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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D5EB8 it is the complementary color #C2A147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D5EB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D5EB8 shade: #425EB3, #5370C6, #6482D9, #7594EC and #86A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D5EB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D5EB8 shade: #3D5EB8, #2C4CA5, #1B3A92, #0A287F and #00166C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D5EB8 shade: #3D5EB7, #3D3DB7, #5E3DB7, #7F3DB7 and #A03DB7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D5EB8 shade: #3D5EB7 and #3D3DB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D5EB8 shade matches the following richer shades: #3D5EB7, #2954CB, #154BDF and #0142F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D5EB8 shade: #3D5EB7, #5167A3, #64708F, #78797C and #8C8268

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D5EB8 shade: #3DA1B7, #3D80B7, #3D5FB7, #3D3FB7 and #5B3DB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D5EB8 shade: #283E79, #324E98, #3D5EB7, #5775C7 and #758ED1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D5EB8 shade: #3D5EB8, #AD3DB7 and #90B73D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D5EB8 shade: #3D5EB8, #B73D5F and #5FB73D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D5EB8 shade: #3D5EB8, #AD3DB7, #B7943D and #47B73D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D5EB8 shade: #3D5EB8, #B73D9D, #B7943D and #3DB757

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 49 / 0 / 28

HEX #3D5EB8

RGB 61 94 184

HSL 223.9, 0.5%, 0.48%

LAB 41.94, 17.93, -51.24

 

Complementary color

CMYK 0 / 17 / 63 / 24

HEX #C2A147

RGB 194 161 71

HSL 43.9, 0.5%, 0.52%

LAB 67.59, 1.91, 50.19

 

CMYK 63 / 47 / 0 / 30

HEX #425EB3

RGB 66 94 179

HSL 225.13, 0.46%, 0.48%

LAB 41.87, 17.01, -48.4

 

CMYK 58 / 43 / 0 / 22

HEX #5370C6

RGB 83 112 198

HSL 224.87, 0.5%, 0.55%

LAB 48.89, 15.47, -48.15

 

CMYK 54 / 40 / 0 / 15

HEX #6482D9

RGB 100 130 217

HSL 224.62, 0.61%, 0.62%

LAB 55.77, 14.23, -47.93

 

CMYK 50 / 37 / 0 / 7

HEX #7594EC

RGB 117 148 236

HSL 224.37, 0.76%, 0.69%

LAB 62.52, 13.2, -47.75

 

CMYK 47 / 35 / 0 / 0

HEX #86A6FF

RGB 134 166 255

HSL 224.13, 1%, 0.76%

LAB 69.16, 12.33, -47.62

 

CMYK 67 / 49 / 0 / 28

HEX #3D5EB8

RGB 61 94 184

HSL 223.9, 0.5%, 0.48%

LAB 41.94, 17.93, -51.24

 

CMYK 73 / 54 / 0 / 35

HEX #2C4CA5

RGB 44 76 165

HSL 224.13, 0.58%, 0.41%

LAB 34.84, 20.1, -51.49

 

CMYK 82 / 60 / 0 / 43

HEX #1B3A92

RGB 27 58 146

HSL 224.37, 0.69%, 0.34%

LAB 27.67, 22.88, -51.66

 

CMYK 92 / 69 / 0 / 50

HEX #0A287F

RGB 10 40 127

HSL 224.62, 0.85%, 0.27%

LAB 20.5, 26.4, -51.58

 

CMYK 100 / 80 / 0 / 58

HEX #00166C

RGB 0 22 108

HSL 227.78, 1%, 0.21%

LAB 13.57, 30.45, -50.79

 

CMYK 67 / 49 / 0 / 28

HEX #3D5EB7

RGB 61 94 183

HSL 223.77, 0.5%, 0.48%

LAB 41.87, 17.57, -50.76

 

CMYK 67 / 67 / 0 / 28

HEX #3D3DB7

RGB 61 61 183

HSL 240, 0.5%, 0.48%

LAB 33.45, 38.65, -64.43

 

CMYK 49 / 67 / 0 / 28

HEX #5E3DB7

RGB 94 61 183

HSL 256.23, 0.5%, 0.48%

LAB 36.24, 44, -59.76

 

CMYK 31 / 67 / 0 / 28

HEX #7F3DB7

RGB 127 61 183

HSL 272.46, 0.5%, 0.48%

LAB 40.03, 50.69, -53.44

 

CMYK 13 / 67 / 0 / 28

HEX #A03DB7

RGB 160 61 183

HSL 288.69, 0.5%, 0.48%

LAB 44.56, 58.09, -45.92

 

CMYK 67 / 49 / 0 / 28

HEX #3D5EB7

RGB 61 94 183

HSL 223.77, 0.5%, 0.48%

LAB 41.87, 17.57, -50.76

 

CMYK 67 / 67 / 0 / 28

HEX #3D3DB7

RGB 61 61 183

HSL 240, 0.5%, 0.48%

LAB 33.45, 38.65, -64.43

 

CMYK 67 / 49 / 0 / 28

HEX #3D5EB7

RGB 61 94 183

HSL 223.77, 0.5%, 0.48%

LAB 41.87, 17.57, -50.76

 

CMYK 80 / 59 / 0 / 20

HEX #2954CB

RGB 41 84 203

HSL 224.07, 0.66%, 0.48%

LAB 39.79, 28.92, -65.81

 

CMYK 91 / 66 / 0 / 13

HEX #154BDF

RGB 21 75 223

HSL 223.96, 0.83%, 0.48%

LAB 38.76, 40.88, -79.01

 

CMYK 100 / 73 / 0 / 5

HEX #0142F3

RGB 1 66 243

HSL 223.88, 0.99%, 0.48%

LAB 38.51, 52.93, -90.78

 

CMYK 67 / 49 / 0 / 28

HEX #3D5EB7

RGB 61 94 183

HSL 223.77, 0.5%, 0.48%

LAB 41.87, 17.57, -50.76

 

CMYK 50 / 37 / 0 / 36

HEX #5167A3

RGB 81 103 163

HSL 223.9, 0.34%, 0.48%

LAB 44.37, 9.12, -34.96

 

CMYK 30 / 22 / 0 / 44

HEX #64708F

RGB 100 112 143

HSL 223.26, 0.18%, 0.48%

LAB 47.34, 3.1, -18.41

 

CMYK 3 / 2 / 0 / 51

HEX #78797C

RGB 120 121 124

HSL 225, 0.02%, 0.48%

LAB 50.83, 0.24, -1.78

 

CMYK 0 / 7 / 26 / 45

HEX #8C8268

RGB 140 130 104

HSL 43.33, 0.15%, 0.48%

LAB 54.6, -0.6, 15.47

 

CMYK 67 / 12 / 0 / 28

HEX #3DA1B7

RGB 61 161 183

HSL 190.82, 0.5%, 0.48%

LAB 61.57, -21.79, -19.89

 

CMYK 67 / 30 / 0 / 28

HEX #3D80B7

RGB 61 128 183

HSL 207.05, 0.5%, 0.48%

LAB 51.67, -3.52, -35.2

 

CMYK 67 / 48 / 0 / 28

HEX #3D5FB7

RGB 61 95 183

HSL 223.28, 0.5%, 0.48%

LAB 42.15, 16.92, -50.32

 

CMYK 67 / 66 / 0 / 28

HEX #3D3FB7

RGB 61 63 183

HSL 239.02, 0.5%, 0.48%

LAB 33.91, 37.42, -63.68

 

CMYK 50 / 67 / 0 / 28

HEX #5B3DB7

RGB 91 61 183

HSL 254.75, 0.5%, 0.48%

LAB 35.95, 43.44, -60.25

 

CMYK 67 / 49 / 0 / 53

HEX #283E79

RGB 40 62 121

HSL 223.7, 0.5%, 0.32%

LAB 27.51, 12.09, -36.33

 

CMYK 67 / 49 / 0 / 40

HEX #324E98

RGB 50 78 152

HSL 223.53, 0.5%, 0.4%

LAB 34.79, 14.79, -43.74

 

CMYK 67 / 49 / 0 / 28

HEX #3D5EB7

RGB 61 94 183

HSL 223.77, 0.5%, 0.48%

LAB 41.87, 17.57, -50.76

 

CMYK 56 / 41 / 0 / 22

HEX #5775C7

RGB 87 117 199

HSL 223.93, 0.5%, 0.56%

LAB 50.54, 13.54, -46.08

 

CMYK 44 / 32 / 0 / 18

HEX #758ED1

RGB 117 142 209

HSL 223.7, 0.5%, 0.64%

LAB 59.65, 8.67, -37.26

 

CMYK 67 / 49 / 0 / 28

HEX #3D5EB8

RGB 61 94 184

HSL 223.9, 0.5%, 0.48%

LAB 41.94, 17.93, -51.24

 

CMYK 5 / 67 / 0 / 28

HEX #AD3DB7

RGB 173 61 183

HSL 295.08, 0.5%, 0.48%

LAB 46.5, 61.1, -42.72

 

CMYK 21 / 0 / 67 / 28

HEX #90B73D

RGB 144 183 61

HSL 79.18, 0.5%, 0.48%

LAB 69.56, -31.13, 55.47

 

CMYK 67 / 49 / 0 / 28

HEX #3D5EB8

RGB 61 94 184

HSL 223.9, 0.5%, 0.48%

LAB 41.94, 17.93, -51.24

 

CMYK 0 / 67 / 48 / 28

HEX #B73D5F

RGB 183 61 95

HSL 343.28, 0.5%, 0.48%

LAB 44.56, 51.71, 7.61

 

CMYK 48 / 0 / 67 / 28

HEX #5FB73D

RGB 95 183 61

HSL 103.28, 0.5%, 0.48%

LAB 67, -48.49, 51.98

 

CMYK 67 / 49 / 0 / 28

HEX #3D5EB8

RGB 61 94 184

HSL 223.9, 0.5%, 0.48%

LAB 41.94, 17.93, -51.24

 

CMYK 5 / 67 / 0 / 28

HEX #AD3DB7

RGB 173 61 183

HSL 295.08, 0.5%, 0.48%

LAB 46.5, 61.1, -42.72

 

CMYK 0 / 19 / 67 / 28

HEX #B7943D

RGB 183 148 61

HSL 42.79, 0.5%, 0.48%

LAB 63, 3.52, 49.47

 

CMYK 61 / 0 / 67 / 28

HEX #47B73D

RGB 71 183 61

HSL 115.08, 0.5%, 0.48%

LAB 66.17, -54.94, 50.83

 

CMYK 67 / 49 / 0 / 28

HEX #3D5EB8

RGB 61 94 184

HSL 223.9, 0.5%, 0.48%

LAB 41.94, 17.93, -51.24

 

CMYK 0 / 67 / 14 / 28

HEX #B73D9D

RGB 183 61 157

HSL 312.79, 0.5%, 0.48%

LAB 46.76, 59.3, -26.83

 

CMYK 0 / 19 / 67 / 28

HEX #B7943D

RGB 183 148 61

HSL 42.79, 0.5%, 0.48%

LAB 63, 3.52, 49.47

 

CMYK 67 / 0 / 52 / 28

HEX #3DB757

RGB 61 183 87

HSL 132.79, 0.5%, 0.48%

LAB 66.17, -53.96, 38.86

 

Description

Color code: HEX #3D5EB8 | qconv.com Color code: HEX #3D5EB8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 94 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 94 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 49 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 49% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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