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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D536B it is the complementary color #C2AC94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D536B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D536B shade: #425366, #536579, #64778C, #75899F and #869BB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D536B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D536B shade: #3D536B, #2C4158, #1B2F45, #0A1D32 and #000B1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D536B shade: #3D536A, #3D466A, #403D6A, #4C3D6A and #583D6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D536B shade: #3D536A, #3D466A and #3D3D6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D536B shade matches the following richer shades: #3D536A, #2F5278, #225186, #145193 and #0650A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D536B shade: #3D536A, #4B535D, #58544F, #665442 and #735534

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D536B shade: #3D6A6A, #3D5F6A, #3D536A, #3D476A and #3F3D6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D536B shade: #1F2A36, #2E3E50, #3D536A, #4C6785 and #5B7B9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D536B shade: #3D536B, #5D3D6A and #656A3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D536B shade: #3D536B, #6A3D53 and #536A3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D536B shade: #3D536B, #5D3D6A, #6A543D and #4A6A3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D536B shade: #3D536B, #6A3D6A, #6A543D and #3D6A3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 22 / 0 / 58

HEX #3D536B

RGB 61 83 107

HSL 211.3, 0.27%, 0.33%

LAB 34.48, -1.5, -16.48

 

Complementary color

CMYK 0 / 11 / 24 / 24

HEX #C2AC94

RGB 194 172 148

HSL 31.3, 0.27%, 0.67%

LAB 71.63, 4.16, 15.26

 

CMYK 35 / 19 / 0 / 60

HEX #425366

RGB 66 83 102

HSL 211.67, 0.21%, 0.33%

LAB 34.61, -1.43, -13.12

 

CMYK 31 / 17 / 0 / 53

HEX #536579

RGB 83 101 121

HSL 211.58, 0.19%, 0.4%

LAB 42.04, -1.65, -13.41

 

CMYK 29 / 15 / 0 / 45

HEX #64778C

RGB 100 119 140

HSL 211.5, 0.17%, 0.47%

LAB 49.25, -1.84, -13.73

 

CMYK 26 / 14 / 0 / 38

HEX #75899F

RGB 117 137 159

HSL 211.43, 0.18%, 0.54%

LAB 56.26, -2, -14.06

 

CMYK 25 / 13 / 0 / 30

HEX #869BB2

RGB 134 155 178

HSL 211.36, 0.22%, 0.61%

LAB 63.12, -2.14, -14.4

 

CMYK 43 / 22 / 0 / 58

HEX #3D536B

RGB 61 83 107

HSL 211.3, 0.27%, 0.33%

LAB 34.48, -1.5, -16.48

 

CMYK 50 / 26 / 0 / 65

HEX #2C4158

RGB 44 65 88

HSL 211.36, 0.33%, 0.26%

LAB 26.79, -1.06, -16.32

 

CMYK 61 / 32 / 0 / 73

HEX #1B2F45

RGB 27 47 69

HSL 211.43, 0.44%, 0.19%

LAB 18.78, -0.38, -16.21

 

CMYK 80 / 42 / 0 / 80

HEX #0A1D32

RGB 10 29 50

HSL 211.5, 0.67%, 0.12%

LAB 10.36, 0.84, -16.17

 

CMYK 100 / 65 / 0 / 88

HEX #000B1F

RGB 0 11 31

HSL 218.71, 1%, 0.06%

LAB 3.06, 1.86, -13.35

 

CMYK 42 / 22 / 0 / 58

HEX #3D536A

RGB 61 83 106

HSL 210.67, 0.27%, 0.33%

LAB 34.44, -1.8, -15.92

 

CMYK 42 / 34 / 0 / 58

HEX #3D466A

RGB 61 70 106

HSL 228, 0.27%, 0.33%

LAB 30.43, 6.58, -22.12

 

CMYK 40 / 42 / 0 / 58

HEX #403D6A

RGB 64 61 106

HSL 244, 0.27%, 0.33%

LAB 28.03, 13.47, -25.88

 

CMYK 28 / 42 / 0 / 58

HEX #4C3D6A

RGB 76 61 106

HSL 260, 0.27%, 0.33%

LAB 29.2, 17.25, -23.96

 

CMYK 17 / 42 / 0 / 58

HEX #583D6A

RGB 88 61 106

HSL 276, 0.27%, 0.33%

LAB 30.53, 21.23, -21.78

 

CMYK 42 / 22 / 0 / 58

HEX #3D536A

RGB 61 83 106

HSL 210.67, 0.27%, 0.33%

LAB 34.44, -1.8, -15.92

 

CMYK 42 / 34 / 0 / 58

HEX #3D466A

RGB 61 70 106

HSL 228, 0.27%, 0.33%

LAB 30.43, 6.58, -22.12

 

CMYK 42 / 42 / 0 / 58

HEX #3D3D6A

RGB 61 61 106

HSL 240, 0.27%, 0.33%

LAB 27.76, 12.58, -26.31

 

CMYK 42 / 22 / 0 / 58

HEX #3D536A

RGB 61 83 106

HSL 210.67, 0.27%, 0.33%

LAB 34.44, -1.8, -15.92

 

CMYK 61 / 32 / 0 / 53

HEX #2F5278

RGB 47 82 120

HSL 211.23, 0.44%, 0.33%

LAB 33.97, -0.18, -25.43

 

CMYK 75 / 40 / 0 / 47

HEX #225186

RGB 34 81 134

HSL 211.8, 0.6%, 0.33%

LAB 33.87, 3.29, -34.28

 

CMYK 86 / 45 / 0 / 42

HEX #145193

RGB 20 81 147

HSL 211.18, 0.76%, 0.33%

LAB 34.27, 6.88, -41.6

 

CMYK 96 / 50 / 0 / 37

HEX #0650A1

RGB 6 80 161

HSL 211.35, 0.93%, 0.33%

LAB 34.7, 12.5, -49.38

 

CMYK 42 / 22 / 0 / 58

HEX #3D536A

RGB 61 83 106

HSL 210.67, 0.27%, 0.33%

LAB 34.44, -1.8, -15.92

 

CMYK 19 / 11 / 0 / 64

HEX #4B535D

RGB 75 83 93

HSL 213.33, 0.11%, 0.33%

LAB 34.95, -0.75, -6.89

 

CMYK 0 / 5 / 10 / 65

HEX #58544F

RGB 88 84 79

HSL 33.33, 0.05%, 0.33%

LAB 35.95, 0.62, 3.5

 

CMYK 0 / 18 / 35 / 60

HEX #665442

RGB 102 84 66

HSL 30, 0.21%, 0.33%

LAB 37.04, 4.51, 13.31

 

CMYK 0 / 26 / 55 / 55

HEX #735534

RGB 115 85 52

HSL 31.43, 0.38%, 0.33%

LAB 38.53, 8.15, 23.98

 

CMYK 42 / 0 / 0 / 58

HEX #3D6A6A

RGB 61 106 106

HSL 180, 0.27%, 0.33%

LAB 41.75, -15.44, -4.87

 

CMYK 42 / 10 / 0 / 58

HEX #3D5F6A

RGB 61 95 106

HSL 194.67, 0.27%, 0.33%

LAB 38.23, -9.12, -10.15

 

CMYK 42 / 22 / 0 / 58

HEX #3D536A

RGB 61 83 106

HSL 210.67, 0.27%, 0.33%

LAB 34.44, -1.8, -15.92

 

CMYK 42 / 33 / 0 / 58

HEX #3D476A

RGB 61 71 106

HSL 226.67, 0.27%, 0.33%

LAB 30.73, 5.92, -21.65

 

CMYK 41 / 42 / 0 / 58

HEX #3F3D6A

RGB 63 61 106

HSL 242.67, 0.27%, 0.33%

LAB 27.94, 13.17, -26.03

 

CMYK 43 / 22 / 0 / 79

HEX #1F2A36

RGB 31 42 54

HSL 211.3, 0.27%, 0.17%

LAB 16.57, -1.01, -9.25

 

CMYK 43 / 23 / 0 / 69

HEX #2E3E50

RGB 46 62 80

HSL 211.76, 0.27%, 0.25%

LAB 25.58, -1.1, -12.95

 

CMYK 42 / 22 / 0 / 58

HEX #3D536A

RGB 61 83 106

HSL 210.67, 0.27%, 0.33%

LAB 34.44, -1.8, -15.92

 

CMYK 43 / 23 / 0 / 48

HEX #4C6785

RGB 76 103 133

HSL 211.58, 0.27%, 0.41%

LAB 42.66, -1.56, -19.76

 

CMYK 43 / 23 / 0 / 38

HEX #5B7B9F

RGB 91 123 159

HSL 211.76, 0.27%, 0.49%

LAB 50.56, -1.62, -22.91

 

CMYK 43 / 22 / 0 / 58

HEX #3D536B

RGB 61 83 107

HSL 211.3, 0.27%, 0.33%

LAB 34.48, -1.5, -16.48

 

CMYK 12 / 42 / 0 / 58

HEX #5D3D6A

RGB 93 61 106

HSL 282.67, 0.27%, 0.33%

LAB 31.13, 22.93, -20.8

 

CMYK 5 / 0 / 42 / 58

HEX #656A3D

RGB 101 106 61

HSL 66.67, 0.27%, 0.33%

LAB 43.38, -9.62, 24.59

 

CMYK 43 / 22 / 0 / 58

HEX #3D536B

RGB 61 83 107

HSL 211.3, 0.27%, 0.33%

LAB 34.48, -1.5, -16.48

 

CMYK 0 / 42 / 22 / 58

HEX #6A3D53

RGB 106 61 83

HSL 330.67, 0.27%, 0.33%

LAB 31.87, 23.03, -4.77

 

CMYK 22 / 0 / 42 / 58

HEX #536A3D

RGB 83 106 61

HSL 90.67, 0.27%, 0.33%

LAB 41.98, -17.34, 22.52

 

CMYK 43 / 22 / 0 / 58

HEX #3D536B

RGB 61 83 107

HSL 211.3, 0.27%, 0.33%

LAB 34.48, -1.5, -16.48

 

CMYK 12 / 42 / 0 / 58

HEX #5D3D6A

RGB 93 61 106

HSL 282.67, 0.27%, 0.33%

LAB 31.13, 22.93, -20.8

 

CMYK 0 / 21 / 42 / 58

HEX #6A543D

RGB 106 84 61

HSL 30.67, 0.27%, 0.33%

LAB 37.37, 5.64, 16.9

 

CMYK 30 / 0 / 42 / 58

HEX #4A6A3D

RGB 74 106 61

HSL 102.67, 0.27%, 0.33%

LAB 41.38, -20.94, 21.63

 

CMYK 43 / 22 / 0 / 58

HEX #3D536B

RGB 61 83 107

HSL 211.3, 0.27%, 0.33%

LAB 34.48, -1.5, -16.48

 

CMYK 0 / 42 / 0 / 58

HEX #6A3D6A

RGB 106 61 106

HSL 300, 0.27%, 0.33%

LAB 32.79, 27.4, -18.09

 

CMYK 0 / 21 / 42 / 58

HEX #6A543D

RGB 106 84 61

HSL 30.67, 0.27%, 0.33%

LAB 37.37, 5.64, 16.9

 

CMYK 42 / 0 / 42 / 58

HEX #3D6A3E

RGB 61 106 62

HSL 121.33, 0.27%, 0.33%

LAB 40.65, -25.54, 19.97

 

Description

Color code: HEX #3D536B | qconv.com Color code: HEX #3D536B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 83 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 83 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 22 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 22% 0% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Logical Vehicle Mana...
Link: http://www.logicalvm.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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