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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FFF47 it is the complementary color #C000B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FFF47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FFF47 shade: #44FF42, #55FF55, #66FF68, #77FF7B and #88FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FFF47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FFF47 shade: #3FFF47, #2EED34, #1DDB21, #0CC90E and #00B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FFF47 shade: #3DFF45, #69FF3D, #9DFF3D, #D1FF3D and #FFF73D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FFF47 shade: #3DFF45, #3DFF79, #3DFFAD, #3DFFE2 and #3DE7FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FFF47 shade matches the following richer shades: #3DFF45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FFF47 shade: #3DFF45, #4CEF53, #5CDF62, #6CCF70 and #7BC07E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FFF47 shade: #9EFF3D, #6AFF3D, #3DFF43, #3DFF77 and #3DFFAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FFF47 shade: #00E909, #13FF1D, #3DFF45, #66FF6C and #8FFF94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FFF47 shade: #3FFF47, #3DD1FF and #FF3D84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FFF47 shade: #3FFF47, #433DFF and #FF433D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FFF47 shade: #3FFF47, #3DD1FF, #FF3DF8 and #FF6A3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FFF47 shade: #3FFF47, #3D97FF, #FF3DF8 and #FFA43D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 72 / 0

HEX #3FFF47

RGB 63 255 71

HSL 122.5, 1%, 0.62%

LAB 88.46, -78.89, 70.33

 

Complementary color

CMYK 0 / 100 / 4 / 25

HEX #C000B8

RGB 192 0 184

HSL 302.5, 1%, 0.38%

LAB 45.17, 78.22, -45.22

 

CMYK 73 / 0 / 74 / 0

HEX #44FF42

RGB 68 255 66

HSL 119.37, 1%, 0.63%

LAB 88.52, -78.55, 72.06

 

CMYK 67 / 0 / 67 / 0

HEX #55FF55

RGB 85 255 85

HSL 120, 1%, 0.67%

LAB 88.97, -74.23, 65.93

 

CMYK 60 / 0 / 59 / 0

HEX #66FF68

RGB 102 255 104

HSL 120.78, 1%, 0.7%

LAB 89.55, -68.95, 58.98

 

CMYK 53 / 0 / 52 / 0

HEX #77FF7B

RGB 119 255 123

HSL 121.76, 1%, 0.73%

LAB 90.26, -62.8, 51.49

 

CMYK 47 / 0 / 44 / 0

HEX #88FF8E

RGB 136 255 142

HSL 123.03, 1%, 0.77%

LAB 91.1, -55.89, 43.72

 

CMYK 75 / 0 / 72 / 0

HEX #3FFF47

RGB 63 255 71

HSL 122.5, 1%, 0.62%

LAB 88.46, -78.89, 70.33

 

CMYK 81 / 0 / 78 / 7

HEX #2EED34

RGB 46 237 52

HSL 121.88, 0.84%, 0.55%

LAB 82.59, -77.02, 70.48

 

CMYK 87 / 0 / 85 / 14

HEX #1DDB21

RGB 29 219 33

HSL 121.26, 0.77%, 0.49%

LAB 76.7, -74.52, 69.85

 

CMYK 94 / 0 / 93 / 21

HEX #0CC90E

RGB 12 201 14

HSL 120.63, 0.89%, 0.42%

LAB 70.79, -71.26, 68.07

 

CMYK 100 / 0 / 100 / 28

HEX #00B700

RGB 0 183 0

HSL 120, 1%, 0.36%

LAB 64.86, -67.18, 64.83

 

CMYK 76 / 0 / 73 / 0

HEX #3DFF45

RGB 61 255 69

HSL 122.47, 1%, 0.62%

LAB 88.42, -79.31, 70.95

 

CMYK 59 / 0 / 76 / 0

HEX #69FF3D

RGB 105 255 61

HSL 106.39, 1%, 0.62%

LAB 89.33, -71.87, 74.7

 

CMYK 38 / 0 / 76 / 0

HEX #9DFF3D

RGB 157 255 61

HSL 90.31, 1%, 0.62%

LAB 91.25, -57.28, 77.2

 

CMYK 18 / 0 / 76 / 0

HEX #D1FF3D

RGB 209 255 61

HSL 74.23, 1%, 0.62%

LAB 94.06, -38.69, 80.84

 

CMYK 0 / 3 / 76 / 0

HEX #FFF73D

RGB 255 247 61

HSL 57.53, 1%, 0.62%

LAB 95.21, -16.62, 83.1

 

CMYK 76 / 0 / 73 / 0

HEX #3DFF45

RGB 61 255 69

HSL 122.47, 1%, 0.62%

LAB 88.42, -79.31, 70.95

 

CMYK 76 / 0 / 53 / 0

HEX #3DFF79

RGB 61 255 121

HSL 138.56, 1%, 0.62%

LAB 88.87, -73.83, 50.41

 

CMYK 76 / 0 / 32 / 0

HEX #3DFFAD

RGB 61 255 173

HSL 154.64, 1%, 0.62%

LAB 89.64, -64.99, 26.08

 

CMYK 76 / 0 / 11 / 0

HEX #3DFFE2

RGB 61 255 226

HSL 171.03, 1%, 0.62%

LAB 90.78, -52.87, 0.46

 

CMYK 76 / 9 / 0 / 0

HEX #3DE7FF

RGB 61 231 255

HSL 187.42, 1%, 0.62%

LAB 84.67, -34.24, -23.81

 

CMYK 76 / 0 / 73 / 0

HEX #3DFF45

RGB 61 255 69

HSL 122.47, 1%, 0.62%

LAB 88.42, -79.31, 70.95

 

CMYK 76 / 0 / 73 / 0

HEX #3DFF45

RGB 61 255 69

HSL 122.47, 1%, 0.62%

LAB 88.42, -79.31, 70.95

 

CMYK 68 / 0 / 65 / 6

HEX #4CEF53

RGB 76 239 83

HSL 122.58, 0.84%, 0.62%

LAB 83.91, -70.88, 61.19

 

CMYK 59 / 0 / 56 / 13

HEX #5CDF62

RGB 92 223 98

HSL 122.75, 0.67%, 0.62%

LAB 79.58, -60.52, 49.95

 

CMYK 48 / 0 / 46 / 19

HEX #6CCF70

RGB 108 207 112

HSL 122.42, 0.51%, 0.62%

LAB 75.44, -48.42, 38.33

 

CMYK 36 / 0 / 34 / 25

HEX #7BC07E

RGB 123 192 126

HSL 122.61, 0.35%, 0.62%

LAB 71.84, -35.23, 26.58

 

CMYK 38 / 0 / 76 / 0

HEX #9EFF3D

RGB 158 255 61

HSL 90, 1%, 0.62%

LAB 91.29, -56.95, 77.26

 

CMYK 58 / 0 / 76 / 0

HEX #6AFF3D

RGB 106 255 61

HSL 106.08, 1%, 0.62%

LAB 89.36, -71.64, 74.73

 

CMYK 76 / 0 / 74 / 0

HEX #3DFF43

RGB 61 255 67

HSL 121.86, 1%, 0.62%

LAB 88.41, -79.45, 71.6

 

CMYK 76 / 0 / 53 / 0

HEX #3DFF77

RGB 61 255 119

HSL 137.94, 1%, 0.62%

LAB 88.85, -74.1, 51.29

 

CMYK 76 / 0 / 33 / 0

HEX #3DFFAB

RGB 61 255 171

HSL 154.02, 1%, 0.62%

LAB 89.6, -65.39, 27.04

 

CMYK 100 / 0 / 96 / 9

HEX #00E909

RGB 0 233 9

HSL 122.32, 1%, 0.46%

LAB 80.9, -80.36, 76.92

 

CMYK 93 / 0 / 89 / 0

HEX #13FF1D

RGB 19 255 29

HSL 122.54, 1%, 0.54%

LAB 87.85, -85.02, 80.31

 

CMYK 76 / 0 / 73 / 0

HEX #3DFF45

RGB 61 255 69

HSL 122.47, 1%, 0.62%

LAB 88.42, -79.31, 70.95

 

CMYK 60 / 0 / 58 / 0

HEX #66FF6C

RGB 102 255 108

HSL 122.35, 1%, 0.7%

LAB 89.59, -68.51, 57.3

 

CMYK 44 / 0 / 42 / 0

HEX #8FFF94

RGB 143 255 148

HSL 122.68, 1%, 0.78%

LAB 91.46, -53.11, 41.32

 

CMYK 75 / 0 / 72 / 0

HEX #3FFF47

RGB 63 255 71

HSL 122.5, 1%, 0.62%

LAB 88.46, -78.89, 70.33

 

CMYK 76 / 18 / 0 / 0

HEX #3DD1FF

RGB 61 209 255

HSL 194.23, 1%, 0.62%

LAB 78.35, -23.53, -33.49

 

CMYK 0 / 76 / 48 / 0

HEX #FF3D84

RGB 255 61 132

HSL 338.04, 1%, 0.62%

LAB 58.29, 75.39, 6.57

 

CMYK 75 / 0 / 72 / 0

HEX #3FFF47

RGB 63 255 71

HSL 122.5, 1%, 0.62%

LAB 88.46, -78.89, 70.33

 

CMYK 74 / 76 / 0 / 0

HEX #433DFF

RGB 67 61 255

HSL 241.86, 1%, 0.62%

LAB 40.82, 62.25, -93.63

 

CMYK 0 / 74 / 76 / 0

HEX #FF433D

RGB 255 67 61

HSL 1.86, 1%, 0.62%

LAB 57.67, 69.52, 46.76

 

CMYK 75 / 0 / 72 / 0

HEX #3FFF47

RGB 63 255 71

HSL 122.5, 1%, 0.62%

LAB 88.46, -78.89, 70.33

 

CMYK 76 / 18 / 0 / 0

HEX #3DD1FF

RGB 61 209 255

HSL 194.23, 1%, 0.62%

LAB 78.35, -23.53, -33.49

 

CMYK 0 / 76 / 3 / 0

HEX #FF3DF8

RGB 255 61 248

HSL 302.16, 1%, 0.62%

LAB 62.82, 88.81, -52.98

 

CMYK 0 / 58 / 76 / 0

HEX #FF6A3D

RGB 255 106 61

HSL 13.92, 1%, 0.62%

LAB 63.26, 54.39, 52.6

 

CMYK 75 / 0 / 72 / 0

HEX #3FFF47

RGB 63 255 71

HSL 122.5, 1%, 0.62%

LAB 88.46, -78.89, 70.33

 

CMYK 76 / 41 / 0 / 0

HEX #3D97FF

RGB 61 151 255

HSL 212.16, 1%, 0.62%

LAB 61.95, 8.33, -59.25

 

CMYK 0 / 76 / 3 / 0

HEX #FF3DF8

RGB 255 61 248

HSL 302.16, 1%, 0.62%

LAB 62.82, 88.81, -52.98

 

CMYK 0 / 36 / 76 / 0

HEX #FFA43D

RGB 255 164 61

HSL 31.86, 1%, 0.62%

LAB 74.92, 25.67, 64.2

 

Description

Color code: HEX #3FFF47 | qconv.com Color code: HEX #3FFF47 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 255 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 255 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 72 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 72% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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