, -16.63, 13.76

 

CMYK 43 / 67 / 0 / 37

HEX #5B35A0

RGB 91 53 160

HSL 261.31, 0.5%, 0.42%

LAB 32.5, 41.32, -52.12

 

CMYK 26 / 67 / 0 / 37

HEX #7735A0

RGB 119 53 160

HSL 277.01, 0.5%, 0.42%

LAB 36, 47.43, -46.29

 

CMYK 7 / 67 / 0 / 37

HEX #9435A0

RGB 148 53 160

HSL 293.27, 0.5%, 0.42%

LAB 40.21, 54.26, -39.31

 

CMYK 0 / 67 / 10 / 37

HEX #A03590

RGB 160 53 144

HSL 308.97, 0.5%, 0.42%

LAB 41.27, 54.48, -27.85

 

CMYK 0 / 67 / 28 / 37

HEX #A03574

RGB 160 53 116

HSL 324.67, 0.5%, 0.42%

LAB 40.05, 50.36, -12.52

 

CMYK 7 / 67 / 0 / 62

HEX #5B2062

RGB 91 32 98

HSL 293.64, 0.51%, 0.25%

LAB 24.13, 36.98, -26.66

 

CMYK 7 / 67 / 0 / 49

HEX #782B81

RGB 120 43 129

HSL 293.72, 0.5%, 0.34%

LAB 32.49, 45.73, -32.88

 

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

CMYK 7 / 66 / 0 / 25

HEX #B240BF

RGB 178 64 191

HSL 293.86, 0.5%, 0.5%

LAB 48.13, 62.5, -44.75

 

CMYK 5 / 53 / 0 / 21

HEX #BE5FC9

RGB 190 95 201

HSL 293.77, 0.5%, 0.58%

LAB 55.43, 53.44, -38.85

 

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

CMYK 0 / 61 / 67 / 37

HEX #A03E35

RGB 160 62 53

HSL 5.05, 0.5%, 0.42%

LAB 39.88, 40.11, 26.5

 

CMYK 67 / 0 / 34 / 37

HEX #35A069

RGB 53 160 105

HSL 149.16, 0.5%, 0.42%

LAB 58.9, -43.42, 20.01

 

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

CMYK 0 / 7 / 67 / 37

HEX #A09435

RGB 160 148 53

HSL 53.27, 0.5%, 0.42%

LAB 60.7, -7.17, 49.93

 

CMYK 67 / 0 / 7 / 37

HEX #35A094

RGB 53 160 148

HSL 173.27, 0.5%, 0.42%

LAB 59.92, -32.94, -2.63

 

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

CMYK 0 / 61 / 67 / 37

HEX #A03E35

RGB 160 62 53

HSL 5.05, 0.5%, 0.42%

LAB 39.88, 40.11, 26.5

 

CMYK 59 / 0 / 67 / 37

HEX #42A035

RGB 66 160 53

HSL 112.71, 0.5%, 0.42%

LAB 58.56, -48.45, 45.92

 

CMYK 67 / 6 / 0 / 37

HEX #3597A0

RGB 53 151 160

HSL 185.05, 0.5%, 0.42%

LAB 57.49, -25.03, -13.07

 

CMYK 7 / 67 / 0 / 37

HEX #9535A0

RGB 149 53 160

HSL 293.83, 0.5%, 0.42%

LAB 40.37, 54.5, -39.05

 

CMYK 0 / 41 / 67 / 37

HEX #A05E35

RGB 160 94 53

HSL 22.99, 0.5%, 0.42%

LAB 46.63, 23.14, 34.51

 

CMYK 59 / 0 / 67 / 37

HEX #42A035

RGB 66 160 53

HSL 112.71, 0.5%, 0.42%

LAB 58.56, -48.45, 45.92

 

CMYK 67 / 26 / 0 / 37

HEX #3577A0

RGB 53 119 160

HSL 202.99, 0.5%, 0.42%

LAB 47.61, -7.56, -28.22

 

Description

Color code: RGB 149 53 160 | qconv.com Color code: RGB 149 53 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 53 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 53 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 67 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 67% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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