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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DFF3D it is the complementary color #6200C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DFF3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DFF3D shade: #A2FF38, #B3FF4B, #C4FF5E, #D5FF71 and #E6FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DFF3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DFF3D shade: #9DFF3D, #8CED2A, #7BDB17, #6AC904 and #59B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DFF3D shade: #9DFF3D, #D1FF3D, #FFF83D, #FFC43D and #FF8F3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DFF3D shade: #9DFF3D, #68FF3D, #3DFF45, #3DFF7A and #3DFFAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DFF3D shade matches the following richer shades: #9DFF3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DFF3D shade: #9DFF3D, #9DEF4C, #9DDF5C, #9DCF6C and #9DC07B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DFF3D shade: #FFF83D, #D1FF3D, #9EFF3D, #6AFF3D and #3DFF43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DFF3D shade: #73E900, #88FF13, #9DFF3D, #B1FF66 and #C6FF8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DFF3D shade: #9DFF3D, #3DFFC4 and #FF3DEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DFF3D shade: #9DFF3D, #3D9EFF and #FF3D9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DFF3D shade: #9DFF3D, #3DFFC4, #9E3DFF and #FF3D77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DFF3D shade: #9DFF3D, #3DFFFF, #9E3DFF and #FF3D3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 76 / 0

HEX #9DFF3D

RGB 157 255 61

HSL 90.31, 1%, 0.62%

LAB 91.25, -57.28, 77.2

 

Complementary color

CMYK 49 / 100 / 0 / 24

HEX #6200C2

RGB 98 0 194

HSL 270.31, 1%, 0.38%

LAB 30.62, 67.89, -75.46

 

CMYK 36 / 0 / 78 / 0

HEX #A2FF38

RGB 162 255 56

HSL 88.04, 1%, 0.61%

LAB 91.45, -55.87, 78.91

 

CMYK 30 / 0 / 71 / 0

HEX #B3FF4B

RGB 179 255 75

HSL 85.33, 1%, 0.65%

LAB 92.4, -49.04, 74.21

 

CMYK 23 / 0 / 63 / 0

HEX #C4FF5E

RGB 196 255 94

HSL 81.99, 1%, 0.68%

LAB 93.48, -41.68, 68.58

 

CMYK 16 / 0 / 56 / 0

HEX #D5FF71

RGB 213 255 113

HSL 77.75, 1%, 0.72%

LAB 94.68, -33.89, 62.29

 

CMYK 10 / 0 / 48 / 0

HEX #E6FF84

RGB 230 255 132

HSL 72.2, 1%, 0.76%

LAB 96, -25.79, 55.61

 

CMYK 38 / 0 / 76 / 0

HEX #9DFF3D

RGB 157 255 61

HSL 90.31, 1%, 0.62%

LAB 91.25, -57.28, 77.2

 

CMYK 41 / 0 / 82 / 7

HEX #8CED2A

RGB 140 237 42

HSL 89.85, 0.84%, 0.55%

LAB 85.15, -56.64, 76.43

 

CMYK 44 / 0 / 89 / 14

HEX #7BDB17

RGB 123 219 23

HSL 89.39, 0.81%, 0.47%

LAB 79, -55.77, 74.66

 

CMYK 47 / 0 / 98 / 21

HEX #6AC904

RGB 106 201 4

HSL 88.93, 0.96%, 0.4%

LAB 72.79, -54.63, 71.63

 

CMYK 51 / 0 / 100 / 28

HEX #59B700

RGB 89 183 0

HSL 90.82, 1%, 0.36%

LAB 66.51, -53.13, 66.85

 

CMYK 38 / 0 / 76 / 0

HEX #9DFF3D

RGB 157 255 61

HSL 90.31, 1%, 0.62%

LAB 91.25, -57.28, 77.2

 

CMYK 18 / 0 / 76 / 0

HEX #D1FF3D

RGB 209 255 61

HSL 74.23, 1%, 0.62%

LAB 94.06, -38.69, 80.84

 

CMYK 0 / 3 / 76 / 0

HEX #FFF83D

RGB 255 248 61

HSL 57.84, 1%, 0.62%

LAB 95.47, -17.1, 83.33

 

CMYK 0 / 23 / 76 / 0

HEX #FFC43D

RGB 255 196 61

HSL 41.75, 1%, 0.62%

LAB 82.42, 8.99, 71.35

 

CMYK 0 / 44 / 76 / 0

HEX #FF8F3D

RGB 255 143 61

HSL 25.36, 1%, 0.62%

LAB 70.35, 36.51, 59.73

 

CMYK 38 / 0 / 76 / 0

HEX #9DFF3D

RGB 157 255 61

HSL 90.31, 1%, 0.62%

LAB 91.25, -57.28, 77.2

 

CMYK 59 / 0 / 76 / 0

HEX #68FF3D

RGB 104 255 61

HSL 106.7, 1%, 0.62%

LAB 89.3, -72.1, 74.66

 

CMYK 76 / 0 / 73 / 0

HEX #3DFF45

RGB 61 255 69

HSL 122.47, 1%, 0.62%

LAB 88.42, -79.31, 70.95

 

CMYK 76 / 0 / 52 / 0

HEX #3DFF7A

RGB 61 255 122

HSL 138.87, 1%, 0.62%

LAB 88.88, -73.69, 49.96

 

CMYK 76 / 0 / 32 / 0

HEX #3DFFAE

RGB 61 255 174

HSL 154.95, 1%, 0.62%

LAB 89.66, -64.79, 25.6

 

CMYK 38 / 0 / 76 / 0

HEX #9DFF3D

RGB 157 255 61

HSL 90.31, 1%, 0.62%

LAB 91.25, -57.28, 77.2

 

CMYK 38 / 0 / 76 / 0

HEX #9DFF3D

RGB 157 255 61

HSL 90.31, 1%, 0.62%

LAB 91.25, -57.28, 77.2

 

CMYK 34 / 0 / 68 / 6

HEX #9DEF4C

RGB 157 239 76

HSL 90.18, 0.84%, 0.62%

LAB 86.71, -49.95, 67.72

 

CMYK 30 / 0 / 59 / 13

HEX #9DDF5C

RGB 157 223 92

HSL 90.23, 0.67%, 0.62%

LAB 82.23, -41.87, 56.39

 

CMYK 24 / 0 / 48 / 19

HEX #9DCF6C

RGB 157 207 108

HSL 90.3, 0.51%, 0.62%

LAB 77.8, -33.01, 43.76

 

CMYK 18 / 0 / 36 / 25

HEX #9DC07B

RGB 157 192 123

HSL 90.43, 0.35%, 0.62%

LAB 73.74, -23.94, 31.02

 

CMYK 0 / 3 / 76 / 0

HEX #FFF83D

RGB 255 248 61

HSL 57.84, 1%, 0.62%

LAB 95.47, -17.1, 83.33

 

CMYK 18 / 0 / 76 / 0

HEX #D1FF3D

RGB 209 255 61

HSL 74.23, 1%, 0.62%

LAB 94.06, -38.69, 80.84

 

CMYK 38 / 0 / 76 / 0

HEX #9EFF3D

RGB 158 255 61

HSL 90, 1%, 0.62%

LAB 91.29, -56.95, 77.26

 

CMYK 58 / 0 / 76 / 0

HEX #6AFF3D

RGB 106 255 61

HSL 106.08, 1%, 0.62%

LAB 89.36, -71.64, 74.73

 

CMYK 76 / 0 / 74 / 0

HEX #3DFF43

RGB 61 255 67

HSL 121.86, 1%, 0.62%

LAB 88.41, -79.45, 71.6

 

CMYK 51 / 0 / 100 / 9

HEX #73E900

RGB 115 233 0

HSL 90.39, 1%, 0.46%

LAB 82.87, -63.71, 80.1

 

CMYK 47 / 0 / 93 / 0

HEX #88FF13

RGB 136 255 19

HSL 90.25, 1%, 0.54%

LAB 90.23, -65.24, 84.64

 

CMYK 38 / 0 / 76 / 0

HEX #9DFF3D

RGB 157 255 61

HSL 90.31, 1%, 0.62%

LAB 91.25, -57.28, 77.2

 

CMYK 31 / 0 / 60 / 0

HEX #B1FF66

RGB 177 255 102

HSL 90.59, 1%, 0.7%

LAB 92.5, -47.78, 63.95

 

CMYK 22 / 0 / 44 / 0

HEX #C6FF8F

RGB 198 255 143

HSL 90.54, 1%, 0.78%

LAB 94.1, -36.32, 47.65

 

CMYK 38 / 0 / 76 / 0

HEX #9DFF3D

RGB 157 255 61

HSL 90.31, 1%, 0.62%

LAB 91.25, -57.28, 77.2

 

CMYK 76 / 0 / 23 / 0

HEX #3DFFC4

RGB 61 255 196

HSL 161.75, 1%, 0.62%

LAB 90.09, -60.09, 14.96

 

CMYK 0 / 76 / 8 / 0

HEX #FF3DEB

RGB 255 61 235

HSL 306.19, 1%, 0.62%

LAB 62.16, 86.95, -46.79

 

CMYK 38 / 0 / 76 / 0

HEX #9DFF3D

RGB 157 255 61

HSL 90.31, 1%, 0.62%

LAB 91.25, -57.28, 77.2

 

CMYK 76 / 38 / 0 / 0

HEX #3D9EFF

RGB 61 158 255

HSL 210, 1%, 0.62%

LAB 63.89, 4.21, -56.16

 

CMYK 0 / 76 / 38 / 0

HEX #FF3D9E

RGB 255 61 158

HSL 330, 1%, 0.62%

LAB 59.04, 77.71, -7.61

 

CMYK 38 / 0 / 76 / 0

HEX #9DFF3D

RGB 157 255 61

HSL 90.31, 1%, 0.62%

LAB 91.25, -57.28, 77.2

 

CMYK 76 / 0 / 23 / 0

HEX #3DFFC4

RGB 61 255 196

HSL 161.75, 1%, 0.62%

LAB 90.09, -60.09, 14.96

 

CMYK 38 / 76 / 0 / 0

HEX #9E3DFF

RGB 158 61 255

HSL 270, 1%, 0.62%

LAB 49.29, 72.9, -79.4

 

CMYK 0 / 76 / 53 / 0

HEX #FF3D77

RGB 255 61 119

HSL 342.06, 1%, 0.62%

LAB 57.97, 74.4, 13.81

 

CMYK 38 / 0 / 76 / 0

HEX #9DFF3D

RGB 157 255 61

HSL 90.31, 1%, 0.62%

LAB 91.25, -57.28, 77.2

 

CMYK 76 / 0 / 0 / 0

HEX #3DFFFF

RGB 61 255 255

HSL 180, 1%, 0.62%

LAB 91.56, -45.14, -13.42

 

CMYK 38 / 76 / 0 / 0

HEX #9E3DFF

RGB 158 61 255

HSL 270, 1%, 0.62%

LAB 49.29, 72.9, -79.4

 

CMYK 0 / 76 / 76 / 0

HEX #FF3D3D

RGB 255 61 61

HSL 0, 1%, 0.62%

LAB 57.01, 71.35, 46.06

 

Description

Color code: HEX #9DFF3D | qconv.com Color code: HEX #9DFF3D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 255 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 255 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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