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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #283E79 it is the complementary color #D7C186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #283E79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #283E79 shade: #2D3E74, #3E5087, #4F629A, #6074AD and #7186C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #283E79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #283E79 shade: #283E79, #172C66, #061A53, #000840 and #00002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #283E79 shade: #283E7A, #28287A, #3E287A, #54287A and #6A287A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #283E79 shade: #283E7A, #28287A and #28287A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #283E79 shade matches the following richer shades: #283E7A, #1B3887, #0E3294 and #012CA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #283E79 shade: #283E7A, #36446D, #434B5F, #505152 and #5D5745

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #283E79 shade: #286B7A, #28557A, #283F7A, #282A7A and #3D287A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #283E79 shade: #141F3C, #1E2F5B, #283E7A, #334E99 and #3D5EB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #283E79 shade: #283E79, #73287A and #607A28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #283E79 shade: #283E79, #7A283F and #3F7A28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #283E79 shade: #283E79, #73287A, #7A6328 and #2F7A28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #283E79 shade: #283E79, #7A2868, #7A6328 and #287A3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 49 / 0 / 53

HEX #283E79

RGB 40 62 121

HSL 223.7, 0.5%, 0.32%

LAB 27.51, 12.09, -36.33

 

Complementary color

CMYK 0 / 10 / 38 / 16

HEX #D7C186

RGB 215 193 134

HSL 43.7, 0.5%, 0.68%

LAB 78.64, -0.58, 32.56

 

CMYK 61 / 47 / 0 / 55

HEX #2D3E74

RGB 45 62 116

HSL 225.63, 0.44%, 0.32%

LAB 27.47, 11.22, -33.21

 

CMYK 54 / 41 / 0 / 47

HEX #3E5087

RGB 62 80 135

HSL 225.21, 0.37%, 0.39%

LAB 35.02, 9.87, -32.97

 

CMYK 49 / 36 / 0 / 40

HEX #4F629A

RGB 79 98 154

HSL 224.8, 0.32%, 0.46%

LAB 42.35, 8.86, -32.8

 

CMYK 45 / 33 / 0 / 32

HEX #6074AD

RGB 96 116 173

HSL 224.42, 0.32%, 0.53%

LAB 49.49, 8.07, -32.71

 

CMYK 41 / 30 / 0 / 25

HEX #7186C0

RGB 113 134 192

HSL 224.05, 0.39%, 0.6%

LAB 56.45, 7.42, -32.67

 

CMYK 67 / 49 / 0 / 53

HEX #283E79

RGB 40 62 121

HSL 223.7, 0.5%, 0.32%

LAB 27.51, 12.09, -36.33

 

CMYK 77 / 57 / 0 / 60

HEX #172C66

RGB 23 44 102

HSL 224.05, 0.63%, 0.25%

LAB 19.81, 14.36, -36.6

 

CMYK 93 / 69 / 0 / 67

HEX #061A53

RGB 6 26 83

HSL 224.42, 0.87%, 0.17%

LAB 11.97, 17.61, -36.74

 

CMYK 100 / 88 / 0 / 75

HEX #000840

RGB 0 8 64

HSL 232.5, 1%, 0.13%

LAB 4.91, 19.87, -35.09

 

CMYK 100 / 100 / 0 / 82

HEX #00002D

RGB 0 0 45

HSL 240, 1%, 0.09%

LAB 1.71, 12.03, -26.26

 

CMYK 67 / 49 / 0 / 52

HEX #283E7A

RGB 40 62 122

HSL 223.9, 0.51%, 0.32%

LAB 27.58, 12.47, -36.85

 

CMYK 67 / 67 / 0 / 52

HEX #28287A

RGB 40 40 122

HSL 240, 0.51%, 0.32%

LAB 21.48, 27.6, -46.73

 

CMYK 49 / 67 / 0 / 52

HEX #3E287A

RGB 62 40 122

HSL 256.1, 0.51%, 0.32%

LAB 23.49, 31.67, -43.36

 

CMYK 31 / 67 / 0 / 52

HEX #54287A

RGB 84 40 122

HSL 272.2, 0.51%, 0.32%

LAB 26.18, 36.65, -38.89

 

CMYK 13 / 67 / 0 / 52

HEX #6A287A

RGB 106 40 122

HSL 288.29, 0.51%, 0.32%

LAB 29.38, 42.13, -33.58

 

CMYK 67 / 49 / 0 / 52

HEX #283E7A

RGB 40 62 122

HSL 223.9, 0.51%, 0.32%

LAB 27.58, 12.47, -36.85

 

CMYK 67 / 67 / 0 / 52

HEX #28287A

RGB 40 40 122

HSL 240, 0.51%, 0.32%

LAB 21.48, 27.6, -46.73

 

CMYK 67 / 67 / 0 / 52

HEX #28287A

RGB 40 40 122

HSL 240, 0.51%, 0.32%

LAB 21.48, 27.6, -46.73

 

CMYK 67 / 49 / 0 / 52

HEX #283E7A

RGB 40 62 122

HSL 223.9, 0.51%, 0.32%

LAB 27.58, 12.47, -36.85

 

CMYK 80 / 59 / 0 / 47

HEX #1B3887

RGB 27 56 135

HSL 223.89, 0.67%, 0.32%

LAB 26.19, 19.85, -47.27

 

CMYK 91 / 66 / 0 / 42

HEX #0E3294

RGB 14 50 148

HSL 223.88, 0.83%, 0.32%

LAB 25.3, 28.19, -56.79

 

CMYK 99 / 73 / 0 / 36

HEX #012CA2

RGB 1 44 162

HSL 223.98, 0.99%, 0.32%

LAB 25, 37.1, -65.84

 

CMYK 67 / 49 / 0 / 52

HEX #283E7A

RGB 40 62 122

HSL 223.9, 0.51%, 0.32%

LAB 27.58, 12.47, -36.85

 

CMYK 50 / 38 / 0 / 57

HEX #36446D

RGB 54 68 109

HSL 224.73, 0.34%, 0.32%

LAB 29.47, 6.88, -25.57

 

CMYK 29 / 21 / 0 / 63

HEX #434B5F

RGB 67 75 95

HSL 222.86, 0.17%, 0.32%

LAB 31.92, 1.97, -12.79

 

CMYK 2 / 1 / 0 / 68

HEX #505152

RGB 80 81 82

HSL 210, 0.01%, 0.32%

LAB 34.4, -0.18, -0.73

 

CMYK 0 / 6 / 26 / 64

HEX #5D5745

RGB 93 87 69

HSL 45, 0.15%, 0.32%

LAB 37.07, -0.86, 11.36

 

CMYK 67 / 12 / 0 / 52

HEX #286B7A

RGB 40 107 122

HSL 190.98, 0.51%, 0.32%

LAB 41.8, -15.92, -14.58

 

CMYK 67 / 30 / 0 / 52

HEX #28557A

RGB 40 85 122

HSL 207.07, 0.51%, 0.32%

LAB 34.71, -2.82, -25.54

 

CMYK 67 / 48 / 0 / 52

HEX #283F7A

RGB 40 63 122

HSL 223.17, 0.51%, 0.32%

LAB 27.88, 11.78, -36.37

 

CMYK 67 / 66 / 0 / 52

HEX #282A7A

RGB 40 42 122

HSL 238.54, 0.51%, 0.32%

LAB 21.99, 26.26, -45.9

 

CMYK 50 / 67 / 0 / 52

HEX #3D287A

RGB 61 40 122

HSL 255.37, 0.51%, 0.32%

LAB 23.39, 31.46, -43.54

 

CMYK 67 / 48 / 0 / 76

HEX #141F3C

RGB 20 31 60

HSL 223.5, 0.5%, 0.16%

LAB 12.32, 5.92, -20.18

 

CMYK 67 / 48 / 0 / 64

HEX #1E2F5B

RGB 30 47 91

HSL 223.28, 0.5%, 0.24%

LAB 20.3, 8.93, -28.57

 

CMYK 67 / 49 / 0 / 52

HEX #283E7A

RGB 40 62 122

HSL 223.9, 0.51%, 0.32%

LAB 27.58, 12.47, -36.85

 

CMYK 67 / 49 / 0 / 40

HEX #334E99

RGB 51 78 153

HSL 224.12, 0.5%, 0.4%

LAB 34.91, 15.34, -44.15

 

CMYK 67 / 49 / 0 / 28

HEX #3D5EB8

RGB 61 94 184

HSL 223.9, 0.5%, 0.48%

LAB 41.94, 17.93, -51.24

 

CMYK 67 / 49 / 0 / 53

HEX #283E79

RGB 40 62 121

HSL 223.7, 0.5%, 0.32%

LAB 27.51, 12.09, -36.33

 

CMYK 6 / 67 / 0 / 52

HEX #73287A

RGB 115 40 122

HSL 294.88, 0.51%, 0.32%

LAB 30.8, 44.43, -31.23

 

CMYK 21 / 0 / 67 / 52

HEX #607A28

RGB 96 122 40

HSL 79.02, 0.51%, 0.32%

LAB 47.7, -22.58, 40.36

 

CMYK 67 / 49 / 0 / 53

HEX #283E79

RGB 40 62 121

HSL 223.7, 0.5%, 0.32%

LAB 27.51, 12.09, -36.33

 

CMYK 0 / 67 / 48 / 52

HEX #7A283F

RGB 122 40 63

HSL 343.17, 0.51%, 0.32%

LAB 29.45, 37.62, 5.09

 

CMYK 48 / 0 / 67 / 52

HEX #3F7A28

RGB 63 122 40

HSL 103.17, 0.51%, 0.32%

LAB 45.81, -35.26, 37.77

 

CMYK 67 / 49 / 0 / 53

HEX #283E79

RGB 40 62 121

HSL 223.7, 0.5%, 0.32%

LAB 27.51, 12.09, -36.33

 

CMYK 6 / 67 / 0 / 52

HEX #73287A

RGB 115 40 122

HSL 294.88, 0.51%, 0.32%

LAB 30.8, 44.43, -31.23

 

CMYK 0 / 19 / 67 / 52

HEX #7A6328

RGB 122 99 40

HSL 43.17, 0.51%, 0.32%

LAB 43.08, 2.08, 36.06

 

CMYK 61 / 0 / 67 / 52

HEX #2F7A28

RGB 47 122 40

HSL 114.88, 0.51%, 0.32%

LAB 45.19, -40.02, 36.91

 

CMYK 67 / 49 / 0 / 53

HEX #283E79

RGB 40 62 121

HSL 223.7, 0.5%, 0.32%

LAB 27.51, 12.09, -36.33

 

CMYK 0 / 67 / 15 / 52

HEX #7A2868

RGB 122 40 104

HSL 313.17, 0.51%, 0.32%

LAB 31.01, 43.12, -19.38

 

CMYK 0 / 19 / 67 / 52

HEX #7A6328

RGB 122 99 40

HSL 43.17, 0.51%, 0.32%

LAB 43.08, 2.08, 36.06

 

CMYK 67 / 0 / 52 / 52

HEX #287A3A

RGB 40 122 58

HSL 133.17, 0.51%, 0.32%

LAB 45.19, -39.28, 27.8

 

Description

Color code: HEX #283E79 | qconv.com Color code: HEX #283E79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 62 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 62 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 49 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 49% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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